March 15-21, 2018

Total Page:16

File Type:pdf, Size:1020Kb

March 15-21, 2018 MARCH 15-21, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM ------------------- Feature • Fort Wayne Ballet ----------------- Bringing Magic to Life By Michele DeVinney ably universal. “The characters in Coppélia are more relatable Although a popular ballet, and one which Fort than in some of the fairy tale ballets,” says Gibbons- SPRING Wayne Ballet last performed in 2011, Coppélia isn’t Brown. “It’s a light-hearted look at the struggles of always instantly recognizable to the casual dance fan. relationships and communities.” The story of a toy maker who creates a doll to love as There’s a lot to behold visually as well. his own is perhaps less familiar than fairy tales like “The costumes for Coppélia are always a feast for Cinderella and Sleeping Beauty which have a strong the eyes, and the toymaker’s toy shop in the second SAXOPHONESALE non-dance following of their own. But Coppélia comes act is also beautiful. This isn’t FAO Schwartz. This is from the same mind as perhaps the most famous and the place of a man who wants a child of his own and ubiquitous ballets of all time, The Nutcracker. wants to bring this life-like doll to life. And for awhile E.T.A. Hoffmann has he really believes it. It’s in created a world in Cop- the toy shop that we have pélia that is very similar some of our student danc- UNBELIEVABLE PRICES ON SAXOPHONES! to the Sugar Plum fantasy ers who get to perform as that audiences flock to see the dolls which is a lot of every holiday season, with fun for them.” the mysterious Dr. Coppe- The production will lius paralleling the equally also be a feast for the ears mercurial Herr Dross- because the spring ballet UP elmeyer. Hero or villain, also provides another op- the character captivates portunity for Fort Wayne from the start. Ballet to collaborate with TO % Bringing the magic to the Fort Wayne Philhar- life will be the company monic, who provide or- dancers and advanced stu- chestral accompaniment to dents of Fort Wayne Bal- the first three performances OFF let under the leadership of of The Nutcracker each Karen Gibbons-Brown, year. Leading the orchestra SELECT SAXOPHONES executive and artistic di- at Coppélia will be second 60 rector for more than 20 year assistant director Ca- years. Although she says leb Young, who is looking the choreography will be forward to the opportunity. the same as the one staged “Collaborating with seven years ago, there is the Ballet is a highlight of much that will be different mine, in our Philharmonic this time around. season,” he says. “We are “It’s such a charming so fortunate to have such a little romantic comedy,” strong artistic partnership FINANCING she says. “I’m having fun with Karen and the whole with the dancers who are company. The music that AVAILABLE all different from when Delibes wrote for Coppélia we performed it the last COPPELIA is songful, charming and ASK FOR DETAILS! time. It’s fun explaining FORT WAYNE BALLET witty. I feel art becomes the different emotions and 7:30 p.m. Friday, March 23 ever more impactful when working with them so that their we collaborate, and ballet is a acting skills are as definitive as 2:30 & 7:30 p.m. prime example of that power to their dancing skills. The danc- Saturday, March 24 inspire.” ers have really had to do their For those who regu- homework and think about what 2:30 p.m. Sunday, March 25 larly attend the after-show par- this is going to mean in terms of Arts United Center ties geared for youngsters, there their performance. It requires a 303 E . Main St. , Fort Wayne will be a slight change this year. broad range of skills. There’s a Instead of those ticketed gath- lot of comedy so the timing is $19-$44 thru box office, erings, the performances will essential to making it work.” 260-422-4226 or instead be preceded by a free- $ Gibbons-Brown sees many fortwayneballet.org of-charge carnival in the lobby 495 common themes between Cop- before the shows. With mario- STUDENT SAXOPHONESAS LOW AS pélia and The Nutcracker and thinks both bring a spe- nette shows and a variety of activities, Gibbons-Brown cial message along with beautiful dance. encourages audiences to arrive early for the four per- “Hoffmann spun both tales to be stories of morals, formances – evening shows on Friday and Saturday, a lesson to be learned. In The Nutcracker we see what matinees on Saturday and Sunday – so that the mood happens when children are faced with evil. In Coppé- can be set before walking into the Arts United Center lia the moral is to be kind, be free, be true. Those are main stage for Coppélia. always good lessons. Both timely and timeless.” As has become a tradition at Fort Wayne Ballet, Gibbons-Brown says that in larger cities Coppé- beginning with The Nutcracker performances in 2010, lia is extremely popular, in fact second only to The the ballet will be partnering with Fort Wayne Animal 3710 Hobson Road MynettMusic.com Nutcracker on some stages. She believes that as more Care and Control to help find forever homes for dogs places establish the name recognition, it will eventual- in the shelter. Originally dubbed the “Muttcrackers,” Fort Wayne, IN (260) 482-5533 ly rise to compete with some of the more familiar titles Fort Wayne Ballet now includes adoptable pets in in ballet. But whether the audience is well-versed in the story of Coppélia or not, the themes are unmistak- Continued on page 17 2 ----------------------------------------------------------------------------------- www.whatzup.com -------------------------------------------------------------- March 15, 2018 whatzup Volume 22, Number 30 e’ve been telling you for awhile now that things are getting ready to heat up in Fortland, and that’s indeed what’s starting to happen now. Irregardless of whatever the weather happens to be doing (and it’s impossible to tell as we write Wthis because three days from now could bring anything from snowstorms to heat waves) you can consider the concert season officially underway as of Wednesday, March 21 when Earth, Wind & Fire play to a packed Embassy Theatre audience. Those icons of soul and funk happen to be this week’s cover story, and whatzup’s Michele DeVinney snagged an interview with one of the founding members, Ralph Johnson, the results of which are on page 4. DeVinney also penned our other two features this week: a preview of the Fort Wayne Bal- let’s production of Coppélia on page 2 and a piece on Arena Dinner Theatre’s director and 90 Years of Film actor Brian Wagner on page 6. Speaking of the Arena, Jen Poiry’s review of its current production, Tennessee Williams’ The Glass Menagerie, appears on page 18, and on page A nostalgic film series 19, you’ll want to read Gregory Stieber’s Director’s Notes on the Civic’s upcoming produc- celebrating the Embassy’s tion of Buyer & Cellar. historic past As is always the case, there’s a whole lot more to check out in these pages than we can Audience participation musical performance on the theater’s historic Grande Page pipe describe here, and there’s even more online at whatzup.com. And to get the very most out Saturday, Apr. 14 • 8pm • $25-$30 organ precedes each show! of what whatzup has to offer, we strongly encourage you to download our brand new app, whatzupFW, from your favorite app store. It’s absolutely free, and it’s absolutely the best Frozen (2013) ........................................May 13 Wings (1927) ........................................June 17 way to keep tabs on your favorite performers and venues. BIGG ROBB Independence Day (1996) .................. July 13 So that’s it – one more week under our belt. We hope you have a good one, and we hope Saturday, April 28 • 8pm • $20-$80 Pirates of the Caribbean (2003) ........Aug. 24 we’ve helped you find fun stuff to see, do and groove to in the days and weeks ahead. All The Sound of Music (1965) ...............Sept. 21 we ask in exchange for bringing all this fun stuff to your awareness is that you remember to tell one and all who it was who sent you: your favorite arts & entertainment weekly. TORONZO CANNON March 20 | 7:30pm inside the issue Friday, May 11 • 7:30pm • $20-$35 ROCKIN ’ ROAD • features ROAD NOTEZ .................................. 12 The McCARTNEY PROJECT FLIX ................................................. 16 TO DUBLIN The Greatest Showman FORT WAYNE BALLET ................................2 March 21 | 7:30pm Bringing Magic to Life SCREENTIME ................................. 16 Panther Tops $1 Billion Worldwide EARTH, WIND & FIRE ..................................4 Three Men on a Mission CURTAIN CALL ................................ 18 EARTH , WIND The Glass Menagerie BRIAN WAGNER .........................................6 The Man in the Arena DIRECTOR’S NOTES ....................... 19 Buyer & Cellar & FIRE March 31 | 7:30pm • columns & reviews • calendars Tuesday, May 22 • 7:30pm • $35-$75 FOREVER YOUNG LIVE MUSIC & COMEDY ....................8 SPINS ................................................7 GIVE HEAR ‘SOUND OF LOVE’ May 4 | 5pm Justin Timberlake, Joe Satriani, Brandi Carlile MUSIC/ON THE ROAD .................... 12 BENEFIT CONCERT BACKTRACKS ...................................7 ROAD TRIPZ ................................... 15 MARQUEE GALA The Godz, The Godz (1978) THINGS TO DO ............................... 17 OUT AND ABOUT ...............................8 MANDY HARVEY Harkening Back to Brown Band Days ART & ARTIFACTS .......................... 18 MAND Y PICKS ............................................. 10 STAGE & DANCE ............................ 19 Joseph Dailey Tuba Trio, Creed Bratton Cover by Brandon Jordan GONZALEZ Membership Makes ON SALE NOW The Difference NABBA Championships 2018 ............... Apr. 6 • Job Referrals Wednesday, May 23 • 8pm • $20-$35 BSU Showcase/Canadian Brass ............ Apr. 8 • Experienced Negotiators Buddy - The Buddy Holly Story ..........Apr. 11 • Insurance PJ Masks ...................................................May 1 MARCUS KING BAND Steve Martin & Martin Short • Contract Protection w/The Steep Canyon Rangers & Jeff Babko ...........................................May 18 Fort Wayne GO TO OUR WEBSITE Musicians Association FOR TICKET INFO & MORE Call Bruce Graham for ALL SHOWS ALL AGES Embassy Theatre more information 125 W.
Recommended publications
  • April 5, 2021
    APRIL 5, 2021 APRIL 5, 2021 Tab le o f Contents 4 #1 Songs THIS week 5 powers 7 action / recurrents 9 hotzone / developiong 10 pro-file 12 video streaming 13 Top 40 callout 14 Hot ac callout 15 future tracks 16 INTELESCOPE 17 intelevision 18 methodology 19 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 4.5.21 ai r p lay OLIVIA RODRIGO “drivers license” retenTion THE WEEKND “Save Your Tears” callout OLIVIA RODRIGO “drivers license” audio DRAKE “What’s Next” VIDEO CARDI B “Up” SALES BRUNO MARS/A. PAAK/SILK SONIC “Leave The Door Open” COMPOSITE OLIVIA RODRIGO “drivers license” Your weekly REsource for music research MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 4.5.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 1 10 2 10 10 8 1 OLIVIA RODRIGO drivers license Geffen/Interscope 7 1 15 12 13 10 2 THE WEEKND Save Your Tears XO/Republic 23 x 21 1 6 2 3 JUSTIN BIEBER Peaches f/Daniel Caesar/Giveon Def Jam 10 2 3 16 23 18 4 24KGOLDN Mood f/Iann Dior RECORDS/Columbia 15 x 35 5 4 3 5 BRUNO MARS/A .PAAK/SILK SONIC Leave The Door Open Aftermath Ent./Atlantic 2 9 8 34 20 13 6 BILLIE EILISH Therefore I Am Darkroom/Interscope 6 6 10 31 25 11 7 TATE MCRAE You Broke Me First RCA 4 7 7 21 17 37 8 ARIANA GRANDE 34+35 Republic 21 16 11 20 15 7 9 SAWEETIE Best Friend f/Doja
    [Show full text]
  • PORTRAITSBUDGET.Pdf
    trait PECKHAM AIDAN NATALIE CHUI speaks to the set designer about ZAMIRI his “smash it together” style and why being original isn’t original anymore. With his pastel pink hair and Glasweigan accent, Aidan Zamiri stands out amongst a white graphic design studio, where he Natalie Chui: Would you consider was just editing photos on an yourself more of a set designer? iMac. Despite moving to London a year and a half ago to attend Aidan Zamiri: I mostly do set Central Saint Martins, Zamiri design because I always work in a is already making a name three-dimensional way. I like an for himself as a set designer, immediate product. So the fact though not to be boxed into one that I work in a 3D space and category, he regards himself build something to have right in as more of a “multidisciplinary front of me, gives me the most designer”, working across satisfaction. I’m extremely erratic, photography, film and music. always running around, so the His sets are like mirrors of himself, best way for me to work is to be full of colour, character and life, building stuff and throwing stuff and often mesh together together. Set design helps to put unexpected items, sourced from the garments into context, and it the streets of Peckham. His work becomes so complete. has been published in Wonderland, Rollacoster and NC: What do you do set design for? Urban Outfitters and he’s worked with fashion designer Roberta AZ: I’m primarily based for Aiener’s and indie band Dream fashion editorials or photography Wife.
    [Show full text]
  • WHO's on FIRST - BLUES HAPPENINGS AROUND the STATE & AREA NEXT ISSUE: Week of June 7, 2017 Great N
    1 WHO'S ON FIRST - BLUES HAPPENINGS AROUND THE STATE & AREA NEXT ISSUE: Week of June 7, 2017 Great N. Blues Soc.: Next meet: 6/13/2017 - Loppnow's Bar, Wausau at 7 PM Dates do change! Check with the venue and/or band to confirm before you go!!!! GROUP DATE VENUE TIME 20 Watt Tombstone 5/21 Tin Roof, Charleston; SC 9 PM Robert Allen Jr. Band 5/21 Smiling Moose, Osman 4 PM Altered Five Blues Band 6/03 Jackson Blues Fest, Jackson; MI 4:30 PM Dale Anderson Big Mouth & Power Tool Horns 6/01 Astor Park, Green Bay 6 PM The Blue Olives The Blues Disciples 5/27 Knuckle Down Saloon, Madison 9 PM Chris Brandenburg & the 6/24 Classics Lounge, Shawano 8 PM Bluetones Cadillac Pete w/Donnie Pick 5/28 Hardtails, Hortonville 2 PM Cash Box Kings 5/24 Buddy Guy's Legends, Chicago; IL 9 PM ERIC NODEN w/Steve Cohen 5/21 Von Trier's, Milwaukee 6:30 PM Davina and the Vagabonds 5/22-6/04 European Tour, Various Venues Varies Glenn Davis & Cruise Control 5/24 Harry's Cafe Blues JAM, Lake Geneva 9 PM Sena Ehrhardt Band 6/13 Saint Paul Saints Game, St. Paul; MN 7 PM Bobby Evans Band 7/07 Gibson Music Hall, Appleton 8 PM Paul Filipowicz 5/26 Ginger Snaps, Oshkosh 8 PM Flat Broke Blues Band 6/17 Kestner Park, Houghton; MICHIGAN 7:30 PM Billy Flynn 5/26 Ground Zero, Clarksdale; MISSISSIPPI Nick Foytik 5/25 Acoustic Cafe, Eau Claire 7:30 PM Highway 414 6/10 Thirsty Beaver, Beaver Dam 7 PM Hip Pocket 6/07 The Bar, Wausau 7 PM Jonny T-Bird & the MP's 5/25 Red Dot Tosa, Wauwatosa 7:30 PM Katz Sass Band 6/11 Locust Street Fest, Milwaukee ? Greg Koch Left Wing Bourbon 6/02
    [Show full text]
  • Contents ART/Community
    Please remember to be good stewards of the land this hunting season ith hunting season just and vehicles for weeds and weed seeds to – Accessing public lands: Access to public lands property, including driving on roads, parking getting started, our help prevent the spread to other private and (on a private road) through private land areas, no shooting zones, walk-in only areas, friends at Montana Fish, public lands. requires permission of the private camping, number of hunters allowed, game Wildlife & Parks (FWP) – Leave gates as you find them: If a gate is landowner, lessee, or their agent. retrieval, etc. Rules for most land agencies reminds hunters and all closed, close it behind you. If it’s obviously – Know where you are located: Whether you’re can be found on maps and/or on brochures. outdoor enthusiasts to be open, leave it open. If you’re unsure, hunting public or private land, as well as Go to the appropriate agency website or good stewards of the contact the landowner or public land land enrolled in an access program such as local office for information. land, and to respect both private and agency. block management, it is every hunter’s – Report violations: report any hunting and public property. – Camping: overnights are allowed on most responsibility to know where they are to fishing, trespassing, vandalism, or other Although most hunters respect the land, public lands (see agency regulations), but avoid trespassing. Maps are always available, criminal activity you see to 1-800-TIP- property, and wildlife they are hunting, permission is needed to camp on private as are GPS chips and cell phone apps to aid MONT (1-800-847-6668).
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Corporate Registry Registrar's Periodical
    Service Alberta ____________________ Corporate Registry ____________________ Registrar’s Periodical REGISTRAR’S PERIODICAL, OCTOBER 15, 2016 SERVICE ALBERTA Corporate Registrations, Incorporations, and Continuations (Business Corporations Act, Cemetery Companies Act, Companies Act, Cooperatives Act, Credit Union Act, Loan and Trust Corporations Act, Religious Societies’ Land Act, Rural Utilities Act, Societies Act, Partnership Act) 0851282 B.C. LTD. Other Prov/Territory Corps 1989894 ALBERTA LTD. Numbered Alberta Registered 2016 SEP 12 Registered Address: 5220 - 50 Corporation Incorporated 2016 SEP 02 Registered AVENUE, WETASKIWIN ALBERTA, T9A0S8. No: Address: 9760 47 AVENUE NW, EDMONTON 2119924575. ALBERTA, T6E 5P3. No: 2019898945. 0901795 B.C. LTD. Other Prov/Territory Corps 1990004 ALBERTA LTD. Numbered Alberta Registered 2016 SEP 07 Registered Address: 303, 9811 - Corporation Incorporated 2016 SEP 12 Registered 34 AVENUE NW, EDMONTON ALBERTA, T6E5X9. Address: 7629-114 STREET, GRANDE PRAIRIE No: 2119916779. ALBERTA, T8W 2T7. No: 2019900048. 101 STREET DEVELOPMENT CORP. Named Alberta 1990224 ALBERTA INC. Numbered Alberta Corporation Incorporated 2016 SEP 06 Registered Corporation Incorporated 2016 SEP 01 Registered Address: 1400-10303 JASPER AVE NW, EDMONTON Address: 120 PLISKA CRESCENT, FORT ALBERTA, T5J 3N6. No: 2019910484. MCMURRAY ALBERTA, T9K 0A9. No: 2019902242. 1088373 B.C. LTD. Other Prov/Territory Corps 1990521 ALBERTA LTD. Numbered Alberta Registered 2016 SEP 02 Registered Address: 3200 Corporation Incorporated 2016 SEP 01 Registered MANULIFE PLACE 10180-101 STREET, Address: 6474 TWP RD 692 No: 2019905211. EDMONTON ALBERTA, T5J3W8. No: 2119910988. 1990620 ALBERTA LTD. Numbered Alberta 1088682 B.C. LTD. Other Prov/Territory Corps Corporation Incorporated 2016 SEP 01 Registered Registered 2016 SEP 07 Registered Address: 301 - 316 Address: 2900-10180 101 ST, EDMONTON WINDEREMERE ROAD NW, EDMONTON ALBERTA, T5J 3V5.
    [Show full text]
  • Since Its Inception in 1998, Big Night Has Raised More Than $30 Million for the Kids in Our Community!
    Toss your hat in the ring and make a BIG impact by TO BENEFIT supporting this year’s Big Night. Big Brothers Big Sisters of Massachusetts Bay’s largest fundraiser and most rocking upscale cocktail party and concert. Hailed as the “party of the year” by party goers and media outlets, Big EVENT CHAIR Rob Leerink Night features performers that will surprise and delight our Leerink Partners Tim Dibble guests. Connect with industry leaders and fellow BBBS Alta Equity Partners Colin Mahony Mass Bay supporters as you sip on cocktails and dance Hewlett Packard Enterprise the night away to three amazing up-and-coming acts: CO-CHAIRS Marty Mannion Summit Partners Misterwives, Saint Motel, and Matoma. Bill Meara Access Sports Media Paul Margolis Chris Mitchell Longworth Venture Partners Spectrum Equity Don and Gabrielle McCree since its inception in 1998, big Citizens Financial Group COMMITTEE night has raised more than Joy McCune Jamie Athanasoulas Boston Financial Data $30 million for the kids in Sankaty Advisors, LLC Systems our community! Joe Ayoub Marc Mingolelli Varuna Strategies, LLC Pinnacle Financial Group BBBS Mass Bay is the nation’s leading one-to-one Rick Grinnell Peter Monaco mentoring program that is making a real difference in the Glasswing Ventures Raptor Capital Management lives of 3,000 youth. Just like the tent poles of our Big Top, Phill Gross Frank Petz our mission is held aloft by our Big Brothers, Big Sisters, Adage Capital JLL Management, L.P. donors, and sponsors – we couldn’t perform the high wire Kevin Routhier Rayna Lesser
    [Show full text]
  • The Lindsey Stirling Effect
    SECTION TITLE The Lindsey Stirling Effect Jeremy Grimshaw Mormon Celebrity, Mormon Normalcy, and the Dress We will get to the violin playing. First, let’s talk about the dress. On May 17, 2015, the Mormon blogosphere erupted into controversy over the designer gown worn by dancing violinist and YouTube star Lindsey Stirling to the Billboard Music Awards show, where she was to receive the Top Dance/Electronic Album honor. Much of her fan base was torn. Her charm, her quirky fiddle-prancing shtick, and her unapologetic LDS religiosity had made her one of the most eminently Facebookable Mormons in an era in which LDS members have been encouraged quite specifically over the pulpit to share their faith online. And yet there she was, posing for the press in a form-fitting dress with slinky black crisscross straps that framed far too many windowpanes of flesh. “You were a role model until you publicly shamed your religion,” one Instagram commenter lamented.1 Was Stirling flouting—or had she somehow missed—the continued ecclesiastical admonishment and consequent orthodox eagerness, now several years running, to cover the skin from shoulder to knee? On the other hand, some less conservative voices, many of which, I suspect, do not regularly ride on the same social media bandwagons as do Stirling’s fans, leapt to defend her autonomy over her own body and its public presentation and, explicitly or implicitly, enlist the incident in an ongoing critique of Mormon modesty culture’s obsession with surface and assumption of the “male gaze.”2 Stirling herself proposed an odd and logically limber defense: “The dress I wore to the awards was fully lined with tan fabric.
    [Show full text]
  • The Wrecking Crew—Whether You Knew It Or Not
    HISTORY JUNE 2012 Kent Hartman “You are in for a big surprise!” —Dusty street The Inside StoryWrecking of Rock and Roll’s Best-Kept Crew Secret Part Hit Men and part Laurel Canyon, this hidden history of rock and roll chronicles the uncredited studio musi- cians who provided the soundtrack for a generation dur- ing the 1960s and 1970s. If you were a fan of popular music in the 1960s and early ’70s, you were a fan of the Wrecking Crew—whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves as the driving sound of pop music—sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recording stars. Mining invaluable interviews, the author follows the Read by Dan John Miller careers of such session masters as drummer Hal Blaine Category: History/Music and keyboardist Larry Knechtel, as well as trailblazing Running Time: 10 hrs 30 min - Unabridged bassist Carol Kaye. Listeners will discover the Wrecking Hardcover: 02/14/2012 (35,000 Thomas Dunne Books) Territory: US and Canada Crew members who would forge careers in their own right, On Sale Date: 06/18/2012 including Glen Campbell and Leon Russell, and learn of Trade 9781452608068 9 Audio CDs $39.99 the relationship between the Crew and such legends as Phil Library 9781452638065 9 Audio CDs $83.99 Spector and Jimmy Webb.
    [Show full text]
  • 59Th Annual Critics Poll
    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
    PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2.
    [Show full text]
  • Lucid Dream-Pop
    MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A.
    [Show full text]