The Year of Living Expectantly
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1980-2001 Researchers Made Brief Synopses of Material in These Categories and Periodicals, Which Are Attached to Their Bibliographical Details
ASIAN ACCOUNTS OF AUSTRALIA: CHANGE, COMPARISON, AND ANALYSIS A Joint project between the Australian National University and the National Library of Australia under the auspices of the Australian Research Council Strategic Partnerships with Industry Research and Training Scheme. TITLE: Post-1980 Japanese Monographs (58 titles in total). RESEARCH CONTRIBUTION BY: Manabu Kawakatsu DATE OF COMPLETION: 01/08/2001 ©**** 2 PREFACE: The National Library of Australia (NLA) has very large holdings of Asian material, in English, in Asian languages, and in Asian scripts. The ASIAN ACCOUNTS OF AUSTRALIA project received resources in 2000-2002 from the Australian Research Council and the NLA to examine this collection of ‘Australiana’ in Chinese and Japanese. A pilot project in 1999 had identified the most promising material as being in monographs and periodicals in both languages and, in the case of Chinese, in both traditional and simplified characters. In order further to narrow the amount of material to be examined to fit within the resources of the project, researchers were asked to concentrate on monographs and periodical articles dealing with Australia in the following categories: • Australia as a place of settlement • Australia as exotic • Australia as a model • Australia/Asia geopolitical commentary • Culture, both high and low • Economics, trade and industrial relations • Indigenous Australia • Politics • Tourism • One Nation and Pauline Hanson • An Australian republic • Sydney Olympic games The material covered was divided chronologically as follows: Chinese: Periodicals (simplified characters) 1995-2001 (traditional characters) 1986-2000 Monographs (simplified characters) 1973-1999 (traditional characters) 1947-2000 Japanese: Periodicals (general) 1987-2001 (Nichigo Press) 1995-2000 Monographs 1881-1979 Monographs 1980-2001 Researchers made brief synopses of material in these categories and periodicals, which are attached to their bibliographical details. -
Managing Alcohol and Drugs in Event and Venue Settings: the Australian Case
Event Management, Vol. 18, pp. 457–470 1525-9951/14 $60.00 + .00 Printed in the USA. All rights reserved. DOI: http://dx.doi.org/10.3727/152599514X14143427352238 Copyright © 2014 Cognizant Comm. Corp. E-ISSN 1943-4308 www.cognizantcommunication.com MANAGING ALCOHOL AND DRUGS IN EVENT AND VENUE SETTINGS: THE AUSTRALIAN CASE ROB HARRIS,* DEBORAH EDWARDS,* AND PETER HOMEL† *Australian Centre for Event Management, UTS Business School, University of Technology, Sydney, Australia †Crime Reduction and Review Program, Australian Institute of Criminology, Sydney, Australia One of the major challenges of operating events and venues is that of managing attendee/patron alcohol and drug use. In the Australian context, a rising number of alcohol and drug-related incidents in and around these settings have resulted in a renewed focus on how these negative outcomes can be more effectively controlled. In order to aid those charged with the task of addressing this matter— event and venue managers, police, security firms, alcohol and drug regulatory bodies, and govern- ments at all levels—this article seeks to identify those variables with the potential to impact this management issue. Further, it aims to provide the previously identified stakeholders with a deeper appreciation of the raft of practices that are currently in use, and potentially available to them, as they build responses to this challenge at the individual state, precinct, venue, or event level. The research approach used involved an extensive literature review and a series of in-depth interviews with key stakeholders across three states—New South Wales, Victoria, and Western Australia. Key words: Drugs and alcohol; Events and venues; Regulation; Enforcement; Control practices Introduction has resulted from the rising number of incidents of individual harm, violence, and community disrup- Pressure from the broader community on key stake- tion that have occurred in and around these settings. -
WAH Catalogue
Community Engaged Practice – An Emerging Issue for Australian ARIs 41 Contents Lisa Havilah Children, Creativity, Education& ARIs: Starting Young, Building Audiences 43 Claire Mooney The Feeling Will Pass... Space/Not Space 46 WAH Exhibition Documentation & Texts Brigid Noone The Feeling Will Pass… 2 The Subjectivity of Success 48 Brianna Munting Scot Cotterell We are (momentarily) illuminated 4 ARIs and Career Trajectories in the Arts 50 Georgie Meagher Lionel Bawden Exhibition Audience Survey Infographic Display 6 Money 52 Blood & Thunder Sarah Rodigari Tension Squared 10 ARIs in the National Cultural Policy 54 Cake Industries Tamara Winikoff The ooo in who? 12 Hossein Ghaemi WAH Debate It Was Never Meant To Last (BIG TIME LOVE) 16 The Half-Baked Notes of the First Speaker 57 Michaela Gleave Frances Barrett When there is no more anxiety, there is no more hope 20 Biljana Jancic WAH Essays I am here 22 We are...have been...here: Sebastian Moody a brief, selective look at the history of Sydney ARIs 62 Jacqueline Millner Unworkable Action 24 Nervous Systems A History of Sucess? 66 Din Heagney Path to the Possible: critique and social agency in artist run inititaives 27 Hugh Nichols Out of the Past: Beyond the Four Fundamental Fallacies of Artist Run Initiatives 70 Experiment 03: Viral Poster Experiment 30 Alex Gawronski S.E.R.I. (Carl Scrase) Dear friends, artists, and cultural workers 74 WAH Symposium: Presentations & Reflections Jonathan Middleton We Are Here – A View from the UK 79 We Are Here 34 Lois Keidan Welcome by Kathy Keele We Are Here 83 We were there. -
Minutes of Loxton High School Annual General
LOXTON HIGH SCHOL GOVERNING COUNCIL ANNUAL GENERAL MEETING MINUTES HELD ON TUESDAY 19 NOVEMBER 2019 AT 7.00PM @ LHS LIBRARY Meeting Opened: 7.05pm Welcome: Principal, Mr David Garrett and then handover to Mrs Margaret Wormald, current Governing Council chairperson to run meeting until executive positions declared vacant and election of new members. Acknowledgement of Country: We would like to acknowledge the custodians of the land and waters of the River Murray and Mallee Region. These clans comprise seven neighbouring groups known as the Ngaiawang, the Ngawait, the Ngaralte, the Ngarkat, the Ngagkuruku, the Ngintait and the Erawirung. These clans were one nation. Today we are meeting on the traditional lands of the Erawirung people and we feel welcome. Present: David Garrett, Tom Fielke Apologies: Leanne Priest, Shannon Tootell, Scott Gillett, Jill Obst Minutes of Previous Meeting: Held on 20 November 2018 at 7.00pm. Moved and seconded: Moved Kerry Albrecht-Szabo, Seconded Shannon Tootell Carried Reports: 1. Principal’s Report – Mr David Garrett. Moved by Julie-ann Phillips and seconded by Mel Morena Carried 2. High School Governing Council Chairman’s Report – Mr Tom Fielke Moved by Kerry Albrecht and seconded by Scott Gillett Carried 3. Financial Statements – Ms Lesley Peterson • Loxton High School Council Inc. Consolidated Account • Loxton High School Canteen Trading Statement • Motion to accept the 2020 budget as an interim budget with final budget to be handed down in March 2020 Lesley advised accounts are still subject to Audit. Statements attached. All Financial Statements Moved by Lesley Peterson and seconded by Scott Gillett Carried Elections: Principal, David Garrett to hold election (if necessary) Election of Governing Council Members Those remaining on Council: Rebecca Knowles, Melinda Morena, Tom Fielke, Kylie O’Shaughnessy, Ian Schneider. -
Water Allocation Plan for the RIVER MURRAY PRESCRIBED WATERCOURSE
This work is copyright. Apart from any use permitted under the Copyright Act 1968 (Cth), no part may be reproduced by any process without prior written permission from the South Australian Murray-Darling Basin Natural Resources Management Board. Requests and enquiries concerning reproduction and rights should be directed to the Regional Director, Natural Resources SA Murray-Darling Basin, PO Box 2343, Murray Bridge SA 5253. The South Australian Murray-Darling Basin Natural Resources Management Board and the Government of South Australia, their employees and their servants do not warrant, or make any representation, regarding the use or results of the information contain herein as to its correctness, accuracy, currency or otherwise. The South Australian Murray-Darling Basin Natural Resources Management Board and the Government of South Australia, their employees and their servants expressly disclaim all liability or responsibility to any person using the information or advice herein. Aboriginal Cultural Knowledge No authority is provided by First Peoples of the River Murray and Mallee, Peramangk and Ngarrindjeri nations for the use of their cultural knowledge contained in this document without their prior written consent. ii Water Allocation Plan FOR THE RIVER MURRAY PRESCRIBED WATERCOURSE iii iv v Acknowledgement The South Australian Government acknowledges and respects Aboriginal people as the state’s first peoples and nations, and recognises Aboriginal people as traditional owners and occupants of land and waters in South Australia. Aboriginal peoples’ spiritual, social, cultural and economic practices come from their lands and waters, and they continue to maintain their cultural heritage, economies, languages and laws which are of ongoing importance. -
Low Culture in Sydney 1887-1914
Common Pleasures: Low Culture in Sydney 1887-1914 Susan Doyle Doctor of Philosophy 2006 CERTIFICATE OF AUTHORSHIP/ORIGINALITY I certify that the work in this thesis has not previously been submitted for degree, nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledge. In addition, I certify that all information sources and literature used are indicated in the thesis. Susan Doyle. Contents Preface and Acknowledgements ii Abstract vi Introduction 1 Part 1, The Pub 23 Chapter 1: The 1887 Intoxicating Drink Inquiry 24 Chapter 2: Lower-Class Drinking: Places and Practices 54 Chapter 3: Women and the Drink Question 82 Part 2, The Vaudeville Theatre 115 Chapter 4: 'Colour, Music, Light and Rhythm': Vaudeville in Sydney 116 Chapter 5: The Gallery Gods: 'Kicking up a Row in Olympus' 141 Chapter 6: “We’ve Got a Lodger and He’s Very Fond of Ma’: The Vaudeville Repertoire 162 Part 3, The Street 196 Chapter 7: Larrikin Days 197 Chapter 8: The Haymarket Swell: Larrikin Fashion 223 Chapter 9: Everyday Resistance: Larrikin Street Life 248 Conclusion 280 Bibliography 285 i Preface and Acknowledgements In Heterologies De Certeau writes: By a professional reflex, the historian refers any discourse to the socioeconomic or mental conditions that produced it. He needs to apply this kind of analysis to his own discourse in a manner that will make it pertinent to the elucidation of those forces that presently organise representations of the past. -
Fbi Radio Date Received: 4 July 2019
Submission No 17 INQUIRY INTO LIQUOR AMENDMENT (MUSIC FESTIVALS) REGULATION 2019 AND GAMING AND LIQUOR ADMINISTRATION AMENDMENT (MUSIC FESTIVALS) REGULATION 2019 Organisation: FBi Radio Date Received: 4 July 2019 04 July 2019 To The Regulation Committee, RE: LIQUOR AMENDMENT (MUSIC FESTIVALS) REGULATION 2019 AND THE GAMING AND LIQUOR ADMINISTRATION AMENDMENT (MUSIC FESTIVALS) REGULATION 2019 Thank you for opportunity to contribute to this inquiry. FBi Radio is an independent, not-for-profit community broadcaster and is a unique highlight of the Sydney landscape as the only radio station dedicated to the emerging music, arts and culture of Sydney. Our mission is to shape and amplify independent culture to a broad audience. Through programming, promotion and artist development, we contribute to the growth of the Australian music industry. As the only radio station dedicated to the emerging music, arts and culture of Sydney, FBi Radio plays 50% Australian music, with half of that from Sydney, and provides a platform for musicians, artists and creators to reach broad audiences. Beyond broadcast, FBi Radio has developed a range development programs to conitrubte to the New South Wales music and arts economy. This includes Dance Class, a mentoring and training initiative designed to encourage greater participation of young women in electronic music, as well as Tracks, a professional development program and live music showcase building artists and contemporary music audiences in Western Sydney. The annual FBi Sydney Music, Arts & Culture Awards exist to recognise and celebrate emerging local talent, putting Sydney artists, musicians, curators and venues, many in early stages of their career, in front of FBi Radio's broad audience. -
Unesco Creative Cities Membership Monitoring Report 2015-17 MEMBERSHIP MONITORING REPORT
unesco creative cities membership monitoring report 2015-17 MEMBERSHIP MONITORING REPORT GENERAL INFORMATION. CONTRIBUTION TO THE NETWORK’S GLOBAL MANAGEMENT. MAJOR INITIATIVES IMPLEMENTED AT LOCAL LEVEL. MAJOR INITIATIVES IMPLEMENTED THROUGH INTER-CITY COOPERATION. PROPOSED ACTION PLAN. ANGELINA JOLIE AT THE SYDNEY PREMIER OF UNBROKEN CONTENTS. 2015-17 MEMBERSHIP MONITORING REPORT With support from the NSW Government, the City of Sydney, and key screen industry stakeholders, Sydney was awarded the UNESCO City of Film designation in December 2010. The existing screen infrastructure in Sydney and the diversity and value of film culture of Sydney was a major reason for the success of Sydney’s bid. It placed Sydney as the second City of Film in the UCCN. As the specialist agency in screen matters, management of the status of the City of Film was given to the former agency Screen NSW, with the agreement of the City of Sydney and the support of the NSW Government and former Minister for the Arts. The UNESCO Creative City designation is consistent with the aims of the NSW Creative Industries Action Plan, which seeks to ensure that NSW, through Sydney, is recognised as a global creative centre and leader in creative industries. Sydney and its surrounds continue to be the location for high levels of both international and local production and post-production, as well as many Australian TV dramas. NSW is the dominant state for screen production in Australia with more than 60% of Australian production and post-production businesses located in here. With a suite of funding opportunities for the professional production sector, from early development to production finance and a range of industry development programs, the organization supports the continued growth and development of a creative sector that returns significant economic benefits, large numbers of jobs and high cultural and social returns to the community. -
55 000 Years and Counting
55000 years and counting: celebrating our shared history South Australian Education Pack ....Where Aboriginal Australians have been included in the life of Australia they have made remarkable contributions—economic contributions, particularly in the pastoral and agricultural industry. They are there in the frontier and exploration history of Australia. They are there in the wars. In sport to an extraordinary degree. In literature and art and music. In all these things they have shaped our knowledge of this continent and of ourselves. They have shaped our identity. They are there in the Australian legend. We should never forget—they helped build this nation. Former Prime Minister Paul Keating, Redfern Park, Sydney, 10 December 1992. 230409Reco Edu Cov Red 09.B.indd 2 22/4/09 10:19:32 PM FOREWORD The theme for this education pack is 55 000 years and counting: celebrating “ our shared history. The idea of Australia as a young nation continues to be challenged as the country embraces the ancient and ongoing cultures of the Aboriginal and Torres Strait Islander peoples, the traditional custodians of this land. Acknowledging the nexus between this shared history and the fabric of contemporary Australia is critical for us as a society to forge a future, together. As educators, our role as custodians of knowledge is a profound privilege. With this privilege comes an equally profound responsibility to share this knowledge in a responsible way that encourages our students to acquire an understanding of the relevance and a respect for the factual integrity of the knowledge through inquiry. In all that we do we should have at the forefront of our minds the qualities that our students should embody as a result of the knowledge they acquire to empower them to actively participate in society as responsible citizens. -
THE CULTURAL REINVENTION of PLANNING by Gregory
THE CULTURAL REINVENTION OF PLANNING by Gregory Young MA (Syd), Dip Urb Studs (Macq), MPHA, MPIA A thesis submitted in fulfilment of the requirements for the Doctor of Philosophy Faculty of the Built Environment University of New South Wales THE CULTURAL REINVENTION OF PLANNING Abstract THE CULTURAL REINVENTION OF PLANNING Culture is expanding and has greater weight and explanatory potential in our culturalised age. Following the earlier literature of the ‘cultural turn’, culture is now perceived as ubiquitous in society, the economy, and theory, and with the capacity to intervene on itself. Further, it may be seen to characterise both the nature and the progressive potential of a range of contemporary social and intellectual technologies such as planning, education, health, and organisational development. While this general process of ‘culturalisation’ proceeds apace, the capacity of culture to act as an organising idea and category for sectors such as planning is still largely underdeveloped, most particularly in planning itself. A new Culturised Model for planning that is reflexive and ethical is proposed. Differentiated from the trend to culturalisation and its association with commodification, ‘culturisation’ has true sustainable and transformational potential. The thesis consists of three main parts – each of three chapters - with a substantial scene- setting Introduction and a Conclusion. Part One examines culture and planning, Part Two develops a new Culturised Model for planning, and Part Three illustrates the Model. In Part One the grounds of culturisation are prepared by: 1) describing our culturalised age; 2) developing a new positionality for planning; 3) presenting a critical analysis of neomodern and postmodern planning theory; and 4) outlining an original history of culture and planning in the 20 th and 21 st centuries. -
Inquest Into the Death of Six Patrons of NSW Music Festivals, Hoang Nathan Tran Diana Nguyen Joseph Pham Callum Brosnan Joshua Tam Alexandra Ross-King
STATE CORONER’S COURT OF NEW SOUTH WALES Inquest: Inquest into the death of six patrons of NSW music festivals, Hoang Nathan Tran Diana Nguyen Joseph Pham Callum Brosnan Joshua Tam Alexandra Ross-King Hearing dates: 8 – 19 July 2019, 10 – 13 September 2019, 19 – 20 September 2019 Date of findings: 8 November 2019 Place of findings: NSW State Coroner’s Court, Lidcombe Findings of: Magistrate Harriet Grahame, Deputy State Coroner Catchwords: CORONIAL LAW – Manner of death, death at music festival, MDMA toxicity, harm minimisation strategies, policing of music festivals, drug checking, drug monitoring schemes, drug education, File numbers: 2018/283593; 2017/381497; 2018/400324; 2019/12787; 2018/283652; 2018/378893; 2018/378893. Representation: Counsel Assisting Dr Peggy Dwyer instructed by Peita Ava-Jones of NSW Department of Communities and Justice Legal Gail Furness SC instructed by Jacinta Smith of McCabe Curwood for NSW Ministry of Health, Ambulance NSW and Western Sydney Local Health District Adam Casselden SC and James Emmett instructed by Nicholas Regener and Louise Jackson of Makinson D’Apice for the Commissioner of Police and four involved Police Officers Simon Glascott of Counsel instructed by Fiona McGinley of Mills Oakley for Medical Response Australia Pty Ltd and Dr Sean Wing Patrick Barry of Counsel instructed in part by Erica Elliot of K & L Gates for the Australian Festivals Association (AFA) Jake Harris of Counsel instructed by Tony Mineo of Avant Law for Dr Christopher Cheeseman and Dr Andrew Beshara Ben Fogarty of Counsel for Simon Beckingham Peter Aitken of Counsel instructed by Summer Dow of DLA Piper for EMS Event Medical and Michael Hammond Laura Thomas of Counsel instructed by Melissa McGrath of Mills Oakley for HSU Events Pty Ltd and Peter Finley Michael Sullivan of Norton Rose Fullbright for FOMO Festival Pty Ltd Andrew Stewart of Stewart & Associates for Q-Dance Australia Pty Ltd Non-publication orders: This document can be published in its current redacted form. -
Factors That Influence Engagement in On-Site Environmentally Responsible
Factors that influence engagement in on-site environmentally responsible behaviours at music festivals Marisol Alonso Vazquez Bachelor in Foreign Trade Master in Marketing A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 Business School i Abstract The study of on-site environmentally responsible behaviours at outdoor events is important because of the negative environmental degradation that may be caused when hosting these events. Studying these behaviours is especially important at music festivals that are held in protected areas, and/or for festival managers who have an interest in controlling the events’ negative environmental impacts. Despite recent interest by event managers in developing strategies to encourage attendees’ environmentally responsible behaviours, this task is still a challenge because attendees may be disinterested in behaving pro-environmentally in the music festival context. Given this, event managers need to find novel ways to encourage attendees to participate more in on-site environmentally responsible behaviours. To contribute toward finding alternative ways to encourage more participation, this research investigated the major psychographic factors that influence attendees’ engagement in on-site environmentally responsible behaviours at music festivals. To identify these factors, the following research activities were carried out: phone interviews with music festival managers (10 participants); two online questionnaires (pre-visit and post-visit to festivals) across multiple music festivals (1,313 and 420 participants, respectively); and on-site interviews with attendees at a three-day music festival located near an Australian national park (81 participants). The findings of this study reveal that event managers consider it important to build a pro- environmental culture into their event communities in order to capitalise on attendees’ sense of community that may support environmentally responsible behaviours.