Polygon Patchwork
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Mead Library Listing As of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14
MEAD QUILTERS LIBRARY Page 1 of 14 Surname Forename Title Publisher ISBN Date Adams Pauline Quiltmaking Made Easy Little Hills Press 1-86315-010-2 1990 Alderman Betty Precious Sunbonnet Quilts American Quilters Society 978-1-57432-951-3 2008 Alexander Karla Stack A New Deck Martindale 1-56477-537-2 Anderson Charlotte Warr Faces & Places C & T Publishing 1-57120-000-2 1995 Anderson F. Crewel Embroidery Octopus Books Ltd. 0-7064-0319-3 1974 Asher & Shirley & Beginner's Guide To Feltmaking Search Press 1-84448-004-6 2006 Bateman Jane Austin Mary Leman American Quilts Primedia Publications 1999 Baird Liliana The Liberty Home Contemporary Books 0-80922-988-9 1997 Balchin Judy Greetings Cards to Make & Treasure Search Press 978-1-84448-394-5 2010 Bannister & Barbara & The United States Patchwork Pattern Book Dover Publications Ltd. 0-486-23243-3 1976 Ford Edna Barnes Christine Colour- the Quilters Guide That Patchwork Place 1-56477-164-4 1997 Bell Louise 201 Quilt Blocks, Motifs, Projects & Ideas Cico Books London 0-19069-488-1 2008 Berg & Alice & Little Quilts All Through The House That Patchwork Place 1-56477-033-8 1993 Von Holt Mary Ellen Berlyn Ineke Landscape in Contemporary Quilts Batsford 0-7134-8974-X 2006 Berlyn Ineke Sketchbooks & Journal Quilts Ineke Berlyn 2009 Besley Angela Rose Windows for Quilters Guild of Master Craftsman 1-86108-163-4 2000 Bishop & Robert & Amish Quilts Laurence King 1-85669-012-1 1976 Safandia Elizabeth Bonesteel Georgia Lap Quilting Oxmoor House Inc. 0-8487-0524-6 1982 Mead Library Listing as of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14 Surname Forename Title Publisher ISBN Date Bonesteel Georgia Bright Ideas for Lap Quilting Oxmoor House Inc. -
Textile Periods in Ancient Peru: Ii Paracas Caverns and the Grand Necropolis
TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M O';EALE- UNRERSITY OF CFORNIA PUBLTICATIONS IN EwasN AROOY AND ETENOLOG#Y Volnme 39, No. 2, pp. 14>202, plates 1-6, 20 figures in text ,, ,, .. vE \ . # :. UNIVERSITY 0t CALIP6RNIA PRESS BERKELEY AND tOS ANGBLES 1942 TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M. O'NEALE UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY Or CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOGY AND ETHNOLOGY EDITORS: A. L. KRoEBER, R. H. LoWIE, T. D. MCCowN, R. L. OLSON Volume 39, No. 2, pp. 143-202, plates 1-5, 20 figures in text Submitted by editors March 12, 1941 Issued October 23, 1942 Price, 75 cents UNIVESITY OF CALIFORNIA PRESS BERKELEY, CALIFORNIA CAM1BRDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERIOA CONTENTS PAGE METHOD AND MATERIAL ..................................................... 143 Revisions . ............................................................... 144 Paracas time periods: Caverns and Necropolis ................................ 145 TRAITS COMMON TO ALL PERIODS .............................................. 148 Paracas yarns . .......................................................... 149 Paracas loom types ....................................................... 151 Technical processes at Paracas ............................................. 152 Warp-weft techniques ................................................... 152 Plain weaves ................. ...................................... -
Stitch Setting Chart
STITCH SETTING CHART STITCH SETTING CHART The following chart shows information for each utility stitch concerning applications, stitch lengths, stitch widths, and whether or not the twin needle mode can be used. Stitch width Stitch length Presser foot [mm (inch.)] [mm (inch.)] Twin Stitch Stitch name Applications needle Auto. Manual Auto. Manual Straight stitch General sewing, gather, pintuck, (Left) etc. Reverse stitch is sewn while 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Left) etc. Reinforcement stitch is sewn 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reverse stitch is sewn while 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reinforcement stitch is sewn 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Triple stretch General sewing for 0.0 0.0 - 7.0 2.5 1.5 - 4.0 OK stitch reinforcement and decorative (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) topstitching Stem stitch Reinforced stitching, sewing and 1.0 1.0 - 3.0 2.5 1.0 - 4.0 OK decorative applications (1/16) (1/16 - 1/8) (3/32) (1/16 - 3/16) ( J ) Decorative Decorative stitching, top 0.0 0.0 - 7.0 2.5 1.0 - 4.0 OK stitch stitching (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) Basting stitch Basting 0.0 0.0 - 7.0 20.0 5.0 - 30.0 NO (0) (0 - 1/4) (3/4) (3/16 - 1-3/16) Zigzag stitch For overcasting, mending. -
Zigzag Stitch Sewing Machine Comparison Chart (PDF)
Zigzag Stitch Sewing Machine Comparison Chart For a comparison of our straight stitch machines, refer to the Straight Stitch Sewing Machine Comparison Chart (300086XHT) for specifications on Sailrite® Ultrafeed® LS-1, Leatherwork® and Fabricator® Sewing Machines. SEWING MACHINE SAILRITE® ULTRAFEED® SAILRITE® PROFESSIONAL Fully portable machine and easy to carry. Intended for canvas, Full-size industrial machine in a large table. upholstery, awnings and vinyl; can sew leather with appropriate presser feet. Sews 4-point and 2-point zigzag stitch. Intended for sail repair and sailmaking. LSZ-1 Basic LSZ-1 Plus LSZ-1 Premium LSZ-1 (EU) Basic LSZ-1 (EU) Plus LSZ-1 (EU) Premium STANDARD ARM MODEL #300601 #300602 #311603 #220601 #220600 #220603 #500500 TECHNICAL SPECS SHUTTLE Oscillating (Cam/Rocker Arm Driven) Full Rotary, Gear Driven 1/4 hp, 90VDC motor, 550-Watt, 3/4 hp, 110V MOTOR POWER 1/10 hp, 110 volt, AC motor, 1.5 amp 3 amps 1/10 hp, 220-240 volt, AC motor 50/60 Hz, 0.7 amp Workhorse Servo Motor Input 110V AC 5,800 rpm motor MOTOR SPEED 6,600 rpm motor at 1.5 amps 8,200 rpm motor at 0.7 amps 4,500 rpm motor at 4.5 amps at 3 amps POSI-PIN® CLUTCHING SYSTEM WorkerB® Balance Wheel (Compatible with Power Plus® (Compatible with Monster® II Balance Monster® II Balance Power Plus® (Compatible with Monster® II Balance Wheel for hand cranking and FLYWHEEL Wheel for hand cranking and sewing without electricity. Wheel for hand cranking Stitch PRO sewing without electricity. Included in the PREMIUM packages.) Included in the PREMIUM packages.) and sewing without electricity. -
Husqvarna Viking Embroidery Sewing Machine Stitch Chart
Husqvarna Viking Embroidery Sewing Machine 1 Stitch Chart Icon Stitch Names Designer I Designer II #1+ Rose Iris Platinum + UTILITY STITCHES Straight Stitch, Left Needle Position A1, D24 A1:1 A1 Straight utility stitch, left needle position; use to gather with the Gathering foot Or for topstitching Straight Stitch, Center Needle Position A2, C34, D25, F1 A1:2 A2 1 1 1:01 A straight stitch, center needle position; 25 needle positions; use Edge-Stitch Foot for edge-stitching woven fabrics Straight Stitch, Right Needle Position A3, D26 A1:3 A3 Straight utility stitch, right needle position; use Edge-Stitch Foot for edge-stitching woven fabrics Stretch Stitch - Left Needle A4 A1:4 A5 3 3 1:02 Left needle stretch stitch Stretch Stitch - Center Needle A5 A1:5 A6 A zigzag-type stitch that makes a stretchy seam; suitable for seaming tricot and light-weight stretch fabrics Stretch Stitch - Right Needle A6 A1:6 A7 Right needle Stretch stitch Reinforced Straight Stitch - Left Needle A7, D27 A1:7 A8, A Tri-motion reinforced stitch, left needle position Reinforced Straight Stitch - Center Needle A8, C35, D28 A1:8 A9 2 2 1:03 Tri-motion reinforced stitch, center needle position; 25 needle positions; for seams subject to strain and to topstitch Reinforced Straight Stitch - Right Needle A9, D29 A1:9 A10 A Tri-motion reinforced stitch, right needle position Zigzag - Left Needle A10 A1:10 A11 A 3mm wide zigzag stitch; changing width leaves left-hand stitch in the same needle position Zigzag - Center Needle A11, F2 A1:11 A12 4 4 1:05 A slanting 3mm wide -
Step 1: Turn on Sewing Machine - Switch on the Right Hand Side
8 th - Introduction of the Tempo Baby - lock Sewing Machine Page | 1 Part 1: Sewing Machine (Student Worksheet – Formative Assessment) Name _____________________________________________ Period ________ Score _____________________________________________ Directions: Complete after all parts have been completed, place in designated tray. Step 1: Turn on sewing machine - Switch on the right hand side. Step 2: Identify & Practice Using Assigned Parts Sewing Machine Parts: Part 1 1. Needle Button and Needle - DO NOT USE HANDWHEEL! On / Off Switch 2. Reverse Button – Reverse 3. Presser Foot – Holds down fabric 4. Stop/Start button must be green to sew. This is only done when the presser foot is down. 5. Speed Switch – Regulates your sewing speed. (NOTE: remember we are in a school zone – So sew slowly!!) Speed Switch 6. Stitch Regulator – Regulates stitch sizes (Large, Medium, Small). To make changes click the light at the bottom of the stitch regulator. Then slide the switch to the stitch size required. Most stitching is done with the medium stitch size. Stitch Regulator 8 th - Introduction of the Tempo Baby - lock Sewing Machine Page | 2 7. ZigZag Stitching - Press the zigzag button light when using this 4 type of stitch. The up/down button will change the numbers on the screen and will determine what stitch you are making. Check the plastic chart to see what numbers correlate to each design. Since we have the “J” foot on, these are the stitches we will be using. 8. A few more parts: Zig Zag Dials a. Feed Dogs – Grabs fabric smoothly through b. Threading Guides – Helps you thread the machine – all are sequentially labeled. -
Regional and Historical Variations in Suburban Poverty in the United States
PATCHWORK PLACES: REGIONAL AND HISTORICAL VARIATIONS IN SUBURBAN POVERTY IN THE UNITED STATES by Christa Rachel Lee-Chuvala B.A., Taylor University (1999) M.U.P., Harvard University (2005) Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Urban and Regional Studies MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 2015 © 2015 Massachusetts Institute of Technology. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of author: …………………………………………………………………………….. Department of Urban Studies and Planning August 26, 2015 Certified by: ………………………………………………………………………………………. Amy Glasmeier Professor of Economic Geography and Regional Planning, Thesis Supervisor Accepted by: …………………………………………………………………………………….. Lawrence Vale Ford Professor of Urban Chair, Ph.D. Program in Urban Studies and Planning 2 Patchwork Places: Regional and Historical Variations in Suburban Poverty in the United States by Christa Lee-Chuvala Submitted to the Department of Urban Studies and Planning on August 26, 2015 in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Urban and Regional Studies. Abstract The majority share of metropolitan poverty in the United States has shifted from cities to suburbs through the effects of employment losses and the movement of lower-income populations. However, varied histories of suburban development, class and racial/ethnic divisions within and among suburbs, and widening suburban inequality all suggest that understanding suburban poverty requires moving beyond a simplified view of low- income suburbs as a uniform set. -
Fixing Torn Buttonholes No
C O N S U M E R S E R I E S CLOTHING Fixing torn buttonholes no. 8.528 by K. Williams1 Do you have clothes with buttonholes that are torn or missing some stitches? Quick Facts... General Directions If the buttonhole is torn at the end, to fix the tear, do the following: If a buttonhole is torn at the end, • Take out the buttonhole stitches around the tear. it may be patched and recut. • Cut a piece of material a little bigger than the tear to use as a patch. Use the same color if you can. (Figure 1A.) If stitches are coming loose from • Put the patch between the facing and outer material. a buttonhole, they may be • Mend the tear by stitching back and forth through all three layers of material. resewn by machine using a Machine stitching holds better than hand stitching. (Figure 1B.) zigzag stitch or by hand using a • Cut through the patch to make the buttonhole the same length that it was. buttonhole stitch. (Figure 1C.) Sewing By Hand To resew a buttonhole by hand, start at the good end of the buttonhole. Sew over stitches that are still there. • Knot the thread and push the needle from the wrong side of the buttonhole through the stitches. • Push the needle down through the buttonhole and up through the material near the end of the buttonhole. (Figure 1D.) • Bring the thread under the point of the needle from left to right. (Figure 1E.) • Pull the needle and thread through the material. -
Instructions and Free Patterns
Instructions and free patterns www.mybernette.com “Romantic style” project sewing instructions Frilly blouse Sizes 3434––––4242 European (4(4(4-(4 ---1212 US/6US/6----1414 UK) You'll need - 1.2m (1 3/8 yd) pink taffeta (fabric width 1.5m (5')) - 0.45m (½ yd) white tulle (fabric width 1.5m (5')) - 0.50 m (1/2 yd) pink voile (fabric width 1.5m (5')) - 1.5m (1 2/3 yd) satin ribbon, approx. 4mm (1/6") wide - Assorted sewing and embroidery threads in pink - Embroidery stabilizer for the facing - Spray adhesive - Sewing thread to match the color of the fabric - Gathering foot - Cording foot Fabric rerecommendationcommendation Taffeta or other shiny, slightly crisp fabric for the blouse. Sheer fabrics that can be gathered with the gathering foot for the frills. Good to know The decorative stitches will cause the fabric to shrink slightly, so be sure to add 2.5cm (1") seam allowance to the outer facing when cutting it out. After embellishing the facing with decorative stitching, reposition the paper pattern on the stitched fabric and trim the seam allowance to 1.5cm (5/8"). Cutting out Seam allowanceallowancess ––– When cutting out, add 1.5cm (5/8") seam allowance to all edges and the hem, and 1cm (3/8") to armhole curves. Pink taffeta 2 x front 1 x back to fabric fold 2 x facing 2 x belt loops: 1.5cm x 8cm (5/8" x 3 ¼"), including seam allowance 1 x belt: 8cm x 66cm (3 ¼" x 26"), including seam allowance 2 x bias binding for armhole, cut on cross-grain: 4cm x 47cm (1 5/8" x 18 1/2") Sheer voile, taffetataffeta,,,, or tulle Tear or cut (depending on the fabric's texture) 2cm- (7/8"-) wide strips for the frill on the facing. -
Embroidered Patchwork Pillow: Janome America
Published on Sew4Home Embroidered Patchwork Pillow: Janome America Editor: Liz Johnson Wednesday, 01 April 2015 1:00 It's the classic special touch: adding a little something on top. For instance, pie is great. Pie with whipped cream is awesome. A beautiful blend of fabrics in a simple patchwork pattern is always good. Overlaying that patchwork with embroidery can be great. It's a simple way to make a stunning statement. We chose four prints from the Indelible collection by Art Gallery Fabrics, then incorporated one coordinating solid to bring it all together. The patchwork itself is super simple – just a modified nine-patch but with eight blocks rather than the traditional nine. 1 The back features an easy envelope opening. We added a binding strip accent in the coordinating solid to the overlap panel. The icing on the cake is the dramatic embroidery. It stretches across five of the patchwork blocks. By selecting a large, open design, then stitching it out in just one color, you add texture, dimension and flair without distracting from the background beauty of the fabrics. You'll also notice the embroidery is slightly offset; this heightens the juxtaposition and creates a more interesting look than placing it exactly in the center. 2 We used the amazing Janome Horizon Memory Craft 15000 for both the sewing and embroidery on this project. The machine's built-in design library is fantastic, but that doesn't mean you can't also browse for even more options. This pillow's design came from an embroidery website, which was no problem at all thanks to how easy the MC15000 makes it to bring in and work designs from all types of sources. -
Applique & Embroidery
Applique & Embroidery Title Author(s) Description 500 Simply Charming Design Originals Easy to stitch monograms and motifs. Translated from Designs for Embroidery (publisher) Japanese book of 15 stitches used in 500 designs ABCs of Words on Quilts, Scott, Elizabeth Applique & embroidery lettering techniques The Affairs of the Heart Rossmann, Aie Beautiful hand applique designs All Around the Jenkins, L. & Becky Applique your own happy neighborhood. Neighborhood Goldsmith Another Season of Propst, Susan Appliqued Quilts and Cushions Beautiful Blooms Antique Animal Quilts Koval, Mary 11 patterns for Vintage Quilts Applique 12 Borders & Sienkiewicz, Elly Patterns from easy to heirloom -- a pattern companion Medallions! (1) to Volume III of Baltimore Beauties & Beyond Applique 12 Borders and Sienkiewicz, Elly Patterns from easy to heirloom -- a pattern companion Medallions (2) to Volume III of Baltimore Beauties & Beyond Applique 12 Easy Ways (1) Sienkiewicz, Elly Charming quilts, giftable projects Applique Book, The Verney, Rose A guide to the Art and Craft of applique with 20 projects using applique for bed quilts but also draperies, pillow covers, wall hangings and jackets. Applique Designs My Anderson, Faye Full size patterns and instructions for 50 blocks Mother Taught Me to Sew Applique in Bloom Swain, Gabrielle Contemporary Floral Applique Applique Inside the Lines Carol Armstrong Combined technique of embroidery outlines surrounding applique Applique Made Easy Soltys, Karen 270 color photographs techniques to show hand and Costello machine applique Appliqué Takes Wing Townswick, Jane Birds, butterflies & more Appliqué with Folded Shackelford, Anita Use folded paper patterns with needle turn applique Cutwork Appliques with Style Mulari, Mary Designs and techniques with fresh attitude Appliquilt to Go White, Tonee Create any size quilt one block at a time, anywhere. -
RQG Library Title Author Genre Morris, Patricia
RQG Library Title Author Genre Morris, Patricia & J. Muir Creating quilts from old tops "Tadpole" Quilts for Baby Tadd, Tammy Baby quilts 1,2,3 Quilt Finished Brown, Jean Quilt finishing reference 100 Appique Quilt Patterns Halgrimson, Jan Applique 101 Fabulous Rotary-Cut Quilts Hopkins, Judy & Nancy Martin Quilt patterns 101 Foundation-Pieced Quilt Causee, Linda Paper-piecing patterns Blocks 101 full-size Quilt Blocks & Better Homes and Gardens Full-sized quilt blocks Borders 15 3-Hour Mini-projects Spargo, Sue Project variety 200 Blocks from Quiltmaker That Patchwork Place Original patterns from top Magazine Publication designers plus CD 250 More Continuous-Line Fritz, Laura Lee Quilting designs for hand, Quilting Designs machine, & longarm 256 Fat Quarter Quilt Blocks Sauffer & Hatch, eds. Fat-quarter quilts 365 Fun-to-Stitch Quilt Blocks Stauffer & Hatch, eds. Quilt blocks 40 Bright & Bold Paper-Pieced Doak, Carol Paper-piecing blocks/quilts Blocks 40 Fabulous Quick-Cut Quilts Sloppy, Evelyn Quilt pattern variety (2) 50 Fabulous Paper-Pieced Stars Doak, Carol Stars by paper-piecing 501 Quilt Blocks Better Homes & Gardens Block patters 7-Day Quilts Weiss, Rita Quilts in a week instruction A Bouquet of Quilts Rounds & Rymer, Eds. Projects for the home A Celtic Garden Durean, Philomena Applique A Dozen Roses Rounds & Comyns Quilts/pillows/some applique A Laurel Burch Christmas Rymer &Koolish, Eds Quilt and craft projects A Log Cabin Notebook Hopkins, Mary Ellen Log cabin variations A New Look at Log Cabin Quilts Glover, Flavin Log Cabin quilts A New Look at Log Cabin Quilts Glover, Flavin Quilts/blocks scene designs A New Twist on Triangles Suit, Mary Sue Quilt projects: triangles A Painter's Approach to Quilt Newman, Velda Art projects Design A Patchwork Alphabet Westfall, Eileen Applique/pieced projects A Quilter's World Miller, Cathy CD - - songs A Single Thread Bostwick, Marie Novel A Treasury of Scrap Quilts Martin, Nancy J.