DOCSLIB.ORG

Daft Punk Random Access Memories Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Daft Punk Random Access Memories Mp3, Flac, Wma Daft Punk Random Access Memories mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul / Pop Album: Random Access Memories Country: Russia Released: 2017 Style: Electro, Disco, Synth-pop MP3 version RAR size: 1427 mb FLAC version RAR size: 1182 mb WMA version RAR size: 1857 mb Rating: 4.1 Votes: 181 Other Formats: APE AUD MP1 DTS DXD AU APE Tracklist Hide Credits Give Life Back To Music Bass – Nathan EastDrums – John "JR" Robinson*Guitar – Nile Rodgers, Paul Jackson 1 Jr.Keyboards – Chris Caswell , Chilly Gonzales*Pedal Steel Guitar [Pedal Steel] – Greg 4:35 LeiszPercussion – Quinn Synthesizer [Modular Synthesizer] – Daft PunkVocals – Daft PunkWritten-By – G.M. de Homem-Christo*, N. Rodgers*, P. Jackson Jr.*, T. Bangalter* The Game Of Love Bass – Nathan EastDrums – John "JR" Robinson*Guitar – Paul Jackson Jr.Keyboards – Chris 2 5:22 Caswell Pedal Steel Guitar [Pedal Steel] – Greg LeiszSynthesizer – Daft PunkVocals – Daft PunkWritten-By – G.M. de Homem-Christo*, T. Bangalter* Giorgio By Moroder Bass – James Genus, Nathan EastDrums – John "JR" Robinson*, Omar HakimGuitar – Paul Jackson Jr.Keyboards – Chris Caswell , Daft PunkPedal Steel Guitar [Pedal Steel] – Greg 3 9:04 LeiszPercussion – Quinn Recorded By [Giorgio's Voice Recorded By] – Guillaume Le BrazSynthesizer [Modular Synthesizer] – Daft PunkVoice – Giorgio MoroderWritten-By – G. Moroder*, G.M. de Homem-Christo*, T. Bangalter* Within Bass – Nathan EastDrums – John "JR" Robinson*Keyboards – Chris Caswell , Daft 4 3:48 PunkPercussion – Quinn Piano [Solo Piano] – Chilly Gonzales*Vocals – Daft PunkWritten-By – G.M. de Homem-Christo*, J. "Chilly Gonzales" Beck*, T. Bangalter* Instant Crush Bass – Nathan EastCo-producer – Julian CasablancasDrums – John "JR" Robinson*Lead 5 Guitar – Julian CasablancasPercussion – Quinn Synthesizer, Keyboards, Guitar – Daft 5:37 PunkVocals – Julian CasablancasWritten-By – G.M. de Homem-Christo*, J. Casablancas*, T. Bangalter* Lose Yourself To Dance Bass – Nathan EastDrums – John "JR" Robinson*Guitar – Nile RodgersVocals – Daft Punk, 6 5:53 Pharrell WilliamsWritten-By – G.M. de Homem-Christo*, N. Rodgers*, Ph. Williams*, T. Bangalter* Touch Bass – James GenusChoir – Alissa M. Crenshaw, Alycia Grant, Chelsea T. DiBlasi*, Elaina S. Crenshaw, Emma S. Gunn*, Jeffrey Gunn*, Jessica Rotter, Joshua Britt, Alexandra Gunn*, Mariah A. Britt*, Shirley Koesnadi, Victor PineschiConductor [Choir] – Angie JareeDrums – 7 8:18 Omar Hakim, Quinn Guitar – Paul Jackson Jr.Keyboards – Chris Caswell Lap Steel Guitar [Lap Steel] – Greg LeiszOndes Martenot – Thomas BlochSynthesizer [Modular Synthesizer] – Daft PunkVocals – Daft Punk, Paul Williams Written-By – C. Caswell*, G.M. de Homem- Christo*, P. Williams*, T. Bangalter* Get Lucky Bass – Nathan EastDrums – Omar HakimGuitar – Nile Rodgers, Paul Jackson Jr.Keyboards – 8 6:09 Chris Caswell Synthesizer – Daft PunkVocals – Daft Punk, Pharrell WilliamsWritten-By – G.M. de Homem-Christo*, N. Rodgers*, Ph. Williams*, T. Bangalter* Beyond Bass – James GenusDrums – Omar HakimGuitar – Paul Jackson Jr.Keyboards – Chris 9 Caswell Pedal Steel Guitar [Pedal Steel], Lap Steel Guitar [Lap Steel] – Greg 4:50 LeiszSynthesizer – Daft PunkVocals – Daft PunkWritten-By – C. Caswell*, G.M. de Homem- Christo*, P. Williams*, T. Bangalter* Motherboard Bass – James GenusGlass Harmonica [Cristal Baschet] – Thomas BlochGuitar – Paul Jackson 10 Jr.Keyboards – Chris Caswell Pedal Steel Guitar [Pedal Steel] – Greg LeiszPercussion – 5:41 Omar Hakim, Quinn Synthesizer [Modular Synthesizer] – Daft PunkWritten-By – G.M. de Homem-Christo*, T. Bangalter* Fragments Of Time Bass – James Genus, Nathan EastCo-producer – Todd EdwardsDrums – Omar HakimGuitar 11 – Paul Jackson Jr.Keyboards – Chris Caswell , Daft PunkPedal Steel Guitar [Pedal Steel] – 4:39 Greg LeiszPercussion – Quinn Synthesizer [Lead Synthesizer] – Daft PunkVocals – Todd EdwardsWritten-By – G.M. de Homem-Christo*, T. Bangalter*, T. Imperatrice* Doin' It Right 12 Synthesizer [Modular Synthesizer] – Daft PunkVocals – Daft Punk, Panda BearWritten-By – 4:11 G.M. de Homem-Christo*, N. Lennox*, T. Bangalter* Contact Bass – James GenusCo-producer – DJ FalconDrums – Omar HakimSynthesizer [Modular 13 6:21 Synthesizer] – DJ Falcon, Daft PunkWritten-By – D. Braithwaite*, G. Porter*, G.M. de Homem-Christo*, S. Queme*, T. Bangalter*, T. Mitchell* Companies, etc. Copyright (c) – Daft Life Ltd. Phonographic Copyright (p) – Daft Life Ltd. Licensed To – Columbia Records Distributed By – Sony Music Entertainment Distributed By – Sony Music Entertainment Poland Sp. z o.o. Pressed By – Sony Music Published By – Imagem Music Published By – Daft Music Published By – Because Music Published By – XLC Music Published By – Miss Mittie Music Published By – Giorgio Moroder Publishing Co. Published By – EMI Music Publishing Published By – Julian Casablancas Publishing Published By – Warner/Chappell Music Publishing Ltd. Published By – EMI April Music Inc. Published By – More Water From Nazareth Published By – Sunset Squid Music Published By – Kazz Song, Inc. Published By – Todd Imperatrice Published By – Chrysalis Published By – Stéphane Quême Published By – Perfect Pitch Publishing Recorded At – Studio Gang Recorded At – Henson Recording Studios Recorded At – Conway Studios Recorded At – Electric Lady Studios Recorded At – Capitol Studios Mixed At – Conway Studios Mastered At – Gateway Mastering Mastered At – Translab Credits Arranged By [Arrangements] – Chris Caswell , Guy-Manuel de Homem-Christo, Thomas Bangalter Bass [Orchestra] – Charles Berghofer* (tracks: 3, 7, 9, 10), Don Ferrone* (tracks: 3, 7, 9, 10), Drew Dembowski (tracks: 3, 7, 9, 10) Bassoon [Orchestra] – Judith Farmer* (tracks: 3, 7, 9, 10) Cello [Orchestra] – Armen Ksajikian (tracks: 3, 7, 9, 10), Christina Soule (tracks: 3, 7, 9, 10), Paula Hochalter* (tracks: 3, 7, 9, 10), Timothy Loo (tracks: 3, 7, 9, 10), Vanessa F. Smith* (tracks: 3, 7, 9, 10) Clarinet [Orchestra] – Marty Krystall (tracks: 3, 7, 9, 10) Clarinet [Orchestra], Bass Clarinet [B. Clarinet (Orchestra)] – Gene Cipriano (tracks: 3, 7, 9, 10) Conductor [Orchestra] – Douglas Walter* (tracks: 3, 7, 9, 10) Contractor [Orchestra] – Joseph Solido (tracks: 3, 7, 9, 10) Coordinator [Production Coordinator] – Jackie O'Brien, Sam Cooper Cover [Cover Art] – Cédric Hervet*, Warren Fu Creative Director – Cédric Hervet* Design Concept [Concept], Art Direction – Cédric Hervet*, Guy-Manuel de Homem-Christo, Paul Hahn, Thomas Bangalter, Warren Fu Edited By [Music Editor] – David Channing Engineer [Digital Audio Engineer] – Daniel Lerner English Horn [E. Horn (Orchestra)] – David Kosoff* (tracks: 3, 7, 9, 10) Flute [Orchestra] – Greg Huckins (tracks: 3, 7, 9, 10), Sara Andon (tracks: 3, 7, 9, 10), Steve Kajala (tracks: 3, 7, 9, 10) French Horn [Orchestra] – Danielle Ondarza (tracks: 3, 7, 9, 10), James Atkinson* (tracks: 3, 7, 9, 10), Justin Hageman (tracks: 3, 7, 9, 10), Nathan Campbell (tracks: 3, 7, 9, 10), Stephanie O'Keefe (tracks: 3, 7, 9, 10) Illustration – Warren Fu Management – Paul Hahn Mastered By – Bob Ludwig, Chab Mixed By – Mick Guzauski Mixed By [Assistant Mixing Engineer], Engineer [Assistant Mixing Engineer] – Peter Franco, Seth Waldmann Oboe [Orchestra] – Earl Dumler (tracks: 3, 7, 9, 10) Orchestrated By [Orchestration] – Chris Caswell (tracks: 3, 7, 9, 10) Other [Booth (Orchestra)] – Chris Caswell (tracks: 3, 7, 9, 10) Other [Legal] – Peter Button, Clintons UK Other [Media Director] – Kathryn Frazier, Biz 3 Percussion [Orchestra] – Brian Kilmore* (tracks: 3, 7, 9, 10), Mark Converse (tracks: 3, 7, 9, 10) Producer – Guy-Manuel de Homem-Christo, Thomas Bangalter Recorded By – Florian Lagatta, Mick Guzauski, Peter Franco Recorded By [Additional Recording Engineer], Engineer [Additional Recording Engineer] – Alana Da Fonseca, Phil Joly Recorded By [Assistant Recording Engineer], Engineer [Assistant Recording Engineer] – Bill Rahko, Charlie Pakkari*, Cory Brice, Derek Karlquist, Doug Tyo, Eric Eylands, Eric Weaver, Kevin Mills, Kyle Stevens, Miguel Lara, Mike Larson , Nicolas Essig, Seth Waldmann Sound Designer – Gus Koven Technician [Audio Consultant] – Jean-Pierre Janiaud Trombone [Bass Trombone (Orchestra)] – Craig Gosnell (tracks: 3, 7, 9, 10) Trombone [Orchestra] – Andrew Martin* (tracks: 3, 7, 9, 10), Bob McChesney (tracks: 3, 7, 9, 10), Charles Looper* (tracks: 3, 7, 9, 10), Charles Morillas* (tracks: 3, 7, 9, 10) Trumpet [Orchestra] – Charles Findley* (tracks: 3, 7, 9, 10), Gary Grant (tracks: 3, 7, 9, 10), Larry McGuire (tracks: 3, 7, 9, 10), Warren Luening (tracks: 3, 7, 9, 10) Viola [Orchestra] – Alma Fernandez (tracks: 3, 7, 9, 10), Andrew Picken (tracks: 3, 7, 9, 10), Carolyn Riley (tracks: 3, 7, 9, 10), Harry Shirinian (tracks: 3, 7, 9, 10), Jody Rubin (tracks: 3, 7, 9, 10), Ray Tischer (tracks: 3, 7, 9, 10), Rodney Wirtz (tracks: 3, 7, 9, 10), Roland Kato (tracks: 3, 7, 9, 10) Violin [Orchestra] – Audrey Solomon (tracks: 3, 7, 9, 10), Calabria McChesney (tracks: 3, 7, 9, 10), Carrie Kennedy (tracks: 3, 7, 9, 10), Cynthia Moussas* (tracks: 3, 7, 9, 10), Irina Voloshina (tracks: 3, 7, 9, 10), Joel Pargman (tracks: 3, 7, 9, 10), Johana Krejci (tracks: 3, 7, 9, 10), Kevin Connolly (tracks: 3, 7, 9, 10), Lisa Dondlinger (tracks: 3, 7, 9, 10), Lisa Sutton (tracks: 3, 7, 9, 10), Margaret Wooten (tracks: 3, 7, 9, 10), Mary K. Sloan* (tracks: 3, 7, 9, 10), Miwako Watanabe (tracks: 3, 7, 9, 10), Neel Hammond (tracks: 3, 7, 9, 10), Nina Evtuhov (tracks: 3, 7, 9, 10), Olivia Tsui (tracks: 3, 7, 9, 10), Rafael Rishik (tracks: 3, 7, 9, 10), Rita Weber (tracks: 3, 7, 9,
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Daft Punk, La Toile Et Le Disco: Revival Culturel a L'heure Du Numerique
    Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique Philippe Poirrier To cite this version: Philippe Poirrier. Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique. French Cultural Studies, SAGE Publications, 2015, 26 (3), pp.368-381. 10.1177/0957155815587245. halshs- 01232799 HAL Id: halshs-01232799 https://halshs.archives-ouvertes.fr/halshs-01232799 Submitted on 24 Nov 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. © Philippe Poirrier, « Daft Punk, la Toile et le disco. Revival culturel à l’heure du numérique », French Cultural Studies, août 2015, n° 26-3, p. 368-381. Daft Punk, la Toile et le disco Revival culturel à l’heure du numérique PHILIPPE POIRRIER Université de Bourgogne 26 janvier 2014, Los Angeles, 56e cérémonie des Grammy Awards : le duo français de musique électronique Daft Punk remporte cinq récompenses, dont celle de meilleur album de l’année pour Random Access Memories, et celle de meilleur enregistrement pour leur single Get Lucky ; leur prestation live, la première depuis la sortie de l’album, avec le concours de Stevie Wonder, transforme le Staples Center, le temps du titre Get Lucky, en discothèque.
    [Show full text]
  • Solid-State Detector SPECT Myocardial Perfusion Imaging
    THE STATE OF THE ART Solid-State Detector SPECT Myocardial Perfusion Imaging Piotr J. Slomka1, Robert J.H. Miller1, Lien-Hsin Hu1,2, Guido Germano1, and Daniel S. Berman1 1Department of Imaging, Medicine, and Biomedical Sciences, Cedars-Sinai Medical Center, Los Angeles. California; and 2Department of Nuclear Medicine, Taipei Veterans General Hospital, Taipei, Taiwan Additionally, the physical space requirements for solid-state cam- There has been an evolutionary leap in SPECT imaging with the era systems have been significantly reduced because photomulti- advent of camera systems that use solid-state crystals and novel plier tubes are no longer required. New solid-state scanners can collimator designs configured specifically for cardiac imaging. also be coupled with diagnostic-quality CT systems suitable for Solid-state SPECT camera systems have facilitated dramatic calcium scanning or coronary CT angiography. With the growing reductions in both imaging time and radiation dose while maintain- clinical experience using solid-state SPECT camera systems, there ing high diagnostic accuracy. These advances are related to is also emerging evidence demonstrating comparable or superior simultaneous improvement in photon sensitivity due to the collima- diagnostic and prognostic utility. tor and imaging geometry, as well as image resolution due to the improved energy resolution of the new crystals. Improved photon This review summarizes current solid-state SPECT technology and sensitivity has facilitated fast or low-dose myocardial perfusion clinical applications, including emerging techniques for myocardial imaging (MPI), and early dynamic imaging has emerged as a blood flow (MBF) quantitation. We will also discuss imaging technique for assessing myocardial blood flow with SPECT.
    [Show full text]
  • The BG News March 03, 2021
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 3-3-2021 The BG News March 03, 2021 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation State University, Bowling Green, "The BG News March 03, 2021" (2021). BG News (Student Newspaper). 9156. https://scholarworks.bgsu.edu/bg-news/9156 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. bg Raisin’ news An independent student press serving the campus and surrounding community, the Wage ESTABLISHED 1920 Bowling Green State University Wednesday, March 3, 2021 Volume 100, Issue 23 Minimum wage effects on student employees | Page 11 Tree No Leaves Support Volleyball: releases women-owned strong start new album businesses in BG to season Page 5 Page 8 Page 9 PHOTO BY JOSH APPEL VIA UNSPLASH BG-0303-01.indd 1 3/2/21 7:36 PM BG NEWS March 3, 2021 | PAGE 2 Great Selection Close to Campus Great Prices BGSU ON HIGH ALERT JOHN NEWLOVE DHS National Terrorism Announcement REAL ESTATE, INC. Steve Iwanek | Reporter Michigan, and Nation of Islam in Toledo Ohio (not to be mistaken with Masjid of Al- “We are not immune to On Jan. 27 the Department of Homeland Islam Mosque in Toledo). Security announced a domestic terrorism “We are a public institution and people violent behavior in this alert projected to last for weeks.
    [Show full text]
  • Bob Stuart Awarded Prince Philip Medal by Royal Academy of Engineering Prestigious Award Presented to Founder of MQA for Career of Innovations
    Bob Stuart awarded Prince Philip Medal by Royal Academy of Engineering Prestigious award presented to Founder of MQA for Career of Innovations News by Hi-Fi+ Staff Sep 16, 2020 Categories: Audio From the press release London, 14 September 2020 – Bob Stuart, creator of MQA and co-founder of Meridian Audio, is awarded the Royal Academy of Engineering Prince Philip Medal for ‘his exceptional contribution to audio engineering which has changed the way we listen to music and experience films’. Stuart is the first audio engineer to receive the award in its 20-year history. Previous recipients of the Prince Philip Medal include inventor of the turbojet engine, Air Commodore Sir Frank Whittle OM KBE CB FREng FRS; geothermal power innovator, Lucien Bronicki; and the electrical engineer who revolutionised fibre optics, Dr Charles Kao CBE FRS FREng. Commissioned by HRH Prince Philip, The Duke of Edinburgh KG KT, Senior Fellow of the Royal Academy of Engineering, the Prince Philip Medal is awarded periodically to an engineer of any nationality who has made exceptional contributions to engineering through practice, management or education. In accepting this award, Bob Stuart reflects: “Audio engineering sits at an intersection between analogue and digital engineering, music and the human listener. My passion to enable great sound recording and playback has required a multi-disciplinary approach, but that quest to preserve and share music performances is very satisfying and important. I am honoured and humbled to receive this award from the Royal Academy of Engineering.” Legendary, multi-Grammy Award winning Mastering Engineer, Bob Ludwig[1], shared his thoughts: “Bob Stuart is a connoisseur of both engineering and music and that is what sets him apart.
    [Show full text]
  • Shawn Kim Director of Photography
    SHAWN KIM DIRECTOR OF PHOTOGRAPHY NARRATIVE UTOPIA (TV Series) In Production Director : Toby Haynes KIDDING (TV Series, Season 1) 2018 Director : Michel Gondry Production : Aggregate Films STRAIGHT A's (Feature Film) 2013 Director : James Cox Production : Holly Wiersma Productions SMILEY FACE (Feature Film) 2007 Director : Gregg Araki Production : Anonymous Content GOLD NEVER RUSTS Director : Tore Frandsen DIRECTORS & COMMERCIALS MICHEL GONDRY American Airlines | Infiniti | Guerlain | Nike | Bacardi | Pandora | Toyota | Shots | Chobani | Fedex | Gillette | Converse FRANÇOIS ROUSSELET H&R Block FLEUR FORTUNÉ Chloé | Oppo TERRI TIMELY Black and Decker | Lincoln | IBM | Rooms to Go | Motorola | Tamilflu | US Cellular | Verizon | Secret Deodorant | Trulia | Geico OLV | Honda CARRIE BRONWSTEIN Kenzo MATHEW CULLEN Hasbro | Capitale One | Midas | Target Halloween DANIEL SANNWALD Evian ZACK MERCK Chevrolet BRAD TUCKER AT&T DAVID SLADE PS3 Chronicles of Narnia TINO SCHAEDLER & TILER FORD HTC BEN GO Honda BEN CALLNER Motorola BRIAN BILLOW GameStop | McDonald's JAKE SCHREIR Voya ROMAN COPPOLA US Census | T-Mobile | Embassy Suites | Geico ADAM BERG Verizon SPECK/GORDON Washington Mutual PATRICK DAUGHTERS Sprite | Coke | Ford | LG | ESPN | Microsoft Zune | Washington | Lottery | Clarks | Above The Influence | AT&T | Cisco BRTHR Internet.org BEN QUINN One-A-Day SAAM FARAHMAND Ford ANDREAS NILLSON Nike GRADY HALL Mazda RANDY KRALLMAN Kayak.com | Ebay | Dominoes | AT&T VINCENT HAYCOCK Marriot | Nike Plus JARON ALBERTIN Target DAVID GRAY Showtime Promo « Shameless » TWIN Phillip 66 | NFL ARNO SALTERS Wangler | Grand Marnier MIKE MAGUIRE Honda | Old Navy | NY Lotto | Budlight | Honda Planet Fitness FILIP ENGSTROM Verizon OMRI COHEN Asahi Beer | USPS MUSIC VIDEOS TRAVIS SCOTT Fleur Fortuné | Division Paris DEPECHE MODE « WRONG » Patrick Daughters GRIZZLY BEAR « TWO WEEKS » Patrick Daughters 50 CENT & EMINEM « MY LIFE » Rich Lee BAAUER « GOGO » Thomas Rhazi | Division THE WEEKND FT.
    [Show full text]
  • ED077069.Pdf
    DOCUMENT RESUME ED 077 069 EA 004 785 AUTHOR Worth, Walter H.,; And Others TITLE A Choice of Futures. INSTITUTION Alberta Commission on Educational Planning, Edmonton. PUB DATE [72] NOTE 337p. AVAIIAELE FROMHurtig Publishers, 225 Birks Building, Edmonton, Alberta (Canada)($6.00, plus mailing) EDRS PRICE MF-$0.65 HCJ$13.16 DESCRIPTORS *Continuous Learning; Economic Factors; Educational Coordination; Educational Finance; Educational Needs; Educational Objectives; *Educational Planning; *Educational Resources; *Futures (of Society); Governance; *Learning Processes; Organization; Prediction; Professional Personnel; Social Problems; Social Structure; Technological Advancement; arend Analysis IDENTIFIERS Alberta; Canada; Experiential Learning ABSTRACT The Commission was commended to investigate social, economic, and technological trends inAlberta for the next 20 years; to examine the needs of all individuals in the Province; to analyze total educational requirements; and to recommend future changes, structures, and priorities necessary for a comprehensive educational system. Between 1969 and 1972, with the help of expert consultants, the Commission sponsored or co-sponsored research studies, held public hearings involving people across the Province, received briefs, convened large conferences, and launched major task force investigations which were made public in 1971. From these resources, the Commission analyzed what people wanted. This analysis resulted in a number of educational ideals, principles, and goals shared by the great majority of citizens, which are presented here. The report also suggests structures, processes, plans, resource management, and priorities designed to help make the good forecasts be true, the bad forecasts be untrue, and the unchangeable forecasts at least tolerable. (Illustrations and photographs may photograph poorly.) (Author) FILMED FROM BEST AVAILABLE COPY U.S DEPARTMENT OF HEALTH.
    [Show full text]
  • Humanism After All? Daft Punk's Existentialist
    PARRHESIA NUMBER 8 • 2009 • 76–88 HUMANISM AFTER ALL? DAFT PUNK’S EXISTENTIALIST CRITIQUE OF TRANSHUMANISM Chad Parkhill INTRODUCTION The French dance music production duo Daft Punk have, since the pre-release publicity for their second album, Discovery (2001), used their music (and the accompanying paratexts of video clips, publicity photos, liner notes, and the costume and stage design of their tours) as an occasion to meditate on the relationship between technology and the human. Although their early efforts at exploring this relationship seem at best naïve—they initially claimed that an accident in their recording studio in September 1999 had transformed them into robots1—their later texts, such as the video clips that accompany their third album, Human After All (2005), display an increasing level of sophistication, not only in artistic but also in philosophical terms. Despite the fact that their music and its commercial success rely extensively on technologies of sound manipulation, digital reproduction, and new forms of online media, Daft Punk’s recent examinations of the relationship between technology and the human are, to say the least, ambivalent. On the one hand, songs such as “Technologic” can be read as paeans to the possibilities that technology opens up to human existence, and the fact that the song was swiftly seized upon by advertising executives to sell Apple’s iPod music player would support such a reading. On the other hand, the visual codes and semiotics of the song’s video clip suggest that Daft Punk’s vision of the technological is a much darker one than Apple might like to embrace.2 Nowhere else in the duo’s oeuvre is their take on technology and the human more developed in its details and more ambivalent in its message than in their debut feature-length film, Electroma (2007).
    [Show full text]
  • Daft Punk Live @ Rex Club, Paris Mp3, Flac, Wma
    Daft Punk Live @ Rex Club, Paris mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Live @ Rex Club, Paris Country: France Released: 1997 Style: House, Acid MP3 version RAR size: 1423 mb FLAC version RAR size: 1732 mb WMA version RAR size: 1229 mb Rating: 4.7 Votes: 993 Other Formats: WAV MIDI MMF VOC TTA DXD VOX Tracklist Hide Credits 1 –Daft Punk Alive 2 –Mr. Fingers Can You Feel It 3 –Daft Punk Musique 4 –Daft Punk Short Circuit 5 –Daft Punk Da Funk Ten Minuets Of Funk 6 –Armand Van Helden Remix – Armand Van Helden 7 –Daft Punk Rollin' & Scratchin' 8 –Daft Punk WDPK 9 –Daft Punk Burnin' 10 –Daft Punk Oh Yeah 11 –Daft Punk Rock 'n Roll 12 –Daft Punk Around The World 13 –Giorgio Moroder The Chase Companies, etc. Recorded At – Rex Club Notes Recorded Live at the Rex Club in Pris in 1997. Rex Club was a part of the daftendirektour. The recording is an inline recording obtained by a Rex Club employee who snuck a recording device into the equipment, and later distributed it. Track 4 contains an early version of 'Short Circuit' which later appeared in Daft Punk's sophomore album, Discovery, in 2001 Related Music albums to Live @ Rex Club, Paris by Daft Punk Daft Punk vs. Prince - Erotic Punk / Erotic Funk Daft Punk - Unreleased Mix Daft Punk - The Best Of Daft Punk Daft Punk - Daft Punk - Select Television Spots Daft Punk - Doin' it Right Daft Punk - Alive 1997 Daft Punk - Random Acces Memories Daft Punk - Alive 2007 Daft Punk - Musique Vol.
    [Show full text]
  • English Song Booklet
    English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR.
    [Show full text]
  • I the ROLE of MUSIC THEORY in MUSIC PRODUCTION AND
    THE ROLE OF MUSIC THEORY IN MUSIC PRODUCTION AND ENGINEERING by GEORGE A. WIEDERKEHR A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2015 i THESIS APPROVAL PAGE Student: George A. Wiederkehr Title: The Role of Music Theory in Music Production and Engineering This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Jack Boss Chair Stephen Rodgers Member Lance Miller Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2015 ii © 2015 George A. Wiederkehr This work is licensed under a Creative Commons Attribution (United States) License. iii THESIS ABSTRACT George A. Wiederkehr Master of Arts School of Music and Dance September 2015 Title: The Role of Music Theory in Music Production and Engineering Due to technological advancements, the role of the musician has changed dramatically in the 20 th and 21 st centuries. For the composer or songwriter especially, it is becoming increasingly expected for them to have some familiarity with music production and engineering, so that they are able to provide a finished product to employers, clients, or listeners. One goal of a successful production or engineered recording is to most effectively portray the recorded material. Music theory, and specifically analysis, has the ability to reveal important or expressive characteristics in a musical work.
    [Show full text]
  • Giorgio Moroder Legendary Godfather of Electronica Announces Australian and New Zealand Headline Shows
    GIORGIO MORODER LEGENDARY GODFATHER OF ELECTRONICA ANNOUNCES AUSTRALIAN AND NEW ZEALAND HEADLINE SHOWS Frontier Touring is delighted to confirm that iconic production pioneer Giorgio Moroder has announced three headline shows this month in Melbourne, Sydney and Auckland alongside his appearances as special guest for Kylie’s upcoming Kiss Me Once Australian tour. An Academy Award­winning composer, superstar DJ, world­recognized songwriter and prolific producer, Giorgio Moroder is one of the most influential and innovative artists of the 20​th and 21​st centuries. Having engineered the disco landscape of the seventies, Moroder brought electronic music to the mainstream with frequent collaborator Donna Summer and their anthemic hits ‘Love To Love You Baby’, ‘Hot Stuff’ and ‘I Feel Love’. As well as his title as godfather of dance, Moroder has composed some of the most recognizable film scores in cinema history, including The Never Ending Story, American Gigolo, Cat People, Superman III, Scarface, Rambo III, and Beverly Hills Cop II as well as hit soundtrack singles ‘Take My Breath Away’ by Berlin (Top Gun), ‘Flashdance’ by Irene Cara and ‘Call Me’ by Blondie (American Gigolo). His work for film has seen him win no less than three Academy Awards that sit proudly alongside his four Golden Globes, four Grammys and in 2004 was an inductee into the Dance Music Hall of Fame for his outstanding contribution to the music industry. As well as his own esteemed work as a solo artist Moroder has worked with a veritable who’s who of icons including Elton John, Cher, Janet Jackson, Freddy Mercury, David Bowie, Chaka Khan, Cheap Trick, and Pat Benatar.
    [Show full text]