PAUL RAMÍREZ JONAS Born 1965, California Lives and Works in New York EDUCATION 2012 Monash University, Melbourne, Australia, Ex
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PAUL RAMÍREZ JONAS Born 1965, California Lives and works in New York EDUCATION 2012 Monash University, Melbourne, Australia, Expected Doctor Of Philosophy 1989 MFA Rhode Island School of Design, Providence, RI 1987 BA Brown University, Providence, RI SOLO EXHIBITIONS & PROJECTS 2014 We Make the Treasure, San Francisco Exploratorium, CA 2013 Paul Ramírez Jonas: Aggregate, Koenig & Clinton, New York Assembleia, Nara Roesler, São Paulo Witness My Hand, Heliopolis, Brooklyn, NY 2011 Nara Roesler, São Paulo Alexander Gray Associates, New York Publicar, Pinacoteca Do Estado, São Paulo 2010 Dictar y Recordar, Lamanchadetomate, Tegucigalpa, Honduras Key to the City, Creative Time, New York 2009 Alexander Gray Associates, New York 2008 The Aldrich Contemporary Art Museum, Ridgefield, CT 2007 ABRACADABRA: I Create as I Speak, The Jack S. Blanton Museum of Art, Austin, TX Long Time, a permanent public sculpture for the Hudson River Park, New York To be spoken out loud, Roger Björkholmen Galleri, Stockholm 2005 Open, Cambridge Arts Council Gallery, Cambridge, MA Taylor Square, a permanent public park for the city of Cambridge, MA 2004 Heavier than Air, Ikon Gallery, Birmingham, England; Cornerhouse, Manchester 2003 The Earth, Seen From Above, LFL Gallery, New York Roger Björkholmen Galleri, Stockholm The Earth, Seen From Above, Feldman Gallery, Pacific Northwest College of Art, Portland, OR 2000 Roger Björkholmen Galleri, Stockholm Ellen de Bruijne Projects, Amsterdam 1998 Not the New, Not the Old, but the Necessary, Beaver College Art Gallery, Glenside, PA Roger Björkholmen Galleri, Stockholm 1997 Postmasters Gallery, New York 1996 Roger Björkholmen Galleri, Stockholm Postmasters Gallery, New York 1995 Studio Guenzani, Milan 1994 Heavier Than Air, Postmasters Gallery, New York Heavier Than Air, White Cube, London 1993 Jack Tilton Gallery (Project Room), New York 1992 Christopher Grimes Gallery (Project Room), Santa Monica, CA Whirligig, White Columns, New York 1990 AMANAPLANACANALPANAMA, Artists Space (Underground Project Room), New York GROUP EXHIBITIONS 2015 Condensed Matter Community, Synchrotron Radiation Center: Home of Aladdin, Stoughton, WI Under the Same Sun: Art from Latin America Today, Museuo Jumex, Mexico City Messages from America, 10th Mercosul Biennial, Porto Alegre, Brazil Organic Situation, Koenig & Clinton, New York Very Fun Park, Fubon Art Foundation, Taipei, Taiwan Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de Bellas Artes, El Museo Nacional de Bellas Artes, Havana Arts On the Point, University of Massachusetts, Boston When You Cut into the Present the Future Leaks Out, curated by Regine Basha for No Longer Empty, Old Bronx Courthouse, New York The Blue of Distance, Aspen Art Museum, CO Blueprint, Storefront for Art and Architecture, New York 2014 Shandaken Project Retrospective Exhibition, The Shandaken Project, Storm King, New york In ___ We Trust: Art and Money Exhibition, Columbus Museum of Art, OH Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond, Brooklyn Museum, NY Fixing a Hole, Koenig & Clinton, New York Caribbean: Crossroads of the World, Pérez Art Museum Miami Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York Lost in Landscape, Il Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy Blueprint/ Blauwdruk, Kunsthal KAdE, Amersfoort, the Netherlands 250th Alumni Exhibition, Bell Gallery, Brown University, Providence, RI 2013 ReMODEL2: Expanding the dialogue, Claremont Graduate University, CA Chasing Horizons, curated by Nirmal Raja and Christopher Willey, Villa Terrace Decorative Arts Museum, Milwaukee, WI Shine a Light, Portland Art Museum, OR 2012 Now Here is also Nowhere: Part I, curated by Luis Croquer with assistance from Merith Bennett, Henry Art Gallery, University of Washington, Seattle Swap Meet: Artpace and the Dikeou Collection, curated by Devin Dikeou, Artpace, San Antonio, TX Caribbean: Crossroads of the World, directed by Elvis Fuentes, curated by Edward J. Sullivan, Lowery Stokes Sims, Gerald Alexis and Yolanda Wood Pujols, El Museo del Barrio, New York Twenty Years After, Bjorkholmen Gallery, Stockholm Residue of Memory, Aspen Art Museum, CO Particles, Messen De Clercq, Brussels Because Dreaming is Best Done in Public: Creative Time in Public Spaces, Laurie M. Tisch Illumination Fund, New York El Panal/The Hive, Trienal Poli/gráfiaca de San Juan: América Latina y el Caribe, Antiguo Arsenal de la Marina Española, San Juan, Puerto Rico Los Impoliticos, Espacio de Arte Contemporáneo, Montevideo, Uruguay 2011 Red, Bjorkholmen Gallery, Stockholm An Exchange with Sol LeWitt, Cabinet, New York, NY; Massachusetts Museum of Contemporary Art, North Adams, MA Barely There (Part II), Museum of Contemporary Art, Detroit 2010 A Modular Framework/Un Marco Modular, Centro Cultural de Espana el Salvador, San Salvador, El Salvador Landscape as an Attitude, Alexander Gray Associates, New York (to) give time to time, Australian Experimental Art Foundation, Adelaide, South Australia Art on Speed, Ulrich Museum of Art, Wichita, KS Exterritory, ex-territorial waters off the coasts of Lebanon, Cypress, Turkey, among other countries Substitute Teacher, Atlanta Contemporary Art Center Cage Mix: Sculpture & Sound, Baltic Center for Contemporary Art, Gateshead, England Summer Studio, Institute of Contemporary Art, Philadelphia What’s Left: Artworks made by a Public, Alexander Gray Associates, New York Between, Roger Björkholmen Galleri, Stockholm 2009 A Group Show, Roger Björkholmen Galleri, Stockholm Fare Mondi/Hacer Mundos, Pabellon de America Latina, 53rd Venice Biennial Los Impoliticos, PAN | Palazzo delle Arti Napoli, Naples, Italy Grito e Escuta, 7th Bienal do Mercosul, Porto Alegre, Brazil The Quick and the Dead, Walker Art Center, Minneapolis, MN Urban Stories, The Xth Baltic Triennale, Vilnius, Lithuania 3rd International Festival of Electronic Arts and Video Transitio_mx 03, Autonomies of Disagreement, Centro Nacional de Artes - Centro Multimedia, Mexico City Free as Air and Water, 41 Cooper Gallery, Cooper Union, New York Underwater, Western Bridge, Seattle 2008 28a. Bienal de São Paulo, São Paulo 41 Salón de Artistas, Cali, Colombia (In)visible Geographies: Contemporary Art in Latin America From the Colección Patricia Phelps de Cisneros, Centro Cultural Eduardo León Jimenes, Santiago de los Caballeros, Dominican Republic Democracy in America Convergence Center, Creative Time, Park Avenue Armory, New York Emergency Art Care, Bourgas, Bulgaria PDF Show, Y Gallery, Queens, NY; La Casa Encenidada, Madrid; Bastard, Oslo, Norway; Brown Gallery, London; Hiromiyoshii, Tokyo; among other venues Summer Reading, Hosfelt Gallery, New York You & Me, Sometimes…, Lehmann Maupin, New York Playtime, Bétonsalon, Paris 2007 Ensemble, Institute of Contemporary Art, University of Pennsylvania, Philadelphia the backroom, Kadist Art Foundation, Paris The Situational Drive: Complexities of Public Sphere Engagement, inSite (San Diego/Tijuana) and Creative Time (New York), in collaboration with The Cooper Union, School of Art, New York Going Staying, Movement, Body, Space in Contemporary Art, Kunstmuseum Bonn, Germany Sleeping and Dreaming, Deutsches Hygiene-Museum, Dresden, Germany; Wellcome Trust, London 2006 Subito sera, Galleria Zero, Milan Constant Disturbance: On Cultural Contamination and Foreign Agents, Centro Cultural Español, Coral Gables, FL Until Then Then, Western Front Exhibitions, Vancouver, Canada HyperDesign (6th Shanghai Biennial) Gifts go in one direction, Apexart, New York New York, Interrupted, PKM Gallery, Beijing 2005 Dreaming of A More Better Future, Reinberger Galleries, Cleveland Institute of Art, OH The Backroom, The Backroom, Los Angeles The Plain of Heaven, Creative Time, New York inSite_05, San Diego, California and Tijuana, Mexico Collection Remixed: Selves and Others, Bronx Museum, NY This must be the place, The Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY Marking Time: Moving Images, Miami Art Museum Intuition Box, Curator’s Office, Washington, D.C. From Audeoud to Zhao Bandi, Ikon Gallery, Birmingham, England 2004 Art in the Office, The Global Consulting Group, New York 1:100, DCKT Contemporary, New York Ebay: Buy or Sell or Buy, Pace Digital Gallery, [http://www.pace.edu/digitalgallery] The Sneeze 80 x 80, Gazon Rouge Gallery, Athens; Iziko South African National Gallery, Cape Town (2007); Durban Art Gallery, South Africa (2007) For Nothing, The Bank, Midland, Western Australia Me, Myself and I, University Galleries, Florida Atlantic University, Boca Raton, FL 2003 24/7, Siolaikinio meno centras/Contemporary art center, Vilnius, Lithuania The Square Show, Bloomberg Space, London The Paper Sculpture Show, Sculpture Center, New York; DiverseWorks, Houston, TX; Gallery 400, University of Illinois at Chicago, IL; among other venues. Cultural Territories International, Gallery for Contemporary Art Leipzig, Leipzig, Germany Road Show, George Adams Gallery, New York The Lengths, The Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY Pictured, Roger Björkholmen Galleri, Stockholm 2002 Pictures, Patents, Monkeys, and More... On Collecting, Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Akron Art Museum, OH; Fuller Museum of Art, Brockton, MA; John Michael Kohler Arts Center, Sheboygan, WI; Western Gallery, Western Washington University, Bellingham, WA Initial Spectrum, Spectrum, Perth, Australia Another Day, Roger Björkholmen Galleri, Stockholm