PAUL MYODA Associate Professor Department of Visual Art, Brown University ……………………………………………………………………………………………………………… EDUCATION
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Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main office tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@finearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar. -
JANINE ANTONI BORN January 19, 1964
JANINE ANTONI BORN January 19, 1964 - Freeport, Bahamas Lives and works in New York, NY. EDUCATION 1989 Rhode Island School of Design, MFA, Sculpture, Honors, Providence, RI 1986 Sarah Lawrence College, BA, Bronxville, New York, NY AWARDS: 2004 Artes Mundi, Wales International Visual Art Prize (nominee) 1999 New Media Award, ICA Boston, MA Larry Aldrich Foundation Award 1998 MacArthur Fellowship The Joan Mitchell Foundation, Inc. Painting and Sculpture Grant 1996 IMMA Glen Dimplex Artists Award SOLO EXHIBITIONS 2006 “Lore and Other Convergences,” (performance with Melissa Martin), Live Art Development Agency initiative, inIVA, London. 2005 “Ready or Not Here I Come,” Institute of International Visual Arts, London, England. 2004 “Touch,” Magasin 3 Stockholm Konsthall, Stockholm. 2003 “To Draw a Line,” Luhring Augustine, New York, NY. 2003-2002 “Taught Tether Teeter”, Site Santa Fe, Santa Fe, NM. 2002 “To Draw a Line,” The 2001 Sandra Garrard Memorial Lecture, Newcomb Art Department Woldenberg Art Center, Tulane University, New Orleans, LA. SITE Santa Fe 2001 “The Girl Made of Butter,” Aldrich Museum, Ridgefield, CT. ARCO 2001, Project Room, Madrid, Spain. 1999 “Imbed,” Luhring Augustine, New York, NY. 1998 “Swoon,” Whitney Museum of American Art, New York, NY. 1997 “Swoon,” Capp Street Project, San Francisco, CA. 1996 “Activitats Escultural,” Sala Montcada de Fundacio “la Caixa,” Barcelona, Spain. “Janine Antoni/Matrix 129,” Wadsworth Atheneum, Hartford, CT. “Art at the Edge,” The High Museum, Atlanta, GA. 1995 “Slip of the Tongue,” Centre for Contemporary Arts, Glasgow, Scotland; traveled to Irish Museum of Modern Art, Dublin, Ireland. 1994 “Hide and Seek,” Anders Tornberg Gallery, Lund, Sweden. “Slumber,” Anthony d’Offay Gallery, London, UK. -
Utopian Strategies Artists Anticipate Their Audiences
Portrait of Paul Ramirez. Pencil on paper by Phong Bui. Portrait of Janine Antoni. Pencil on paper by Phong Bui. Portrait of Ernesto Pujol. Pencil on paper by Phong Bui. UTOPIAN STRATEGIES ARTISTS ANTICIPATE THEIR AuDIENCES DISCUSSION AT PROTEUS GOWANUS, MARCH 26, 2011 CaRoL BeCkeR: Artists are concerned with the question each other. Art is a place of ideas and as such can serve mythology, and the history of the Utah territories. I then of audience—the relationship between objects and/or to counter spectacle culture that reduces everything to moved to Salt Lake City and led a performance studio, process and audience. They are also concerned with a commodity. I also issued a call to the Salt Lake artistic community art’s ability to mirror the sociopolitical reality and, in Can art create private space? Can it create public space? for all interested in public performance art. fact, to even transform it. Although questions about And are there virtues to such results? I recruited 100 volunteers from which 40 performed the relations between artists and audience have always Janine Antoni was born and raised in the Bahamas, and the rest were support staff. The resulting durational existed and been theorized, this is a particular moment Paul Ramirez Jonas was born in California but raised piece was called “Awaiting.” I was very interested in the when the place of art and the act of art making continue in Honduras, and Ernesto Pujol was born in Cuba but Mormon “utopian” social contract of waiting for the to allow people to think utopian thoughts and to engage raised in Puerto Rico. -
Paul Ramirez Jonas N./B
paul ramirez jonas n./b. 1965, california vive e trabalha em/lives and works in new york formação / education 1987-1989 Master in Fine Arts, Painting, Rhode Island School of Design, Providence, USA 1983-1987 Bachelor of Arts in Studio Art, Honors, Brown University, Providence, USA exposições individuais / solo exhibitions 2017 Contemporary Arts Museum Houston, Houston, USA (Mid Career Survey; Forthcoming, April 28-August 6, 2017) 2014 Over the Water, Exploratorium, San Francisco, USA 2013 Aggregate, Koenig & Clinton, New York, USA Assembleia, Galeria Nara Roesler, São Paulo, Brazil Witness My Hand, Heliópolis, New York, USA 2011 Projeto Octógono Arte Contemporânea, Pinacoteca Do Estado de São Paulo, São Paulo, Brazil Roesler Hotel #13: Paul Ramirez Jonas, Galeria Nara Roesler, São Paulo, Brazil Alexander Gray Associates, New York, USA Publicar, Pinacoteca Do Estado, São Paulo, Brazil 2010 Dictar y Recordar, Lamanchadetomate, Tegucigalpa, Honduras Key to the City, Creative Time, New York, USA 2009 Alexander Gray Associates, New York, USA 2008 The Aldrich Contemporary Art Museum, Ridgefield, USA 2007 ABRACADABRA: I create as I Speak, The Jack S, Blanton Museum of Art, Austin, USA Long Time, a permanent public sculpture for the Hudson River Park, New York, USA To be spoken out loud, Roger Björkholmen Galleri, Stockholm, Sweden 2005 Open, Cambridge Arts Council Gallery, Cambridge, USA Taylor Square, a permanent public park for the city of Cambridge, Cambridge, USA 2004 Heavier than Air, Ikon Gallery, Birmingham, England Cornerhouse, Manchester, -
PABLO ATCHUGARRY in SINGAPORE PABLO ATCHUGARRY WORKING in HIS STUDIO Lecco, Italy
PABLO ATCHUGARRY IN SINGAPORE PABLO ATCHUGARRY WORKING IN HIS STUDIO Lecco, Italy 2 3 PABLO ATCHUGARRY WORKING ON THE SCULPTURE VIA CRUCIS, 2012 4 5 FOREWORD Opera Gallery is delighted to present renowned Uruguayan sculptor Pablo Atchugarry, one of the most important living South American artists, for the first time in Singapore. In conjunction with the 2018 Formula One Grand Prix Season, five monumental sculptures by the artist will line the boardwalk of Orchard Road, together with an extensive exhibition of his sculptures within the Gallery. Making his mark as his country’s representative in the 50th Venice Biennale, Atchugarry’s abstract sculptures gained recognition for their reworking of classical techniques and materials into a new visual language. Drawing directly on stone, like sculptors of the Renaissance, Atchugarry’s mastery of material calls to mind the works of Bernini, Michelangelo and Donatello. However, what makes his sculptures indisputably contemporary are their exquisite minimalism, with distinct ovoid apertures, undulating folds and pleated forms. Pablo Atchugarry’s passion for volume, matter and colour began early on, following numerous voyages in Europe at the end of the 1970s, particularly Spain, France and Italy. The artist decided to settle in Lecco, Italy, where he started working on a series of monumental sculptures that he continued in many European cities. Atchugarry is particularly interested in working with marble, notably that of Carrara, which has become the emblematic material of his work. Atchugarry has developed a singular visual aesthetic within the traditions of modern art, with tapering and angular lines that endow his voluminous sculptures with pace and rhythm. -
View Exhibition Brochure
1 Renée Cox (Jamaica, 1960; lives & works in New York) “Redcoat,” from Queen Nanny of the Maroons series, 2004 Color digital inket print on watercolor paper, AP 1, 76 x 44 in. (193 x 111.8 cm) Courtesy of the artist Caribbean: Crossroads of the World, organized This exhibition is organized into six themes by El Museo del Barrio in collaboration with the that consider the objects from various cultural, Queens Museum of Art and The Studio Museum in geographic, historical and visual standpoints: Harlem, explores the complexity of the Caribbean Shades of History, Land of the Outlaw, Patriot region, from the Haitian Revolution (1791–1804) to Acts, Counterpoints, Kingdoms of this World and the present. The culmination of nearly a decade Fluid Motions. of collaborative research and scholarship, this exhibition gathers objects that highlight more than At The Studio Museum in Harlem, Shades of two hundred years of history, art and visual culture History explores how artists have perceived from the Caribbean basin and its diaspora. the significance of race and its relevance to the social development, history and culture of the Caribbean: Crossroads engages the rich history of Caribbean, beginning with the pivotal Haitian the Caribbean and its transatlantic cultures. The Revolution. Land of the Outlaw features works broad range of themes examined in this multi- of art that examine dual perceptions of the venue project draws attention to diverse views Caribbean—as both a utopic place of pleasure and of the contemporary Caribbean, and sheds new a land of lawlessness—and investigate historical light on the encounters and exchanges among and contemporary interpretations of the “outlaw.” the countries and territories comprising the New World. -
Pablo Atchugarry LIEN ENTRE DEUX MONDES
PRESS pablo atchugarry LIEN ENTRE DEUX MONDES October 31 - January 16, 2021 Opening on the occasion of the GENEVE.ART week-end Saturday October 31, and Sunday November 1st, 11 am - 6 pm © Daniele Cortese The Xippas Gallery is pleased to present for the first time « The verticality of his sculptures, that stretch up to the sky, an exhibition by the Uruguayan artist Pablo Atchugarry. also creates a link between two worlds: the earthly floor in Named Lien entre deux mondes, it will show a set of pre- which they are firmly anchored and the impalpable air in viously unseen sculptures, specially created for the occa- which they appear to float. Contemplating them, our gaze sion. is automatically drawn upwards and loses itself beyond the matter. Pablo Atchugarry’s creations are shrouded in Pablo Atchugarry’s artistic language, inspired by ar- mystery and do not give everything away at first glance, chetypes of classical, Renaissance and baroque statuary, requiring us to take the time to observe the sculptures develops and extends into contemporary abstract forms revealing themselves to us as we walk around them, and with an harmonious aesthetic and upward compositions. as the light strikes them. » * xippas PARIS | BRUSSELS | GENEVA | MONTEVIDEO | PUNTA DEL ESTE PRESS « At a time when plastic and synthetic resins were gaining Xippas Geneva is pleased to present a new monograph of currency thanks to their ease of use, Atchugarry chose to Pablo Atchugarry’s work, published on the occasion of the work with noble materials that stood the test of time. Whilst exhibition, featuring the new works and an essay by Philippe he has used wood, cement or metal according to the desired Clerc. -
By Paul Ramírez Jonas Installed at Umass Boston
'Another Day' by Paul Ramírez Jonas Installed at UMass Boston Posted: Friday, April 17, 2015 11:01 pm by Tricia Graczyk Artist Paul Ramírez Jonas installed one of his works in the Campus Center earlier this week as part of Arts on the Point. Associate Professor Erik Levine of the Art Department at the University of Massachusetts Boston overlooked the project and, as a fan and supporter of Jonas’ work, was thrilled to bring it to our campus. Jonas’ art has been showcased all over the globe, from the Sao Paolo Biennial, to the Venice Biennale, and the MoMA in New York City. His art tends to blur the line between the artist, artwork, and audience. A lot of his work is interactive with its audience Photo by Gabriel Sanchez/Mass Media Staff which serves to make viewers more engaged and involved in the discussion the art creates. Jonas is currently a professor at Hunter College in New York City. He says he was attracted to the fact that it is a public university because “education shouldn’t just be for the wealthy.” He also enjoys the diverse student body and working collaboratively with his students. Jonas didn’t originally plan to be an artist, and went to college to study to be an engineer. When that didn’t work out, he switched to computer science and took a couple of art courses out of curiosity. His curiosity grew and he finished school with an art degree. He was drawn to life as an artist because of the unpredictability of it. -
Dap Festival Iii Edizione
ComuneComune Comunedi Pietrasanta di Pietrasanta di Pietrasanta Città Cittàd’Arte d’Arte Città- Città d’Arte- CittàNobile -Nobile Città dal 1841 Nobiledal 1841 dal 1841 DIRETTRICE ARTISTICA ADRIA FERRALI DAP FESTIVAL III EDIZIONE DAP FESTIVAL 2019 PRESS BOOK L’Assessore ai Beni, Attività Il Sindaco Culturali e Turismo Alberto Stefano Giovannetti Senatore Massimo Mallegni WELCOME! ITALIANO ENGLISH Scultura, musica e danza: Pietrasanta è città d’arte e di creatività Sculpture, music and dance: Pietrasanta is a City of art and che si declinano, durante tutto l’anno, attraverso eventi che, creativity, that expand during the whole year, through events which, partendo dalla tradizione, puntano su interpreti internazionali, su starting from the tradition, focus on international interpreters proposte di prestigio che proiettano la città tra i palcoscenici più and on prestigious proposals, that project the city among the vivaci e originali. Anche il 2019 si annuncia particolarmente ricco most lively and original stages. Moreover 2019 announces itself di iniziative. particularly rich of initiatives. Il Dap - Danza in arte a Pietrasanta, sposa, in questa sua terza The DAP - Dance in Art in Pietrasanta - Festival, in this third edition, edizione, la scultura del maestro uruguaiano Pablo Atchugarry le marries the sculpture by Uruguayan Maestro Pablo Atchugarry, cui opere monumentali animeranno il centro storico e il pontile whose monumental works will animate the historical center di Tonfano per tutta l’estate e saranno fonte d’ispirazione per la and the pier of Tonfano for all Summer long and will be source coreografa americana Miriam Barbosa per la realizzazione dello of inspiration for the American choreographer Miriam Barbosa spettacolo di materia e movimento che sarà presentato in apertura for the realization of the performance of matter and movement, alla kermesse. -
ARCANGELO SASSOLINO Solo Exhibition
Hong Kong H Queen’s Warped Matter, Curved Time ARCANGELO SASSOLINO solo exhibition Exhibition Dates 27 March–29 May, 2018 Monday–Saturday, 10am–7pm Extended Hours 27–31 March, 9am–9pm Venue Pearl Lam Galleries HK H Queen’s, 9/F H Queen’s, 80 Queen's Road Central, Central, Hong Kong Hong Kong— Pearl Lam Galleries is delighted to announce the opening of its new gallery at H Queen's, Hong Kong’s latest art hub. Warped Matter, Curved Time is the first solo exhibition in Asia by Italian artist Arcangelo Sassolino. For over two decades, Sassolino has developed a visual language where the properties of physics—speed, gravity, pressure, and vibration—are marshalled to examine the friction between industrial progress and humanist concerns. His sculpture is both ethological and mechanized, poetic and menacing, pushing materials past their physical limitations and illustrating Modernism’s process of becoming and unbecoming. The exhibition contains three discrete bodies of work that each uses industrial material as its foil: concrete, glass, and rubber. Sassolino’s large-scale, wall-mounted concrete sculptures transform the once rough building material into a reflective glass-like surface. Influenced by the pervasive and promiscuous use of concrete across Northern Italy’s landscape, Sassolino sought to push the ubiquitous industrial material past its utilitarian applications where curved forms are created by its own weight rather than casting. The surface of the artworks is not polished; instead, the artist has pioneered a radical technique to reveal concrete’s untapped potential where concave forms seem to float from the wall like portals, creating encounters that evoke the sublime and question perception. -
List Visual Arts Center
List Visual Arts Center The mission of the MIT List Visual Arts Center (List Center) is to present the most challenging, forward-thinking, and lasting expressions of modern and contemporary art to the MIT community and general public in order to broaden the scope and depth of cultural experiences available on campus and in the Cambridge/Boston area. In doing so, the List Center strives to reflect and support the diversity of the MIT community through the presentation of diverse cultural expressions. This goal is accomplished through a number of avenues: changing exhibitions in the List Center galleries (Building E15) of contemporary art in all media by the most advanced visual artists working today; the permanent collection of art, comprising large outdoor sculptures, artworks sited in offices and departments throughout campus, and art commissioned under MIT’s Percent-for-Art program, which allocates funds from new building construction or renovation for art; the Student Loan Art Program, a collection of fine art prints, photos, and other multiples maintained solely for loan to MIT students during the course of the academic year; an active artist’s residency program that involves MIT students, faculty, and staff; and extensive interpretive programs designed to offer the MIT community and the public diverse perspectives about the List Center’s changing exhibitions and MIT’s art collections. Current Goals • Continue to present the finest national and international contemporary art that has relevance to the community • Continue to provide -
Pablo Atchugarry the Movement of Light
PABLO ATCHUGARRY THE MOVEMENT OF LIGHT Contini Art Gallery Calle Larga XXII Marzo, San Marco 2288 Venice May 6 – November 24, 2019 Venezia: San Marco, 2288 Calle Larga XXII Marzo - Tel. +39 041.5230357 Cortina d'Ampezzo (BL): Piazza S. Franceschi, 1- 7 – tel. +39 0436 867400 www.continiarte.com [email protected] [email protected] The Contini Art Gallery is pleased to present The Movement of Light, the first solo exhibition of Pablo Atchugarry, sculptor of Uruguayan descent, to be held at the gallery’s location on Calle Larga XXII Marzo. Of international fame for his sculptural production, Atchugarry proposes masterpieces which combine classic inspiration with an absolute contemporary rendering. The interpretation of his plastic art is soothing and poetic, distinctive and unedited, which he expresses through dynamic sculpture which creates a strong visual impact. The skillful intertwining of lines and the unexpected expansion of volume reveals his artistry to mould the material as a voice for a very personal message – although universal – of harmony and beauty which is the essence of the his artwork. This public exhibition will present a selection of more than twenty works of art made of diverse materials and varying dimensions; it will trace the evolution of the artist’s work from the latter half of the nineties through today. Atchugarry’s sculptures present themselves to the viewer as abstract figures – intangible – which spread into shapes inspired by natural, floral or mineral elements; or, they are transformed into a daring synthesis which appears to incarnate the perpetual flow of time over things. His predilection for curved lines creates fluid and sinuous masterpieces, combining elegance and sensuality as in the bronze work, Untitled (2015).