2011-2012 Contributors
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Facing Slow Growth
NewYorkNewYork Facing Slow Growth An Interview with Steven Rattner, Founder, Quadrangle Group LLC EDITORS’ NOTE Steven Rattner comes down, it also slows growth – if I always believed the return of car sales is also the former Counselor to the the government spends less money, to a more normal level would happen because Secretary of the Treasury and lead the economy doesn’t grow as quickly. eventually people have to buy cars. auto industry advisor (popularly Because we’re facing continued The degree of the success of Chrysler is known as the “car czar”). He began slow growth, unemployment will only something none of us foresaw. We knew Sergio his career as a reporter with The come down slowly. There are some Marchionne (Chairman and CEO, Chrysler New York Times before becoming studies that say we might not get back Group LLC) was a world-class leader but we an investment banker at Lehman to a “normal” level of unemployment didn’t predict he was good enough to take a Brothers and Morgan Stanley. He until 2020 or 2022. It’s amazing that company with essentially poor products, make joined Lazard Frères as a general no one in Washington is even talking the products better but not necessarily best- partner in 1989, and in 1997, be- about this issue anymore. in-class, and run the company so well that it came Lazard’s Deputy Chairman Will there continue to be work- gained market share and profi tability, while hir- and Deputy CEO. In 2000, Rattner Steven Rattner force reductions due to productiv- ing more people. -
Under the Radar’ Provides a Concise Overview and Thoughtful Analysis of Critical Stories Currentlysummary Being &Overlooked
Under TheThe RadarLabour Leadership While the media landscape is preoccupiedContest by COVID-19, 2020 politics and business grinds on. ‘Under the Radar’ provides a concise overview and thoughtful analysis of critical stories currentlySummary being &overlooked. Analysis May Day Revolts at And while much of the debate so far has concerned hate speech, political Amazon advertising and illegal content, the latest developments show that regulators are awakening to concerns over physical What happened? goods too. Tim Bray, Amazon’s top engineer as well This is likely to be too little too late as one of its Vice Presidents, resigned for the brick and mortar shops who from the company over its “chickenshit” for years have been undercut by their - his word - treatment of employees. under-regulated digital competitors. But Bray stressed that this goes beyond the politicians and regulators will be under company’s treatment of employees during pressure to heed the call of Tim Bray and COVID-19 and extended his criticism to ensure that new competition laws are at how Amazon treats humans as “fungible least paired with stronger employment units of pick-and-pack potential”. regulations too. As Bray pointed out in his resignation blog post, recent And Amazon’s bad news day did not conditions in Amazon warehouses have end there. The EU’s largest consumer only magnified a pre-existing problem group, Beuc, accused online platforms – Amazon’s pursuit of relentless growth like Amazon of selling a wide range has produced an inherent blind spot to its of goods that do not comply with EU human costs. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
Endowments and Funds As of June 30, 2010
2009-2010 Contributors E ND O W M E N TS A ND FUNDS Many donors choose to establish named endowments or funds, which provide critical support for productions and projects in general or specific program areas. They also offer special recognition opportunities. The following is a list of named endowments and funds as of June 30, 2010. The Vincent Astor Endowment for Literacy Programming The Arlene and Milton D. Berkman Philanthropic Fund Lillian and H. Huber Boscowitz Arts and Humanities Endowment The Aron Bromberg / Abe Raskin Partners Fund Irving Caesar Lifetime Trust for Music Programming The Joanne Toor Cummings Endowment for Children’s Programming FJC – A Foundation of Philanthropic Funds The Rita and Herbert Z. Gold Fund for Children’s Programming The Lillian Goldman Programming Endowment The M.J. Harrison/Rutgers University Broadcast Fellowship Program The Robert and Harriet Heilbrunn Programming Endowment The JLS/RAS Foundation Endowed Income Fund The John Daghlian Kazanjian Endowment The Anna-Maria and Stephen Kellen Arts Fund The Bernard Kiefson Endowment for Nature Programming The Reginald F. Lewis Endowment for Minority Fellowship Programs The Frits and Rita Markus Endowment for Science and Nature Programming The Abby R. Mauzé Endowment Fund for Arts and Humanities Programming The George Leonard Mitchell Fund The Henry and Lucy Moses Endowment for Children’s Programming The Abby and George O’Neill Program Endowment Fund The George Page Endowment for Science and Nature Programming The Dr. Edward A. Raymond Endowment for Science and Nature Programming Dr. Helen Rehr Endowment for Education and Outreach Blanchette Hooker Rockefeller Fund Endowment for Humanities Programming May and Samuel Rudin Family Foundation Minority Fellowship Program The Dorothy Schiff Endowment for News and Public Affairs Programming The Hubert J. -
Channels Near to CNBC Increases Viewership By
REDACTED FOR PUBLIC INSPECTION channels near to CNBC increases viewership by [[_]]9 When neighborhooded with CNBC, the hours BTV is watched per week increases [[_JJ, relative to average hours watched. 10 In fact, when BTV was simulcast in the morning by the USA Network from 2001-2003, which was prior to NBC's acquisition of USA Network, at which time carriage of BTV was dropped, BTV occasionally outdrew CNBC during the critical early morning "prime time" hours. II Similarly, BTV has significantly higher viewership when it is carried on cable systems in non-U.S. markets where its channel is neighborhooded with CNBC and similar news programming. [[ support its wide international viewership, Bloomberg TV broadcasts through Bloomberg Asia, Bloomberg Europe, and Bloomberg USA. I3 News bureaus in London, Hong Kong, and Beijing - to name only a few - broadcast internationally at varying times throughout the day. These international programs enjoy widespread success. Bloomberg has received numerous awards for BTV. 14 9 See Exhibit 3, Dr. Leslie M. Marx, Professor of Economics, Duke University and former Chief Economist, Federal Communications Commission, Economic Report on the Proposed Comcast NBC Universal Transaction at Appendix at 23 ("Marx Report"). to Marx Report Appendix at 23. II USA Weekly Report Spreadsheet. 12 [[ JJ 13 Bloomberg Television, http://www.bloomberg.com/medialtv/ (last visited June 4,2010). 14 Bloomberg Television, About Bloomberg, News Awards, http://about.bloomberg.com/news_awards.html (last visited June 4, 2010). 7 5103307.02 REDACffiD FOR PUBLIC INSPECTION II. BLOOMBERG HAS STANDING TO PETITION TO DENY THE APPLICATION Bloomberg has standing to petition the Commission to deny the Application in the 15 Comcast-NBCU merger as a party in interest in that it has both "competitor" standing16 and "listener" standing. -
BUSINESSMAN Can't Take It with You the Art of Making and Giving
ffirs.qxd 2/25/04 9:36 AM Page i Praise for Can’t Take It with You “Lewis Cullman is one of this nation’s major and most generous philanthro- pists. Here he combines a fascinating autobiography of a life in finance with a powerful exposé of how the business of giving works, including some tips for all of us on how to leverage our money to enlarge our largess.” —Walter Cronkite “Lewis Cullman has woven a rich and seamless fabric from the varied strands of his business, philanthropic, and personal life. Every chapter is filled with wonderful insights and amusing anecdotes that illuminate a life that has been very well lived. This book has been written with an honesty and candor that should serve as a model for others.” —David Rockefeller “An extraordinary look at the accomplishments of a pioneer in finance. Cullman has approached his role as a philanthropist with vigor and presents a powerful argument for reform among private foundations.” —George Soros Chairman, Soros Fund Management “I was so enjoyably exhausted after reading the book—I can only imagine liv- ing the life! It seems there is no good cause that Lewis has not supported, no good business opportunity that Lewis has missed, and no fun that Lewis has not had.” —Agnes Gund President Emerita, The Museum of Modern Art “Now I know that venture capitalism and horse trading are almost as much fun as looking for new species in the Amazon. This book is exceptionally well written. The prose is evocative, vibrant, and inspirational.” —Edward O. -
Juilliard Dance
Juilliard Dance Senior Graduation Concert 2019 Welcome to Juilliard Dance Senior Graduation Concert 2019 Tonight, you will experience the culmination of a transformative four-year journey for the senior class of Juilliard Dance. Through rigorous physical training and artistic and intellectual exploration, all of the fourth-year dancers have expanded the possibilities of their movement abilities, stretching beyond what they thought possible when entering the program as freshmen. They have accepted the challenge of what it means to be a generous citizen artist and hold that responsibility close to their hearts. Chosen by the dancers, the solos and duets presented tonight have been commissioned for this evening or acquired from existing repertory and staged for this singular occasion. The works represent the manifestation of an evolution of growth and the discovery of their powerfully unique artistic voices. I am immensely proud of each and every fourth-year artist; it has been a joy and an honor to get to know the senior class, a group of individuals who will inevitably change the landscape of the field of dance as it exists today. Please join me for a standing ovation, cheering on the members of the class of 2019 as they take the stage for the last time together in the Peter Jay Sharp Theater. Well done, dancers—we thank you for your beautiful contributions to our Juilliard community and to the world beyond our campus. Sincerely, Little mortal jump Alicia Graf Mack Director, Juilliard Dance Cover: Alejandro Cerrudo's This page: Collaboration -
**** This Is an EXTERNAL Email. Exercise Caution. DO NOT Open Attachments Or Click Links from Unknown Senders Or Unexpected Email
Scott.A.Milkey From: Hudson, MK <[email protected]> Sent: Monday, June 20, 2016 3:23 PM To: Powell, David N;Landis, Larry (llandis@ );candacebacker@ ;Miller, Daniel R;Cozad, Sara;McCaffrey, Steve;Moore, Kevin B;[email protected];Mason, Derrick;Creason, Steve;Light, Matt ([email protected]);Steuerwald, Greg;Trent Glass;Brady, Linda;Murtaugh, David;Seigel, Jane;Lanham, Julie (COA);Lemmon, Bruce;Spitzer, Mark;Cunningham, Chris;McCoy, Cindy;[email protected];Weber, Jennifer;Bauer, Jenny;Goodman, Michelle;Bergacs, Jamie;Hensley, Angie;Long, Chad;Haver, Diane;Thompson, Lisa;Williams, Dave;Chad Lewis;[email protected];Andrew Cullen;David, Steven;Knox, Sandy;Luce, Steve;Karns, Allison;Hill, John (GOV);Mimi Carter;Smith, Connie S;Hensley, Angie;Mains, Diane;Dolan, Kathryn Subject: Indiana EBDM - June 22, 2016 Meeting Agenda Attachments: June 22, 2016 Agenda.docx; Indiana Collaborates to Improve Its Justice System.docx **** This is an EXTERNAL email. Exercise caution. DO NOT open attachments or click links from unknown senders or unexpected email. **** Dear Indiana EBDM team members – A reminder that the Indiana EBDM Policy Team is scheduled to meet this Wednesday, June 22 from 9:00 am – 4:00 pm at IJC. At your earliest convenience, please let me know if you plan to attend the meeting. Attached is the meeting agenda. Please note that we have a full agenda as this is the team’s final Phase V meeting. We have much to discuss as we prepare the state’s application for Phase VI. We will serve box lunches at about noon so we can make the most of our time together. -
2021 Jadin Wong Fellowship in Dance Application Guidelines
20 Jay Street, Ste 740 Brooklyn, NY 11201 (212) 941-9208 aaartsalliance.org 2021 Jadin Wong Fellowship in Dance Application Guidelines The Asian American Arts Alliance is pleased to administer, with support from the New York Community Trust, the 2021 Jadin Wong Fellowship for an emerging Asian American dance artist to create new work. A4’s mission is to ensure greater representation, equity, and opportunities for Asian American artists and cultural organizations through resource sharing, promotion, and community building. In line with these efforts, it is the aim of the Jadin Wong Fellowship to support an early-career individual Asian American artist living in New York City to develop new work to add to the creative discourse. This award is a tribute to the life and work of renowned Chinese American actress, dancer, and comedienne Jadin Wong. Ms. Wong was a lifelong pioneer and innovator in the field of performing arts and strove to ensure opportunities for Asian Americans through her efforts as a performer and talent agent. A4 will grant a fellowship to one early-career Asian American dance artist, age 30 or younger, whose work shows outstanding promise and who may benefit from further professional artistic development, and who is of limited financial means. The fellowship recipient will receive an unrestricted cash stipend of $6,000 and an eight- month fellowship tailored to respond to the unique needs of their practice. The fellowship includes artistic mentorship with an established or mid-career dance professional, leadership coaching, and a range of technical support. A4 will administer an open application process. -
Download the Blood on the Fields Playbill And
Thursday–Saturday Evening, February 21 –23, 2013, at 8:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. BLOOD ON THE FIELDS JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone, Tuba CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto & Soprano Saxophones TED NASH, Alto & Soprano Saxophones VICTOR GOINES, Tenor & Soprano Saxophones, Clarinet, Bass Clarinet WALTER BLANDING, Tenor & Soprano Saxophones CARL MARAGHI, Baritone Saxophone, Clarinet, Bass Clarinet ELI BISHOP, Guest Soloist, Violin ERIC REED, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Featuring GREGORY PORTER, Vocals KENNY WASHINGTON, Vocals PAULA WEST, Vocals There will be a 15-minute intermission for this performance. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz. -
Annual Gala 2015 Release Rev052215 FINAL
Contact: Lindsey Bernstein 212-560-6609 [email protected] Press Materials: thirteen.org/pressroom Website: wnet.org Facebook: wnet-thirteen / WLIW21 /NJTV Twitter: @ThirteenNY / @WLIW21 / @NJTVonline WNET Annual Gala Celebrates the Power of Public Television to Benefit Local and Global Communities David Adjaye , Ray Chambers , Johnson & Johnson , Ann Tenenbaum , and Alfre Woodard to be honored WNET, the parent company of THIRTEEN and WLIW and operator of NJTV, announced plans for its annual Gala Salute, continuing its commitment to lifelong learning and meaningful experiences for the tri-state area and beyond. The honorees are visionary architect David Adjaye ; Chairman of the MCJ Amelior Foundation Ray Chambers , who is the UN Secretary-General’s Special Envoy for Financing the Health Millennium Development Goals and for Malaria; philanthropic corporation Johnson & Johnson ; supporter of the arts and longtime WNET trustee Ann Tenenbaum; and award-winning actor and advocate Alfre Woodard. The event will celebrate their commitments and contributions, which allow WNET to provide on-air and on-line programming and educational initiatives that inspire curiosity, encourage action and nurture dreams. Each of the honorees has been selected as a recipient for this honor as a result of their dedication to social responsibility and civic engagement. “The work of these five distinguished honorees is making an impact on the lives of people in this community and beyond,” said WNET Board Chairman James S. Tisch. “Their actions are directly in line with WNET’s mission to touch the lives of viewers through the power of public media.” The Gala Salute will take place on Tuesday, June 9 at Cipriani 42 nd Street ® in New York City. -
Aaiff40-Sponsorship
“This chameleon of an event not only retains its eclectic nature, it builds upon it as needed. In this city titles in some major festivals can be too predictable. This is not the case in this refreshing mélange.” Howard Feinstein, Filmmaker Magazine THEN AND NOW: IN 1975 ASIAN CINEVISION WAS FOUNDED AS CCTV (CHINESE CABLE TELEVISION) PRODUCING A WEEKLY 30 MINUTE COMMUNITY AFFAIRS TV SHOW AIRING ON THE WARNER AMEX CABLE NETWORK. THE FIRST ASIAN AMERICAN INTERNATIONAL FILM FESTIVAL SCREENED JUST 42 FILMS IN 1978. TODAY 40 YEARS LATER AAIFF SCREENS CLOSE TO 100 TITLES FROM NEARLY 30 COUNTRIES OVER TEN DAYS IN JULY. PHOTOS COURTESY OF (L) CORKY LEE AND (R) LIA CHANG. THE ANNUAL ASIAN AMERICAN INTERNATIONAL FILM FESTIVAL (AAIFF) is New York’s leading showcase for the Asian American and Asian independent cinema. Presented by Asian CineVision (ACV), the AAIFF is the first and longest-running festival in the U.S. to showcase the moving image work by artists of Asian descent and about the Asian American experience. AAIFF premiered in the seminal summer of 1978 at the Henry Street Settlement in New York City. Ed Koch had been elected mayor, the first cellular mobile phone is introduced, serial killer David Berkowitz, “Son of Sam,” is convicted of murder, GREASE, SATURDAY NIGHT FEVER, and CLOSE ENCOUNTERS were the blockbusters of their day. Forty years later, the AAIFF has grown to include films and video from more than 30 coun- tries, answering a growing need for social understanding, cultural diversity in American life, and independent cinema. AAIFF has played a vital role in discovering and nurturing such acclaimed talent as Oscar Award winners Ang Lee, Jessica Yu, Steven Okazaki, Ruby Yang and Chris Tashima; Os- car Award nominees Christine Choy and Rene Tajima-Pena, Frieda Lee Mock, Arthur Dong, Zhang Yimou; and mainstream entertainment directors Wayne Wang, Mira Nair, and Justin Lin.