SFRA Newsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
285 Summer 2008 SFRA Editors a Publication of the Science Fiction Research Association Karen Hellekson Review 16 Rolling Rdg
285 Summer 2008 SFRA Editors A publication of the Science Fiction Research Association Karen Hellekson Review 16 Rolling Rdg. Jay, ME 04239 In This Issue [email protected] [email protected] SFRA Review Business Big Issue, Big Plans 2 SFRA Business Craig Jacobsen Looking Forward 2 English Department SFRA News 2 Mesa Community College Mary Kay Bray Award Introduction 6 1833 West Southern Ave. Mary Kay Bray Award Acceptance 6 Mesa, AZ 85202 Graduate Student Paper Award Introduction 6 [email protected] Graduate Student Paper Award Acceptance 7 [email protected] Pioneer Award Introduction 7 Pioneer Award Acceptance 7 Thomas D. Clareson Award Introduction 8 Managing Editor Thomas D. Clareson Award Acceptance 9 Janice M. Bogstad Pilgrim Award Introduction 10 McIntyre Library-CD Imagination Space: A Thank-You Letter to the SFRA 10 University of Wisconsin-Eau Claire Nonfiction Book Reviews Heinlein’s Children 12 105 Garfield Ave. A Critical History of “Doctor Who” on Television 1 4 Eau Claire, WI 54702-5010 One Earth, One People 16 [email protected] SciFi in the Mind’s Eye 16 Dreams and Nightmares 17 Nonfiction Editor “Lilith” in a New Light 18 Cylons in America 19 Ed McKnight Serenity Found 19 113 Cannon Lane Pretend We’re Dead 21 Taylors, SC 29687 The Influence of Imagination 22 [email protected] Superheroes and Gods 22 Fiction Book Reviews SFWA European Hall of Fame 23 Fiction Editor Queen of Candesce and Pirate Sun 25 Edward Carmien The Girl Who Loved Animals and Other Stories 26 29 Sterling Rd. Nano Comes to Clifford Falls: And Other Stories 27 Princeton, NJ 08540 Future Americas 28 [email protected] Stretto 29 Saturn’s Children 30 The Golden Volcano 31 Media Editor The Stone Gods 32 Ritch Calvin Null-A Continuum and Firstborn 33 16A Erland Rd. -
Top Hugo Nominees
Top 2003 Hugo Award Nominations for Each Category There were 738 total valid nominating forms submitted Nominees not on the final ballot were not validated or checked for errors Nominations for Best Novel 621 nominating forms, 219 nominees 97 Hominids by Robert J. Sawyer (Tor) 91 The Scar by China Mieville (Macmillan; Del Rey) 88 The Years of Rice and Salt by Kim Stanley Robinson (Bantam) 72 Bones of the Earth by Michael Swanwick (Eos) 69 Kiln People by David Brin (Tor) — final ballot complete — 56 Dance for the Ivory Madonna by Don Sakers (Speed of C) 55 Ruled Britannia by Harry Turtledove NAL 43 Night Watch by Terry Pratchett (Doubleday UK; HarperCollins) 40 Diplomatic Immunity by Lois McMaster Bujold (Baen) 36 Redemption Ark by Alastair Reynolds (Gollancz; Ace) 35 The Eyre Affair by Jasper Fforde (Viking) 35 Permanence by Karl Schroeder (Tor) 34 Coyote by Allen Steele (Ace) 32 Chindi by Jack McDevitt (Ace) 32 Light by M. John Harrison (Gollancz) 32 Probability Space by Nancy Kress (Tor) Nominations for Best Novella 374 nominating forms, 65 nominees 85 Coraline by Neil Gaiman (HarperCollins) 48 “In Spirit” by Pat Forde (Analog 9/02) 47 “Bronte’s Egg” by Richard Chwedyk (F&SF 08/02) 45 “Breathmoss” by Ian R. MacLeod (Asimov’s 5/02) 41 A Year in the Linear City by Paul Di Filippo (PS Publishing) 41 “The Political Officer” by Charles Coleman Finlay (F&SF 04/02) — final ballot complete — 40 “The Potter of Bones” by Eleanor Arnason (Asimov’s 9/02) 34 “Veritas” by Robert Reed (Asimov’s 7/02) 32 “Router” by Charles Stross (Asimov’s 9/02) 31 The Human Front by Ken MacLeod (PS Publishing) 30 “Stories for Men” by John Kessel (Asimov’s 10-11/02) 30 “Unseen Demons” by Adam-Troy Castro (Analog 8/02) 29 Turquoise Days by Alastair Reynolds (Golden Gryphon) 22 “A Democracy of Trolls” by Charles Coleman Finlay (F&SF 10-11/02) 22 “Jury Service” by Charles Stross and Cory Doctorow (Sci Fiction 12/03/02) 22 “Paradises Lost” by Ursula K. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Rogerzelazny
the collected $29 stories of “ Roger Zelazny was one of the collected stories of roger the collected stories of SF’s finest storytellers, a zelazny Roger Zelazny poet with an immense and Roger Zelazny 5 volume 5: nine black doves instinctive gift for language. volume five nine black Reading Zelazny is like doves nine black doves WINN Roger Zelazny wrote with a lyrical quality rarely found G dropping into a Mozart in science fiction—creating rousing adventures, intricate H © BETH “what-if?” stories, clever situations, and sweeping vistas in P string quartet as played which to play them out. Leavened with layers of allusion by Thelonious Monk.” PHOTOGRA and imagery, his diverse writing styles and breadth of — GREG BEAR subject matter brought him praise as a prose poet and a Roger Zelazny (1937–1995) reaffirmed his mastery of short Renaissance man. Zelazny’s vivid stories, especially his fiction during the 1980s with his release of a pair of Hugo-winning stories, his completion of the Dilvish series, and his creation of Volume 5: Nine Black Doves covers spectacular novellas, are classics in the field. Croyd Crenson for the Wild Cards shared world. the 1980s, when Zelazny’s mature Although he is best known for his 10-volume Amber During the interval covered by this volume, Zelazny began the second craft produced the Hugo-winning and series, his early novels Lord of Light and Creatures of Light five-book series in the Chronicles of Amber, starting with Trumps of Doom. He continued his serious study of martial arts and he created Nebula-nominated stories, “24 Views of and Darkness, and the Dilvish series, his shorter works a shared world of his own. -
Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
Chapter Five Bibliographic Essay: Studying Star Trek
Jessamyn Neuhaus http://geekypedagogy.com @GeekyPedagogy January 2019 Chapter Five Bibliographic Essay: Studying Star Trek Supplement to Chapter Five, “Practice,” of Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (Morgantown: University of West Virginia Press, 2019) In Chapter Five of Geeky Pedagogy, I argue that “for people who care about student learning, here’s the best and worst news about effective teaching that you will ever hear: no matter who you are or what you teach, you can get better with practice. Nothing will improve our teaching and increase our students’ learning more than doing it, year after year, term after term, class after class, day after day” (146). I also conclude the book with a brief review of the four pedagogical practices described in the previous chapters, and note that “the more time we can spend just doing them, the better we’ll get at effective teaching and advancing our students’ learning” (148). The citations in Chapter Five are not lengthy and the chapter does not raise the need for additional citations from the scholarship on teaching and learning. There is, however, one area of scholarship that I would like to add to this book as a nod to my favorite geeky popular text: Star Trek (ST). ST is by no means a perfect franchise or fandom, yet crucial to its longevity is its ability to evolve, most notably in terms of diversifying popular presentations. To my mind, “infinite diversity in infinite combinations” will always be the most poetic, truest description of both a lived reality as well as a sociocultural ideal—as a teacher, as a nerd, and as a human being. -
Animal Farm by George Orwell: a Text Guide
Animal Farm by George Orwell: A Text Guide Name: Class: Teacher: George Orwell Born Eric Arthur Blair, George Orwell was born in India on 25th June 1903. His father was an official in the Indian Civil Service at the time of the British Empire, but once the family returned to England Orwell became deeply aware of how poor his family was – a factor which would be hugely influential in his later writing. He obtained a scholarship to Eton (one of the finest schools in the country), an experience which shaped his way of thinking. He often felt aware of his poverty there, but also praised the way Eton encouraged individuality. In 1922, he decided to join the Indian Imperial Police rather than take the conventional path to Oxford or Cambridge Universities, demonstrating that he was preferred to think outside of the box and do the unexpected. After five years, he quite the Imperial Police, mainly because he was unhappy about the way Britain ruled in India. Some people feel that the disgust and guilt he felt whilst in the police influenced his decision to go to Paris in 1927, Here, he worked in a series of poorly paid jobs. He was fascinated by those worst off in society and wrote about them in his first major book: Down and Out In Paris & London. Orwell was a socialist, which contradicted his patriotic ideas about England. Also, as he got older he became anti-Communist, which seems to contradict his socialist views (you will read more about Communism later). When World War II broke out, he tried to enlist but was rejected thanks to his ill-health. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Marcelo Pelissioli from Allegory Into Symbol: Revisiting George Orwell's Animal Farm and Nineteen Eighty-Four in the Light Of
MARCELO PELISSIOLI FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM PORTO ALEGRE 2008 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÊNFASE: LITERATURAS DE LÍNGUA INGLESA LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM MESTRANDO: PROF. MARCELO PELISSIOLI ORIENTADORA: PROFª. DRª. SANDRA SIRANGELO MAGGIO PORTO ALEGRE 2008 3 4 PELISSIOLI, Marcelo FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM Marcelo Pelissioli Porto Alegre: UFRGS, Instituto de Letras, 2008. 112 p. Dissertação (Mestrado - Programa de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1.Totalitarismo, 2.Animal Farm, 3. Nineteen Eighty-Four, 4. Alegoria, 5. Símbolo. 5 Acknowledgements To my dear professor and adviser Dr. Sandra Maggio, for the intellectual and motivational support; To professors Jane Brodbeck, Valéria Salomon, Vicente Saldanha, Paulo Ramos, Miriam Jardim, José Édil and Edgar Kirchof, professors who guided me to follow the way of Literature; To my bosses Antonio Daltro Costa, Gerson Costa and Mary Sieben, for their cooperation and understanding; To my friends Anderson Correa, Bruno Albo Amedei and Fernando Muniz, for their sense of companionship; To my family, especially my mother and grandmother, who always believed in my capacity; To my wife Ana Paula, who has always stayed by my side along these long years of study that culminate in the handing of this thesis; And, finally, to God, who has proved to me along the years that He really is the God of the brave. -
Efanzines.Com—Earl Kemp: E*
Vol. 7 No. 5 October 2008 -e*I*40- (Vol. 7 No. 5) October 2008, is published and © 2008 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through efanzines.com by Bill Burns in an e-edition only. Happy Halloween! by Steve Stiles Contents—eI40—October 2008 Cover: “Happy Halloween!,” by Steve Stiles …Return to sender, address unknown….30 [eI letter column], by Earl Kemp The Fanzine Lounge, by Chris Garcia The J. Lloyd Eaton Collection, by Rob Latham and Melissa Conway Help Yourself to Eaton!, by Earl Kemp and Chris Garcia Eighty Pounds of Paper, by Earl Kemp It Just Took a Little Longer Than I Thought it Would, by Richard Lupoff SLODGE, by Jerry Murray Back cover: “Run, Baby, Run,” by Ditmar [Martin James Ditmar Jenssen] In the only love story he [Kilgore Trout] ever attempted, “Kiss Me Again,” he had written, “There is no way a beautiful woman can live up to what she looks like for any appreciable length of time.” The moral at the end of that story is this: Men are jerks. Women are psychotic. -- Kurt Vonnegut, Timequake THIS ISSUE OF eI is for the J. Lloyd Eaton Collection of Science Fiction, Fantasy, Horror, and Utopian Literature, housed in the Special Collections & Archives Department of the Tomás Rivera Library at UCRiverside. # As always, everything in this issue of eI beneath my byline is part of my in-progress rough-draft memoirs. As such, I would appreciate any corrections, revisions, extensions, anecdotes, photographs, jpegs, or what have you sent to me at [email protected] and thank you in advance for all your help. -
Volume 2 | Issue 1
The Reading Room a journal of special collections Volume 2, Issue 1 Volume 2, Issue 1 The Reading Room: A Journal of Special Collections is a scholarly journal committed to providing current research and relevant discussion of practices in a special collections library setting. The Reading Room seeks submissions from practitioners and students involved with working in special collections in museums, historical societies, corporate environments, public libraries and academic libraries. Topics may include exhibits, outreach, mentorship, donor relations, teaching, reference, technical and metadata skills, social media, “Lone Arrangers”, management and digital humanities. The journal features single-blind, peer-reviewed research articles and case studies related to all aspects of current special collections work. Journal credits Editors-in-Chief: Molly Poremski, Amy Vilz and Marie Elia Designer: Kristopher Miller Authors: Peterson Brink, Mary Ellen Ducey, Elizabeth Lorang, Erica Brown, Sarah M. Allison, Wendy Pflug, and Madeline Veitch. Cover photo: View of the Booth Family Center for Special Collections and The Paul F. Betz Reading Room at Georgetown University Library. Architects: Bowie Gridley, Construction: Manhattan Construction. Image courtesy of Bowie Gridley Architects and Georgetown University Library. University Archives University at Buffalo 420 Capen Hall Buffalo, NY, 14260 (716) 645-7750 [email protected] © 2016 The Reading Room, University at Buffalo, The State University of New York All rights reserved. ISSN: 2375-6101 Editors Note Dear Readers, Welcome to the third issue of Te Reading Room: A Journal of Special Collections! Our many thanks for your support and enthusiasm to provide an open access and scholarly forum for all those working in, or with, special collections.