DOCSLIB.ORG

CONGRESSIONAL RECORD— Extensions Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CONGRESSIONAL RECORD— Extensions Of E2190 CONGRESSIONAL RECORD — Extensions of Remarks December 6, 2011 CONGRATULATING THE MISSOURI of solo albums, performed at Stax-related women religious, and she will be dearly CATTLEMEN’S ASSOCIATION ON events and reformed the ‘‘Soul Children.’’ missed. ITS 100TH ANNIVERSARY J. Blackfoot passed away on November 30, f 2011 at 65 years of age. Memphis, known for its rich musical heritage, mourns the loss of HONORING 1LT IVAN D. HON. BLAINE LUETKEMEYER LECHOWICH OF MISSOURI one of its unique voices. Mr. Speaker, I ask all IN THE HOUSE OF REPRESENTATIVES of my colleagues to join me in honoring the contributions J. Blackfoot made to the music HON. GUS M. BILIRAKIS Tuesday, December 6, 2011 community. As an artist and music maker, his OF FLORIDA Mr. LUETKEMEYER. Mr. Speaker, I rise was a life well lived. IN THE HOUSE OF REPRESENTATIVES today to recognize the Missouri Cattlemen’s f Tuesday, December 6, 2011 Association, which is celebrating its one hun- dredth anniversary this year. HONORING THE MEMORY OF SIS- Mr. BILIRAKIS. Mr. Speaker, I rise today to The Missouri Cattlemen’s Association began TER CATHERINE (MARY ISAAC) honor the life, sacrifice, and heroism of Army in 1911 as the Missouri Livestock Producers COLBY, DOMINICAN SISTER OF First Lieutenant Ivan Lechowich of Valrico, Association and adopted its current name in PEACE Florida. 1968. In the beginning, dues were only $2, 1LT Lechowich, a combat engineer, was un- and were reduced to a quarter during the De- HON. PATRICK J. TIBERI fortunately killed while conducting combat op- pression. OF OHIO erations for Operation Enduring Freedom on Missouri ranks third in the Nation in the IN THE HOUSE OF REPRESENTATIVES September 28, 2011, in Ghazni Province, Af- ghanistan. number of cows, and the Missouri Cattlemen’s Tuesday, December 6, 2011 Association is the voice for the State’s 60,000 U.S. Army combat engineers are greatly ad- beef producers, focusing on issues that affect Mr. TIBERI. Mr. Speaker, I rise today to pay mired for their fearlessness and diligence in beef production while also providing a safe, tribute to and honor the memory of Sister helping to tackle rough terrain in combat situa- abundant, and nutritious source of food. Catherine (Mary Isaac) Colby, O.P., Ed.D., of tions and for providing combat effectiveness to In closing, Mr. Speaker, I ask all my col- the Dominican Sisters of Peace in Columbus, maneuver forces. 1LT Lechowich personified leagues to join me in wishing the members of Ohio, who passed away suddenly on Decem- this bravery and dedication while he and his the Missouri Cattlemen’s Association con- ber 2, 2011. team worked to clear a roadway of explosive gratulations on reaching this significant mile- Sister Catherine Colby was a native New devices on the day of his death. During his stone. Yorker, and a graduate of St. Helena’s Ele- Army career, he has been awarded a Sapper f mentary School in the Bronx and Dominican Tab, the Purple Heart, Bronze Star, Army Academy in Manhattan. She entered the Novi- Commendation Medal, and NATO medal. HONORING THE LIFE OF ‘‘J. tiate of the former Dominican Sisters of St. Outside of the Army, Ivan was a loving hus- BLACKFOOT’’—JOHN COLBERT Mary of the Springs in 1960 and made her band and new father, whose daughter was Profession of Vows in 1963. Sister Catherine born during his deployment. 1LT Lechowich HON. STEVE COHEN earned a Doctorate in Education from Nova enjoyed reading, studying history, and was an OF TENNESSEE Southeastern University of Florida; an M.Ed. in avid fan of the University of Florida’s football IN THE HOUSE OF REPRESENTATIVES Educational Administration from Xavier Univer- team. sity of Cincinnati; an M.A. in Pastoral Ministry Mr. Speaker, though proud to have such a Tuesday, December 6, 2011 from St. Joseph’s College of Connecticut; and fine example from the Tampa Bay community, Mr. COHEN. Mr. Speaker, I rise today to a bachelor’s degree in Education from the it is with great remorse that I rise to com- recognize and celebrate the life of John former College of St. Mary of the Springs, now memorate the life of 1LT Lechowich. I am in Colbert, better known as J. Blackfoot, a great Ohio Dominican University, in Columbus. awe of the young men and women like Ivan soul singer and entertainer from the city of A lifelong educator, Sister Catherine was an Lechowich who choose to serve their country- Memphis, Tennessee. J. Blackfoot was a spe- outstanding administrator and a compas- men in the armed forces. As professionals in cial talent known for his unique vocal style. sionate and perceptive preacher—the principle all that they do, they exhibit honor, courage, Born in Greenville, Mississippi, his family charism of the Dominican Order—as well as a and commitment in every pursuit. Their sac- moved to Memphis when he was two. Colbert division chair, faculty member, school principal rifices, like that of 1LT Lechowich, will not be earned the nickname ‘‘Blackfoot’’ as a child and teacher in New York, Ohio, Pennsylvania forgotten. because he would run barefoot through his and New Mexico. Additionally, she had been f neighborhood. Vocation Director and Director of Candidates J. Blackfoot began his music career after for her Dominican Congregation. RECOGNIZING MRS. DONNIE POW- meeting Johnny Bragg, founder of the 1950s- Sister Catherine was an Associate Pro- ELL FOR HER CONTRIBUTIONS era music group ‘‘Prisonaires.’’ Together they fessor of Education at Ohio Dominican for TO EDUCATION AND COMMUNITY recorded a ‘‘behind-the-walls’’ hit for Sun twenty-three years, and for seven of those she Records, after which J. Blackfoot embarked on served as Chair of the Division of Education. HON. BENNIE G. THOMPSON a solo venture under his birth name. Strongly The founder of the Center for Dominican Stud- OF MISSISSIPPI pursuing his love for music, he eventually ies at ODU, Sister Catherine was also the Uni- IN THE HOUSE OF REPRESENTATIVES found himself at Stax Records under the tute- versity’s first Vice President for Mission and lage of songwriter/producer, David Porter. Identity. In that capacity, she coordinated and Tuesday, December 6, 2011 In the late 1960s, J. Blackfoot auditioned at facilitated the university-wide process of sus- Mr. THOMPSON of Mississippi. Mr. Speak- Stax Records where David Porter and his taining, enhancing, and promoting its distinct er, I rise today to honor a true valued member song writing partner, Isaac Hayes, initially mission as a Catholic and Dominican univer- of our society, Mrs. Donnie Powell. Mrs. Pow- wrote many solo songs for him to perform. sity. ell has dedicated a great deal of her life to When the R&B duo Sam and Dave left Stax, Her passing is a great loss not only for the championing causes relative to education and Porter and Hayes decided to fill the stylistic Colby family, but for the Dominican Sisters of criminal justice. void. They paired J. Blackfoot with Norman Peace, the entire campus community, the Mrs. Powell received degrees in Criminal West, Anita Lewis and Shelbra Bennett to cre- twelfth Congressional District of Ohio, and for Justice from Coahoma Community College ate the ‘‘Soul Children.’’ They put out 7 al- Catholic education across this country. and Mississippi Valley State University; and bums over their decade long career and re- Mr. Speaker, I would like to extend my has worked 25 years for the Mississippi De- leased 15 R&B hits. deepest condolences to Sister Catherine’s partment of Corrections. In 1983, J. Blackfoot began a successful family, including her godson, John Colby, who She is an active member of the Tallahatchie solo career, scoring many chart successes in serves with us here as a United States Capitol County Parent Teacher Association and was both the U.S. and the U.K. He released sev- Police Officer, as well as to her Congregation, recruited to be a part of the parent-community eral hit songs, including ‘‘Taxi’’ from the 1983 Ohio Dominican University, the Dominican adhoc committee’s nationwide search for a album City Slicker, which was perhaps his big- Order, and her friends and colleagues during new Superintendent for the Tallahatchie gest solo career single. Over the last two dec- this most difficult time. Her legacy will stand School District in 2009. She has received Par- ades, J. Blackfoot continued to record dozens as an exemplar for all Catholic educators and ent of the Month awards from local elementary VerDate Mar 15 2010 04:14 Dec 07, 2011 Jkt 019060 PO 00000 Frm 00008 Fmt 0626 Sfmt 9920 E:\CR\FM\A06DE8.017 E06DEPT1 tjames on DSK6SPTVN1PROD with REMARKS.
Load more

Recommended publications
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 110 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, MONDAY, JUNE 18, 2007 No. 98 House of Representatives The House met at 12:30 p.m. and was mismanagement, corruption, and a per- In this program, people receive an called to order by the Speaker pro tem- petual dependence upon foreign aid and overnight transfer from an American pore (Ms. HIRONO). remittances. Mexico must make tough bank account to a Mexican one. The f decisions and get its economy in shape. two central banks act as middlemen, Until then, Madam Speaker, we will taking a cut of about 67 cents no mat- DESIGNATION OF SPEAKER PRO continue to face massive immigration ter what the size of the transaction. TEMPORE from the south. According to Elizabeth McQuerry of The SPEAKER pro tempore laid be- While we are painfully aware of the the Federal Reserve, banks then typi- fore the House the following commu- problems illegal immigration is caus- cally charge $2.50 to $5 to transfer ing our society, consider what it is nication from the Speaker: about $350. In total, this new program doing to Mexico in the long run. The WASHINGTON, DC, cuts the costs of remittances by at June 18, 2007. massive immigration is draining many least half. In America, 200 banks are I hereby appoint the Honorable MAZIE K. villages across Mexico of their impor- now signed up for this service com- HIRONO to act as Speaker pro tempore on tant labor pool.
    [Show full text]
  • Definitive Collection of Stax Records' Singles to Be
    FOR IMMEDIATE RELEASE: DEFINITIVE COLLECTION OF STAX RECORDS’ SINGLES TO BE REISSUED Two volumes, due out December 16, 2014 and Spring 2015, cover 1968-1975. Volumes to be made available digitally for first time. LOS ANGELES, Calif. — Concord Music Group and Stax Records are proud to announce the digital release and physical reissue of two comprehensive box set titles: The Complete Stax/Volt Soul Singles, Vol. 2: 1968-1971 and The Complete Stax/Volt Soul Singles, Vol. 3: 1972-1975. Originally released in 1993 and 1994, respectively, these two compilations will be re-released back into the physical market in compact and sleek new packaging. Each set includes full-color booklets with in-depth essays by Stax historian and compilations co- producer Rob Bowman. The volumes feature stalwart Stax R&B artists including Isaac Hayes, the Staple Singers, Rufus Thomas, Johnnie Taylor, Carla Thomas, the Bar-Kays and William Bell, as well as bluesmen Little Milton, Albert King and Little Sonny, and “second generation” Stax hitmakers like Jean Knight, the Soul Children, Kim Weston, the Temprees, and Mel & Tim. Many of the tracks included in these collections will be made available digitally for the very first time. The story of the great Memphis soul label Stax/Volt can be divided into two distinct eras: the period from 1959 through the beginning of 1968, when the company was distributed by Atlantic and was developing its influential sound and image (chronicled in acclaimed 9-CD box set The Complete Stax/Volt Singles 1959-1968, released by Atlantic in 1991); and the post-Atlantic years, from May 1968 through the end of 1975, when Stax/Volt began its transition from a small, down-home enterprise to a corporate soul powerhouse.
    [Show full text]
  • Various Music from the Wattstax Festival & Film
    Various Music From The Wattstax Festival & Film mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Music From The Wattstax Festival & Film Country: Europe Released: 2007 Style: Gospel, Rhythm & Blues, Soul, Funk MP3 version RAR size: 1998 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1712 mb Rating: 4.3 Votes: 970 Other Formats: AC3 DXD VQF AU XM FLAC ADX Tracklist Hide Credits –Dale Warren & The Wattstax Salvation Symphony 1-1 7:56 '72 Orchestra Written-By – Dale O. Warren* 1-2 –Rev. Jesse Jackson Introduction 5:50 Lift Every Voice And Sing 1-3 –Kim Weston 3:39 Written-By – Johnson* Heavy Makes You Happy (Sha-Na-Boom-Boom) 1-4 –The Staple Singers 3:39 Written-By – Barry-Bloom* Are You Sure 1-5 –The Staple Singers 4:03 Written-By – Banks*, Jackson* I Like The Things About Me 1-6 –The Staple Singers 5:55 Written-By – Stubbs*, Staples* Respect Yourself 1-7 –The Staple Singers 4:37 Written-By – Ingram*, Rice* I'll Take You There 1-8 –The Staple Singers 5:16 Written-By – Alvertis* Precious Lord, Take My Hand 1-9 –Deborah Manning 4:25 Written-By – Thomas A. Dorsey Better Get A Move On 1-10 –Louise McCord 4:01 Written-By – Bettye Crutcher Them Hot Pants 1-11 –Lee Sain 4:11 Written-By – Leon Moore Wade In The Water 1-12 –Little Sonny 4:21 Written-By – Traditional I Forgot To Be Your Lover 1-13 –William Bell 2:35 Written-By – Jones*, Bell* Explain It To Her Mama 1-14 –The Temprees 2:50 Written-By – Fultz*, Moore* I've Been Lonely (For So Long) 1-15 –Frederick Knight 3:54 Written-By – Weaver*, Knight* Pin The
    [Show full text]
  • Mary Hunt Henderson= Black Tank Top Barbra Mccoy= White Shirt, Black Jacket Bonnie Rush Brookshaw= Green Jacket Interviewer
    Mary Hunt Henderson= black tank top Barbra McCoy= white shirt, black jacket Bonnie Rush Brookshaw= green jacket Interviewer: Well thank you again so much, this is October 31, 2016. We're here at the Stax Museum American Soul Music with The Charmels and thank yawl so much for being apart of this today. I thought just to start you could talk a little bit about how the group came together. How did you all start performing together, what were your roots? BB: Well, we were in high school and we formed a group and we started doing talent shows, so that’s how we started. Interviewer: What kinds of things would you perform in the talent shows? Do you remember? MH: We were singing the latest songs of course and there was also another group of guys I believe that were actually sort of in competition with us [1:00] and than a guy that lived behind the high school was into music. Of course he was much older than we were but his sister was a classmate of ours so he actually got the group together to start doing background here at Stax when we were in the tenth grade. Interviewer: Where did you all go to high school? MH & BB: Lester BM: I came later, ok, I'm an addition Interviewer: We'll get to your story. Interviewer: Actually before we get to far if yawl could introduce yourselves actually since there's three of you instead of the usual one. MH: I am Mary Hunt Henderson as I said we were all very good friends in high school at Lester high school.
    [Show full text]
  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
    [Show full text]
  • Norman West Interviewer: Location: Collection: Stax Museum Oral Histories
    Date: 2005-05-11 Interviewee: Norman West Interviewer: Location: Collection: Stax Museum Oral Histories Interviewer: We're going to talk about how the Soul Children get started, where did you come from, how did Soul Children get started. You know, what happened, how did everything workout and all that sort of stuff. What happened to the Soul Children in the end and what's been happening since then? West: Right. Okay Interviewer: So basically that’s where we're going with this thing. West: Okay Interviewer: So let’s start out with, and I'm going to ask you to take your cap off because it’s throwing a shadow over you. West: Alright Interviewer: Who is Norman West? Where did Norman West come from? West: Norman West is a son of a southern [1:00] African Methodist Episcopal preacher who everybody in the neighborhood said he was a Baptist preacher in a Methodist format. My father was, just a country preacher that started off with his scriptures and wound up screaming and hollering at the top of his emotional voice. And that’s where Norman West comes from, I'm a junior and at 10 years old mom bought an old upright piano and put it in the house. Some of the keys were down but then she took my sister and I to piano lessons and I learned the first thing in two weeks then they gave me the second book. I wasn't concerned about learning all that stuff in the books, [2:00] but I wanted to know about the ABC's of piano.
    [Show full text]
  • Los 20 Mejores Discos De La Historia Del Soul Con Permiso Del ¨" 25Miles " Y Del " Soul Para Parir Un Monumento a La Fraterni- Porque No Hay Fallo
    Informe LLOOSS 2200 MMEEJJOORREESS DDIISSCCOOSS DDEE LLAA HHIISSTTOORRIIAA DDEELL SSOOUULL as listas son una forma estúpida de ordenar la belleza, algo que, por otra parte, es ya bastante estúpido de por sí. La tesitura de elegir los diez mejores discos de la his- Ltoria de una música tan inmensa y compleja como el soul es, puestos a imaginar, como pedir a un sacerdote que elija sus diez personajes favoritos de la Biblia o, si se quie- re, a un budista el mantra que más en trance consigue ponerle. ¿Por qué? Pues por la sencilla razón de que el soul absoluta. Es, más bien, el subjetivo pare- tos por esa diosa del soul de Chicago que no crea aficionados, sino más bien devo- cer, en un tiempo y un lugar determina- es Jo Armstead, quien además produce el tos, enfebrecidos practicantes de una reli- dos, de un grupo de aficionados al soul LP. Abre el disco " Jealous Kind of Fella ", gión que, como todas, tiene sus ritos, sus cuyo único credencial válido es un amor donde un torturado Garland llama por anatemas y sus dogmas de fe. Suele crear sin límites por una tan música compleja y teléfono a su chica y le confiesa todo el una dependencia emocional entre sus rica que nos reclama incluir, no sólo vein- amor que siente por ella y lo que sufre por creyentes que va más allá de lo racional y te, sino miles de discos para ser comple- los celos que le devoran. Este tema es el les lleva a pulir fortunas, descuidar rela- tamente justos.
    [Show full text]
  • N E W S L E T T E R Summer 2004
    Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Summer 2005 NATIONAL MUSIC COUNCIL Night Music,” “Sunday in the Park with George,” “Assassins,” “Into the Woods,” HONORS STEPHEN “Passion” and the legendary “Sweeney SONDHEIM, HON. JOHN Todd,” soon to be revived on Broadway. CONYERS AND SESAME Sondheim has also written for motion pictures and television, winning several WORKSHOP AT THE 2005 Tony and Oscar Awards. AMERICAN EAGLE AWARDS Broadway stars Michael Cerveris and Liz Callaway presented the award and offered a musical tribute. Cerveris has appeared in The American music community came “Assassins” and will headline in the revival together to honor Broadway of “Sweeney Todd” next fall. Liz Callaway, composer/lyricist Stephen Sondheim with one of the most sought after studio singers in one of the National Music Council’s coveted New York, made her Broadway debut in American Eagle Awards, according to Sondheim’s “Merrily We Roll Along.” Council Director David Sanders. Also receiving awards were Michigan Congressman John Conyers and Sesame Workshop, creators of Sesame Street. The presentations took place during the Council’s 24th annual awards luncheon at New York’s Players Club, 16 Gramercy Park South, Thursday, June 2nd at 12 noon. Stephen Sondheim, who recently celebrated his 75th birthday, is a true icon of the American musical theater. He has brought breadth and scope to his music for the Broadway stage, beginning as lyricist for NMC President Gary Ingle, Director David Leonard Bernstein’s “West Side Story” and Sanders, Stephen Sondheim, and Chairman Jule Styne’s “Gypsy,” through his unique Richard Lowenthal at the 2005 American and creative partnership with another Eagle Awards.
    [Show full text]
  • Download Biographies
    BIOGRAPHIES Ray Charles b. Ray Charles Robinson, 23 September 1930, Albany, Georgia, USA, d. 10 June 2004, Beverly Hills, California, USA. Few epithets sit less comfortably than that of genius; Ray Charles held this title for over 40 years and he was a true musical genius. As a singer, composer, arranger and pianist, his prolific work deserved no other praise. Born in extreme poverty in Georgia, Ray Charles Robinson grew up in Greenville, Florida. He was slowly blinded by glaucoma until, by the age of seven, he had lost his sight completely. Earlier, he had been forced to cope with the tragic death of his brother, whom he had seen drown in a water tub. He learned to read and write music in Braille and was proficient on several instruments by the time he left school. His mother Aretha died when Ray was 15, and he continued to have a shared upbringing with Mary Jane (the first wife of his absent father). Dropping his surname in deference to the boxing champion Sugar Ray Robinson, Ray Charles drifted around the Florida circuit, picking up work where he could, before moving across the country to Seattle. Here he continued his itinerant career, playing piano at several nightclubs in a style reminiscent of Nat "King" Cole and a vocal similar to Charles Brown. Charles began recording in 1949 and this early, imitative approach was captured on several sessions.Three years later, Atlantic Records acquired his contract, but initially the singer continued his "cool" direction, revealing only an occasional hint of the passions later unleashed.
    [Show full text]
  • HOUSE RESOLUTION 220 by Hardaway a RESOLUTION To
    HOUSE RESOLUTION 220 By Hardaway A RESOLUTION to recognize and celebrate the 50th anniversary of Stax Records. WHEREAS, Memphis is recognized throughout the world as the true home of sweet soul music, and visitors to this great State share with its citizens a common love and respect for the soulful sounds of Tennessee; and WHEREAS, it is thus most appropriate for this General Assembly to honor and recognize the 50th anniversary of the legendary Stax Records, which, founded in Memphis, is the most famous soul music record label with Tennessee roots; and WHEREAS, in 1959, former country fiddler Jim Stewart, and his sister, Estelle Axton, founded what would, in 1961, become Stax Records; the label's first hit was Cause I Love You by Rufus and Carla Thomas; and WHEREAS, second only to Motown in popular soul music sales and influence during its heyday, Stax Records was nevertheless first in gritty, raw, stripped-down soul; featuring artists like Otis Redding, Rufus & Carla Thomas, Sam & Dave, William Bell, The Bar-Kays, and Isaac Hayes, and with house band Booker T. and the MGs and horn section The Memphis Horns, Stax placed over 167 hit songs in the top 100 on the pop charts and an astounding 243 hits in the top 100 of the R & B charts over the course of fifteen years; and WHEREAS, the influence of the Stax sound can still be felt over thirty years later in so many musical genres; songs like Green Onions by Booker T. and the MGs, (Sittin' on the) Dock of the Bay by Otis Redding, Soul Man and Hold On, I'm Comin' by Sam and Dave, I'll Take
    [Show full text]
  • Isaac Hayes - Ultimate Isaac Hayes Can You Dig It
    Isaac Hayes - Ultimate Isaac Hayes Can You Dig It Written by Robert ID1990 Friday, 14 October 2005 06:09 - Over the course of its 15-year history, Stax Records was home to a plethora of stars such as Otis Redding, Sam and Dave, Booker T. & the MGs, the Staple Singers, Johnnie Taylor, and the Dramatics. As talented and great as the aforementioned artists were, none of them ultimately had the impact on black popular music that Isaac Hayes did from 1969 through 1975. Hayes’s story is one of epic proportions. In the mid- to late 1960s Isaac, and his songwriting and producing partner David Porter, played a seminal role in creating the nascent sound of soul music, writing and producing such genre-defining records as Sam and Dave’s “Soul Man,” “Hold On I’m Comin’,” “When Something Is Wrong With My Baby,” “Wrap It Up,” and “I Thank You.” In their spare time, the dynamic songwriting duo also penned hits for Carla Thomas, Johnnie Taylor, Ruby Johnson, the Soul Children, and Mable John. As a session man, Isaac played on dozens of additional hits. His songwriting, production, and session work alone would make Hayes worthy of any music hall of fame that one could possibly name. Yet, as monumental as his contributions were in this first part of his career, they are dwarfed by the impact of his solo albums such as Hot Buttered Soul, Shaft, and Black Moses. With these records Hayes would become the biggest artist Stax ever produced and one of the most important artists in the history of rhythm and blues.
    [Show full text]
  • Transcript Template
    Transcript Template Date: 2017-08-01 Interviewee: Henderson Thigpen Interviewer: Jeff Kollath and Charles Hughes Location: Stax Museum of American Soul Music, Memphis, TN Collection: Stax Museum Oral Histories Notes: Transcribed by David Nibayubahe and Kameron Lovell MCHS [0:00] Charles Huges: Alright, we are here today with Henderson Thigpen, August 1, 2017 at the Stax music academy. Jeff Kollath, Stax Museum, Charles Huges, Rhodes College. So Mr. Thigpen, thank you for sharing your morning with us. We'll start very simply just tell us about yourself you know, start at the beginning. Henderson Thigpen: You want to know how I got started in this whole music thing. I didn't tell you this when we met before in black Churches we have a thing called children's day we you have to get up and recite poems in front of the congregation. So, I would of wrote my own poems and it made my mom proud and I got to the point for them to tutor me on to recite so I would read mine. Then, at sixteen [1:00] I thought I was in love with this women that was twenty something and my mom found out about it and it was a very bad thing for a sixteen-year-old to be talking to a twenty-year-old. So, I wrote this song which was really a poem about that situation and was crushed but now I'm over it, and now I'm here. Then, I continued to write poems and someone told me I need to some with them, but I didn’t know what to do with them because I didn’t play with them like how I sound as a singer.
    [Show full text]