DOCSLIB.ORG

Annual Report 2019 Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report 2019 Contents DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDANNUALSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDREPORTSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN AND2019SCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENEITAND DIGITALSCALE ANNUALDEEPEN REPORTAND 2019SCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN AND1 SCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE DEEPENANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALEDEEPEN ANDSCALE 2 EIT DIGITAL ANNUAL REPORT 2019 CONTENTS FOREWORD 04 HIGHLIGHTS 2019 05 CEO STATEMENT 06 STRATEGIC FOCUS AREAS PAN EUROPEAN ECOSYSTEM INNOVATION 12 BENELUX 48 EDUCATION 14 FINLAND 49 DIGITAL TECH FRANCE 50 INNOVATION 16 EDUCATION 18 GERMANY 51 ACCELERATION 20 HUNGARY 52 DIGITAL CITIES ITALY 53 INNOVATION 22 SPAIN 54 EDUCATION 24 ACCELERATION 26 SWEDEN 55 56 DIGITAL INDUSTRY UNITED KINGDOM INNOVATION 28 SILICON VALLEY HUB 57 EDUCATION 30 ARISE EUROPE 58 ACCELERATION 32 DIGITAL WELLBEING INNOVATION 34 COMMUNICATIONS 60 EDUCATION 36 ACCELERATION 38 HUMAN RESOURCES 61 DIGITAL FINANCE ALUMNI 62 INNOVATION 40 FINANCIAL REVIEW 64 EDUCATION 42 OUTLOOK 66 ACCELERATION 44 MANAGEMENT COMMITTEE 70 SUPERVISORY BOARD 71 EIT DIGITAL PARTNERS 71 ABOUT EIT DIGITAL 74 PUBLISHER CONTACT EIT Digital IVZW [email protected] Rue Guimard 7 [email protected] B-1040 Brussels Belgium IMAGES EIT Digital ISBN 978-91-87253-63-8 EIT DIGITAL ANNUAL REPORT 2019 3 FOREWORD Please allow me to start this foreword, At the European level we have seen written in April 2020 with the general the new EU Commission under notion that the World has changed, President von der Leyen taking and in many aspects permanently. office. The European Institute of Future prospects of many organiza- Innovation and Technology (EIT) and tions, including EIT Digital are based on Horizon 2020 are now under a single the enabling capacities, built over last Commissioner, Mariya Gabriel, the years. I am confident that 2019 rein- former Commissioner for Digital. Also, forced the importance of our mission digital transformation and innovation and let me share some of the findings. have grown in importance in the Commission as one of the three key 2019 has been another year of growth priorities headed by Executive Vice for our organisation. Our membership President for a Europe Fit for the has grown to almost 300 partners, we Digital Age, Margrethe Vestager, and have opened two new satellite centres, further supported by Internal Market our activities under the Regional Commissioner Thierry Breton. All these Innovation Scheme expanded, and the are positive developments both for the output of our innovation and education EIT and EIT Digital. activities has grown. This was driven by increased recognition of our impact Where in 2018 the Supervisory Board through our results, our partners, our of EIT Digital mainly worked on the students, our entrepreneurs, as well as Strategic Innovation Agenda, in 2019 our alumni. EIT Digital has grown into the focus has been on sustainability, an impactful organization focused on good governance and the transition of contributing to a strong digital Europe. EIT and its Knowledge and Innovation Thanks to everyone in our community Communities (KICs) into the new for your commitment to this mission. Horizon Europe program. Good gover- nance is a key priority of the European At the start of 2019 we presented our institutions and thus of the EIT. The Strategic Innovation Agenda 2020- EIT requires effective, transparent, 2022 (SIA) officially to then European inclusive and independent governance Commission Vice-President Andrus structures for the KICs and this was Ansip and Member of the European also a key priority for EIT Digital during Parliament Eva Kaili. The SIA forms 2019. the basis for our work in the coming years and for the call for proposals Developing KICs into sustainable orga- for Business Plan 2020. We received nizations is key for the EIT. Although, a record number of proposals, which we have sustainability measures in allowed us to build a strong business place, we observe that additional ac- plan with an increased impact and tions are needed in order to generate sustainability potential, which is nee- adequate financing for our operations ded given the reducing EIT financial while facing decreasing EIT financial support. support. Therefore, the Supervisory Board finance committee has together 4 EIT DIGITAL ANNUAL REPORT 2019 with the management developed additional instruments to implement HIGHLIGHTS 2019 the EIT Digital sustainability strategy. The added instruments are a mix of public private financing combined with PAN-EUROPEAN increased asset and income generation measures. Together with the EIT and ECOSYSTEM the other KICs we have been very active in the discussions that take place in the EIT Digital has grown its ecosystem to 278 partners. More than European Commission, Parliament and 90 new partners joined in 2019, including 82 from industry. Council. Some progress has been made with respect to the regulation, strategic agenda, the budget allocation, and the possibilities for a continued EIT financial ENTREPRENEURIAL
Load more

Recommended publications
  • The British Academy Television Awards Sponsored by Pioneer
    The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold,
    [Show full text]
  • The Production of Religious Broadcasting: the Case of The
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output.
    [Show full text]
  • MASTERPIECE on PBS to Co-Produce “Press” Contemporary Drama Set in the Turbulent World of Newspapers Through New Deal with BBC Worldwide and Lookout Point
    MASTERPIECE on PBS to Co-Produce “Press” Contemporary Drama Set in the Turbulent World of Newspapers Through New Deal with BBC Worldwide and Lookout Point Pasadena, CA; January 15, 2017; Rebecca Eaton, Executive Producer of MASTERPIECE, announced today that Press, written by Mike Bartlett (Doctor Foster, King Charles III) and produced by Deep Indigo, Lookout Point and BBC Studios for BBC ONE, will premiere in the US as a co-production with MASTERPIECE on PBS, through a new deal with BBC Worldwide North America and Lookout Point. Press is an ambitious new series set in today’s newspaper industry — its past riven by hacking scandals, its present at the mercy of the digital age and the 24-hour news cycle, its future uncertain. Bartlett’s razor sharp and observant drama will explore the turbulent media landscape through the fortunes of rival broadsheet and tabloid papers and the very different and colorful characters who work for them. BAFTA award-winning producer Nigel Stafford-Clark, who has developed and is producing the show, comments, "At a time when both the nature and the role of the press have themselves become part of the news, there's never been a better moment to focus on this unique world as the basis of a major television series. And I can't think of anyone better to take that on than Mike Bartlett." Lookout Point’s Faith Penhale, Executive Producer, comments “We’re delighted to be working with Mike and Nigel on a series with so much contemporary resonance and relevance. And given the importance of this drama, it’s exciting to know that this tie-up with MASTERPIECE on PBS will offer significant exposure to audiences in North America on a network with an unparalleled track record in taking great British scripted content across the Atlantic.” Bartlett’s television adaptation of his Tony®-nominated Broadway play, King Charles III, will air on MASTERPIECE on PBS in 2017.
    [Show full text]
  • Raidió Teilifís Éireann Tuarascáil Bhliantúil Agus Ráitis Airgeadais an Ghrúpa 2010
    Tuarascáil BhlianTúil agus ráiTis airgeadais an ghrúpa 2010 Title Raidió Teilifís Éireann Tuarascáil Bhliantúil agus Ráitis Airgeadais an Ghrúpa 2010 1 raidió Teilifís Éireann Buaicphointí 1 Tuarascáil chomhaltaí an Bhoird 52 struchtúr na heagraíochta 2 ráiteas maidir le freagrachtaí chomhaltaí an Bhoird 53 cad a dhéanaimid 3 Tuarascáil an iniúchóra neamhspleáigh 54 ráiteas an chathaoirligh 4 ráitis airgeadais 55 athbhreithniú an phríomh-stiúrthóra 6 Beartais chuntasaíochta 62 athbhreithniú Oibriúcháin 10 nótaí atá ina gcuid de ráitis airgeadais an ghrúpa 68 athbhreithniú airgeadais 40 riachtanais Tuairiscithe eile 99 an Bord ar 31 nollaig 2010 46 eolas staitistiúil eile 105 feidhmeannas 47 stair airgeadais 109 rialachas corparáideach 48 Bord Raidió Teilifís Éireann is é Misean rTÉ: an 50ú Tuarascáil Bhliantúil agus ráitis airgeadais an ghrúpa do na 12 mí dar críoch 31 nollaig 2010, arna cur i láthair an aire • Éagsúlacht chultúrtha agus réigiúnach mhuintir na cumarsáide, fuinnimh agus acmhainní nádúrtha de bhun ailt 109 hÉireann go léir a chothú agus a léiriú agus 110 den Acht Craolacháin 2009. • Cláir agus seirbhísí sainiúla uaillmhianacha ar shárchaighdeán a chur ar fáil, agus béim a chur ar léiriúcháin bhaile • Muintir na hÉireann a choinneáil ar an eolas leis an Is í fís RTÉ ná muinín mhuintir na hÉireann a tseirbhís nuachta chuimsitheach neamhspleách is chothú mar fhoinse eolais agus inspioráide fearr is féidir a léiríonn agua a shaibhríonn a saol. • Rannpháirtíocht náisiúnta i ngach mórimeacht a éascú Tuarascáil BhlianTúil agus ráiTis airgeadais an ghrúpa 2010 Buaicphointí Laghdaíodh Costas Bunaidh Oibríochta Bliantúil RTÉ Lúide Dímheas agus Amúchadh de bhreis agus €82 milliún / -19% ó 2008.
    [Show full text]
  • For Programming One Hour Or More
    Outstanding Animated Program (for How I Met Your Mother • CBS • Twentieth Century Fox Programming Less Than One Hour) Steve Olson, Production Designer Susan Eschelbach, Set Decorator Avatar: The Last Airbender • City Of Walls And Secrets • Nickelodeon • Nickelodeon Animation Studio Outstanding Art Direction For A Single-Camera Nominees TBD Series Robot Chicken • Lust For Puppets • Cartoon Network • Deadwood • HBO • Red Board Productions and Paramount ShadowMachine Films Television in association with HBO Entertainment Nominees TBD Maria Caso, Production Designer David Potts, Art Director The Simpsons • The Haw-Hawed Couple • Fox • Gracie Ernie Bishop, Set Decorator Films in association with 20th Century Fox Nominees TBD Heroes • Genesis • NBC • Tailwind Productions in association with NBC Universal Television Studio South Park • Make Love, Not Warcraft • Comedy Central • Curtis A. Schnell, Production Designer Central Productions Daniel J. Vivanco, Art Director Nominees TBD Crista Schneider, Set Decorator SpongeBob SquarePants • Bummer Vacation / Wig Struck Rome • HBO • HBO Entertainment in association with the • Nickelodeon • Nickelodeon Animation Studio in BBC association with United Plankton Pictures, Inc. Joseph Bennett, Production Designer Nominees TBD Anthony Pratt, Production Designer Outstanding Animated Program (for Carlo Serafini, Art Director Programming One Hour Or More) Cristina Onori, Set Decorator Good Wilt Hunting (Foster’s Home For Imaginary Friends) Shark • Teacher’s Pet • CBS • An Imagine Television • Cartoon Network
    [Show full text]
  • Repartitie Speciala Intermediara Septembrie 2019 Aferenta Difuzarilor Din Perioada 01.04.2009 - 31.12.2010 DACIN SARA
    Repartitie speciala intermediara septembrie 2019 aferenta difuzarilor din perioada 01.04.2009 - 31.12.2010 DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 11:59 11:59 2005 US Jamin Winans Jamin Winans 007: partea lui de consolare Quantum of Solace 2008 GB/US Marc Forster Neal Purvis - ALCS Robert Wade - ALCS Paul Haggis - ALCS 10 lucruri nu-mi plac la tine 10 Things I Hate About You 1999 US Gil Junger Karen McCullah Kirsten Smith 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5: Apocalipsa I 10.5: Apocalypse I 2006 US John Lafia John Lafia 10.5: Apocalipsa II 10.5: Apocalypse II 2006 US John Lafia John Lafia 100 de pusti 100 Rifles / 100 de carabine 1969 US Tom Gries Clair Huffaker Tom Gries 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales EG/FR/ GB/IR/J 11 povesti pentru 11 P/MX/U Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Marie-Jose Sanselme septembrie 11'09''01 - September 11 2002 S Inarritu Mira Nair Amos Gitai - SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS Shohei Imamura Youssef Chahine Samira Makhmalbaf Idrissa Quedraogo Inarritu Amos Gitai - SACD SACD SACD/ALCS Ken
    [Show full text]
  • Raidió Teilifís Éireann Annual Report & Group Financial Statements 2010
    ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2010 Title Raidió Teilifís Éireann Annual Report & Group Financial Statements 2010 1 RAIdIó TeilifíS Éireann Highlights 1 Board Members’ Report 52 Organisation Structure 2 Statement of Board Members’ Responsibilities 53 What We do 3 Independent Auditor’s Report 54 Chairman’s Statement 4 Financial Statements 55 director-General’s Review 6 Accounting Policies 62 Operational Review 10 Notes forming part of the Group Financial Statements 68 Financial Review 40 Other Reporting Requirements 99 Board at 31 december 2010 46 Other Statistical Information 105 RTÉ Executive 47 Financial History 109 Corporate Governance 48 Raidió Teilifís Éireann Board RTÉ’s mission is to: 50th Annual Report and Group Financial Statements for the 12 months ended 31 December 2010, presented to the Minister • Nurture and reflect the cultural and regional for Communications, Energy and Natural Resources pursuant to diversity of all the people of Ireland section 109 and 110 of the Broadcasting Act 2009. • Provide distinctive programming and services Is féidir leagan Gaeilge den Tuarascáil a íoslódáil ó of the highest quality and ambition, with the www.rte.ie/about/annualreport emphasis on home production • Inform the Irish public by delivering the best RTÉ’s vision is to grow the trust of the comprehensive independent news service possible people of Ireland as it informs, inspires, • Enable national participation in all major events reflects and enriches their lives. ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2010 Highlights RTÉ’s Annual Operating Cost Base Excluding Depreciation and Amortisation has been reduced by over €82 million / -19% since 2008. Tipperary’s dramatic victory over Kilkenny in 2010 was enjoyed free-to-air on RTÉ Television by the highest ever TV viewership for a hurling final, peaking at 1.24 million in the final minutes.
    [Show full text]
  • PRODUCTION in ONTARIO 2001 with Assistance from ONTARIO MEDIA DEVELOPMENT CORPORATION
    PRODUCTION IN ONTARIO 2001 with assistance from ONTARIO MEDIA DEVELOPMENT CORPORATION ARARAT AVENGING ANGELO Ararat Productions Inc., Alliance Atlantis/ Avenging Film Productions Limited Partner- THEATRICAL FILMS Serendipity Point Films Inc. ship, Franchise Entertainment Producer: Robert Lantos, Atom Egoyan Producers: Stanley Wilson, Elie Samaha Co-Producer: Sandra Cunningham Executive Producer: Kevin Kring AMERICAN PSYCHO 2 - THE GIRL Associate Producers: Julia Rosenberg, Director: Martyn Burke WHO WOULDN'T DIE Simone Urdl Writers: Steve Mackall, Will Aldis Lions Gate Films Corp., Profiler Productions Director/Writer: Atom Egoyan Line Producer: Mike Drake Corp., Profiler Productions L.P. Production Manager: Sandra Cunningham Production Manager: Lyn Lucibello Producer: Ernie Barbarash Director of Photography: Paul Sarossy Director of Photography: Ousama Rawi Executive Producers: Michael Paseornek, Picture Editor: Susan Shipton Film Editor: David Codron Chris Hanley, Christian Halsey Solomon, Music Composer: Mychael Danna Production Designer: Eric Fraser Richard Hull Production Designer: Philip Baker Key Cast: Sylvester Stallone, Madeleine Stowe, Director: Morgan J. Freeman Key Cast: Christopher Plummer, Arsinee Khanjian, Anthony Quinn Writers: Alex Sanger, Karen Craig David Alpay, Marie Josée Croze Shooting Dates: March 2001 – April 2001 Shooting Dates: May - July 2001 Line Producer/ Production Manager: BAY OF LOVE AND SORROWS, THE Suzanne Colvin-Goulding Triptych Media Inc., Second Wave Productions, Director of Photography: Vanja Cernjul
    [Show full text]
  • Outstanding Animated Program (For Chris Clements, Directed by Programming Less Than One Hour) Matt Selman, Written By
    Scott Brutz, Animation Timer Outstanding Animated Program (for Chris Clements, Directed By Programming Less Than One Hour) Matt Selman, Written by Avatar: The Last Airbender • City Of Walls And Secrets • South Park • Make Love, Not Warcraft • Comedy Central • Nick • Nickelodeon Animation Studio Central Productions Michael Dante DiMartino, Executive Producer Trey Parker, Executive Producer/Directed by/Written by Bryan Konietzko, Executive Producer Matt Stone, Executive Producer Eric Coleman, Executive Producer Anne Garefino, Executive Producer Aaron Ehasz, Co-Executive Producer/Head Writer Frank C. Agnone II, Supervising Producer Tim Hedrick, Written by Kyle McCulloch, Producer Lauren MacMullan, Directed by Eric Stough, Director of Animation Yu Jae Myoung, Animation Director/Timing Director SpongeBob SquarePants • Bummer Vacation / Wig Struck Robot Chicken • Lust For Puppets • Cartoon Network • • Nick • Nickelodeon Animation Studio in association with ShadowMachine Films United Plankton Pictures, Inc. Seth Green, Executive Producer/Writer/Directed by Stephen Hillenburg, Executive Producer Matthew Senreich, Executive Producer/Writer Paul Tibbitt, Supervising Producer Keith Crofford, Executive Producer Tom Yasumi, Animation Director/Timer Mike Lazzo, Executive Producer Alan Smart, Animation Director/Supervising Director/Timer Corey Campodonico, Producer Casey Alexander, Storyboard Director/Written by Alex Bulkley, Producer Chris Mitchell, Storyboard Director/Written by Tom Root, Head Writer Luke Brookshier, Storyboard Director/Written by
    [Show full text]
  • Alan Johnston Petition
    ALAN JOHNSTON PETITION BBC News website users around the world have written in their thousands to demand the release of BBC Gaza correspondent Alan Johnston. An online petition was started on Monday, 2 April. It said: “We, the undersigned, demand the immediate release of BBC Gaza correspondent Alan Johnston. We ask again that everyone with influence on this situation increase their efforts, to ensure that Alan is freed quickly and unharmed.” In total, more than 59,000 have now signed. The latest 12,000 names t o be added are published below. A Aikman Sydney, Australia A Scott Glasgow, UK A Buckingham Reading, UK A Verma Detroit, USA A Burton-Hopkind London, A Whitehead Cheshire, UK United Kingdom A Wright London, Great Britain A C London, UK A. Fleming Dublin, Ireland A Gillespie Surrey A. Fountain ENGLAND A Gray Cheltenham, United A. George London, England Kingdom A. Houtman Netherlands A Gray Palmerston North, New A. J, H, Taylor Basingstoke, Hants Zealand A. Le Mura London UK A Gribbin Dublin, Ireland A. Manczyk Madrid, Spain A Jardine Glasgow, UK A. Najdawi London England a johnston nottingham,uk A. Overbeeke-Siepkes The Hague, A Jones Whitchurch, Shropshire The Netherlands A Kenworthy London UK A. Schubert Berlin, Germany A Lonnberg Helsinki, Finland A. Soegaard Naestved Denmark a mavrikakis london A. Townsend A P Bennett Gloucestershire A. Yohlanda Cave St. Michael, A Perryman London England Barbados A Saunders Reading, UK A E Hollows Sheffield, UK A.G.M. Daalderop Delft, The Abhijit Roy Duisburg, Germany Netherlands Abhijit Roy Duisburg, Germany A.H. Steinfeld Brooklyn, New Abhilekh Bhardwaj Delhi, India York U.S.A.
    [Show full text]
  • Youths Must 'Stand Their Ground'
    REAL GIFTS from INTER-FAITH EDUCATION on SCIAF keep Carol concert relationships giving after for World must start Christmas. Child Cancer. at home. Pages 12-13 Pages 4-5 Page 3 No 5543 VISIT YOUR NATIONAL CATHOLIC NEWSPAPER’S WEBSITE AT WWW.SCONEWS.CO.UK Friday November 8 2013 | £1 Vatican seeks your views on Church teaching THE Vatican is asking Catholics around the world for their views on contraception, same-sex ‘marriage’ and Communion and support for divorced and remar- ried couples. In preparation for next year’s Extraordinary Synod on the Family, which Pope Francis announced last month, the Vatican has sent a ques- tionnaire to the world’s bishops to dis- seminate among priests and people. The Scottish bishops discussed how best to disseminate the question- naire among their flock when they met this week. Copies have now been passed to each diocese by the general secretary of the conference and the bishops will arrange for them to be circulated to parishes. The Eng- lish and Welsh bishops have set up a website on the survey. The responses to the questionnaire will be analysed as part of the prepa- rations for the synod, which will run from October 5 to 19 next year on the theme: Pastoral challenges of the fam- ily in the context of evangelisation. The questions, which were sent out by Italian Archbishop Lorenzo Baldisseri, the Secretary General of the Synod of Bishops, cover some of Youths must ‘stand their ground’ the most contentious issues in the Church. The archbishop has asked the world’s bishops’ conferences to I distribute
    [Show full text]
  • Free to Air: an Examination of the Role Played by a Radio Phone-In Programme, Liveline , in the Democratic Process
    Free to Air: An examination of the role played by a radio phone-in programme, Liveline , in the democratic process Frank Byrne, NT, HDE, MACCS Presented for Ph D Supervisor Dr. Barbara O’Connor School of Communications Dublin City University March 2011 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of a Ph D is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. st Signed ………………………………. ID No . 55157866 Date 1 Dec. 2010 2 Abstract The radio phone-in, Liveline , attracts a daily listenership of over 400,000. The topics aired in the programme regularly feature in the newspapers on subsequent days or they become the subject of parliamentary questions in the Dáil or of reactions by government ministers. The programme is seen to offer a place for 'ordinary' voices and opinions in a mass media setting which is usually the preserve of broadcasting professionals, politicians, journalists and expert commentators. In this thesis I examine how Liveline functions in Irish democracy - as a source of information, as a popular platform and as an agent for debate. While it may be shown to be successful in some or all of these areas, it is at the same time a media product where the immediate goals are to interest and entertain the audience and thereby to attract advertising revenue.
    [Show full text]