Their Voices Will Guide Us
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Promising Practices in Suicide Prevention Across Inuit Nunangat
Promising Practices in Suicide Prevention Across Inuit Nunangat NISPS RESEARCH AND DATA COLLECTION PROJECT JUNE 2019 1 About Inuit Tapiriit Kanatami Inuit Tapiriit Kanatami (ITK) is the national representational organization for Canada’s 65,000 Inuit, the majority of whom live in four regions of Canada’s Arctic, specifically, the Inuvialuit Settlement Region (Northwest Territories), Nunavut, Nunavik (Northern Quebec), and Nunatsiavut (Northern Labrador). Collectively, these four regions make up Inuit Nunangat, our homeland in Canada. It includes 53 communities and encompasses roughly 35 percent of Canada’s land mass and 50 percent of its coastline. The comprehensive land claim agreements that have been settled in Inuit Nunangat continue to form a core component of our organization’s mandate. These land claims have the status of protected treaties under section 35 of the Constitution Act, 1982, and we remain committed to working in partnership with the Crown toward their full implementation. Consistent with its founding purpose, ITK represents the rights and interests of Inuit at the national level through a democratic governance structure that represents all Inuit regions. ITK advocates for policies, programs and services to address the social, cultural, political and environmental issues facing our people. ITK is governed by a Board of Directors composed of the following members: • Chair and CEO, Inuvialuit Regional Corporation • President, Makivik Corporation • President, Nunavut Tunngavik Incorporated • President, Nunatsiavut Government In addition to voting members, the following non-voting Permanent Participant Representatives also sit on the Board of Directors: • President, Inuit Circumpolar Council Canada • President, Pauktuutit Inuit Women of Canada • President, National Inuit Youth Council Prepared by Firelight Research Inc., 2019 2 Acknowledgements This report was produced by Inuit Tapiriit Kanatami with support from the National Inuit Suicide Prevention Strategy Working Group and The Firelight Group. -
As of Aug 20, 2013
As of Aug 20, 2013 EXHIBIT SCHEDULE University of Alberta Telus Atrium Edmonton, AB October 2 – October 14, 2013 Organizers: Andrea Menard, Tanya Kappo, Tara Kappo First Nations University Gallery Regina, SK November 4 – December 20, 2013 Organizers: Judy Anderson & Katherine Boyer G’zaagin Art Gallery Parry Sound, ON Jan. 1 – 31, 2014 Organizing artist: Tracey Pawis Partners Hall/Town Hall Huntsville, ON Feb 10 – 14, 2014 Organizers: Teri Souter and Beth Ward Urban Shaman Gallery Winnipeg, MB March 7 – April 12, 2014 Organizing artists: Daina Warren & Marcel Balfour Aurora Cultural Centre Aurora, ON May 5 – June 26, 2014 Organizing artist: Nathalie Bertin c/o Christi Belcourt, P.O. Box 5191, Espanola, ON, P5E 1A0 / [email protected] / Facebook: Walking With Our Sisters 1 As of Aug 20, 2013 The NorVa Centre Flin Flon, MB July 14 to August 4, 2014 Contacts: Mike Spencer & Doreen Leigh Roman Metis Hall The Pas, MB August 11 – 18, 2014 Organizer: Suzanne Barbeau Bracegirdle Thunder Bay Art Gallery Thunder Bay, ON September 6 – October 18, 2014 Organizing Artist: Jean Marshall Saskatoon/Wanuskewin Saskatoon/Wanuskewin, SK November 1 - 30, 2014 Organizing Artist: Felicia Diedre Open Sky Creative Society Gallery Jan/Feb 2015 Fort Simpson, NT Organizer: Lynn Canney, Program Coordinator Yukon Arts Centre March 12 – May 15, 2015 Whitehorse, Yukon Organizing artist: Lena White The Jasper Habitat for the Arts Jasper National Park, Alberta June 26 - July 12, 2015 Organizer: Marianne Garrah Museum of Contemporary Native Arts Santa Fe, NM August 2015 Organizing Curator: Ryan Rice Gallery 101 Ottawa, ON September/October 2015 Organizing artists: Heather Wiggs & Laura Margita c/o Christi Belcourt, P.O. -
Addressing Gendered Violence Against Inuit Women: a Review of Police Policies and Practices in Inuit Nunangat
Addressing Gendered Violence against Inuit Women: A review of police policies and practices in Inuit Nunangat Full Report & Recommendations Pauktuutit Inuit Women Canada and Dr. Elizabeth Comack Department of Sociology and Criminology University of Manitoba January 31, 2020 pauktuutit.ca A REVIEW OF POLICE POLICIES AND PRACTICES IN INUIT NUNANGAT Contents Acknowledgements . .3 The Report in Brief . .4 Gendered Violence against Inuit Women . .10 Basic Demographics . .11 Framing the Issue: Locating Gendered Violence in the Colonial Context . .12 Pre-contact . .13 Early Contact . .14 Life in the Settlements . .16 The Role of the RCMP in the Colonial Encounter . .17 Into the Present . .22 The “Lived Experience” of Colonial Trauma . .24 Contemporary Policing in Inuit Nunangat . .27 RCMP Policies and Protocols . .27 RCMP Detachments . .29 The First Nations Policing Policy . .29 Policing in Nunavik: the Kativik Regional Police Force . .30 Policing Challenges . .32 Methodology . .35 Policing In Inuvialuit . .38 Safety Concerns and Gendered Violence . .38 Police Presence . .40 Community Policing: Set up to fail? . .40 Racism or Cultural Misunderstanding? . .43 Calling the Police for Help . .45 Responding when Domestic Violence Occurs . .46 The “Game within the Game” . .48 What Needs to be Done? . .51 Healing and Resilience . .54 Policing in Nunavut . .57 Police Presence . .58 The Police Response . .59 Racialized Policing . .60 “Don’t Trust the Cops” . .61 Normalizing Gendered Violence . .63 Policing Challenges . .64 High Turnover of Officers . .65 Inuit Officers . .66 The Language Disconnect . .68 The Housing Crisis . .69 What Needs to be Done? . .70 PAUKTUUTIT INUIT WOMEN OF CANADA 1 ADDRESSING GENDERED VIOLENCE AGAINST INUIT WOMEN Policing in Nunatsiavut . -
L-G-0014502457-0046728341.Pdf
Keetsahnak / Our Missing and Murdered Indigenous Sisters KIM ANDERSON, MARIA CAMPBELL & CHRISTI BELCOURT, Editors Keetsahnak Our Missing and Murdered Indigenous Sisters 1 The University of Alberta Press Published by First edition, first printing, 2018. First electronic edition, 2018. The University of Alberta Press Copyediting and proofreading by Ring House 2 Joanne Muzak. Edmonton, Alberta, Canada t6g 2e1 Indexing by Judy Dunlop. www.uap.ualberta.ca Book design by Alan Brownoff. Copyright © 2018 The University of Cover image: Sherry Farrell Racette, She Alberta Press Grew Her Garden on Rough Ground, 2016, beadwork on moosehide. Used by permission library and archives canada cataloguing in publication All rights reserved. No part of this publication may be reproduced, stored Keetsahnak / Our missing and in a retrieval system, or transmitted in murdered Indigenous sisters / any form or by any means (electronic, Kim Anderson, Maria Campbell & mechanical, photocopying, recording, Christi Belcourt, editors. or otherwise) without prior written consent. Contact the University of Alberta Includes bibliographical references Press for further details. and index. Issued in print and electronic formats. The University of Alberta Press supports isbn 978–1–77212–367–8 (softcover).— copyright. Copyright fuels creativity, isbn 978–1–77212–391–3 (epub).— encourages diverse voices, promotes free isbn 978–1–77212–392–0 (Kindle).— speech, and creates a vibrant culture. Thank isbn 978–1–77212–390–6 (pdf) you for buying an authorized edition of this book and for complying with the copyright 1. Native women—Crimes against— laws by not reproducing, scanning, or Canada. 2. Native women—Crimes distributing any part of it in any form against—Canada—Prevention. -
Creating Culturally-Safe Spaces and Care for Inuit Women and Their
Creating Culturally-Safe Spaces and Care for Inuit Women and Their Families A Resource Guide for Service Providers Did you know this about Inuit? 1 I • 65,000 in Canada Inuit Nunangat means Inuit • 27 percent live outside Inuit Nunangat ᐃᓄᕕᐊᓗᐃᑦ Nunangat ‘Inuit Homeland’ Inuvialuit • 51 percent are under 25 years of age and includes the • Are the fastest growing population in Canada Inuvialuit Settlement • Inuit means people, Inuk is one person ᓄᓇᕗᑦ Nuna vut • Inuktitut has over 15 dialects and is written in Region, Nunavik, ᓄᓇᑦᓯᐊᕗᑦ Nunatsiavut Inuktitut syllabics ᓄᓇᕕᒃ Nunatsiavut, and Nunavik As a service provider, understanding the lived experience of Inuit women clients is key to providing culturally-competent Nunavut. quality care. Why do Inuit women move south? Contemporary realities 2 Reasons for relocating are often linked to the impacts of Social and economic ine—qualities colonization. • Number of physicians per person • 30 per 100,000 in Nunavut Pull Factors • 119 per 100,000 in urban centres • Higher education • Median income across Inuit Nunangat • Employment • $23,485 for Inuit • Family unity and reunification • $92,011 for non-Inuit Push Factors • Percentage of households without enough food • Lack of services • 70 per cent of Inuit in Nunavut • High cost of living • 8 per cent in the rest of Canada • Health care • Overcrowded homes in Inuit Nunangat • Overcrowded, inadequate, or unaffordable housing • 52 per cent of Inuit • 9 per cent of non-Inuit Colonization These realities depict the continuing effects of colonization, including impacts on health, such as TB with a rate 300 times Inuit have a 5,000-year history of distinct worldview and beliefs higher among Inuit vs the Canadian born non-indigenous population. -
The Inuit Way a Guide to Inuit Culture
the inuit way a guide to inuit culture P RODUCED BY P AUKTUUTIT I NUIT W OMEN OF C ANADA R EVISED 2006 Xs4©t5 PAUKTUUTIT wkw5 x3Nw5 vNbu INUIT WOMEN OF CANADA FORWARD The Inuit Way has become one of the most popular and important documents Pauktuutit has produced in our twenty-two year history. With more than ten thousand copies in print, The Inuit Way has helped a broad range of Canadians gain a better understanding and appreciation of our culture. The Inuit Way is much more than a simple introduction to traditional Inuit culture. It provides the reader a starting point for understanding the cultural underpinnings of modern Inuit. As a people, we have undergone immense changes in a generation. Despite the many changes our society has encountered, we retain strong ties to the land and our traditions. People coming to the north today see Inuit taking part in many aspects of modern life— working in an office environment, watching hockey on television, shopping at local stores, making political speeches. What they may not see at first is that Inuit continue to have a strong, unique culture that guides us in our everyday life— our close ties to the land, a dedication to community and a strong sense of self-reliance. The Inuit north has changed with astonishing speed since The Inuit Way was first published in 1989. At times, the rapidity of these changes has threatened to overwhelm us. However, Inuit are known for our tenacity and ability to adapt. Today our communities are strong and vibrant. -
Gail Gallagher
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking With Our Sisters, REDress Project by Gail Gallagher A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Faculty of Native Studies University of Alberta © Gail Gallagher, 2020 ABSTRACT Artistic expression can be used as a tool to promote activism, to educate and to provide healing opportunities for the families of missing and murdered Indigenous women and girls (MMIWG). Indigenous activism has played a significant role in raising awareness of the MMIWG issue in Canada, through the uniting of various Indigenous and non-Indigenous communities. The role that the Walking With Our Sisters (WWOS) initiative and the REDress project plays in bringing these communities together, to reduce the sexual exploitation and marginalization of Indigenous women, will be examined. These two commemorative projects bring an awareness of how Indigenous peoples interact with space in political and cultural ways, and which mainstream society erases. This thesis will demonstrate that through the process to bring people together, there has been education of the MMIWG issue, with more awareness developed with regards to other Indigenous issues within non-Indigenous communities. Furthermore, this paper will show that in communities which have united in their experience with grief and injustice, healing has begun for the Indigenous individuals, families and communities affected. Gallagher ii DEDICATION ka-kiskisiyahk iskwêwak êkwa iskwêsisak kâ-kî-wanihâyahkik. ᑲᑭᐢ ᑭᓯ ᔭ ᐠ ᐃᐢ ᑫᐧ ᐊᐧ ᕽ ᐁᑲᐧ ᐃᐢ ᑫᐧ ᓯ ᓴ ᐠ ᑳᑮᐊᐧ ᓂᐦ ᐋᔭᐦ ᑭᐠ We remember the women and girls we have lost.1 1 Cree Literacy Network. -
The National Inquiry Into the Missing and Murdered Indigenous Women of Canada: a Probe in Peril
THE NATIONAL INQUIRY INTO THE MISSING AND MURDERED INDIGENOUS WOMEN OF CANADA: A PROBE IN PERIL by Jenna Walsh INTRODUCTION discrepancy is indicative of the many operational difficulties that Throughout public spaces across Canada, red dresses have been have skewed national data sets relevant to Aboriginal victims. hung devoid of embodiment: the haunting vacancy serving Although Indigenous women are more likely to be victims of to ‘evoke a presence through the marking of an absence’.1 The violence than their non-Indigenous counterparts, the scope of this REDress project’s creator, Jaime Black, has deemed her work an violence is not easily quantified. This is, in part, due to inconsistent aesthetic response to current socio-political frameworks that police practice in collecting information on Aboriginal identity, normalise gendered and racialised violence against Aboriginal as well as under-reporting due to strained relationships between women across Canada. Her objective is to facilitate discussion police and Indigenous communities. As a result, no definitive surrounding the thousands of Indigenous women that have been statistics can be given. missing or murdered in the last four decades, while providing a visual reminder of the lives that have been lost. Black’s efforts are Despite under-reporting, the recorded figures are still alarming. one of the many grassroots initiatives that have prompted collective Although accounting for only four per cent of the national calls for a federal response to the crisis. These calls have, at last, population, Aboriginal women represent 16 per cent of Canadian been answered. In September 2016, the Government of Canada female homicide victims.4 Consequently, Indigenous women are launched a two-year Independent National Inquiry into the missing at least 4.5 times more likely to be murdered than non-Indigenous and murdered Aboriginal women and girls across the country, women across the country. -
Maria Campbell
MARIA CAMPBELL EDUCATION Pending M.A. in Native Studies, University of Saskatchewan, Saskatoon, Saskatchewan LANGUAGES Cree, Michif, Saulteaux, English HONOURARY DEGREES 2018 Honorary Doctorate in Lettes, University of Winnipeg 2018 Honorary Doctorate in Laws, Ryerson University 2012 Honorary Doctorate in Letters, University of Ottawa 2000 Honorary Doctorate in Letters, Athabasca University 1992 Honorary Doctorate in Letters, York University 1985 Honorary Doctorate in Laws, University of Regina APPOINTMENTS 2017-Present Cultural Advisor, College of Law, University of Saskatchewan 2017-Present Cultural Advisor, Gwenna Moss Centre for Teaching, University of Saskatchewan 1996-Present Elder in Virtual Residence,Centre for World Indigenous Knowledge, Athabasca University, Edmonton 2000-2001 Stanley Knowles Distinguished Visiting Professorship, Brandon University, Brandon, Manitoba 1998-1999 Writer in Residence, University of Saskatchewan, Saskatoon, Saskatchewan 1995-1996 Aboriginal Scholar, Department of Native Studies, University of Saskatchewan, Saskatoon, Saskatchewan 1994-1995 Writer in Residence, Whitehorse Public Library, Whitehorse, Northwest Territories 1985-1986 Writer in Residence, Prince Albert Public Library, Prince Albert, Saskatchewan 1983-1984 Playwright in Residence, Persephone Theatre, Saskatoon, Saskatchewan 1980-1981 Writer in Residence, Regina Public Library, Regina, Saskatchewan 1979-1980 Writer in Residence, University of Alberta, Edmonton, Alberta Maria Campbell 1 resumé 1 TEACHING RECORD 2016-present Indigenous Legal -
The Impact of Resource Extraction on Inuit Women and Families in Qamani'tuaq, Nunavut Territory
THE UNIVERSITY OF BRITISH COLUMBIA School of Social Work The Impact of Resource A Extraction on Inuit Women quantitative assessment and Families in Qamani’tuaq, Nunavut Territory A Report for the Canadian Women’s Foundation January, 2016 Pauktuutit Inuit Women of Canada School of Social Work, University of British Columbia Rebecca Kudloo, President Pauktuutit Inuit Women of Canada Prepared by: Karina Czyzewski and Frank Tester Nadia Aaruaq University of British Columbia, School of Social Work Qamani’tuaq, Nunavut Territory With support from: Sylvie Blangy Canadian Institutes of Health Research Centre nationale de la recherche scientifique (CIHR) (Montpellier, France) Research for this report was funded by grants from: The Canadian Women's Foundation ArcticNet Non-medical Research Account, School of Social Work, UBC i IN CELEBRATION OF NELLIE QIYUARYUK November 28, 1954 – November 5, 2014 EXECUTIVE SUMMARY This research report is the second of two documents dealing with the social impacts of mining activity near Qamani’tuaq (Baker Lake) on Inuit women and families in the community. The first report (March 2014) was based on interviews and qualitative data. This report deals with results of a questionnaire, with content developed in 2013 by Inuit women of Qamani’tuaq in the course of a week-long workshop. The questionnaire was completed by 62 women, aged 19 years and older. The data deals with their experience, perceptions and feelings. While social impact research typically focuses on statistical indicators (rates at which services are engaged, facilities used, employment rates, training received, health statistics, etc.), there are considerable shortcomings to this approach. The quality of life experience is important. -
Uprising: the Power of Mother Earth, an Exhibition by Christi Belcourt at the Musée D’Art De Joliette
Uprising: The Power of Mother Earth, an exhibition by Christi Belcourt at the Musée d’art de Joliette April 29, 2019 – This summer (from June 8 to September 8, 2019), the Musée d'art de Joliette (MAJ) will present two new exhibitions, including Christi Belcourt’s Uprising: The Power of Mother Earth, curated by Nadia Kurd. Uprising: The Power of Mother Earth charts Christi Belcourt’s artistic career beginning with early works showcasing the natural world’s beauty and on to her large sweeping murals, including her collaborations with knowledge holder, storyteller, and emerging visual artist Isaac Murdoch. Spanning more than 25 years of art-making, the exhibition of about 35 works celebrates Belcourt’s many inspirational, artistic, and collective achievements. The exhibit also features Murdoch’s art whose iconic images, including Thunderbird woman, has been become an international symbol of the Indigenous resistance movement against resource extraction. Belcourt’s 2002 painting The Conversation – one of the most popular pieces in the Thunder Bay Art Gallery’s permanent collection – is made of dots that the artist created dipping the end of a paintbrush or knitting needle into the paint and pressing it onto the canvas. Like many of Belcourt’s best-known paintings, the piece evokes the traditional beadwork of First Nations and Métis women. Both Belcourt’s art and her poetry inspire reflection and conversation. People love Belcourt’s works showcasing beautiful twining stems, flower blossoms, and root systems which highlight the abiding connection of all life across Turtle Island (North America). In fact, in 2015, Belcourt’s Wisdom of the Universe (2014), was voted the visitors’ favourite artwork in the Art Gallery of Ontario’s entire collection. -
1 MAWA Critical Writing: Summer Newsletter, 2016 Walking with Our
MAWA Critical Writing: Summer Newsletter, 2016 Walking with Our Sisters community conversation, Winnipeg, January 2014 Art in the Community by Becca Taylor For most of my career, I have worked to insert community collaborative art projects within the white walls of galleries and institutes, and community members into them as well. One of my challenges has been to ease the anxiety many people feel when entering art spaces—sites that have opaque protocols and their own complex language: the language of contemporary art. It can be very intimidating and uncomfortable. It is certainly unfamiliar to most people. So how DO we engage with the community? How do we get them into art spaces? How do we help them to relate to the work? These questions have many different answers. But I believe that the most successful examples of socially engaged contemporary art practices are ones in which the community is able to take ownership of the work, ones that take place in the community (not galleries), and ones that take the time to create meaningful conversations with community members. Community members need to be able to relate to art initiatives and to have their own/collective voice heard. People do not want to be talked for but engaged with; they want to be a part of the discussion. This work can extend beyond the goals, both conceptual and aesthetic, of the artist. It is no longer just the artist creating the work, but the community creating the work. The art itself becomes the act of conversation, organization, time together and commitment to the collective thought, idea, ideal or message.