Nevil Shute Booklet
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Ispecial Ellen
DANCING. School Heads to Convene Classified Ad Rates AUCTION SALES (Cont.) LEGAL NOTICES (Cont.) Local Advertisers TH08. J. OWEN A SON, Auctioneers. JOHN F. HILLYARD. Attorney. The Maryland State Depart- Southern Three Lines (Minimum) 435 Building. 815 lftth 8t. N.W. ment of Education is sponsoring UNITED STATES DISTRICT COURT 1 time, 38c per line. Trustees’ Sale of Valuable ONE AND for the District of Columbia, Holding Hollywood - a meeting of county superin- S to 8 time* consecutively, 86c per ONE HALF STORY DETACHED Probate Court.—No. 78.969, Admin- LEGAL NOTICES line. BRICK DWELLING. KNOWN A8 istration.—This is to Give Notice: tendents of schools and school J. FONTAINE HALL, Attorney. 7 times consecutively. 33c per lint. PREMISES NO. 3109 MONROE That the subscribe', of the District UNITED STATES DISTRICT COURT 4 m New 66c per line. 4-llne STREET. NORTHEAST. of Columbia has obtained from the board members December Automobile! for the ol Diary minimum. a Prooate Court of the District of District Columbia. Hold- virtue of certain deed of trust By ing Probate Court.—No. 75.914. Ad- the Enoch Pratt Balti- Notlcea and Pertonal. 6c per duly recorded. In Liber No. 8017. Columbia. Letters of Administration Library, Special ministration.—This is to Give No- McCrea to Make Film line additional. Folio 491 et sea., of the land rec- on the estate of Ma'ra'tt L. Byrne, more. tice: That the Subscriber, which Ta Place a Star Clateifled Ad Cal) ords of District of Columbia, and late of the D.strict of Columbia, de- the was United 8tates at the request of the party secured ceased. -
THE CASE AGAINST Marine Mammals in Captivity Authors: Naomi A
s l a m m a y t T i M S N v I i A e G t A n i p E S r a A C a C E H n T M i THE CASE AGAINST Marine Mammals in Captivity The Humane Society of the United State s/ World Society for the Protection of Animals 2009 1 1 1 2 0 A M , n o t s o g B r o . 1 a 0 s 2 u - e a t i p s u S w , t e e r t S h t u o S 9 8 THE CASE AGAINST Marine Mammals in Captivity Authors: Naomi A. Rose, E.C.M. Parsons, and Richard Farinato, 4th edition Editors: Naomi A. Rose and Debra Firmani, 4th edition ©2009 The Humane Society of the United States and the World Society for the Protection of Animals. All rights reserved. ©2008 The HSUS. All rights reserved. Printed on recycled paper, acid free and elemental chlorine free, with soy-based ink. Cover: ©iStockphoto.com/Ying Ying Wong Overview n the debate over marine mammals in captivity, the of the natural environment. The truth is that marine mammals have evolved physically and behaviorally to survive these rigors. public display industry maintains that marine mammal For example, nearly every kind of marine mammal, from sea lion Iexhibits serve a valuable conservation function, people to dolphin, travels large distances daily in a search for food. In learn important information from seeing live animals, and captivity, natural feeding and foraging patterns are completely lost. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
On the Beach 4 5 by Nevil Shute 6
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 On the Beach 4 5 by Nevil Shute 6 INTERMEDIATE S U M M A R Y n the Beach was first published in 1957. It was made BACKGROUND AND THEMES O into a film in 1959 starring Gregory Peck, Ava Gardner and Fred Astaire. The story is set in the fictional future, In 1957, when On the Beach was published, nuclear war was and assumes that an atomic war has taken place. The atomic at the forefront of people’s minds. The Cold War between the bombs and the fall-out have destroyed the nort h e rn E a s t e rn block and the West made the danger of war hemisphere of the world. The radioactive dust is slowly moving frighteningly real, as both sides gathered arms and threatened south, killing everything in its path. Lieutenant Commander in each other. The world seemed more vulnerable than ever the Australian navy, Peter Holmes, is appointed liaison officer before, and On the Beach dealt with issues few people were on board Scorpion, an atomic submarine. He is to work under prepared to confront. American Commander, Dwight Towers. The submarine is sent on a short journey to investigate the eastern and northern Shute was convinced that On the Beach was going to be a coasts of Australia, and a longer cruise to the north to failure, and was pleasantly surprised when it proved to be a determine if there is any sign of life. -
Teacher's Notes
PENGUIN READERS Teacher’s notes LEVEL 4 Teacher Support Programme On the Beach Nevil Shute Summary On the Beach was first published in 1957. It was made into a film in 1959 starring Gregory Peck, Ava Gardner and Fred Astaire. The story is set in a fictional future, and assumes that a nuclear war has taken place. The nuclear bombs and the fallout have destroyed the northern hemisphere of the world. The radioactive dust is slowly moving south, killing everything in its path. Peter Holmes, Lieutenant Commander in the Australian navy, is appointed liaison officer on board Scorpion, a nuclear submarine. He is to work under American Commander, Dwight Towers. The submarine is sent on a short journey to investigate the eastern and northern coasts of Australia, About the author and a longer cruise to the north to determine if there is Nevil Shute Norway was born on 17 January 1899 in any sign of life. The story focuses on five main characters Ealing, a suburb of London, which was then at the edge – Peter, his wife, Mary, and baby daughter, Jennifer, their of the country. Shute had a lifelong passion for aeroplanes friend, Moira, and Dwight Towers. It shows how they face and said they were ‘the best part of my life.’ Playing impending disaster, and how they personally confront the truant from his hated Hammersmith prep school, Shute fate that awaits them. would visit the Science Museum in Kensington, where he Background and themes immersed himself amongst the model aeroplanes. Threat of nuclear war: In 1957, when On the Beach was Shute’s elder brother, Fred, died at the age of nineteen published, nuclear war was at the forefront of people’s in the First World War. -
Ringer Edwards
Ringer Edwards Ringer Edwards died in 2000-06. 1 person found this useful. How did Edward die? Edward Cullen died from the sickness of the spanish influeza. Share to: How did Edward I die? Edward I . King Edward I of England died in 1307 while travelling to Scotland for a military campaign.. He had been ill for some time and was probably unfit to travel - his â¦cause of death was most likely dysentery. Where did Edward I die? Answer . Ringer Edwards enlisted at Cairns, Queensland on January 21 1941 and was posted to the 2/26th Infantry Battalion. The battalion became part of the 27th Brigade, which was assigned to the 8th Division. Experiences as a POW. Along with many other Allied prisoners, Edwards was sent to work as forced labour on the railway being built by the Japanese army from Thailand to Burma. In 1943, he and two other prisoners killed cattle to provide food for themselves and comrades. Herbert James "Ringer" Edwards was an Australian soldier during World War II. As a prisoner of war , he survived being crucified for 63 hours by Japanese soldiers on the Burma Railway. Edwards was the basis for the character "Joe Harman" in Nevil Shute's novel A Town Like Alice . The book was the basis for a film and a television miniseries . The story behind Edwards's crucifixion began when he and two of his fellow POWs were caught killing cattle for their meat in order to feed themselves and their comrades. The three of them were sentenced to death by crucifixion. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Apocalypse and Australian Speculative Fiction Roslyn Weaver University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2007 At the ends of the world: apocalypse and Australian speculative fiction Roslyn Weaver University of Wollongong Recommended Citation Weaver, Roslyn, At the ends of the world: apocalypse and Australian speculative fiction, Doctor of Philosophy thesis, Faculty of Arts, University of Wollongong, 2007. http://ro.uow.edu.au/theses/1733 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] AT THE ENDS OF THE WORLD: APOCALYPSE AND AUSTRALIAN SPECULATIVE FICTION A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ROSLYN WEAVER, BA (HONS) FACULTY OF ARTS 2007 CERTIFICATION I, Roslyn Weaver, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Roslyn Weaver 21 September 2007 Contents List of Illustrations ii Abstract iii Acknowledgments v Chapter One 1 Introduction Chapter Two 44 The Apocalyptic Map Chapter Three 81 The Edge of the World: Australian Apocalypse After 1945 Chapter Four 115 Exile in “The Nothing”: Land as Apocalypse in the Mad Max films Chapter Five 147 Children of the Apocalypse: Australian Adolescent Literature Chapter Six 181 The “Sacred Heart”: Indigenous Apocalypse Chapter Seven 215 “Slipstreaming the End of the World”: Australian Apocalypse and Cyberpunk Conclusion 249 Bibliography 253 i List of Illustrations Figure 1. -
FALLOUT in JAPAN
東京大学アメリカ太平洋研究 第 16 号 7 FALLOUT in JAPAN Peter Kaufmann As producer and co-writer of the feature documentary film, FALLOUT, I was invited by the Center for Pacific and American Studies to present the film at the University of Tokyo last October. Following the screening I was joined on a forum by professors Ms Yuko Kawaguchi from Hosei University and Mr Hidehiro Nakao from Chuo University. Subsequently I was asked to prepare this paper to explain the background, motivation and process for producing FALLOUT. FALLOUT explores the mythology and reality of author Nevil Shute’s post-apocalyptic novel On The Beach, and its Hollywood movie adaptation produced and directed by Stanley Kramer. On The Beach presents a scenario in which most of the world’s population has been annihilated by a nuclear war. A deadly cobalt radioactive cloud has enveloped the earth and is slowly descending on Australia where the last remaining huddle of humanity considers how they will live the final months and days of their lives, and prepare to die. Shute’s novel is eerily prophetic and in it he has projected a nuclear war that is set in 1961, four years into the future from the time of On The Beach’s publication and release in 1957. There are two key factors that were to have a significant influence on me in developing the original concept for FALLOUT, and for realising the film’s central narrative and its eventual production. The setting in the novel for On The Beach is Melbourne, Australia, and it is here that Stanley Kramer filmed his American adaptation on location. -
Clan Munro Australia
+ Clan Munro Australia Newsletter of the Clan Munro (Association) Australia Volume 5 Issue 3 December 2008 Have you visited our Website at http://clanmunroaustralia.org Chat You may remember me writing about Charles Munroe’s project to transcribe all of RW Munro’s notes into Excel format and to publish them. You will also remember that RW Munro was the Clan Munro historian. That project is now complete and will be included on the CD that Allen Alger produces each year. This is a very exciting addition to Allen’s CD and as I worked on the transcription project, I know that it contains a huge amount of Munro information - I will be very surprised if I do not find some sort of match. Charles assures me that there are a number of Australian & New Zealand references included & has urged us to develop a combined Australia/New Zealand database, so we must get that under This Month way. If you would like your tree to be included in Alan Munro’s data base just let me know and I will tell how to do that. The festive season is on us As in previous years, I will order the CD for all who would like a copy and once again and Bet & I wish distribute them when they arrive. I expect the cost to be about the same as last you all a very merry Christmas year, depending of course on postage, packaging & exchange rate ie about $20.00. & a Happy New Year. Please let me know as soon as possible if you would like to be included on my order list. -
Remembering on the Beach
A COMMENTARY BY PHILIP BEIDLER Remembering On the Beach efore World War II, Hollywood scared people to death with mad scientists and monsters. During World War II they specialized in strutting Nazis and villainous Japs. After the war, political subversives mixed with Bspace creatures, and vice versa; as importantly, in what had come to be called the nuclear age, a whole new category of fear film centered on atomic mutants: Them; Godzilla; Attack of the Crab Monsters; It Came From Beneath the Sea. More directly, Invasion USA. (1952) combined fear of nuclear attack with communist takeover, helping to usher in the new Cold War genre of Soviet/US atomic mass destruction movies culminating in such boomer classics as Fail Safe and Dr. Strangelove, both issued in 1964. Less frequently remembered, perhaps because slightly older—albeit now decidedly more interesting for its emphasis on the human depiction of nuclear aftermath than on the Pentagon-Kremlin mechanics of initiating wars of mutual annihilation—is the one that first got the attention of popular audiences on the subject. That would beOn the Beach (1959), Stanley Kramer’s elegiac representation of the dying remnant of a world in the wake of global atomic warfare. In the golden age of Technicolor and Cinemascope—and to this degree anticipating its better known successors—it was a black-and-white film of stark, muted, austere genius, featuring career performances from a number of important actors: Gregory Peck, Ava Gardner, a pre-Psycho Anthony Perkins, and Fred Astaire, in his first purely dramatic role. In all these respects, it became a movie that challenged people who saw it never to look at the world in the same way again. -
Sarah Chambers (9105913) Professor David Pascoe & Dr Roselinde
Sarah Chambers (9105913) 1 Professor David Pascoe & Dr Roselinde Supheert MA Thesis Literatuur en Cultuurkritiek 13473 Words 30th July 2014 Fledgling Post-War Communities in Nevil Shute’s A Town Like Alice and Round the Bend In two separate articles written in January 2014, American climate activist Dan Bloom called for “a powerful Nevil Shute-like novel and movie about global warming” that could “help awaken the world to the dangers of climate change” (“New”). Nevil Shute’s 1957 novel On the Beach “stirred the world’s consciousness about what a so-called ‘nuclear winter’ might look like” (“New”) and Bloom suggests that a climate-change novel with “the power of On the Beach … could serve as a wake up call for humankind” (“New”). As he proceeds to explain, “Shute’s On the Beach made the consequences of nuclear war real, and therefore, unthinkable” (“New”). Bloom imagines a “Nevil Shute Literary Award for Climate-Themed Novels” that would offer a million-dollar reward for a powerful climate-change novel (“A Nevil”). Dan Bloom’s faith in On the Beach’s well-documented ability to shape its readers’ imagination of nuclear fallout is understandable. As Daniel Pearson suggests, the story’s power to mobilize public opinion was such that Stanley Kramer’s 1959 film version became “part of the struggle over the meaning of ‘the bomb’ and the narrative of the Cold War in the United States Government … new ways of dealing with unflattering films would have to be developed both by the department of defence and the Eisenhower administration.” What is striking in Bloom’s on-line articles is his casual twenty-first century reference to Nevil Shute, as if this hugely successful twentieth-century novelist were still a household name.