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Killing in the Name of Struggle: Amiri Baraka's Revolutionary Theatre
KILLING IN THE NAME OF STRUGGLE: AMIRI BARAKA’S REVOLUTIONARY THEATRE DOUGLAS KERN PhD THE UNIVERSITY OF YORK DEPARTMENT OF THEATRE, FILM AND TELEVISION JANUARY 2014 ABSTRACT This study explores representations of murder, killing, and death in the revolutionary drama of Amiri Baraka. After a brief Introduction, Chapter 1 serves as an introduction to Baraka’s birth as an activist and provides background regarding the U.S. racial climate in the 1960s as it relates to his activism. Moreover, it presents Baraka’s Black Arts Repertory Theatre School and how it helped establish the Black Arts Movement. Chapter 2 provides a detailed study of Dutchman, Baraka’s first success, to initiate an analysis of killing and murder within his plays. In addition, it examines The Slave and Slave Ship, which present revolutionary models whereby Black Power is sought, and in the case of Slave Ship achieved through the killing of whites. Chapter 3 offers a detailed look at Baraka’s move towards Third World Marxism. After categorically denouncing Nationalism, Baraka’s public embrace of Marxism in 1974 isolated him from the Black theatre he had helped establish. Case studies examine representations of Capitalist killers in What Was the Relationship of the Lone Ranger to the Means of Production? and Song. Chapter 4 begins with a brief introduction to Baraka’s activism in the early 1990s, along with details of his son’s tragic shooting, and culminates with in-depth analyses of Jack Pot Melting: A Commercial, The Election Machine Warehouse, and General Hag’s Skeezag, all published in the ‘90s and performed together for the Nuyorican Poets Café Theater in 1996. -
Dr. Martin Luther King, Jr. Memorial Commission Final Performance Report
Dr. Martin Luther King, Jr. Memorial Commission Final Performance Report Project Title: 1619: The Making of America” Project Directors - Cassandra Newby-Alexander and Eric Claville Grantee Institution - Norfolk State University and Hampton University Submission Date – December 9, 2014 1 Narrative Description The NEH-funded project, “Observing 1619,” provided the foundational support for us to host our second 1619: Making of America conference was held on September 18-19, 2014 at Norfolk State University and Hampton University. Planning this conference and accompanying programming targeting teachers has resulted in the creation of a broad-based partnership among various institutions, including the Hampton History Museum and the City of Hampton, our primary partners for 2013-2014. Moreover, our other partners included the College of Liberal Arts at Norfolk State University, Creative Services and Distance Learning at NSU, the NSU Foundation, Student Affairs at Norfolk State University, WHRO, the Fort Monroe National Monument (National Park Service), the Virginia Arts Festival Hampton University, Old Dominion University, Media Park at ODU, the Nottoway Indian Tribe of Virginia, Virginia Wesleyan College, the College of William and Mary’s Lemon Project, the Sankofa Project, the NSU Honors College, and the Intelligence Community Center for Academic Excellence at NSU. In addition, over the past two years, the project has received funding from the Dr. Martin Luther King, Jr. Memorial Commission, Cox Communications, Dominion Resources, the Fort Norfolk Plaza, Bedford/ St. Martin’s Publishing, Pearson Publishing, the Fort Monroe National Monument (National Park Service), the NSU Foundation, Student Affairs at Norfolk State University, the College of Liberal Arts at Norfolk State University, and the Virginia Foundation for the Humanities. -
Undergraduate Catalog
Undergraduate Catalog Volume 38, Number 1, June 2003 The provisions of this catalog do not constitute a contract, expressed or implied, between any applicant or student and the Rector and Visitors of Christopher Newport University. The University reserves the right to change any of the provisions, schedules, programs, courses, rules, regulations, or fees whenever university authority deem it expedient to do so. Christopher Newport University does not discriminate in admission, employment or any other activity, on the basis of race, gender, color, age, religion, veteran status, national origin, disability, or political affiliation. The University complies with all applicable state and federal constitutional provisions, laws and regulations concerning discrimination. Anyone having questions concerning these laws should contact the Director of Equal Opportunity. 1 University Place Newport News, VA 23606 Voice: (757) 594-7000 / TDD: (757) 594-7938 Internet Address: http://www.cnu.edu 1 CHRISTOPHER NEWPORT UNIVERSITY WELCOME TO CHRISTOPHER NEWPORT UNIVERSITY to every student. You won’t find graduate students in lecture halls with hundreds of students at CNU! Our classes average about 23 students, including our laboratory classes for the sciences and technology. In addition, our professors have won a wide array of awards for great teaching, many large grants for research, and regularly publish highly regarded books and articles on fields from theater to new computer language applica- tions. One biology professor won a $700,000 grant to study wetlands pollution and uses part of the funds to support undergraduate students who work with him on the project. Two CNU professors were chosen recently for top teach- ing and service awards from the State of Virginia out of 16,000 faculty. -
Academic Catalog 2021 - 2022
Academic Catalog 2021 - 2022 Virginia Wesleyan University 2021 - 2022 Academic Catalog Undergraduate Academic Catalog 2021 - 2022 Statement of Non-Discrimination Virginia Wesleyan University is an Equal Opportunity Employer. Applicants are considered on the basis of skills, experience, and qualifications without regard to race, religion, color, creed, gender, national and ethnic origin, age, marital status, covered veteran status, sexual orientation, gender identity and expression, the presence of non-job-related medical disability, or any other legally protected status. Complaints relevant to Title IX are managed by the University’s Title IX Coordinator, Karla Rasmussen, 757.455.3316 or by emailing [email protected]. Complaints may also be reported directly to the Office for Civil Rights. This catalog is published by Virginia Wesleyan University and contains information concerning campus life, academic policies, program and course offerings, and career preparation. Students are expected to familiarize themselves with the academic policies contained in the catalog. Failure to do so does not excuse students from the requirements and regulations described herein. Disclaimer: The catalog is offered as a guide, not as a contract. It is not intended to and does not contain all policies and regulations that relate to students. The University reserves the right to make alterations in programs, course offerings, policies, and fees without prior notice. For the Online Degree Completion and Graduate Programs Catalog, please visit: vwu.edu/gradonline Virginia Wesleyan University 2021 - 2022 Academic Catalog TABLE OF CONTENTS University Information Civic Engagement 29 Wesleyan Engaged 29 Campus Offices 4 Wesleyan Sacred Music Institute 29 Robert Nusbaum Center 30 University Profile 5 Office of Gender and Sexuality Equity 30 Vision and Mission 5 Accreditation 5 Campus Life 31 University History 5 Jane P. -
Bloomington-Normal Black History Project (BNBHP) Collection
McLean County Museum of History Bloomington-Normal Black History Project (BNBHP) Collection Table of contents Collection Information Brief History of BNBHP BNBHP Timeline Brief Biographies Box and Folder Inventory Processed by Processed by Lauren Johnson, McLean County Museum of History intern, 2005 / 2006 VOLUME OF COLLECTION: Twelve boxes COLLECTION DATES: 1837-2009 RESTRICTIONS: None REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History ALTERNATIVE FORMATS: None OTHER FINDING AIDS: Record in National Union Catalog Manuscripts Collection On-Line LOCATION: Archives NOTES: See BNBHP photographs: Two boxes located in the Archives. 1 Brief History of the Bloomington Normal Black History Project In 1970 Marge Smith and others began to organize local African Americans to discuss their history. This group (Margarite Esposito, Joe Munro, Caribel Washington, Luvinda Hunter, and others) disbanded around 1974, though it managed to collect a considerable amount of information on local African Americans. In 1977, Dr. Mildred Pratt of Illinois State University assigned one of her students (Janet McMath) to interview elderly African Americans in Peoria about their medical practices. Interest was considerable, and the project was expanded. Unaware of the group started by Marge Smith, Dr. Mildred Pratt and Dr. Stephanie Shaw, also of Illinois State University, began to collaborate on conducting interviews of elderly African Americans in Bloomington-Normal. Over time the group expanded; their goal was to compile an authentic history of African- Americans in McLean County since 1835 when Henry Clary and Rosanna Johnson reportedly settled in Bloomington. Greg Koos, director at the McLean County Museum of History, expressed interest in the project, and suggested seeking a grant from the Illinois Humanities Council, which was subsequently awarded to the group. -
National Endowment for the Arts Annual Report 1987
NATIONAL ENDOWMENT FOR THE ARTS ~~>~=~~ -. " " i . " I~~ JJ~ , .. ..... MUSIC ON COVER AND TI~E PAGE TA~N ~OM SgMPH~ NO. 1 BY ELLEN TAA~ ZWIL ICH, WHICH SHE COM~SED WHILE ~CEIV~G A COM~SERS’ ~LLOWSHIP IN 1981 ~OM THE MUSIC PR~RAM. IN 1983, ~IS COM~S[~ON WAS AW~~D ~E PUL~ER PR~E FOR MUSIC. COPYRIGHT 1983 M~G~ MUSIC, INC. ~P~~ED BY PE~ISSION OF THE PUBLISHER. 1987 ANNUAL REPORT National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Repon of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1987. Respectfully, Frank Hodsoll Chairman The President The White House Washington, D.C. March 1988 CONTENTS CHAIRMAN’S STATEMENT v THE AGENCY AND ITS FUNCTIONS vii THE NATIONAL COUNCIL ON THE ARTS ix PROGRAMS 1 Dance 3 Design Arts 17 Expansion Arts 29 Folk Arts 51 Inter-Arts 59 Literature 71 Media Arts: Film/Radio/Television 83 Museum 95 Music 117 Opera-Musical Theater 151 Theater 161 Visual Arts 173 OFFICE FOR PUBLIC PARTNERSHIP 187 Artists in Education 189 Locals Test Program 195 State Programs 199 OFFICE FOR PRIVATE PARTNERSHIP 203 Challenge 205 Advancement 209 OFFICE OF POLICY, PLANNING, AND RESEARCH 211 Fellowship Program for Arts Managers 213 Intemational 215 Research 217 Special Constituencies 219 APPENDIX 221 Statement of Mission 222 Overview and Challenge Advisory Panels 223 Financial Summary 228 History of Authoñzations and Appropriations 229 iii CHAIRMAN’S STATEMENT The tremendous diversity of the arts of the basics of education from federal support for the arts over the in America is clearly shown by the kindergarten through twelfth grade, long term. -
Status of Women in State Social Studies Standards
Where are the Wo men? www.WomensHistory.org A Report on the Status of Women in the United States Social Studies Standards Report By: Elizabeth L. Maurer, Director of Program Jeanette Patrick, Project Director Liesle M. Britto, Editorial Assistant Henry Millar, Editorial Assistant Museum Advisory Council Dr. Catherine Allgor, Chair Nancy Hayward Massachusetts Historical Society Former Director of School Programs George Washington’s Mount Vernon Dr. Franky Abbott The Digital Public Library Fath Davis Ruffin Smithsonian National Museum of American Dr. Carol Berkin History Baruch College, The City University of New York Dr. Katrin Schultheiss Audrey Davis George Washington University Alexandria Black History Museum Dr. Marjorie Spruill Dr. Julie Des Jardins University of South Carolina Independent Scholar Jennifer Thomas Dr. Laura Edwards Virginia Association of Museums Duke University Jill Tietjen Dr. Cathy Gorn Former Director National History Day National Women’s Hall of Fame Kristina Graves Dr. William White Clayton County Public Schools Retired Director of Educational Program Development Colonial Williamsburg Foundation Where are the Women? A Report on the Status of Women in the United States Curricula. Copyright © 2017 by National Women’s History Museum. All rights reserved. Printed in the United States of America. No part of this report may be used or reproduced in any manner whatsoever without written permission by the copyright owner. The National Women’s History Museum would like to give special thanks to all the Charter Members whose generous tax-deductible gifts made the research for this report possible and enable the organization to continue its important work bringing women’s history into the light of day. -
Annual Report 1993
1993 ANNUAL REPORT WBBKM NATIONAL GALLERY OF ART 1993 Annual Report Copyright © 1994. Board of Trustees, Details illustrated at section openings: National Gallery of Art. All rights reserved. p. 5: Attributed to Francesco Righetti, Mercury, c. 1780/1800, Andrew W. Mellon Collection, This publication was produced by the Editors 1937.1.131 Office, National Gallery of Art p. 7: Winslow Homer, Breezing Up (A Fair Wind), Editor-in-chief, Frances P. Smyth 1876, Gift of the W. L. and May T. Mellon Foundation, 1943.13.1 Editor, Tarn L. Curry p. 9: Thomas Cole, The Notch of the White Mountains (Crawford Notch), 1839, Andrew W. Mellon Fund, Designed by Susan Lehmann, 1967.8.1 Washington, D.C. p. 13: Lovis Corinth, Girl Reading, 1911, Gift of the Printed by Schneidereith & Sons, Marcy Family in memory of Sigbert H. Marcy Baltimore, Maryland The type is Meridien, set by BG Composition, p. 55: Raphael, Saint George and the Dragon, c. 1506, Andrew W. Mellon Collection, 1937.1.26 Baltimore, Maryland p. 59: Georges Braque, Still Life: Le Jour, 1929, Chester Dale Collection, 1963.10.91 ISBN 0-89468-205-9 p. 67: Jean-Auguste-Dominique Ingres, Mrs. Charles Photographic credits: Badham, 1816, The Armand Hammer Collection, p. 24 © Robert Frank 1991.217.20 p. 71: Jan Gossaert, Portrait of a Merchant, c. 1530, Works of art in the collection were photographed Ailsa Mellon Bruce Fund, 1967.4.1 by the department of imaging and visual services. Other photographs by Rex Stucky (p. 8), Shelley p. 81: Franz Innocenz Josef Kobell, Seacoast with a Sturman (p. -
Boogie Woogie Bugle Boy Free Sheet Music Piano
Boogie woogie bugle boy free sheet music piano click here to download Print and download Boogie Woogie Bugle Boy - Arranged by Gavin Small for Piano and Keyboard. Made by RedPlague3. (sheet music - piano) boogie woogie bugle boy - Download as PDF File .pdf), Text File .txt) or read online. SSA Choir Piano Accompaniment Trumpet 1 Trumpet 2 Tenor Saxophone Trombone. This SSA choral arrangement includes piano accompaniment, as well as optional parts for 1st and 2nd trumpet, tenor sax, and trombone, all written in concert pitch. "I needed to find sheet music to learn the Arranger: Ed Lojeski. Print and download Boogie Woogie Bugle Boy sheet music by The Andrews Sisters. Sheet music arranged for Piano/Vocal/Guitar in C Major (transposable). SKU: MNScoring: Piano/Vocal/Guitar. Boogie Woogie Bugle Boy Sheet Music The Andrews Sisters. FREE Download Boogie Woogie Bugle Boy Sheet Music The Andrews Sisters PDF for Piano Sheet Music. Get free sheet music at www.doorway.ru and grab the FREE Chromatik app. Piano sheet music, chords. Online Sheet Music: Boogie Woogie Bugle Boy Sheet Music. Violin Sheet Music, Music Sheets, Piano Music, Clarinet, Saxophone, Cello, Music School, Music Theory, Music Lessons. "Fathers and Daughters" Sheet Music by Kristen I Dreamed a Dream- Les Misérables OST Stave Preview 3-Free Piano Sheet Music. Boogie Woogie Bugle Boy Sheet Music The Andrews Sisters Download Boogie Woogie Bugle Boy Piano Sheet Music Free PDF Download. 3 fa-mous trum-pet man from out Chi - ca - go way, - he had a “boo-gie” style that no one else could play. - He was the top Imall of his craft, but then his i. -
Solving a Mystery, Living in Otheparts of the World, Imagining the Future, Traveling in Space, and Magic and the Supernatural
DOCUMENT RESUME BD 112 425 CS 202 279 AUTHOR Walker, Jerry L., Ed. TITLE Your Reading: A Booklist for Junior High Students. Fifth Edition. INSTITUTION National Council of leachers of English, Urbana, Ill. PUB DATE 75 NOTE 424p.; Prepared by the Committee on the Junior High School Booklist of the National Council of Teachers of English; Pages 419-440 containing Author Index and Title Index removed because type too small for reproduction AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Road, Urbana, Illinois 61801 (Stock No. 59370, $1.95 non-member, $1.75 member) EDRS PRICE MF-$0.76 HC-$20.94 Plus Postage DESCRIPTORS *Adolescent Literature; *Annotated Bibliographies; *Booklists; *Books; Junior High Schools; Literature; Literature Appreciation; *Reading Materials; Secondary Education ABSTRACT Written for adolescents, this most recent edition 'contains annotations for over 1,500 publications in the fiction and nonfiction categories. Most entries have been published in the past few years, though well-written older books are also included. Topics covered under fiction include books on adventure, family life, freedom, friendship, fantasy, folklore, love, what it's like to be a member of a minority group, coping with physical handicaps, growing up female, growing up male, living in America, being in sports, solving a mystery, living in otheparts of the world, imagining the future, traveling in space, and magic and the supernatural. The nonfiction section lists books about animals; adventurers; American leaders; athletes; scientists; world figures; writers; the fine arts; government; health; American and world history; hobbies; occupations; personal growth and development; places and people of the world; the sciences; social issues; sports; witchcraft; magic, and the occult; and poetry. -
Guide to the Manuscript Collections of the Historical Society of Pennsylvania
1 (Juidti to the >mr$ti Collections OK NNSYLVANIA iilfimH H HI 1 'LI B RAFLY OF THE U N IVER.SITY Of ILLINOIS SURVEY ILL. HIST. Digitized by the Internet Archive in 2012 with funding from University of Illinois Urbana-Champaign http://archive.org/details/guidetomanuscriOhist Quide to the zJtfCanuscript Qollections OF THE HISTORICAL SOCIETY OF PENNSYLVANIA Second Edition PHILADELPHIA THE HISTORICAL SOCIETY OF PENNSYLVANIA DECEMBER 2, I949 Copyright, 1949, by The Historical Society of Pennsylvania 'Preface to the Second Edition The first edition of The Guide to the Manuscript Collections of The Historical Society of Pennsylvania, published in 1940, was compiled by The Historical Records Survey, Division of Professional and Service Projects, Works Progress Administration. The Society's manuscript holdings at that time were estimated to be 2,500,000 items, contained in 1,141 listed collections. Within the last decade, these holdings have increased approximately 60%, so that now some 4,000,000 items are to be found in 1,609 collec- tions. Furthermore, whereas in 1940 only 30% of the manuscripts were arranged for ready use by students, today 98% are so arranged. During the past ten years, we have also made every effort to improve the manuscript catalogue which has grown from 200,000 to 500,000 cards. In spite of this tremendous increase, the number of items covered by each card has been reduced from 12.5 in 1940 to 8.0 at present. This represents real progress, but much work remains to be done. Excluding our holdings of foreign manuscripts, which number some 200,000 items of considerable importance, our collections deal primarily with Philadelphia and Pennsylvania. -
&Blues Mid-Atlantic Jazz Festival
January • February 2013 jazz Issue 346 &blues report now in our 38th year Stephanie Jordan Mid-Atlantic Jazz Festival January • February 2013 • Issue 346 Tim Warfield. Evans, a former finalist in the Thelonious Monk Competition, has become one of the most acclaimed Editor & Founder Bill Wahl young pianists, rooted in the tradition but also quite forward looking. Follow- Layout & Design Bill Wahl ing Evans will be the Grammy nomi- nated Gregory Porter accompanied by Operations Jim Martin the Mid-Atlantic Jazz Orchestra under Pilar Martin the direction of Paul Carr, which fea- Contributors Michael Braxton, Mark Cole, Dewey tures some of Paul’s students from the Forward, Nancy Ann Lee, Peanuts, Jazz Academy of Music and special Wanda Simpson, Mark Smith, Duane guests from among the Mid-Atlantic’s Verh, Emily Wahl and Ron Wein- finest musicians. Porter is among the stock. most talked about new names in the jazz vocal circles and brings a warmth Check out our constantly updated reminiscent of Marvin Gaye and website. Now you can search for Donny Hathaway to his soulful jazz CD Reviews by artists, titles, record styling. The main stage will close with labels, keyword or JBR Writers. 15 saxophonist Paul Carr with B3, a group years of reviews are up and we’ll be Joe Ford consisting of organist Pat Bianchi, going all the way back to 1974. By Ron Weinstock guitarist Bobby Broom and drummer Bryon Landham. Comments...billwahl@ jazz-blues.com Web www.jazz-blues.com The Mid-Atlantic Jazz Festival re- On Saturday afternoon bass clari- turns to Rockville, Maryland February netist Todd Marcus will lead his group Copyright © 2013 Jazz & Blues Report 15 through the 18th.