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Edinburgh PDF Map Citywide Website Small
EDINBURGH North One grid square on the map represents approximately Citywide 30 minutes walk. WATER R EAK B W R U R TE H O A A B W R R AK B A E O R B U H R N R U V O O B I T R E N A W A H R R N G Y E A T E S W W E D V A O DRI R HESP B BOUR S R E W A R U H U H S R N C E A ER R P R T O B S S S E SW E O W H U A R Y R E T P L A HE B A C D E To find out more To travel around Other maps SP ERU W S C Royal Forth K T R OS A E S D WA E OA E Y PORT OF LEITH R Yacht Club R E E R R B C O T H A S S ST N L W E T P R U E N while you are in the Edinburgh and go are available to N T E E T GRANTON S S V V A I E A E R H HARBOUR H C D W R E W A N E V ST H N A I city centre: further afield: download: R S BO AND U P R CH RO IP AD O E ROYAL YACHT BRITANNIA L R IMPERIAL DOCK R Gypsy Brae O A Recreation Ground NEWHAVEN D E HARBOUR D Debenhams A NUE TON ROAD N AVE AN A ONT R M PL RFR G PIE EL SI L ES ATE T R PLA V ER WES W S LOWE CE R KNO E R G O RAN S G T E 12 D W R ON D A A NEWHAVEN MAIN RO N AD STREET R Ocean R E TO RIN K RO IV O G N T IT BAN E SH Granton RA R Y TAR T NT O C R S Victoria Terminal S O A ES O E N D E Silverknowes Crescent VIE OCEAN DRIV C W W Primary School E Starbank A N Golf Course D Park B LIN R OSWALL R D IV DRI 12 OAD Park SA E RINE VE CENT 13 L Y A ES P A M N CR RIMR R O O V O RAN T SE BA NEWHAVEN A G E NK RO D AD R C ALE O Forthquarter Park R RNV PORT OF LEITH & A O CK WTH 14 ALBERT DOCK I HA THE SHORE G B P GRANTON H D A A I O LT A Come aboard a floating royal N R W N L O T O O B K D L A W T A O C O R residence or visit the dockside bars Scottish N R N T A N R E E R R Y R S SC I E A EST E D L G W N O R D T D O N N C D D and bistros; steeped in maritime S A L A T E A E I S I A A Government DRI Edinburgh College I A A M K W R L D T P E R R O D PA L O Y D history and strong local identity. -
'The Neo-Avant-Garde in Modern Scottish Art, And
‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ CRAIG RICHARDSON DOCTOR OF PHILOSOPHY (BY PUBLISHED WORK) THE SCHOOL OF FINE ART, THE GLASGOW SCHOOL OF ART 2017 1 ‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ Abstract. The submitted publications are concerned with the historicisation of late-modern Scottish visual art. The underpinning research draws upon archives and site visits, the development of Scottish art chronologies in extant publications and exhibitions, and builds on research which bridges academic and professional fields, including Oliver 1979, Hartley 1989, Patrizio 1999, and Lowndes 2003. However, the methodology recognises the limits of available knowledge of this period in this national field. Some of the submitted publications are centred on major works and exhibitions excised from earlier work in Gage 1977, and Macmillan 1994. This new research is discussed in a new iteration, Scottish art since 1960, and in eight other publications. The primary objective is the critical recovery of little-known artworks which were formed in Scotland or by Scottish artists and which formed a significant period in Scottish art’s development, with legacies and implications for contemporary Scottish art and artists. This further serves as an analysis of critical practices and discourses in late-modern Scottish art and culture. The central contention is that a Scottish neo-avant-garde, particularly from the 1970s, is missing from the literature of post-war Scottish art. This was due to a lack of advocacy, which continues, and a dispersal of knowledge. Therefore, while the publications share with extant publications a consideration of important themes such as landscape, it reprioritises these through a problematisation of the art object. -
Written Guide
The tale of a tail A self-guided walk along Edinburgh’s Royal Mile ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail from the Scottish Parliament Building © Rory Walsh RGS-IBG Discovering Britain 3 The tale of a tail Discover the stories along Edinburgh’s Royal Mile A 1647 map of The Royal Mile. Edinburgh Castle is on the left Courtesy of www.royal-mile.com Lined with cobbles and layered with history, Edinburgh’s ‘Royal Mile’ is one of Britain’s best-known streets. This famous stretch of Scotland’s capital also attracts visitors from around the world. This walk follows the Mile from historic Edinburgh Castle to the modern Scottish Parliament. The varied sights along the way reveal Edinburgh’s development from a dormant volcano into a modern city. Also uncover tales of kidnap and murder, a dramatic love story, and the dramatic deeds of kings, knights and spies. The walk was originally created in 2012. It was part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Sons of Crispin
Sons of Crispin Sons of Crispin: The St Crispin Lodges of Edinburgh and Scotland By Sandra M. Marwick Sons of Crispin: The St Crispin Lodges of Edinburgh and Scotland, by Sandra M. Marwick This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Sandra M. Marwick All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6361-0, ISBN (13): 978-1-4438-6361-2 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Acknowledgements .................................................................................... ix Abbreviations .............................................................................................. x Chapter One ................................................................................................. 1 Introduction: Why Crispin? Chapter Two .............................................................................................. 17 St Crispin as Patron Saint Chapter Three ............................................................................................ 52 The Memorable Crispin Chapter Four ............................................................................................. -
The Magazine of the Glasgow School of Art Issue 1
Issue 1 The Magazine of The Glasgow School of Art FlOW ISSUE 1 Cover Image: The library corridor, Mackintosh Building, photo: Sharon McPake >BRIEFING Funding increase We√come Research at the GSA has received a welcome cash boost thanks to a rise in Welcome to the first issue of Flow, the magazine of The Glasgow School of Art. funding from the Scottish Higher Education Funding In this issue, Ruth Wishart talks to Professor Seona Reid about the changes and Council (SHEFC).The research challenges ahead for Scotland’s leading art school. This theme is continued by grant has risen from £365,000 to £1.3million, as a result Simon Paterson, GSA Chairman, in his interview Looking to the Future which of the Research Assessment outlines the exciting plans the School has to transform its campus into a Exercise carried out in 2001. world-class learning environment. President’s dinner A dinner to encourage Creating a world-class environment for teaching and research is essential if potential ambassadors for the GSA was held in the the GSA is to continue to contribute to Scotland, the UK and beyond. Every Mackintosh Library by Lord year 300 students graduate from the GSA and Heather Walton talks to some Macfarlane of Bearsden, the School’s Honorary President. of them about the role the GSA plays in the cultural, social and economic life In his after dinner speech, Lord of the nation. One such graduate is the artist Ken Currie, recently appointed Wilson of Tillyorn, the recently appointed Chairman of the Visiting Professor within the School of Fine Art, interviewed here by Susannah National Museums of Scotland, Thompson. -
Information Correct at Time of Issue See
NAME LOCATION DESCRIPTION NOTES PLAN YOUR VISIT / BOOK Pre-booking required Craigmillar Castle Edinburgh Medieval castle Till 31st Oct: open daily, 10am to 4pm Book here Winter opening times to be confirmed. Pre-booking required. Some glasshouses closed. Royal Botanic Garden Edinburgh Edinburgh Gardens Book here Free admission Castle closed. Free entry to the grounds (open daily 08.00- Lauriston Castle Edinburgh 16th-century tower house Walk-in 19.00) and Mimi's Cafe on site. Royal Yacht Britannia Edinburgh Attraction - former royal yacht Pre-booking recommended. Book here Shop is open Tours have been put on hold for the time being due to Edinburgh Gin Distillery Edinburgh Gin distillery tours restrictions in force from 9th Oct, and can't be booked - until further notice. Wee Wonders Online Tasting available instead. Pre-booking recommended. Currently open Thu-Mon Georgian House Edinburgh New Town House Book here 1st - 29th Nov: open Sat-Sun, 10am-4pm 30th Nov- 28th Feb: closed Edinburgh Castle Edinburgh Main castle in Edinburgh Pre-booking required. Book here Real Mary King's Close Edinburgh Underground tour Pre-booking required. Book here Our Dynamic Earth Edinburgh Earth Science Centre Pre-booking required. Open weekends in October only. Book here Edinburgh Dungeon Edinburgh Underground attraction Pre-booking required. Book here Pre-booking recommended. The camera show is not Camera Obscura Edinburgh World of Illusions - rooftop view running at the moment - admission price 10% lower to Book here reflect this. Palace of Holyroodhouse Edinburgh Royal Palace Pre-booking recommended. Open Thu-Mon. Book here Pre-booking required. Whisky is not consumed within Scotch Whisky Experience Edinburgh Whisky tours the premises for now, instead it's given at the end of Book here the tours to take away. -
The Glasgow Academy WW1 Roll of Honour
The Glasgow Academy WW1 Roll of Honour From the onset of the First World War in 1914 until 1918, the Glasgow Academy suffered a great many losses during the conflict. In fact, it is believed there was a higher number of losses incurred when compared to other independent schools of the time. The following is a list of the former pupils who were casualties and as far as we have been able to, includes information and photographs to tell the stories of these men. In some case, we have little or no information about some of these individuals, so please get in touch if you have anything which could help us fill in the gaps and help us tell their stories. Email: [email protected] 1 Lt William M Alexander Biography Remembered on the Roll of Honour in Dundee , William lived in Broughty Ferry before the War. Highland Light 8th March 1892-12th Son of John and His brother, Ronald served as a Lieutenant Infantry Oct 1918 Mayflower with the Royal Field Artillery during the Alexander, of 2, Age 26 Great War. Smith St., Hillhead, Glasgow, West 2 Private George W Allan* Biography According to his father, Reverend Charles Allan, his son was 'mentioned in officers' letters for bravery. Going to the help of wounded comrades and was said Highland Light 31st August 1894- 17th Son of the Rev. by his own comrades to have earned the Infantry April 1915 Charles Allan, M.A., Victoria Cross "half a dozen times over"'. and Margaret Allan, He was awarded the 1914 Star Age :21 of Duneira, Greenock posthumously 3 Lieutenant Ramsay Allan Biography Ramsay was an only son. -
Scotland Street Public School
M233 Scotland Street Public School Introduction This three-storey school was built by the School Board of Glasgow to serve a densely populated part of Tradeston, just S. of the River Clyde. Some features show the influence of historic Scottish architecture, but the design is remarkable for its novel reinterpretation of tradition, especially in the glazed towers that light the stairs. The boundary wall with its gates and railings and the janitor's house at the N.W. corner of the site were part of the original scheme. Closed as a school due to demolition of the surrounding housing, the building reopened as a museum of education in November 1990. Authorship: Mackintosh is named as architect in official correspondence from the School Board, and in other contemporary sources. Scotland Street School was one of his most important commissions. Cost from job book: £18,597 2s 6½d Cost from other sources: The final measurements of £19,171 8s 1d plus other expenses of £1370 0s 6d gave a total of £20,541 12s 6d. 1 Status: Standing building Current name: Scotland Street School Museum Current use: Museum of Education (2014) Listing category: A Historic Scotland/HB Number: 33534 RCAHMS Site Number: NS56SE 328.01 Grid reference: NS 57752 64142 Chronology 1903 27 April: Purchase of ground for new school in Tradeston. 1 22 June: Mackintosh appointed architect (but official letter of appointment not written until 21 August). 2 2 November: First drawings submitted to The School Board of Glasgow. Modifications requested. 3 1904 January: First set of drawings for school and janitor's house made for submission to Glasgow Dean of Guild Court. -
Monumental Guidebooks 'In State Care' R W Munro*
Proc Soc Antiq Scot, 115 (1985), 3-14 Monumental guidebooks 'in State care' R W Munro* SUMMARY A new series of guidebooks to Scottish monuments in State care is being produced by the Historic Buildings and Monuments Directorate of the Scottish Development Department. The origin and progress Government-sponsoredof guidebooks Scotlandin consideredare chiefly from pointthe of view of the non-expert user or casual visitor. INTRODUCTION Five years is not a long time in the history of an ancient monument, but in that period there has bee transformationa whicy b y h visitorwa e th n historii o st Governmencn i sitew sno t car helpee ear d to understand what they see. A new series of guidebooks and guide-leaflets is part of the continuing proces f improveo s d 'presentation' whic bees hha n carrie t ove yeare dou th r s successivelM H y yb Office of Works, the Ministry of Works (later of Public Building and Works), the Department of the Environment finallSecretare d th an , y yb Statf yo Scotlanr efo d acting throug Scottise hth h Develop- ment Department. One does not need to be particularly 'ancient' to have seen that rather bewildering procession of office, ministr departmend yan t pas rapin si d order acros bureaucratie sth c stage. Only since 197s 8ha the Scottish ful e Officlth responsibilitd eha y for wha bees tha n called 'our monumental heritagea '- useful blanket term which appears to cover the definitions of 'monument' and 'ancient monument' enshrined in the Ancient Monuments and Archaeological Areas Act of 1979 (Maclvor & Fawcett 1983, 20). -
The Changing Face of the National Museum of Scotland Amy Clarke
Great Narratives of the Past. Traditions and Revisions in National Museums Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Paris 29 June – 1 July & 25-26 November 2011. Dominique Poulot, Felicity Bodenstein & José María Lanzarote Guiral (eds) EuNaMus Report No 4. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=078 © The Author. From Royal to National: The Changing Face of the National Museum of Scotland Amy Clarke The University of Queensland Abstract Since devolution in 1997 Scotland has been a nation increasingly conscious of its national brand. The Scottish government has undertaken several international partnerships in the fields of culture, education and commerce, and through its rhetoric and policy the government appears to be encouraging a global perception of Scotland as a nation in the throes of a ‘New Enlightenment.’ The National Museum of Scotland (and former Royal Museum) has benefited from this alleged cultural renaissance, having reopened July 2011 following its second renovation in less than 15 years. Comprised of two separate buildings, the former Royal Museum (1854) and the Museum of Scotland (1998), the National Museum of Scotland’s most recent construction program restored and modernised the Royal Museum structure, which had originally been built as an Industrial Museum before receiving Royal status in 1904. Given the fact that the Royal Museum’s origins were in part a testament to Scotland’s position in the United Kingdom and British Empire, the current Museum’s new form communicates much about the evolution of Scotland’s national identity and its relationship with the world Scotland’s evolution from 19th century industrial powerhouse of the British Empire to the increasingly independent ‘Enlightened’ nation of today has been echoed by the ever-changing form of its national Museum. -
The SCOTTISH Sale Wednesday 15 and Thursday 16 April 2015 Edinburgh
THE SCOTTISH SALE Wednesday 15 and Thursday 16 April 2015 Edinburgh THE SCOTTISH SALE PICTURES Wednesday 15 April 2015 at 14.00 ANTIQUES AND INTERIORS Thursday 16 April 2015 at 11.00 22 Queen Street, Edinburgh BONHAMS Enquiries Gordon Mcfarlan Sale Number 22 Queen Street Pictures +44 (0) 141 223 8866 22762 Edinburgh EH2 1JX Chris Brickley [email protected] +44 (0) 131 225 2266 +44 (0) 131 240 2297 Catalogue +44 (0) 131 220 2547 fax [email protected] Fiona Hamilton £10 www.bonhams.com/edinburgh +44 (0) 131 240 2631 customer services Iain Byatt-Smith [email protected] Monday to Friday 8.30 to 18.00 VIEWING +44 (0) 131 240 0913 +44 (0) 20 7447 7447 Friday 10 April 10.00-16.00 [email protected] Arms & Armour Saturday 11 April 13.00-16.00 Kenneth Naples Please see back of catalogue Sunday 12 April 13.00-16.00 Areti Chavale +44 (0) 131 240 0912 for important notice to Monday 13 April 10.00-16.00 +44 (0) 131 240 2292 [email protected] bidders Tuesday 14 April 10.00-16.00 [email protected] Wednesday 15 April 10.00-14.00 Ceramics & Glass Thursday 16 April 09.00-11.00 Rebecca Bohle Illustrations Saskia Robertson Front cover: Lot 54 +44 (0) 131 240 2632 +44 (0) 131 240 0911 Bids Back cover: Lot 52 [email protected] [email protected] +44 (0) 20 7447 7447 Inside front cover: Lot 449 +44 (0) 20 7447 7401 fax Inside back cover: Lot 447 London Books, Maps & Manuscripts To bid via the internet please Facing page: Lot 9 Chris Dawson Henry Baggott visit bonhams.com +44 (0) 131 240 0916 +44 (0) 20 7468 8296 IMPORTANT INFORMATION [email protected] Telephone Bidding [email protected] The United States Government has banned the Bidding by telephone will only be Georgia Williams Jewellery import of ivory into the USA.