DOCSLIB.ORG

ITV's Gripping Drama Filmed on Location in West

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ITV's Gripping Drama Filmed on Location in West “ Broadchurch was written as a love letter to the scenery of the Jurassic Coast. ” Chris Chibnall, writer and creator of Broadchurch. BROADCHURCH ITV’s gripping drama filmed on location in WEST BAY West Bay, situated on Dorset’s coastline, played a starring role alongside David This leaflet will help you to discover some of the key Tennant and Olivia Colman in ITV1’s hit filming locations used in the series. Immerse yourself in the surroundings and retrace the footsteps of the characters drama, Broadchurch. The spectacular you’ve avidly followed. East Cliff and beach featured prominently Broadchurch was penned by local writer, Chris Chibnall, and throughout both series and were integral the Dorset landscape was always intended to be very much to setting the mood of the drama and are a character in the drama. “Broadchurch was a love letter symbolic to the award winning drama. to the scenery of the Jurassic Coast” says Chris. “which used key West Dorset landmarks as part of its story. The landscape informs the drama: the cliffs, the sea, the beach were all key elements of the story”. 1 2 WEsT ClIff 7 Many scenes were shot from this cliff and it JurassIC PIEr anD HarBOur provides magnificent views across West Bay. The Jurassic Pier and harbour provided the setting for many Take a walk up the cliff and soak up the vista! scenes due to its beautiful views across the coastline. nEWsagEnTs The exterior of this newsagents was used as Jack Marshall’s newsagents in the first series. Discover some of the filming locations used in both series of Broadchurch and uncover the beauty of Dorset that stole the show ... 3 4 6 5 BrOaDCHurCH ECHO nEWsPaPEr OffICE located near the green in BrOaDCHurCH Café HarDY’s rIvErsIDE HOME West Bay, the amusement WEssEx POlICE The interior of Ellipse Café The blue beach chalet where Hardy stayed arcade was used as the StaTIOn was used on several occasions in series two sits on the banks of the river Broadchurch Echo office in Brit in West Bay and offers views across the The folly on West throughout series one. series two. river, harbour and meadows behind. Quay provides the exterior for the Broadchurch police station. susan WrIgHT’s Caravan (frEsHWaTEr) freshwater Beach Holiday Park provided the setting for susan Wright’s caravan located on the beach. BrIar ClIff HuT (EYPE) BEaCH HuTs (CHarMOuTH) The exterior of this hut at Eype was used The beach huts used throughout series two are for the murder scene of Danny latimer. located on Charmouth beach, west of West Bay. This This hut is privately owned and is not was the location for several scenes between Claire and accessible to the public but the views lee, Claire and Ellie and also where Mark and Beth from here across the Jurassic Coast are met Jocelyn out for her walk in the first episode of the stunning. series two. River Mangerton A35 d a o R r e t s e h c r o D < River Asker 10 < Walditch A3066 9 Beaminster Road East Road St . An dr ew ’ s R oa d EasT PIEr This pier was used for many scenes, Beaminster particularly the hut and bench during River Mangerton Sea Road North the first series. nEWsagEnTs HarBOur ClIff BEaCH (main image) Cy A35 c le p Easily recognisable as the stunning setting The exterior of this newsagentsath was used as Jack d of the beach where Danny’s body was found Marshall’sa newsagents in the first series. o R r in the opening episode of the first series. e t s e h The towering sandstone cliffs and beach c r o < Sea Road South D The numbered are so symbolic to Broadchurch and feature River Asker Weymouth, Ω locations are all in prominentlyBurton Bradstock throughout both series. Millennium 8 & Abbotsbury < Green West Bay and within Burton Road Pymore Walditch East Street< walking distance of Freshwater, Cycl A3066 Ω e pat < River Asker each other. all other h to W Beaminster Road Ω Supermarket est Puncknowle w B3157 Bay Ω B3157 filming locations # Ω w Weymouth < South Street d West Bay Road G W a Town e Ro u The st Bay are B3157within the n < East RoadHall d River Brit Palmers r Electric & TIC y surrounding area B3157 L Brewery Bridport St. Palace East Cliff An a dr Post n Community e e w Ω d ’s and are not all within Ro Oce Ω Orchard a West Street o Hooke ad Ω 6 R 10 l l walking distance of Ω i 7 8 H St Mary’s g West Bay and may n Beaminster i l l 5 # Ω Playing FieldSea BrIgai DE Hall Sea Road North k BrOaDCHurCH ECHO S need to be visited The old Methodist Church WEST BAY 9 B3162 Police Station Cyc River Brit North Allington <nEWsPaPEr OffICEle p separately. ath near the entrance to East located near the green in Beach was dressedBridport and 2 West Bay, the amusement Leisure Lyme regis, 3 Plottingham used as the exterior for Charmouth 4 arcade was used as the Sea Road South Centre & Chideock Playing Fields the sea Brigade Hall in Bypass Bridport Weymouth, Allington Burton Bradstock BroadchurchAllington West & Skate ParkEchoΩ office in Ω Main Car Park Millennium the first series. & Abbotsbury Greenseries two. Burton Road Pymore Medical w Toilets CentreEast Street< East Cli Cyc Ω le pat < River Asker h to W Coach Park Ω Supermarket est # w B3157 Bay Ω B3157 < South Street d West Bay Road Bridport G W a Town e Ro Footpath u The st Bay Watton B3157 Community n < Hall d River Brit Palmers West Cli to r Electric Hospital & TIC y B3157 SW Coast Path Cycle Path L Palace Brewery River Simene a Post n Community e Ω d Oce Ω Orchard a West Street Ω o R A35 l Map not to scale l i Charmouth West Road Ω 1 West H B3162 © Crown copyright. All rights reserved. St Mary’s g n 100024307.2013. i l l Eype Cliff # Ω Playing Field i © West Dorset District Council 2013. k S B3162 Police Station North Allington < River Brit Bridport Lyme regis, Leisure Charmouth West Bay Plottingham Centre & Chideock Playing Fields Bypass Bridport Allington West Allington West & Skate Park BrOaDCHurCH nIgHTCluB Medical Centre anD TaxI rank (WEYMOuTH) The nightclub scenes where Ellie and Bridport Watton Claire went for a night out in series two Community West Cli to Hospital wereSW Coastfilmed Path at the The lazy lizard in River Simene nearby seasideWest town Cli of Weymouth. A35 West Road B3162 BluEBEll WOODs StonEBarrOW (nr CHarMOuTH) (HOOkE) This is the location that was used for some of lee ashworth’s The bluebell woods scenes where he was working and met with Hardy. that are integral to the sandbrook case in series two lEE asHWOrTH’s are located at HIDEOuT (PunCknOWlE) Hooke Woods near The knoll at Puncknowle provided the Beaminster, although location for many scenes with lee and Claire the river that features ashworth in series two. The knoll is located in the series is in the on the coast road between West Bay and south East. abbotsbury. Enjoy views over the whole sweep of lyme Bay and inland over most of the West Dorset hills. Olivia Colman David Tennant Dorset is a great place to come on holiday, but don’t just take our word for it - the Broadchurch cast and crew love filming in Dorset ! Charlotte rampling David Tennant “It was a really great experience to film “I loved being back in West Bay .... West Bay there. I find it an extraordinary coastline, is the location that everyone recognises. We very inspiring county and a beautiful part always enjoy coming back here”. of England.” Olivia Colman “Being on the cliff at Bridport in the SAFETY ON THE COAST sunshine during the first week of filming We pride ourselves on the stunning was just amazing. Idyllic” Jurassic Cliffs that tower along the West Dorset coast, however, please Eve Myles take care when walking on or near “I’d never been there before - how glorious the cliffs and follow the safety is that place and why haven’t I been before? advice and warning signs that are It’s two hours from my house door to Marianne Jean-Baptiste door, I’ll be going there a lot more. I was located along the coast. “When I watched Broadchurch, I spotting out places to take the children next Erosion is a natural, ongoing process thought where is this; it has to be the summer. It’s beautiful.” along this stretch of coast – and is South of France or somewhere, because one of the main reasons why the the light is fantastic.” Pauline Quirke Jurassic Coast was designated a “I have absolutely fallen in love with the James D’arcy World Heritage site. Exceptional rainfall over the past year has left place. I loved being at West Bay and when “It was a joy to go to work every I got the chance I’d go off exploring. I have morning in one of the most beautiful some of the cliffs in an unusually been to Lyme Regis and lots of other places places in England”. unpredictable and unstable just having a wander around with Bailey (her condition, with a heightened risk pet Labrador).” of additional landslides, mudslides and rock falls. People can and should enjoy the coast but should, as always, take care when out and about. More safety advice is available on our website: visit-dorset.com Download the Dorset Visitor App Pauline Quirke Photography: ITV Picturedesk/Kudos.
Load more

Recommended publications
  • 2020 Holiday Brochure
    2020 HOLIDAY BROCHURE Trusted to deliver award-winning holidays for nearly 50 years Online Booking available 24/7 5 family-run Holiday Parks on the Jurassic Coast www.wdlh.co.uk Welcome to Dorset West Dorset Leisure Holidays is a group of 5 Holiday Parks run by the Cox family, who have welcomed guests for nearly 50 years. We pride ourselves on creating a friendly and relaxed atmosphere so that you can enjoy an unforgettable holiday. We hope you will find everything you need in this brochure but should you have any other questions, please visit www.wdlh.co.uk or contact the bookings team on 01308 426947 (9am to 5pm daily). Awards *Awards vary by Park 2 01308 426947 www.wdlh.co.uk [email protected] Pick of the Parks Use the snapshots below to find your perfect park! We have a choice of parks, whether you are looking for a big park with great facilities and views like Highlands End, a beautiful park right on the beach like Golden Cap or smaller more tranquil parks in the Dorset countryside like Graston Copse and Sandyholme. HIGHLANDS END GOLDEN CAP Highlands End is superbly located on the clifftop Golden Cap is a hidden gem just yards from with views over 99 miles of coastline. There are Seatown Beach. Beautifully located in a peaceful all the facilities you need, including Martin’s Bar & valley, the park is surrounded by 2,000 acres of Restaurant, Highlands End Leisure Club, the Little Fire National Trust land and the highest cliff on the south Station Soft Play and Pitch ‘n’ Putt.
    [Show full text]
  • Literariness.Org-Mareike-Jenner-Auth
    Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting
    [Show full text]
  • Winter-Presskit-Aw.Pdf
    Eve Winter and her task force must solve the chilling murder of 23-year old mother Karly at a hauntingly beautiful fishing town south of Sydney. After the success of 2014’s TV movie The Killing connection between Indiana and Karly? And how Field, Rebecca Gibney returns to the screen as are these two related to Lachlan’s cold case? What Detective Sergeant Eve Winter in Seven’s new started as a straight domestic homicide will uncover series Winter. Peter O’Brien will reprise his role as secrets buried decades deep and push Eve’s team Detective Inspector Lachlan McKenzie. to breaking point. Enter Federal policeman Jake Harris (Matt This major landmark series is full of twists and turns Nable) who isn’t keen to share his case; or star as a detective under the gun works to put together witness Indiana, but Eve’s instincts tell her to dig the pieces of an intricate and mysterious crime. deeper. Meanwhile Lachlan is running a parallel investigation into his own cold case, another Winter is in an in-house Seven Production. Executives murder in the same costal town eight years ago. Producers are John Holmes and Julie McGauran. Producers are Chris Martin-Jones, Rebecca Gibney and Between the picturesque backdrop of the south Sarah Smith (producer/writer). coast and the busy city of Kings Cross, Eve has to juggle her personal life, professional life and Created by Michaeley O’Brien and Sarah Smith the competing interests of the case. What is the Detective Sergeant Played by Rebecca Gibney Passionate, dedicated and single-minded, Detective Sergeant Eve In Winter, Eve’s task force is assigned the murder investigation of Winter’s greatest strength is also her greatest weakness; she gets a young mother in a remote fishing village.
    [Show full text]
  • James Kent Director
    James Kent Director Agents Natasha Galloway Associate Agent Talia Tobias [email protected] + 44 (0) 20 3214 0860 Credits Film Production Company Notes THE AFTERMATH Scott Free/Fox Producers: Jack Arbuthnott, Ridley Scott, Malte 2019 Searchlight/BBC Films Grunert Starring: Keira Knightley, Alexander Skarsgard, Jason Clarke TESTAMENT OF Heyday Films Prods: Rosie Alison, David Heyman YOUTH Starring Alicia Vikander, Kit Harington, Taron 2014 Egerton, Emily Watson, Dominic West, Hayley Atwell and Miranda Richardson Documentaries Production Company Notes ONE STRANGE ROCK Nutopia Producer: Darren Aronofsky, Starring: Will Smith 2018 Television Production Company Notes THE CAPTURE II Heyday/BBC/NBC Lead Director. Producers: Rosie Alison, 2021 Kristian Dench, Ben Chanan. Starring: Holliday Grainger, Paapa Essiedu, Ron Perlman. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MOTHER FATHER SON BBC Studios Lead director. 2019 Producers: Hilary Salmon, Lisa Osborne, Alan Poul, Sharon Bloom Starring: Richard Gere, Helen McCrory, Sarah Lancashire, Billy Howle SPARK ABC Pilot 2016 Prods: Ian Sander, Kim Moses Starring Lena Olin, Rege-Gene Page, Tracy Ifeachor AMERICAN CRIME II ABC Prods: John Ridley, Michael MacDonald 2015 Starring Felicity Huffman, Timothy Hutton Regina King 11/22/63 Bad Robot / Warner Prods: JJ Abrams, Bridget Carpenter 2015 Bros TV Starring: James Franco, Chris Cooper, Sarah Gadon THE THIRTEENTH TALE Heyday Films Director. 90min film for BBC2. 2013 Written by Christopher Hampton. Starring Vanessa Redgrave and Olivia Colman *Winner, C21 Media awards 'Best Miniseries'. THE WHITE QUEEN BBC/Starz Lead Director.
    [Show full text]
  • Rupert Power ACO, GBCT | Crew Profile | Gravycrew
    Gravy Crew Ltd. t. +44 (0) 203 696 4600 e. [email protected] Diary Management Service Rupert Power ACO, GBCT Camera / Steadicam Owner-Operator Rupert is an experienced Camera & Steadicam Operator working on Features, TV Drama, TV Comedy, Commercials and Music productions. Experienced with remote heads, geared heads, steadicam and happy to light second unit. Steadicam owner/operator. Feature Films (Selection) Production Director / DOP Production Company Additional Information A Christmas Number 1. Chris Cottam / Catherine Sky Original Cinema Camera Operator Derry Last Night In Soho Edgar Wright / Oliver Big Smoke Pictures Ltd. Camera & Steadicam 2nd Unit Curtis BSC Muscle Gerard Johnson / Stuart Muscle Films Ltd. B Camera & Steadicam Bentley Sulphur & White Julian Jarrold / Felix UME 9 LTD / AMG B Camera & Steadicam Wiedemann International Cordelia Adrian Shergold / Tony StudioPow Steadicam Operator dailies Slater-Ling 90 Minutes Simon Baker /Dom Bartels 90 Minutes Productions Steadicam Operator Sing Street John Carney /Yaron Cosmo Films Steadicam / Crane Op Orbach Legacy David Fairbanks, Marc Legacy Productions Steadicam Operator Small /Aaron Reid The Possibilities are Endless Ed Lovelace, James Hall Pulse Films Steadicam Operator /Richard Stewart Hyena Gerard Johnson /Ben No 9 Films Steadicam Operator Kracun Fair Game Doug Liman /Robbie River Road Entertainment Steadicam Operator Baumgartner Angus, Thongs & Snogging Gurinder Chadha / Dick High Command Steadicam Operator Pope BSC Shifty Rani Creevy /Ed Wild Dudlowe Films Steadicam Operator
    [Show full text]
  • S I D M O U T H
    S I D M O U T H Newsletter September 2017 Issue 48 From the Chairman I closed my piece in the last newsletter by wishing you a great summer unfortunately that has now passed and, according to the met office, we are now officially in Autumn! One of the "hot topics" for the last newsletter was the proposed takeover of the lease of St Francis Church Hall by the Sidmouth Town Band, this has been delayed with no further developments likely until December this year. I'm confident that many organisations, apart from the U3A, hope that the layout of the hall does not change regardless of who operates the lease. It is with some sadness that I've learnt of the passing of Joy Pollock, a founder member of Sidmouth U3A. Joy along with Madge White and June Newbould were the three ladies who met at the Sidmouth Sports Centre and decided to create a steering committee to set-up a U3A branch in Sidmouth. That small seed planted in October 1993 with 15 members has blossomed into our present branch with approaching 350 members. The original membership fee was £5 per head but interestingly the attendance charge for a monthly meeting was 50p the same as it is today! The U3A which Joy helped to start was very different to the organisation we have today, however, when Joy attended the anniversary lunch in 2014 she seemed to approve of the way the branch had developed. There will be those who remember Joy and mourn the passing of one our founder members.
    [Show full text]
  • Film Tourism: What Is It, and How Can You Maximise the Beneits? Introduction
    Film Tourism: What is it, and how can you maximise the beneits? Introduction Film and TV production in the UK is on the rise. Production in 2014 was up a massive 35% from the year before to the highest ever recorded level. The vast majority of this growth has been spurred on by inward investment from international productions. Supported by a competitive tax credit regime for ilm and television drama, even more productions are expected to ilm here in the coming years, meaning that audiences around the world will see more of the UK’s rich and varied locations on screen than ever before. This ilm tourism toolkit provides guidance and case studies for potential ilm locations on how to maximise the potential of ilm tourism. New College Cloisters, Oxford where Harry Potter was ilmed © VisitEngland, VisitOxfordshire Alnwick Castle The Tourism Opportunity Film and TV productions can be a powerful way to add proile to a nation’s tourism ofer, both at home and abroad - they can help to showcase a country’s natural and cultural assets; inform, inspire and inluence travel decisions and help to market and grow local visitor economies. Creative England, in association with VisitEngland and Olsberg SPI, recently produced a new report to identify the value of ilm and television tourism to England and explore how local areas can capitalise on this growing phenomenon. Victoria Baths, Manchester © Mark Payne Key Findings • International core screen tourism in England (outside of London) was worth between £100 million-£140 million in 2014. • All eight locations at which surveys were carried were found to be attracting international or domestic visitors who said they would not have travelled there if they had not seen the associated ilm or television drama.
    [Show full text]
  • “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
    “My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
    [Show full text]
  • Meet the Cast on the All New Series of Doctor Who
    Monday 23 October 2017 Meet the cast on the all new series of Doctor Who When Jodie Whittaker takes over as the thirteenth Doctor on the global hit show next year, she will be joined by an all new regular cast. BBC announces today that Bradley Walsh, Tosin Cole and Mandip Gill will line-up as the new regular cast on Doctor Who. Bradley will star as Graham, Tosin will play Ryan and Mandip will play Yasmin. Also joining the series in a returning role is Sharon D Clarke. New head writer and executive producer Chris Chibnall, who made the decision to cast the first ever woman in the iconic role, is also shaking up who will travel with the Doctor in the TARDIS, with a team of new characters. In more exclusive news, it is confirmed that the new series will be a ten-week run of fifty-minute episodes, kicking off with a feature length hour for the opening launch. Chris Chibnall says: “The new Doctor is going to need new friends. We’re thrilled to welcome Mandip, Tosin and Bradley to the Doctor Who family. They’re three of Britain’s brightest talents and we can’t wait to see them dive into brand new adventures with Jodie’s Doctor. Alongside them, we’re delighted that Sharon D Clarke is also joining the show." Jodie Whittaker says: "I am so excited to share this huge adventure with Mandip, Tosin and Bradley. It's a dream team!" Bradley Walsh says: “I remember watching William Hartnell as the first Doctor.
    [Show full text]
  • Burton Bradstock Parish Council Parish Plan Update 2020 - 2025
    Burton Bradstock Parish Council Parish Plan 2020 - 2025 Burton Bradstock Parish Council Parish Plan Update 2020 - 2025 Burton Bradstock Parish Plan 2014 - 2019 1 Burton Bradstock Parish Council Parish Plan 2020 - 2025 CK PARISH PLAN Contents Acknowledgements .............................................................................................................. 3 1 Introduction ................................................................................................................. 4 What is a Parish Plan? .............................................................................................. 4 Covid-19 .................................................................................................................... 5 Consultation on this Parish Plan ............................................................................... 6 2 The Parish – Facts, Figures and the Future .................................................................. 7 The Parish: Statistics and Trends .............................................................................. 7 Population & Age Structure ...................................................................................... 7 Dwellings and Tenure ............................................................................................... 7 3 Our Policies and Plans .................................................................................................. 9 4 Environment ..............................................................................................................
    [Show full text]
  • Creative England's Filming Partnership Toolkit
    Creative England’s Filming Partnership Toolkit Flamborough, East Yorkshire © VisitEngland, Iain Lewis Why is Filming Important? In 2014, film production was worth £1.47 billion to UK GDP and created thousands of full-time equivalent jobs. Creative England’s involvement includes bringing together England-wide world-class locations, studios, facilities and crew to support this thriving industry. Our work ensures production companies can deliver Creative England is able to calculate the average amount Contents a successful shoot in the English regions. We deliver production spends when filming on location. With a professional on-the-ground support and a film friendly television production’s estimated spend of £17,000 - welcome to attract high profile production to England. £19,000 per day on local employment and services, and a 2 About Creative England & our Filming Partners These interventions also deliver long term benefits from major feature film around £32,000, the benefit to the local 3 Why is Filming Important? profiling England around the globe as a premier visitor economy is clear. destination. 3 Why do we gather statistics from Filming Partners? 4 A Case Study – ITV’s Broadchurch 5 Promoting Locations “In 2014, film production was worth 6 Facilitating Filming About our Filming 6 Consent vs Permits £1.47bn to UK GDP and created 6 Road Closures, Temporary Traffic Regulations Orders Partners and Parking Bay Suspensions. thousands of full-time equivalent jobs.” 6 Costs vs Fees Creative England’s Filming Partners are made up of Local Authority and other public sector organisations 7 Ways to Maximise Returns from Productions committed to supporting the facilitation of filming in the Why do we gather statistics from Filming Partners? 7 Contracts regions.
    [Show full text]
  • Chesil Beach and Adjacent Area: Outline of Existing Data And
    INTERNAL DOCUMENT 94 GHESIL BEA.CH AHD ADJACENT AEEA- OUTLINE OF EXISTING DATA AND SUGGESTIONS FOR FUTURE RESEARCH Report to the Dorset County Council and ¥essex Water Authority [This document should not be cited in a published bibliography, and is supplied for the use of the recipient only]. INSTITUTE OF \ OCEAN a GRAPHIC SCIENCES INSTITUTE OF OCEANOGRAPHIC SCIENCES Wormley, Godalming, Surrey, GU8 BUB. (042-879-4141) (Director: Dr. A. 8. Laughton) Bidston Observatory, Crossway, Birkenhead, Taunton, Merseyside, L43 7RA. Somerset, TA1 2DW. (051-652-2396) (0823-86211) (Assistant Director: Dr. D. E. Cartwright) (Assistant Director: M.J. Tucker) OUTLIETE OP EXISTING MTA AND SUGGESTIONS FOR FUTURE RESEARCH Report to the Dorset CoTxnty Council and ¥essex Water Authority P GARR Internal Document No 94 Institute of Oceanographic Sciences Crossway Taunton Somerset June 198O CONTENTS Page SUMMARY 1 1. INTRODUCTION " 2 2. EXISTING PUBLISHED DATA 2 3. OTHER SOURCES OF DATA 4 3*1 Offshore 4 3.2 Wave data; computed and observed 5 3.3 Beach Sections 6 3.4 Gravel extraction 7 3.5 Tracer experiments and littoral drift 8 3.6 Additional sources 8 4. VALIDITY OF DATA 9 5. THE BEACH AS A FINITE RESOURCE 11 5.1 Introduction 11 5.2 Mechanism of replacement 11 5.3 Conclusions 12 5.4 Further research 12 6. IMPLICATIONS OF DATA ON SEA. DEFENCES, CO&ST PROTECTION 14 WORK AM) GRAVEL EXTRACTION 7. CONCLUSIONS 16 ACKNOWLEDGMENTS 19 REFERENCES TABLES APPENDICES FIGURES TABLES 1. Nature Conservancy beach sections availability* 1965-68 2. Dorset County Council " ; 1955—59 3. " " " " .. " " ; 1974-78 4.
    [Show full text]