N E W S L E T T E R Summer 2004
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Songs-Of-Protest-2020.Pdf
Elliott Forrest Dara Falco Executive & Artistic Director Managing Director Board of Trustees Stephen Iger, President Melanie Rock, Vice President Joe Morley, Secretary Tim Domini, Treasurer Karen Ayres Rod Greenwood Simon Basner Patrick Heaphy David Brogno James Sarna Hal Coon Lisa Waterworth Jeffrey Doctorow Matthew Watson SUPPORT THE ARTS Donations accepted throughout the show online at ArtsRock.org The mission of ArtsRock is to provide increased access to professional arts and multi-cultural programs for an underserved, diverse audience in and around Rockland County. ArtsRock.org ArtsRock is a 501 (C)(3) Not For-Profit Corporation Dear Friends both Near and Far, Welcome to SONGS OF PROTEST 4, from ArtsRock.org, a non- profit, non-partisan arts organization based in Nyack, NY. We are so glad you have joined us to celebrate the power of music to make social change. Each of the first three SONGS OF PROTEST events, starting in April of 2017, was presented to sold-out audiences in our Rockland, NY community. This latest concert, was supposed to have taken place in-person on April 6th, 2020. We had the performer lineup and songs already chosen when we had to halt the entire season due to the pandemic. As in SONGS OF PROTEST 1, 2 & 3, we had planned to present an evening filled with amazing performers and powerful songs that have had a historical impact on social justice. When we decided to resume the series virtually, we rethought the concept. With so much going on in our country and the world, we offered the performers the opportunity to write or present an original work about an issue from our current state of affairs. -
Distinguished Artists Concert Series
Supervisor JOSEPH SALADINO presents 2018 - 2019 Distinguished Artists Concert Series Co-Sponsoring Libraries Bethpage • Farmingdale • Hicksville • Jericho • Locust Valley Massapequa • Plainview-Old Bethpage • Syosset A Message from Joseph Saladino Town Supervisor Dear Neighbor, The Town of Oyster Bay2018-2019 Distinguished Artists Concert series will, once again, offer a diverse season of musical programs, which will kick off in October. Whatever your musical taste, Opera, Pop, Jazz, Classical or anything in between, there is something for everyone. The concert season begins on Sunday, October 7, 2018 at the Locust Valley Library with Mambo Loco performing Old-School Latin & Latin Jazz and continues through Sunday, May 19, 2019 culminating with a performance by Just Sixties - a multi-media retrospective of the 1960’s. This season’s lineup also includes The Hambones - Country/Rockabilly, River of Dreams - a tribute to the music of Billy Joel, The Tribunes - authentic Street Corner Harmony, New Vintage Orchestra performing Swing & Jazz Hits of a Lifetime, and Sasha Papernik & Her Band - an homage to Burt Bacharach & Hal David, just to name a few. My fellow Town Board members and I are proud to provide residents with some of the very finest cultural and performing arts entertainment available. All concerts are free of charge and are held at conveniently-located local libraries throughout the Town. Please take a few moments to glance through the brochure and begin planning your entertainment schedule. We look forward to seeing you at the -
The Angelica and Russ Berrie Center for Performing and Visual Arts Announces Its Fall 2015 Season of Music, Theatre and Speakers
For Immediate Release The Berrie Center for Performing and Visual Arts Ramapo College of New Jersey 505 Ramapo Valley Road Mahwah, NJ 07430 Box Office: 201-684-7844 Online: www.ramapo.edu/berriecenter Contact: Stephanie Chaiken, Interim Director Phone: (201) 684-7148 [email protected] The Angelica and Russ Berrie Center for Performing and Visual Arts Announces its Fall 2015 Season of Music, Theatre and Speakers MAHWAH, NJ. – Rock, bluegrass, Broadway stars and Emmy and Grammy Award winning artists will highlight the 2015 fall season of the Berrie Center for Performing and Visual Arts at Ramapo College of New Jersey. “This is an exciting lineup for the Berrie Center,” said Stephanie Chaiken, Interim Director of the Berrie Center. “There is something for everyone in the entire family in our fall calendar of shows ranging from concerts to distinguished speakers to theatre. Our patrons can experience incredible performances right here in northern New Jersey. Our venues are stunning and we have plenty of free parking.” The Berrie Center will begin the fall season on Sunday, September 27 with THE HILLBENDERS PRESENT: TOMMY: A BLUEGRASS OPRY. "Ever since I was a young boy, I played the silver ball." Maybe not your standard bluegrass lyric, but a line known by all the world from the biggest rock opera of all time, The Who's Tommy. Forty-five years after its original release, this rock classic has now been fully realized as a full-length bluegrass tribute, featuring Springfield, Missouri's acclaimed group - The Hillbenders. With a perfect mix of virtuoso musicianship on banjo, dobro, mandolin, bass and guitar and rock star vocals, the Hillbenders have received high critical acclaim for bringing Pete Townsend's original vision to life in a new and exciting way. -
Martin Cloonan Introduction an Attack on the Idea of America
MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion. -
CHRIS KNIGHT Almost Daylight
CHRIS KNIGHT Almost Daylight “It’s hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I’ve written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody’ is all I write about. Maybe that’s why I was bound and determined to get these particular songs on this album. If people like them, then we’ll be fine. But I wasn’t gonna do it any other way.” For the past 20 years, Chris Knight has only made music his own way. He’s released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He’s been hailed as “the last of a dying breed…a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he’s hard-earned his reputation as one of America’s most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career. Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it’s unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It’s an album both tough and tender, as bare-knuckled as it is open-hearted. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Les Paul the Search for the New Sound Biography Written By
Les Paul The Search for the New Sound Biography written by: Becky Marburger Educational Producer Wisconsin Media Lab Table of Contents Introduction . 2 Early Life . 3 Instruments and Experiments . 4 Hitting the Road . 6 Growing Career . 8 Conclusion . 10 Glossary . 11 Introduction Les Paul’s mother often told him, “It’s your life . It’s up to you ”. She wanted her son to go for his dreams . Les was a musician and an inventor . He dreamed of creating a new sound . Musicians today still use Les’s inventions and music . Courtesy of the Les Paul Foundation . Lester (Les) William Polsfuss 2 Early Life Lester William Polsfuss (Les) was born on June 9, 1915, in Waukesha, Wisconsin . His father worked at a car dealership . His mother took care of the family’s home . His parents separated when he was young . Les’s mother knew he liked music . When he did things like take apart her radio, she did not punish him . Les liked watching his mother work her player piano . He sometimes punched holes in paper rolls and put them in the piano to see if they would make new sounds . Moving to Waukesha In the early 1900s, there were many German immigrants living in Waukesha, including Les’s grandfathers . His paternal grandfather immigrated to the United States from Prussia to escape wars and poverty . His maternal grandfather moved from Germany to the United States in search of a new job . Life was not always easy for immigrants . When Les’s mother was young, she had to drop out of school and get a job to help Prussia was a German kingdom that was earn money for her family . -
Annual Report 2016
Collecting Exhibiting Learning Connecting Building Supporting Volunteering & Publishing & Interpreting & Collaborating & Conserving & Staffing 2016 Annual Report 4 21 10 2 Message from the Chair 3 Message from the Director and the President 4 Collecting 10 Exhibiting & Publishing 14 Learning & Interpreting 18 Connecting & Collaborating 22 Building & Conserving 26 Supporting 30 Volunteering & Staffing 34 Financial Statements 18 22 36 The Year in Numbers Cover: Kettle (detail), 1978, by Philip Guston (Bequest of Daniel W. Dietrich II, 2016-3-17) © The Estate of Philip Guston, courtesy McKee Gallery, New York; this spread, clockwise from top left: Untitled, c. 1957, by Norman Lewis (Purchased with funds contributed by the Committee for Prints, Drawings, and Photographs, 2016-36-1); Keith and Kathy Sachs, 1988–91, by Howard Hodgkin (Promised gift of Keith L. and Katherine Sachs) © Howard Hodgkin; Colorscape (detail), 2016, designed by Kéré Architecture (Commissioned by the Philadelphia Museum of Art for The Architecture of Francis Kéré: Building for Community); rendering © Gehry Partners, LLP; Inside Out Photography by the Philadelphia Museum of Art Photography Studio A Message A Message from the from the Chair Director and the President The past year represented the continuing strength of the Museum’s leadership, The work that we undertook during the past year is unfolding with dramatic results. trustees, staff, volunteers, city officials, and our many valued partners. Together, we Tremendous energy has gone into preparations for the next phase of our facilities have worked towards the realization of our long-term vision for this institution and a master plan to renew, improve, and expand our main building, and we continue reimagining of what it can be for tomorrow’s visitors. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Ann Hampton Callaway
ANN HAMPTON CALLAWAY Ann Hampton Callaway is one of the leading champions of the great American Songbook, having made her mark as a singer, pianist, composer, lyricist, arranger, actress, educator, TV host and producer. A born entertainer, her unique singing style blends jazz and traditional pop, making her a mainstay in concert halls, theaters and jazz clubs as well as in the recording studio, on television, and in film. She is best known for Tony-nominated performance in the hit Broadway musical Swing! and for writing and singing the theme song to the hit TV series The Nanny. Callaway is a Platinum award-winning writer whose songs are featured on seven of Barbra Streisand's recent CD's. The only composer to have collaborated with Cole Porter, she has also written songs with Carole King, Rolf Lovland and Barbara Carroll to name a few. Callaway's live performances showcase her warmth, spontaneous wit and passionate delivery of standards, jazz classics and originals. She is one of America's most gifted improvisers, taking words and phrases from her audiences and creating songs on the spot, whether alone at a piano or with a symphony orchestra. Ann has been a special guest performer with Wynton Marsalis and the Lincoln Center Jazz Orchestra, with Keith Lockhart and the Boston Pops at Symphony Hall and Tanglewood and is featured at many of the Carnegie Hall tributes. She has sung with more than thirty of the world's top orchestras and big bands, and has performed for President Clinton in Washington, D.C. and at President Gorbachev's Youth Peace Summit in Moscow. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
Theatre Breaking Through Barriers
EQUITYACTORS’ EQUITY: STANDING UP FOR OURNEWS MEMBERS JUNE 2015 / Volume 100 / Number 5 www.actorsequity.org 2015 Equity Theater BreakingThrough Barriers Election Results Continues to Provide Work for Kate Shindle elected President of the union; all other officers reelected and 16 elected to Council Performers With Disabilities Kate Shindle led 1st Vice President Not elected: Dan NicholasViselli is the new Artistic Director the slate of officers Paige Price Zittel, Eric H. Mayer Photo by Carol Rosegg elected to three-year 2nd Vice President By Helaine Feldman terms in Equity’s 2015 The following candi- Rebecca Kim Jordan he stage is the way national election. In date was nominated 3rd Vice President to change the addition, 16 members with no opposition “ Ira Mont world,” said Ike — 11 from the East- and, pursuant to Rule T Schambelan, founder and ern Region, 2 from the Secretary/Treasurer VI(E)6 of the Nomina- artistic director of Theater Central Region and 3 Sandra Karas tions and Election Breaking Through Barriers from the Western Re- Eastern Regional Policy, has been (formerly Theater By the gion — have been Vice President deemed elected. Blind) until his death on elected to Council. Melissa Robinette Chorus February 3, 2015. Nicholas Ballots were tabu- Central Regional Bill Bateman Viselli, who joined the lated on May 21, Vice President company in 1997 and has 2015. There were Dev Kennedy CENTRAL been named to continue 6,182 total valid bal- REGION Schambelan’s work, agrees The cast of Agatha Christie’s The Unexpected Guest, including lots cast, of which EASTERN The following candi- with the late artistic director’s (L to R) Pamela Sabaugh, Scott Barton, Melanie Boland, Ann 3,397 were cast elec- REGION Marie Morelli, Lawrence Merritt and David Rosar Stearns.