Writing the News: Different Formats and Their Functions
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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Bud Fisher—Pioneer Dean of the Comic Artists
Syracuse University SURFACE The Courier Libraries Winter 1979 Bud Fisher—Pioneer Dean of the Comic Artists Ray Thompson Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, and the American Popular Culture Commons Recommended Citation Thompson, Ray. "Bud Fisher—Pioneer Dean of the Comic Artists." The Courier 16.3 and 16.4 (1979): 23-36. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. ISSN 0011-0418 ARCHIMEDES RUSSELL, 1840 - 1915 from Memorial History ofSyracuse, New York, From Its Settlement to the Present Time, by Dwight H. Bruce, Published in Syracuse, New York, by H.P. Smith, 1891. THE COURIER SYRACUSE UNIVERSITY LIBRARY ASSOCIATES Volume XVI, Numbers 3 and 4, Winter 1979 Table of Contents Winter 1979 Page Archimedes Russell and Nineteenth-Century Syracuse 3 by Evamaria Hardin Bud Fisher-Pioneer Dean of the Comic Artists 23 by Ray Thompson News of the Library and Library Associates 37 Bud Fisher - Pioneer Dean of the Comic Artists by Ray Thompson The George Arents Research Library for Special Collections at Syracuse University has an extensive collection of original drawings by American cartoonists. Among the most famous of these are Bud Fisher's "Mutt and Jeff." Harry Conway (Bud) Fisher had the distinction of producing the coun try's first successful daily comic strip. Comics had been appearing in the press of America ever since the introduction of Richard F. -
Woman War Correspondent,” 1846-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository CONDITIONS OF ACCEPTANCE: THE UNITED STATES MILITARY, THE PRESS, AND THE “WOMAN WAR CORRESPONDENT,” 1846-1945 Carolyn M. Edy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2012 Approved by: Jean Folkerts W. Fitzhugh Brundage Jacquelyn Dowd Hall Frank E. Fee, Jr. Barbara Friedman ©2012 Carolyn Martindale Edy ALL RIGHTS RESERVED ii Abstract CAROLYN M. EDY: Conditions of Acceptance: The United States Military, the Press, and the “Woman War Correspondent,” 1846-1945 (Under the direction of Jean Folkerts) This dissertation chronicles the history of American women who worked as war correspondents through the end of World War II, demonstrating the ways the military, the press, and women themselves constructed categories for war reporting that promoted and prevented women’s access to war: the “war correspondent,” who covered war-related news, and the “woman war correspondent,” who covered the woman’s angle of war. As the first study to examine these concepts, from their emergence in the press through their use in military directives, this dissertation relies upon a variety of sources to consider the roles and influences, not only of the women who worked as war correspondents but of the individuals and institutions surrounding their work. Nineteenth and early 20th century newspapers continually featured the woman war correspondent—often as the first or only of her kind, even as they wrote about more than sixty such women by 1914. -
Melissa Dejesus
Melissa DeJesus Mobile 646 344 2877 Website http://melissade.daportfolio.com/ Email [email protected] Passionate about motivating and inspiring children and teens in expression and critical thinking through the arts using the best in comics, animation, illustration, storytelling and design. Always looking to challenge myself, learn from others, and enjoy teaching others about self representation through art. My interests and skills extend over a vast array of genres and fields of professions. I'm looking to continue my career in education to offer the best of my experience and enthusiasm. Education The School of Visual Arts MAT Art Education 2013-2014 BFA Animation 1998-2002 Employment Harper Collins Publishing 2013-2014 Relevant Comic Illustrator Illustrated 7 page black and white comic excerpt for teen novel. Awesome Forces Productions Fall 2012 Assistant Animator Collaborated with partner in creating animation key frames for animated segments featured in TV series entitled The Aquabats! Super Show! Yen Press 2012-current Graphic Novel Illustrator Illustrated a full color chapters for a graphic novel entitled Monster Galaxy. Created and designed new characters along with existing characters in the online game franchise. Random House 2012-2013 Letterer / Retouch Artist Digitally retouched Japanese graphic novels for sub-division, Kodansha. Lettered 200+ comic pages and designed supplemental pages. Organized and prepared interior book files for print production. King Features Syndicate 2006-2010 Comic Strip Illustrator Digitally illustrated, colored and lettered daily comic strip, My Cage, for newspapers across the country from Hawaii to South Africa. Designed numerous characters on a day to day basis for growing cast. -
Cartooning Across the Pond the Big Reuben Wrap Up! This Past
Cartooning Across the Pond The Big Reuben Wrap Up! This past Memorial Day weekend the National Cartoonists Society, had its annual Reuben Awards Weekend in not-so-sunny San Diego, CA… well, we did see some sun on the final day of the festivities, but for most of it we experienced what native San Diegans call “May Gray”. That hardly got us down, however. The weekend was a lot of fun. They usually are, but this one seemed to be turned up a notch. Most of the events took place at the beautiful Omni hotel right at the start of the famous Gaslamp District. Friday, May 23rd The ball got rolling Friday with a terrific slate of guest speakers. As NCS president, I have many things I have to do and oversee throughout the weekend, so I rarely get to catch many of the speakers, but I did get to see the majority of the first three of the day who I thought were great, and I heard nothing but raves about the others: Eddie Pittman- Freelancer, animator and creator of the online graphic novel Red’s Planet, Eddie shared his work from various Disney features like “Mulan” and “Lilo and Stich”, to TV’s “Phineas and Ferb”, to his excellent web comic (which was nominated for a divisional award). Chris Houghton- The second recipient of the Jay Kennedy Memorial Scholarship for cartooning, Chris is a great success story. He’s worked on several animated TV shows, comics, MAD and more, including his own comic Reed Gunther. Greg Evans- The Reuben Award-winning creator of the syndicated comic strip Luann, Greg shared stories of some of his early tries at syndication, and about his 29 years doing Luann. -
How Foreign Correspondents Risked Capture, Torture and Death to Cover World War II by Ray Moseley
2017-042 12 May 2017 Reporting War: How Foreign Correspondents Risked Capture, Torture and Death to Cover World War II by Ray Moseley. New Haven: Yale Univ. Press, 2017. Pp. xiii, 421. ISBN 978–0–300–22466–5. Review by Donald Lateiner, Ohio Wesleyan University ([email protected]). As a child, Ray Moseley listened to reporters of World War II on the radio. He later came to know fourteen of them, but they never spoke of their experiences and he never asked (xi)—a missed oppor- tunity many of us have experienced with the diminishing older generation. 1 Moseley himself was a war and foreign correspondent for forty years from 1961, so he knows the territory from the inside out. He was posted to Moscow, Berlin, Belgrade, and Cairo, among many newspaper datelines. His book is an account and tribute to mostly British and American reporters who told “the greatest story of all time” (1, unintended blasphemy?). 2 He does not include World War II photographers as such, 3 but offers photos taken of many reporters. As usual, the European theater gets fuller attention than the Pacific (17 of the book’s 22 chapters). By design, breadth of coverage here trumps depth.4 Moseley prints excerpts from British, Australian, Canadian, Soviet, South African, Danish, Swedish, French, and Italian reporters. He excludes Japanese and German correspondents because “no independent reporting was possible in those countries” (x). This is a shame, since a constant thread in the reports is the relentless, severe censorship in occupied countries, invaded and invading Allied authorities, and the American and British Armed Forces them- selves. -
Information to Users
INFORMATION TO USERS This manuscript Pas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissenation copies are in typewriter face, while others may be from anytype of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material bad to beremoved, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with smalloverlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell &Howell Information Company 300North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521·0600 THE LIN BIAO INCIDENT: A STUDY OF EXTRA-INSTITUTIONAL FACTORS IN THE CULTURAL REVOLUTION A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY AUGUST 1995 By Qiu Jin Dissertation Committee: Stephen Uhalley, Jr., Chairperson Harry Lamley Sharon Minichiello John Stephan Roger Ames UMI Number: 9604163 OMI Microform 9604163 Copyright 1995, by OMI Company. -
Jnt£Rnationa1 Journal of Comic Art
JNT£RNATIONA1 JOURNAL OF COMIC ART Vol. 14, No. 1 Spring2012 112 113 Graphic Tales of Cancer catharsis, testimonies, and education. Michael Rhode and JTH Connor1 Cartoons, Comics, Funnies, Comic Books "Cancer is not a single disease," said Robert A. Weinberg, a cancer While names work against it, and demagogues have railed against it, biologist at the Whitehead Institute and the Massachusetts Institute comic art has not necessarily been for children. 8 And cancer is not the only of Technology. "It's really dozens, arguably hundreds of diseases."' illness seen in comic art-- characters have died of AIDS in the "Doonesbury" comic strip and the Incredible Hulk comic book, and survived AIDS in Peeter's autobiographical Blue Pills; "Doonesbury"'s football-star-turned-coach B.D. Few people in North America are unaware of or unaffected by the popular suffered a traumatic amputation of his leg in Iraq; "Crankshaft" coped with and professional publicity related to the incidences of the various forms of Alzheimer's disease; Frenchman David B. cartooned a graphic novel on his cancer, the search for a "cure for cancer," the fund-raising runs and other brother's epilepsy; Haidee Merritt drew gag cartoons about her diabetes; similar campaigns in support of research into its causes and treatment, or the "Ziggy"'s Tom Wilson wrote a prose book on his depression, and Keiko To be pink-looped ribbon that is immediately identifiable as the "logo" for breast won awards for her 14-volume fictional manga about autism. 9 Editorial cancer awareness. Study of the history of cancer through professional medical cartoonists have long addressed the link between tobacco use and cancer, 10 and surgical literature is an obvious and traditional portal to understanding as did Garry Trudeau who has long opposed smoking as seen in his Mr. -
Clare Hollingworth, First of the Female War Correspondents by Patrick Garrett
Of Fortunes and War: Clare Hollingworth, first of the female war correspondents by Patrick Garrett Ebook Of Fortunes and War: Clare Hollingworth, first of the female war correspondents currently available for review only, if you need complete ebook Of Fortunes and War: Clare Hollingworth, first of the female war correspondents please fill out registration form to access in our databases Download here >> Paperback:::: 510 pages+++Publisher:::: Thistle Publishing (May 10, 2016)+++Language:::: English+++ISBN-10:::: 1910670847+++ISBN-13:::: 978-1910670842+++Product Dimensions::::5.5 x 1.3 x 8.5 inches++++++ ISBN10 1910670847 ISBN13 978-1910670 Download here >> Description: “A fascinating account of an extraordinary career. This vivid story, beautifully told, is unputdownable.”Alexander McCall Smith“Clare Hollingworth is certainly one of the most unforgettable journalists I have ever met and one of the greatest journalists of the 20th century.”Chris Patten“She was regarded by everyone as the most formidable foreign correspondent around, not just of women but out of everyone.”John Humphrys“Clare Hollingworth was one of the greatest reporters of the 20th century, and famously scooped the competition by reporting the German invasion of Poland in 1939 before anyone else did, for the Daily Telegraph.”Charles Moore“She was a pioneer.”Kate Adie OBE“Clare made an extraordinary impact in journalism. Who did the first interview with the Shah of Iran? Clare Hollingworth. Who did the last interview all those years – 30 – 40 - years later, after he fell? Clare Hollingworth. And she was the only person he wanted to speak to. And that’s really the measure of the woman.”John Simpson CBE“It was her dispatches that alerted the British Foreign Office to the fact that Germany had invaded Poland in 1939. -
Media Images of War 3(1) 7–41 © the Author(S) 2010 Reprints and Permission: Sagepub
MWC Article Media, War & Conflict Media images of war 3(1) 7–41 © The Author(s) 2010 Reprints and permission: sagepub. co.uk/journalsPermissions.nav DOI: 10.1177/1750635210356813 Michael Griffin http://mwc.sagepub.com Macalester College, Saint Paul, MN, USA Abstract Photographic images of war have been used to accentuate and lend authority to war reporting since the early 20th century, with depictions in 1930s picture magazines of the Spanish Civil War prompting unprecedented expectations for frontline visual coverage. By the 1960s, Vietnam War coverage came to be associated with personal, independent and uncensored reporting and image making, seen as a journalistic ideal by some, and an obstacle to successful government conduct of the war by others. This article considers the idealized ‘myth’ of Vietnam War coverage and how it has influenced print and television photojournalism of American conflicts, skewing expectations of wartime media performance and fostering a consistent pattern of US Government/media collaboration. Upon analysis, pictorial coverage of US wars by the American media not only fails to live up to the myth of Vietnam but tends to be compliant and nationalist. It fails to reflect popular ideals of independent and critical photojournalism, or even the willingness to depict the realities of war. Keywords documentary, Gulf War, Iraq War, journalism, news, photography, photojournalism, television, television news, Vietnam War, visual communication, visual culture, war, war photography Media representations of war are of interest to media scholars for many reasons. First, as reports or images associated with extreme conflict and matters of life and death, they tend to draw intense public attention, and potentially influence public opinion. -
Comics Reporter Brenda Starr Leaving the Biz, December 9, 2010
Comics reporter Brenda Starr leaving the biz | accessAtlanta Page 1 of 3 Weather Mostly cloudy 37° F | Traffic In partnership with ajc.com & wsbtv.com | Make us your home page Events Venues Movies Restaurants Performers What are you looking for? Where is it? When is it? City & State or ZIP Tonight, this weekend, May 5th... Home Celebrities & TV Events Food & Restaurants Movies Music Fashion & Style Games & Comics Holiday Guide Add a Listing CELEBRITIES & TV 6:22 p.m. Thursday, December 9, 2010 Text size: Looking for more on accessAtlanta? Comics reporter Brenda Starr leaving the biz Enter keyword... ShareThis Print E-mail Sign up for our weekend events newsletter » By SOPHIA TAREEN Become a fan of accessAtlanta on Facebook » The Associated Press Get the latest news on ajc.com and wsbtv.com CHICAGO — No more late nights or looming deadlines for globetrotting reporter Brenda Starr. The redheaded comic heroine, whose first appearance came in a June 1940 Chicago Tribune insert, is putting the notebook away for good next month. Tribune Media Services, which owns Brenda Starr, announced Thursday that it's ending the feature's newspaper syndication. Chicago Tribune columnist Mary Schmich and artist June Brigman said they've decided it was time to end their work on FILE - In this February 1998 file photo, the seven-day-a-week strip which appears in about three Dale Messick, creator of the redheaded comic heroine "Brenda dozen newspapers. The final episode of the soap opera Starr," poses for a photograph at her cartoon created by the late Dale Messick will be published home in Oakmont, Calif. -
War News Coverage
WAR NEWS COVERAGE A STUDY OF ITS DEVELOPMENT IN THE UNITED STATES by PUNLEY HUSTON YANG B.L#, National Chengchi University Taipei, China, 1961 A MASTER 1 S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE Department of Technical Journalism KANSAS STATE UNIVERSITY Manhattan, Kansas 1968 Approved by: ajor Professor JCC? ii J3 ACKNOWLEDGMENTS I wish to express my appreciation to the many persons whose guidance, suggestions, and services have helped to make possible the completion of this thesis. First of all, I am immeasurably indebted to Mr. Del Brinkman for his suggestions, criticism, and patience* I would also like to acknowledge Dr. F. V. Howe as a member of my Advisory Committee, and Professor Ralph Lashbrook as Chairman of the Committee for the Oral Examination. I wish to thank Helen Hostetter for her suggestions on the style of the thesis and English polishing. I wish to extend my thanks for Kim Westfahl's tremendous typing. Finally, sincere appreciation is due the Lyonses, the Masons, and Myrna Hoogenhous for their continual encouragement in the school years. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS . ii INTRODUCTION -V Chapter I. A WAR CORRESPONDENT'S PORTRAIT 1 II. EARLY PERIOD* WAR CORRESPONDENTS IN THE 19th CENTURY 6 III. COVERAGE OF THE SPANISH-AMERICAN WAR H* IV. COVERAGE OF THE FIRST WORLD WAR 26 V. COVERAGE OF THE SECOND WORLD WAR «f0 VI. COVERAGE OF THE KOREAN WAR 63 VII. COVERAGE OF THE VIETNAM WAR 75 VIII. CONCLUSION 98 BIBLIOGRAPHY 100 IV • • • • And let me speak to the yet unknowing World How these things came about: so shall you hear Of carnal, bloody and unnatural acts, Of accidental judgments, casual slaughters, Of deaths put on by cunning and forced cause, And, in this upshot, purposes mistake Fall'n on the inventors 1 heads: all this can I truly deliver.