DOCSLIB.ORG

Art Film Fest Cinemas and Cultural Venues Kunsthale

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art Film Fest Cinemas and Cultural Venues Kunsthale INTERNATIONAL FILM FESTIVAL JUNE 15–23, 2018 Art Film Fest has been held in the Slovak Republic since 1993, first in Trenčianske Teplice. In 2016 the festival relocated to Košice, Slovakia’s second largest city. Unforgettable atmosphere, Art Film Fest provides a large-scale setting an attractive programme, for presenting the latest works of world cinema, as well as noteworthy titles from stars literally within reach film history and a selection of quality films and tens of thousands curated from the Slovak cinematic tradi- tion. The festival’s centrepieces are its two visitors – these are the top competition sections – for feature films and credentials of the short films, respectively. Winners of each Art Film Fest are determined by international juries, who grant the Blue Angel Award for best International Film Festival. film, director, actress and actor. The non- competition sections feature the works of The festival is among the established filmmakers, notable films of various national cinemas, cult classics that most important cultural have made their mark on film history and Art Film Fest has been held in the Slovak and social events in thematically oriented film projects, as well Republic since 1993, first in Trenčianske as profiles and retrospectives of acclaimed Teplice. In 2016 the festival relocated Slovakia. filmmakers. to Košice, Slovakia’s second largest city. ACTOR´S MISSION AWARD THE GOLDEN CAMERA Every year since 1995 Art Film Fest has bestowed the Actor’s The Golden Camera is awarded to Slovak and international film Mission Award to world-famous performers for their outstanding professionals of various trades for their significant contributions to contributions to the art of film acting. The award has been the filmmaking craft. Since 2001, 40 prominent film received by 61 international and Slovak performers to date. professionals have received the award. 1995: 2003: 2005: Milan Čorba [Slovakia] Franco Nero [Italy] Klaus Maria Brandauer [Austria] Miklós Jancsó [Hungary] director costume designer György Cserhalmi [Hungary] Tibor Biath [Slovakia] cinematographer 1996: Jiřina Bohdalová [Czech Republic] 2012: Gina Lollobrigida [Italy] Jerzy Stuhr [Poland] 2006: Andrei Konchalovsky [Russia] Alberto Sordi [Italy] Andrzej Wajda [Poland] director screenwriter and director Jozef Kroner [Slovakia] 2004: Dušan Hanák [Slovakia] Dodo Šimončič [Slovakia] Květa Fialová [Czech Republic] screenwriter and director cinematographer 1997: Štefan Kvietik [Slovakia] 2011: Rudolf Urc [Slovakia] Geraldine Chaplin [USA] János Bán [Hungary] 2007: dramaturg and director Vlastimil Brodský [Czech Republic] 2005: Zdeněk Svěrák [Czech Republic] Roman Polanski [Poland] director Dagmar Veškrnová-Havlová Zuzana Kronerová [Slovakia] Oleg Tabakov [Russia] 2013: 1998: [Czech Republic] actor and director Juraj Herz [Slovakia] Mari Törőcsik [Hungary] Nastassja Kinski [Germany] 2012: Jiří Menzel [Czech Republic] director director and screenwriter Erland Josephson [Sweden] Emmanuelle Béart [France] Ulrich Seidl [Austria] Annie Girardot [France] 2006: Miroslav Donutil [Czech Republic] 2008: director and screenwriter Lubomír Lipský [Czech Republic] Sir Ben Kingsley [United Kingdom] Miroslav Ondříček [Czech Republic] 1999: Jacqueline Bisset [United Kingdom] 2001: cinematographer 2014: Iva Janžurová [Czech Republic] 2013: Martin Hollý [Slovakia] director Tonino Guerra [Italy] screenwriter István Szabó [Hungary] Michele Placido [Italy] 2007: Martin Huba [Slovakia] Pavel Branko [Slovakia] Krzysztof Zanussi [Poland] director director and screenwriter Daniel Olbrychski [Poland] Isabelle Huppert [France] Július Satinský [Slovakia] critic and journalist Ondrej Šulaj [Slovakia] Sophia Loren [Italy] Mirjana Karanović [Serbia] Barbora Bobulova [Slovakia/Italy] 2009: screenwriter and director Marián Labuda [Slovakia] 2002: Ettore Scola [Italy] 2000: 2014: Maximilián Remeň [Slovakia] editor screenwriter and director 2015: Ladislav Chudík [Slovakia] 2008: Ivan Trojan [Czech Republic] Juraj Jakubisko [Slovakia] director Věra Chytilová [Czech Republic] Ján Ďuriš [Slovakia] cinematographer Jana Brejchová [Czech Republic] Chiara Caselli [Italy] Claudia Cardinale [Italy] director Peter Hledík [Slovakia] director Catherine Deneuve [France] Omar Sharif [Egypt] 2003: Ivan Palúch [Slovakia] 2015: Don Askarian [Armenia] director 2010: 2016: 2001: Liv Ullmann [Norway] Anna Geislerová [Czech Republic] Vincent Rosinec [Slovakia] Stanislav Szomolányi [Slovakia] Stephen Daldry [United Kingdom] Jiří Bartoška [Czech Republic] Juraj Kukura [Slovakia] cinematographer cinematographer director Emília Vášáryová [Slovakia] 2009: Roman Rjachovský [Slovakia] Václav Vorlíček [Czech Republic] Sir Alan Parker [United Kingdom] Jean-Paul Belmondo [France] Jeremy Irons [United Kingdom] 2016: art director director and screenwriter director Jaromír Hanzlík [Czech Republic] Lazar Ristovski [Serbia] 2002: Karel Roden [Czech Republic] 2004: 2011: 2017: Božidara Turzonovová [Slovakia] 2010: Vido Horňák [Slovakia] Emir Kusturica [Bosnia & Herzegovina] Dušan Trančík [Slovakia] Bolek Polívka [Czech Republic] Gérard Depardieu [France] 2017: screenwriter and director director director Ornella Muti [Italy] Milan Kňažko [Slovakia] Ondřej Vetchý [Czech Republic] Vlastimil Herold [Slovakia] animator Jean-Claude Carrière [France] Jan Hřebejk [Czech Republic] Josef Abrhám [Czech Republic] Magda Vášáryová [Slovakia] Petr Hapka [Czech Republic] composer screenwriter director J. Bisset J. S. Daldry S. K. M. Brandauer J. C. Carrière A. Sordi G. Depardieu E. Kusturica V. Havel – M. Lasica N. Kinski A. Konchalovsky C. Deneuve G. Lollobrigida – J. Kroner J. Panahi – R. Polanski F. Nero F. E. Irons Scola – J. O. Muti S. Gaydos – A. Parker O. Sharif Warsaw Prague Košice is the largest city in Košice Budapest 215 km Vienna Bratislava eastern Slovakia. Vienna 365 km With a population Budapest Warsaw 391 km of approximately Prague 516 km 240,000, Košice is the second largest city in Slovakia, after the capital, Bratislava. The economic and cultural centre of largest church: St Elisabeth’s Cathedral. eastern Slovakia, Košice is the seat The long main street, rimmed with of the Košice Region and the Košice aristocratic palaces, Catholic churches Self-governing Region, the Slovak and townhouses, is a thriving pedestrian Constitutional Court, three universities, zone with many boutiques, cafés and various dioceses, and many museums, restaurants. galleries and theatres. Košice is an important industrial centre in Slovakia. In 2008 Košice won the competition A regional transport hub, the city has among Slovak cities for the prestigious extensive railway connections and an title European Capital of Culture international airport. 2013. The Interface project aims to transform Košice from a centre of heavy Košice has a well-preserved historical industry to a post-industrial city with centre, the largest in Slovakia. There creative potential and a new cultural are many protected heritage buildings infrastructure. In 2017 Košice won the in Gothic, Renaissance, baroque, and title UNESCO Creative City of Media art nouveau styles, including Slovakia’s Arts. ART FILM FEST CINEMAS AND CULTURAL VENUES ART FILM FEST CINEMAS AND CULTURAL The Amphitheatre With seating for 3,000 spectators, Košice’s Amphitheatre has been VENUES recognized throughout the region since its construction in 1954. The first summertime film screenings here date back to 1965’s “Filmový Festival Pracujúcich” (Workers’ Film Festival), which, after many years in the city’s cinemas, had been relocated to the amphitheatre. It was here on Saturday, 19 June 1965, that the premiere of Kunsthale Kulturpark Oscar-winning film The Shop on Main Street, set in the Slovak Capacity: 550 seats. Capacity: two screening rooms town of Sabinov and starring Thanks to its architectural with 150 seats each. This former Jozef Kroner, was seen by a features, Košice’s Kunsthalle military area is now a creative whopping 20,000 viewers. (Hall of Art) is primarily used district bristling with life. Košice’s for holding international new cultural venue provides exhibitions, workshops spaces for socializing, creative and more intimate events work and presenting various focused on the new genres of modern art. generation. ART FILM FEST CINEMAS AND CULTURAL The Amphitheatre With seating for 5,000 spectators, Košice’s Amphitheatre has been VENUES recognized throughout the region since its construction in 1954. The first summertime film screenings here date back to 1965’s “Filmový Festival Pracujúcich” (Workers’ Film Festival), which, after many years in the city’s cinemas, had been relocated to the amphitheatre. It was here on Saturday, 19 June 1965, that the premiere of Kunsthale Kulturpark Oscar-winning film The Shop on Main Street, set in the Slovak Capacity: 550 seats. Capacity: two screening rooms town of Sabinov and starring Thanks to its architectural with 150 seats each. This former Jozef Kroner, was seen by a features, Košice’s Kunsthalle military area is now a creative whopping 20,000 viewers. (Hall of Art) is primarily used district bristling with life. Košice’s for holding international new cultural venue provides exhibitions, workshops spaces for socializing, creative and more intimate events work and presenting various focused on the new genres of modern art. generation. ART FILM FEST CINEMAS AND CULTURAL VENUES Tabačka Kulturfabrik Tabačka Kulturfabrik is an independent cultural centre with two auditoriums (300 and 80 seats, respectively). A versatile venue for exhibitions and residences,
Load more

Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • It 2.007 Vc Italian Films On
    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
    [Show full text]
  • 4. UK Films for Sale at EFM 2019
    13 Graves TEvolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Diane Shorthouse +44 7957 306 990 Michael McKell [email protected] Genre: Horror Market Office: UK Film Centre Gropius 36 Director: John Langridge Home Office tel: +44 20 8215 3340 Status: Completed Synopsis: On the orders of their boss, two seasoned contract killers are marching their latest victim to the ‘mob graveyard’ they have used for several years. When he escapes leaving them no choice but to hunt him through the surrounding forest, they are soon hopelessly lost. As night falls and the shadows begin to lengthen, they uncover a dark and terrifying truth about the vast, sprawling woodland – and the hunters become the hunted as they find themselves stalked by an ancient supernatural force. 2:Hrs TReason8 Films Cast: Harry Jarvis, Ella-Rae Smith, Alhaji Fofana, Keith Allen Anna Krupnova Genre: Fantasy [email protected] Director: D James Newton Market Office: UK Film Centre Gropius 36 Status: Completed Home Office tel: +44 7914 621 232 Synopsis: When Tim, a 15yr old budding graffiti artist, and his two best friends Vic and Alf, bunk off from a school trip at the Natural History Museum, they stumble into a Press Conference being held by Lena Eidelhorn, a mad Scientist who is unveiling her latest invention, The Vitalitron. The Vitalitron is capable of predicting the time of death of any living creature and when Tim sneaks inside, he discovers he only has two hours left to live. Chased across London by tabloid journalists Tooley and Graves, Tim and his friends agree on a bucket list that will cram a lifetime into the next two hours.
    [Show full text]
  • Erzsebet Forgacs
    Erzsebet Forgacs Key Make-Up Artist Education: • 1970: Study French in l,Alliance Francaise in Paris • 1972: Certificate of Final Examination in Secondary School Specialited in French • 1975-76: Study Italian lanquage and literature in Institute Italian in Budapest • 1978: Certificate Secondary of Study Foreign Trade Qualification: • 1980: Certificate for Cosmetician Profession-State Owned School for Professionals • Received the Award of "Ida Dallos" of the Cosmetician School • 1986: Certificate from the Cultural Ministry for Film Professionals,Scenic Section, High School Degree Nyelvismeret: • French - Stat Superior Certificate 1987 • Italian - Superior • English - Intermediate • German - Basic Position: • KEY MAKE-UP ARTIST from 1986- • Assistant Make-Up Artist from 1981- Exhibition: • 2007: III Richard on the Wall - organization and direction, for performance III Richard of the Theatre Vörösmarty of City Székesfehérvár with Hungarian Theatre Museum and Institute (2007) Teacher: • 2007-08: Teacher of Make-Up branch of the Crew-school of H.S.C. - (The Hungarian Society of Cinematographers) • Member of the Make-Up Section of H.S.C. (The Hungarian Society of Cinematographers) • 2010-11: Private tution in the subject of Make-Up on the Visual Education Department of the Hungarian University of Fine Arts (MKE) Award: • 2007: "JOLÁN ÁRVAI" AWARD Received the Diploma of the Award for outstanding work for the Hungarian Movie nominated by the Hungarian Directors and Cameramen Nominations: • 2001: NOMINATION of PARAMOUNT CLASSICS for the Best Period Make-Up (Feature) of Hollywood Make-Up Artist and Hair Stylist Guild Awards for the Film "SUNSHINE" • 2010: NOMINATION of DAVID DI DONATELLO Award 2010 (of Italian Film Academy) for the Best Make-Up (with Luigi Rochetti) for the Film "Memories of Anne Frank".
    [Show full text]
  • Feature Films Serving As Exclusive Product Placement Supervising Executive/Agency
    FEATURE FILMS SERVING AS EXCLUSIVE PRODUCT PLACEMENT SUPERVISING EXECUTIVE/AGENCY ❑ Ad Astra---Brad Pitt, Tommy Lee Jones, Donald Sutherland---New Regency---20th Century Fox ❑ Captive State---John Goodman, Vera Farmiga---Amblin Partners, Universal Studios ❑ The Circle---Tom Hanks, Emma Watson ❑ The Neon Demon---Keanu Reeves, Elle Fanning ❑ The Wake---Bruce Willis, Sir Ben Kingsley ❑ John Wick---Keanu Reeves ❑ Black & White---Kevin Costner, Octavia Spencer ❑ Danny Collins---Al Pacino, Jennifer Garner, Annette Bening ❑ Oldboy---Josh Brolin, Samuel L. Jackson, Elizabeth Olsen--- Spike Lee Director ❑ Don Jon’s Addiction---Scarlett Johansson, Julianne Moore, Joseph Gordon Levitt ❑ Carrie---Chloe Grace Moretz, Julianne Moore---M-G-M---Sony Screen Gems ❑ Parental Guidance---Billy Crystal, Bette Midler, Marisa Tomei---Fox ❑ Mavericks---Gerard Butler---Walden Media---Fox ❑ Won’t Back Down---Walden Media---Fox ❑ Looper---Bruce Willis---Emily Blunt---Joseph Gordon---Levitt---Sony ❑ Spy Kids 4---Jessica Alba---Robert Rodriguez Director ❑ 30 Minutes or Less---Ben Stiller Producer---Jesse Eisenberg---Sony Pictures ❑ Scream 4---Wes Craven---Courtney Cox, David Arquette, Neve Campbell--- Weinstein Co ❑ The Hungry Rabbit Jumps---Nicolas Cage, January Jones, Guy Pearce ❑ The Details---Tobey Maguire, Laura Linney, Elizabeth Banks, Dennis Haysbert ❑ Law Abiding Citizen---Jamie Foxx, Gerard Butler ❑ Terminator Salvation: The Future Begins---Christian Bale---Directed By McG--- Warner Bros./Sony ❑ Seven Pounds---Will Smith, Rosario Dawson---Sony Release ❑ Soul
    [Show full text]
  • Festival Centerpiece Films
    50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E.
    [Show full text]
  • Crowdsourcing Memories and Artefacts to Reconstruct Italian Cinema History: Micro- Histories of Small-Town Exhibition in the 1950S
    . Volume 16, Issue 1 May 2019 Crowdsourcing memories and artefacts to reconstruct Italian cinema history: Micro- histories of small-town exhibition in the 1950s Daniela Treveri Gennari, Oxford Brookes University, UK Sarah Culhane, Maynooth University, Ireland Abstract: In the mid-1950s, cinema was Italy’s second most important industry (Wagstaff 1995: 97). At its peak, the country’s exhibition circuit boasted some 8,000 cinemas (Quaglietti 1980). Despite the important role that cinema played within the social, cultural and economic fabric of 1950s Italy, we know relatively little about the workings of the distribution and exhibition networks across urban and rural contexts. We know even less about the individuals whose working lives and family businesses depended on the cinema industry. This article uses micro-history case studies to explore some of the broader questions associated with the history of film exhibition and distribution in 1950s Italy. We use both the oral history testimonies collected during the AHRC-funded Italian Cinema Audiences project (www.italiancinemaaudiences.org) and the crowdsourced digital artefacts donated by members of the general public during the creation of CineRicordi (www.cinericordi.it), an online archive that allows users to explore the history of Italian cinema-going. Building on the oral histories gathered for the Italian Cinema Audiences project, this archive integrates the video-interviews of 160 ordinary cinema-goers with public and private archival materials. With this article, we aim to explore the ‘relationship between image, oral narrative, and memory’ (Freund and Thomson 2011: 4), where - as Freund and Thomson describe – ‘words invest photographs with meaning’ (2011: 5).
    [Show full text]
  • Andrzej Wajda Polski Film Dokumentalny
    CMY CY MY CM K Y M C plakat_50_LAT_205x280_3mm.pdf 12016-01-1113:04:13 MAGAZYN FILMOWY 3 (55) / marzec 2016 Polski film dokumentalny film Polski NUMERU TEMAT okino walka wygrana Wajda Andrzej WYWIAD ISSN 2353-6357 WWW.SFP.ORG.PL 3 (55) / marzec 2016 nr 55 marzec 2016 Spis treści SFP/ZAPA 3 RYNEK FILMOWY Wydział Radia i Telewizji Uniwersytetu Śląskiego 46 POLSCYROZMOWA NUMERU Rozmowa z Rafałem Syską 50 Andrzej Wajda 4 Fundacja Wspierania Kultury Filmowej Cyrk Edison 52 Wytwórnia Scenariuszy 54 FILMOWCY Rozmowa z Simonem Stone’em 56 Film Factory w Sarajewie 58 MISTRZOWIE Krzysztof Kieślowski – projekty niezrealizowane 60 REFLEKSJE Audiowizualna historia kina 64 10 000 dni filmowej podróży 66 notacje Nie ma stolika 68 Fot. Kuba Kiljan/SFP Fot. Kuba MOJA (FILMOWA) MUZYKA Przemysław Gintrowski 69 TEMAT NUMERU Polski film dokumentalny12 SWOICH NIE ZNACIE archiwalneJoanna Klimkiewicz i Kamila Klimas-Przybysz 70 NIEWIARYGODNE PRZYGODY POLSKIEGO FILMU Maddalena 72 MIEJSCA Kino Narew 74 STUDIO MUNKA 76 Rys. Zbigniew Stanisławski Rys. PISF 78 WYDARZENIA KSIĄŻKI 80 Złote Taśmy 20 Nagrody PSC 21 DVD/CD 84 Dyplomaci w Kulturze 22 IN MEMORIAM 85 FESTIWALE W POLSCE Zoom-Zbliżenia 24 VARIA 87 Prowincjonalia 25 List DO redakcji 94 NAGRODY Honorowy Jańcio Wodnik 26 BOX OFFICE 95 WYSTAWY plakat_50_LAT_205x280_3mm.pdf 1 2016-01-11 13:04:13 Krzysztof Kieślowski. Ślady i pamięć 28 2016 marzec (55) / 3 POLSKIE PREMIERY ISSN 2353-6357 WWW.SFP.ORG.PL Kalendarz premier 30 2016 Rozmowa z Jerzym Zalewskim 32 marzec / ) 55 ( 3 Rozmowa z Maciejem Adamkiem 34 C M Y CM W PRODUKCJI 36 MY CY CMY K FESTIWALE ZA GRANICĄ Rotterdam 37 MAGAZYN FILMOWY Berlin 38 WYWIAD Andrzej Wajda Santiago de Chile 40 wygrana walka o kino TEMAT NUMERU Polski film dokumentalny POLSCY FILMOWCY NA ŚWIECIE 42 Na okładce: Andrzej Wajda Rys.
    [Show full text]
  • Length in Mina. Length in Nins. METRO-GOLDWYN-MAYER. (R
    Length Length In Mina. In Nins. HOTEL 124 HOW TO MAKE A MONSTER 75 WARNER BROS. (R) March, 1967. Rod Taylor, Catherine AMERICAN INTERNATIONAL. (R) July, 1968. Robert Spaak. Color. Harris, Paul Brinegar. HOTEL PARADISO (P) 100 HOW TO MURDER A RICH UNCLE 80 METRO-GOLDWYN-MAYER. (R) November, 1966. Alec Guin- COLUMBIA. (R) January, 1958. Charles Coburn, Migel Patrick ness, Gina Lollobrigida. Color. HOW TO MURDER YOUR WIFE 118 HOUND OF THE BASKERVILLES 64 UNITED ARTISTS. (R) February, 1965. Jack Lemmon, Virna UNITED ARTISTS. (R) June, 1959. Peter Cushing. Lisi. Color. HOUND DOG MAN (Cs) 87 HOW TO SAVE A MARRIAGE -AND RUIN YOUR LIFE (P) 108 TWENTIETH CENTURY-FOX. (R) November, 1959. Fabian, COLUMBIA. (R) March, 1968. Dean Martin, Stella Stevens. Carol Lynley. Color. Color. HOUR OF DECISION (Belt.) 74 HOW TO SEDUCE A WOMAN 106 ASTOR. (R) January, 1957. Jeff Morrow, Hazel Court. CINERAMA. (R) January, 1974. Angus Duncan, Angel Tompkins. HOUR OF THE GUN (R) 100 UNITED ARTISTS. (R) October, 1967. James Garner, Jason HOW TO STEAL A MILLION (P) 127 Robards. Color. 20th CENTURY -FOX. (R) August, 1966. Audrey Hepburn, Peter O'Toole. Color. HOUR THE WOLF (Swed.) 88 OF HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (P) . 119 LOPERT. (R) April, 1968. Liv Ullmann, Max von Sydow. UNITED ARTISTS. (R) March, 1967. Robert Morse, Michele HOURS OF LOVE, THE (Md. English Titles) 89 Lee. Color. CINEMA V. (R) September, 1965. Vgo Tognazzi, Emmanuela HOW TO STUFF A WILD BIKINI 90 Riva. AMERICAN INTERNATIONAL. (R) July, 1965. Annette HOUSE IS NOT A HOME, A 90 Funicello, Dwayne Hickman.
    [Show full text]
  • Burning Bush
    presents BURNING BUSH A Film by Agnieszka Holland 2013 / Czech Republic / in Czech with English subtitles / Color A Kino Lorber Release from Kino Lorber, Inc. 333 West 39 St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SHORT SYNOPSIS The three-part drama, directed by the Polish director Agnieszka Holland, is HBO Europe’s most ambitious, big-budget project to date. The film returns to a pivotal time in modern Czech history, ignored in Czech cinema until now. It begins with a reconstruction of the shocking act of a Czech university student, who in protest of the Soviet occupation of Czechoslovakia, set himself on fire in Prague’s Wenceslas Square on January 16, 1969, and died four days later. Through the story of the brave defense attorney Dagmar Burešová, who defended Palach’s legacy in a doomed lawsuit, the film examines the transformations taking place in Czechoslovak society after the invasion of the armies of the Warsaw Pact in August of 1968 and the installation of a hardline Communist government. It depicts the beginnings of Czech and Slovak resistance against the occupation, which reached its apex with the mass protests during Palach’s funeral. It also shows the nation’s gradual resignation under the pressure of fear and harsher persecution. LONG SYNOPSIS Part I On the 16th of January1969 on Wenceslas Square in Prague, a young student sets himself on fire in front of dozens of passers-by. Police Major Jireš (Ivan Trojan) investigates the circumstances of Palach’s actions.
    [Show full text]
  • Report on the Slovak Audiovisual Situation in 2007 Report on the Slovak Audiovisual Situation in 2007
    REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2007 REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2007 ➜ CONTENT ■ Introduction ........................................................................................... 3 ■ Legislation ............................................................................................. 4 ■ Film Education ........................................................................................ 6 ■ Film Production ...................................................................................... 8 ■ State Audiovisual Support ....................................................................... 9 ■ MEDIA .................................................................................................. 11 ■ Eurimages ............................................................................................ 13 ■ Film Distribution .................................................................................... 14 ■ Videodistribution .................................................................................... 17 ■ Cinemas..................................................................................................19 ■ Film Clubs .............................................................................................. 20 ■ National Festivals, Reviews and Awards ................................................... 22 ■ Awards of Slovak Films and Filmmakers Abroad ........................................ 26 ■ Slovak Film Institute ..............................................................................
    [Show full text]
  • Martin Huba a Jeho Režie Richarda III. V Rámci Letních Shakespearovských Slavností
    Univerzita Palackého v Olomouci Filozofická fakulta Bakalářská práce Martin Huba a jeho režie Richarda III. v rámci Letních shakespearovských slavností Terezie Vraspírová Katedra divadelních, filmových a mediálních studií Vedoucí bakalářské práce: Mgr. Helena Spurná, Ph.D. Studijní obor: Divadelní a Filmová věda Olomouc 2014 Čestné prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně s použitím uvedených pramenů a literatury. V Praze dne 14. 4. 2014 …………………………………………. Terezie Vraspírová Poděkování Velké poděkování patří Mgr. Heleně Spurné, Ph.D., vedoucí této bakalářské práce, za její ochotu, vstřícnost a trpělivost při mém vedení a usměrňování. Obrovské díky bych ráda vzdala Martinu Hubovi, Michalu Rychlému a Alexeji Pyškovi za čas, který mi věnovali během pořizování rozhovorů. Dále bych ráda poděkovala agentuře Schok a všem jejím zaměstnancům, především Liboru Grossovi, Michalu Rychlému a Kateřině Sechovcové za veškerou jejich pomoc a umožněný přístup do jejich archivu. V neposlední řadě děkuji zaměstnancům Ústřední městské knihovny v Praze a pražského Institutu umění - Divadelního ústavu. A na závěr své milující rodině a přátelům za trpělivost a podporu. ABSTRAKT Předmětem bakalářské práce bude analýza inscenace Shakespearova Richarda III. od slovenského režiséra Martina Huby. Inscenace byla vytvořena roku 2012 pro festival Letní shakespearovské slavnosti. Cílem práce bude pokusit se vřadit toto jevištní ztvárnění do kontextu dalších Hubových inscenací, které vytvořil v rámci uvedeného festivalu, a celkově charakterizovat jeho postoj a režijně interpretační přístup k dramatickému dílu Williama Shakespeara. Východiskem mi budou představení zhlédnutá v rámci LSS nebo ze záznamu, recenze a další ohlasy v tisku, rozhovor s tvůrcem či dalšími účastníky inscenačního procesu. Klíčová slova Martin Huba, Richard III., Letní shakespearovské slavnosti, agentura Schok, Král Lear, Romeo a Julie, režie.
    [Show full text]