Nflsfc: K B THEATERS Is to Jr

Total Page:16

File Type:pdf, Size:1020Kb

Nflsfc: K B THEATERS Is to Jr *• THE EVENING STAR. Washington, D. C. A-16 . n . ~ —, MONDAY. 3. JUNE 19.17 a WHERE THE PASSING SHOW AND WHEN ™RU I Current Theater Attractions I AUDREY HEPBURN ' Shirley Booth and Time of Showing | FRED ASTAIRE I Name Screen I ADDED! THE RAVEN Amhassdor—“Gunflght at the M Plus Big Cos) ot Exotics’Comedy! O K. Corral": 12:45. 3. 5:15. 7:30 at 8:0ft, w m Shaw* 10.00, 1*»:©0 '«£ Enlivens Our Lull and 9:45 p.m. TECHN^OIOR* -MB Continuous I'erfor manors ?-K By JAY CARMODY Capitol—" Desk Set”: 11:35 1:35, 3:40, With Arena Stage's closing last night, there will be an arid am.. 5:40. 7:40 and spell 9:45 p.m. in live entertainment around here until Carter Barron lisTmu-uvEaimitl Amphitheater opens on June 13. Columbia—"Monkey on My The amphitheater's summer debut, with Jose Greco Back”; 11:40 a.m., 1:40, 3:40. - - and! I ALASTAIR SIM his Spanish dance company, will be followed on June 25 by 5:40, 7:40 and 9:40 p.m. Olney's “pndine.” • Dupont—“ Albert Schweitzer”: I 4 GEORGE COLE Meantime, the lull will be filled drama news fragments which 1:20, 3. 4:40, 6:20. 8:05 and 9:50 by midsummer will begin to take ,pm. shape as next season, that of 1 might begin to get some sturdy ; competition. Keith’s “The Little Hut”; 1957-58. Already the National, ,11:45 am.. 1:45, 3:50, 7:55 1 ** * * 5:50. has announced two bookings. and 10 p.m. ¦ “Gangway,” a , ONTARIO’S STRATFORD: "ONE OF new Leonard Ber- MacArthur "The Green I | THE YEAR'S stein musical which will have When its boxoffice opened this Man”; 6 30, 8:10 and 9:55 p.m. morning. its premiere performance Stratford, Ont.’s Metropolitan "Gunflght at Au- Shakespearean BEST! DON'T MISS IT!" gust 12; and Molly Kazan's “The 1 Festival already O.K. Corral”: 11:50 am.. 2:15. i Egghead,” due in latish Sep- had counted $136,970 in advance 4:45. 7:10 and 9:45 p.m. pro- * tember. mail orders for this year’s Funny Face”; 1:20, gram. Ontario—" MOUNT 3:25. 5:30, 7:40 and 9:45 p.m. VERNON It could be that neither of 1 nearly 10 a.m. That is $12,000 more Palace—“ Wayward these is as titllating as the like- this than The Bus”: ly, was last season. 11:45 am.. 1:45, 6:45, 7:45 MARSHALL HALL 2pm. but still officially unan- Stratford, beginning the last 3:45. nounced. production and 9:45 p.m. AMUSEMENT PARK which will frenzied month's work on its 1 bring Shirley Booth here in De- Playhouse—" Lost Continent"; new. elaborate and possibly most 11 3:10, 1 cember. Miss Booth, newest of , am.. 1:10, 5:15, 7:30 efficient of all Shakespearean 7:50 and 9:40 pm. the theater’s first ladies, has a theaters, could not be more play by Plaza—“ The Young and the new a couple of new , cheered by the news. The per- playwrights. Plant and Passionate”; 12 noon. 2, 4. 6. 8 Michael , manent structure, built around p.m. 1 Dennis Webb It is called “Miss 1 i and 10 Tania Mosievitch's famous stage, ! Trans-Lux—“Abandon Ship”, Isobcl.” deals with a sprightly will replace the tent that has ANGRY MEN a m . Mi San Francisflo woman, 70, 11:00 1:10, 3:10, 5:15, 7:30 aged , served the Canadian festival • • 1 and 9:40 p.m. LEE J. COBB ED BEGLEY and E. MARSHALL JACK WARDEN and is scheduled to play a fort- , since its beginning 4 years ago. ! a night beginning Uptown—"Around the World here Decem- Stratford’s two 1957 plays are ber 9. in 80 days"; 8:30 p.m. STARTS THURSDAY • ONTARIO "Hamlet.” starring Christopher Warner—“ Seven Wonders of Plummer, Leonard Silliman and John and "Twelfth Night" the World”; 8:30 p.m. Roberts are producing and Sir ’ with Siobhan McKenna and Cedric : Hardwicke will direct Frances Hyland as its most glit- AOUDA'S FROM StonUv Wormr <IKO>ipmOWIB “Miss Isobel," the mood of which tering ARLINGTON th**tr*s saga a "as-ss cast members. True to Shirley MacLaine, from just Potomac, 1 Is light-hearted and a natural tradition, the comedy is slightly across the travels the fastest-acting company tor Miss Booth. i outselling “Hamlet" in the ad- in a film newcomer every IdSMWKieM • joined Miss Booth, who will make ¦ vance demand for reservations. in “Around the World in 80 Days,” rolling merrily BURT KIRK ** * * the “The Matchmaker" for Para- along at Uptown. She makes a lovely Maharanee, * mount in Hollywood the role MONDAY MEMOS: Two per- worthy of rescue by David Niven and Cantlnflas, the globe- IANGASTER DOUGLAS „ HAL WALLIS' Films of More Merit Ruth Gordon made so dazzling— : formances on Saturday could girdling Phileas Fogg and Passpartout. Afcfc Than Routine WINELAND THEATRES is rather a stranger to Washing- i not dimirysh the spirits of Arena "THE COURT JESTER"—This comedy gives Danny Kaye a OTNnGHT SI gamut ton. Since attaining her current Stage's! company for a farewell; chance to run the of his ferkish tricks. ABC RiiiWTS oimßS lofty status, she has made but ] party late that night given by “THE SPIRIT OF ST. LOUIS”—A Open 7.30 PM. Kiddies Free Two suspenseful recall of Col. Technicolor Hits' AUDIE MURPHY one appearance here. That, in ; Zelda Fichandler, Arena's man- l ILK CORRAL Charles Lindbergh’s epic flight. With Janies Stewart. in ’GUNS OF FORT PETTICOAT'* V TECWMCOtOH* *-*'*»<>*.'term J at 8:5? OLIVIA DeHAVILAND in Little Sheba,” . “Come i . Back. in aging director Fittingly, “OKLAHOMA!"—The Rodgers-Hammerstein operetta classic AMBASSADOR 8 DAUGHTER. ’ Cin- emascope. at which she hit the top. at the "Witness for the Prosecution,”, I'SS -.c is now being shown at popular prices. 10:30. Schubert ago. final l ED SULLIVAN several seasons the play, ended up as the: “MR. HULOT’S : HOLIDAY”—franee’s drolly comic Jacques HILLSIDE DRIVE-IN She toured in neither “The year's box office champion. Tati has a field day in this 2-year-old import. ••.•-•on Marlboro Pikr. Mil JO. 8-V-T.fl Time of the Cuckoo” nor "The Members the company Open : :;m P M Kiddies tree. GIN- 1 of will LITTLE OLD NEW YORK . “OH OH WOMEN”—Psychiatrist GER ROGERS m TEENAGE REBEL" Desk Set." the hits which imme- ! scatter wildly during the sum- MEN. David Niven gets a at S .)?. RICHARD WIDMAUK in report ‘ Technicolor, diately followed in her career. Os i mer. from New England to Cali- blood-chilling from a patient about his fiancee. BACKLASH." at 10:51. u ’ passing interest, may fornia, hope 5 G d it be. that 1 and to be asked back "Strips ANACOSTIA t Tu iT*7o - her roles in both of these were in the fall. ... In the first few W MATINEE DAILY. 1:00 O'CLOCK. Hollywood days to tho Stanley Warner Theaters SIDNEY LUST THEATRES SUSAN HAYWARD in 'ILL CRY inherited in by Kath- i of its subscription series for £™ TOMORROW" at 5:05. The Passing Parade ALL STANLEY WARNER THEATERS Air Conditioned Free Parking I:UU. 3:00. anne Hepburn, the former un- next year, Arena has up boro facts ARE AIR CONDITIONED i signed "Dear Ed: Thanks a lot for reading reports that Buster *--««*• *' ' rier the changed title, 600 ol- ALAN I ADD 2533 E “Summer- i season play buyers. ... It of lift!" At I m sending along that wonderful niiliCinSOPHIA "BOY ON HIGHLAND Keaton stone LOREN. " ftTi™ time.” i delighted is broke. Just for AMBASSADOR ” Disney'* couldn't be more My Fair Lady’ recording. I've -Walter Winched A DOLPHIN CinemaScope-Color at Technicolor Hits! Walt “Miss Isobel” will play New ’ That 668 performances in the record, this is bunk. I've "OUNFIGHT AT THE O K COR- 7. 9 ”5. ‘CINDERELLA" at ti l.) *SO DON "In- been taking it around town, and RAL." Burt Lancaster. Kirk Douglas. TAYLOR :n MEN OF SHERWOOD ° Haven and Philadelphia to herit the 12:4ft. 3, &:15. 7:30. 9:45. L- Daily FOREST ' at 5 3u 10:00. prior I Wind." from which he all in Vienna, it, been his agent for the past 10 nrTiircna i who’ve heard DbinUUA Matinees P M Cont. South Capitol & its Washington date, by which made his exit Saturday night ¦ wo. «-?«oo. I ” &T1 ANTtr Atlantic i are delighted by the years. Since 1947, when you got HYHLUnvriAH Walt Disney's "CINDERELLA Tech- HILHHUI Lerner-Lowe M|2 tonn- A?e# n.w. 1-5(1. St«SW 10.1-4100 time it should have been well have1 made Paul Muni a Broad- nicolor. at 345 5 40. 7:35. Fre# tunes lyrics. giHver 9 30 plus TOM Ac JERRY CARTOON Parking polished. and On a him started in TV, Buster has Daily Matinees at 2 .00 P.M. ALAN wavite. ... He will jour- " at 3;05. 5 LADD SOPHIA LOREN. CLIF- Hungarian refugee rA jH A CARNIVAL 1.10. 6.4 ft. TON WEBB in **** matter: The • j[I f‘ 11 "BOY ON A>OI PHIN Alan Ladd. 8:50. BOY ON A DOL- i ney to Hollywood long enough never failed to make $25,000 to Sophia Loren. 2:"5. 4:4ft. 7. 9:"0. PHIN,' Cinemascope. Technicolor, at problem has increased in gravity IN » IW» IT to property $90,000 3-3300.
Recommended publications
  • Westfield Filmmaker Basler Spices Estfield Filmmaker Basler Spices
    Page 20 Thursday, April 11, 2002 The Westfield Leader and THE TIMES of Scotch Plains – Fanwood A WATCHUNG COMMUNICATIONS, INC. PUBLICATION Artist of Pen & Ink By Michelle H. Le Poidevin the Week Father Ozzy Knows Best When It Comes to Acing Cable TV Ratings By MICHELLE H. Le POIDEVIN Specially Written for The Westfield Leader and The Times WWestfieldestfield FilmmakerFilmmaker BaslerBasler SpicesSpices Unless he’s carrying one toward his neighbor’s house because they’re playing their music too loud, Ozzy Osbourne isn’t likely to have any association with a Cleaver on his much ballyhooed MTV program, UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper “The Osbournes.” For the man who proclaims himself the “Prince of UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper (ahem...expletives) Darkness” manages to juggle his bad to the bone By KERRIANNE SPELLMAN CORT For a full description Specially Written for The Westfield Leader and The Times reputation, while doddering around the house, picking up dog drop- of the story, please visit pings and fretting over whether or not he the house can stand another WESTFIELD — Talent and per- www.justaddpepper.com/ sistence have proven to be a winning story. pet. The ironic concoction of these two personas makes the Tuesday combination for one local filmmaker. On Saturday, April night show a winning combo with all generations of viewers. It’s no Peter Paul Basler of Westfield paid 27, Basler’s work wonder that “The his dues like any Osbournes” rule the cable hopeful artist. Years of attending television charts. No- school, training, Robert Redford where else would you see studying abroad a man, who once bit off and working as a the head of a bat, cud- production assis- (1937- ) dling and cooing to a ter- tant on several films all paved the By MICHELLE H.
    [Show full text]
  • A Reappraisal of Three Character Actors from Hollywood’S Golden Age
    University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar.
    [Show full text]
  • King of the Half Hour : Nat Hiken and the Golden Age of Comedy Pdf Free Download
    KING OF THE HALF HOUR : NAT HIKEN AND THE GOLDEN AGE OF COMEDY PDF, EPUB, EBOOK David Everitt | 248 pages | 01 Mar 2001 | Syracuse University Press | 9780815606765 | English | New York, United States King of the Half Hour : Nat Hiken and the Golden Age of Comedy PDF Book Nat Hiken June 13, — December 7, was an American television writer, producer, and songwriter who rose to prominence in the s. The New York Times. All translations of Nat Hiken. This page uses Creative Commons Licensed content from Wikipedia view authors. Despite her many personal problems, there was at least one aspect of Martha Raye's life in which she found fulfillment. Introduction Broadcasting Modernity, Spectacles, and Television. He was 5'2" and weighed over pounds and had once told TV writer Bert Resnik that he was "too ugly to get married". Thread Tools. Blum, Daniel ed. Phil Silvers , in his autobiography, said of Gosfield that he had a pomposity and condescension off-screen and "thought of himself as Cary Grant playing a short, plump man," [6] Silvers continued: "He began to have delusions. Phil Silvers visits the set of Car 54, nat Hiken on the right. Ro synonym - definition - dictionary - define - translation - translate - translator - conjugation - anagram. Following the show, Martha's understudy Vicki Carlson was also bitten. In fact, he had to go through a lot of struggles with the people over and under him. Bilko and Car 54, Where Are You? If anyone can add any more information to this, please do. Phil Silvers , in his autobiography, said of Gosfield that he had a pomposity and condescension off-screen and "thought of himself as Cary Grant playing a short, plump man," [4] adding, "He began to have delusions.
    [Show full text]
  • Hugh Bell Archive
    GARTENBERG MEDIA ENTERPRISES representing The Hugh Bell Archive ! Hot Jazz (1952) 143 WEST 96TH STREET, SUITE 7B NEW YORK, NY 10025 Tel. 212.280.8654 Fax. 212.280.8656 Web: www.gartenbergmedia.com The Hugh Bell Archive – History & Objectives Hugh Bell was a renowned art and commercial photographer, who worked in New York City over the course of his entire professional career. Upon his death in 2012, his son-in-law, Richard Martha, was named Executor of the Estate of Hugh Bell. In 2014, a boutique archival firm, Gartenberg Media Enterprises (GME), was engaged on an exclusive basis by the Bell Estate to manage the collection of Hugh Bell’s photographs and to further the artist’s legacy. GME has a successful track record in identifying, organizing, and placing archival collections of motion pictures, photographs, and paper documents with such institutions as the Library of Congress, The Packard Humanities Institute, and Harvard University, as well as with numerous cultural institutions in Europe, the Middle East, and Australia. The Hugh Bell Archive comprises thousands of vintage prints, negatives, transparencies, contact sheets and digital scans. The archive also contains a limited-edition monograph on the artist’s work entitled Between the Raindrops, and numerous publications, tear sheets, and laminated advertisements in which Bell’s artistic and commercial work appeared. The primary objective of GME is to find a suitable archival home for this invaluable archive of unique photographs. Our additional goal is to promote recognition of Hugh Bell’s work through exhibitions and licensing opportunities. We are pleased to make available a selection of Hugh Bell’s photographs for the upcoming exhibition on Jazz and Art at the Cooper Gallery in January 2016.
    [Show full text]
  • Dance Company (3)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
    The original documents are located in Box 39, folder “Graham, Martha - Dance Company (3)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Some items in this folder were not digitized because it contains copyrighted materials. Please contact the Gerald R. Ford Presidential Library for access to these materials. W_® zo<((( ~~ Martha Graham Center for Contemporary Dance, Inc. 50th Anniversary Celebration Committee Martha Graham Dance Company Mr. and Mrs. Robert Bernstein Calvin Klein Ron Protas• First performance April 18, 1926 Patricia Birch Harold S. Klein Alexander E. Racolin• Mr. and Mrs. H. Gerard Dissinger II Mrs. Robert Korn• Lee Radziwill Mrs. Gerald R. Ford Mrs. Martin Blumenthal Mrs. Harold Landau Tony Randall Honorary Chairman Ray Bolger Hope Lange · Mrs. Harold Reed* Mrs. Aristotle Onassis Mr. and Mrs. Michael Brown Mrs. Leonard Lauder Molly Reinhart Miss Alice Tully Mrs. Walker 0. Cain Ming Cho Lee Mrs. Martin Revson Honorary Vice Chairmen Ralph M.
    [Show full text]
  • Published Sheet Music from the Rudy Vallee Collection
    Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano)
    [Show full text]
  • The Shakespeare Theatre Company's Prosecast. (MUSIC) DREW
    (MUSIC) ANDREW SMITH: Welcome to the Shakespeare Theatre Company’s Prosecast. (MUSIC) DREW LICHTENBERG: Hello, and welcome to the Prosecast of the Shakespeare Theater Company for “A Funny Thing Happened on the Way to the Forum.” This is Episode Two of the 2013‐14 Season. This is your chance to explore the upcoming show on your own free time. I am Drew Lichtenberg, the Literary Associate at the Shakespeare Theatre Company, and the, I guess, the Production Dramaturge on this production of “Forum,” and I am joined not by Hannah Hessel, our beloved, dearly missed, uh, Audience Enrichment Manager, who is sick today, but I am joined instead by Garrett Anderson. GARRETT ANDERSON: Hi there. LICHTENBERG: Say hi to people, Garrett. ANDERSON: Hi to the people. (laughs) LICHTENBERG: Garrett, do you wanna introduce yourself? ANDERSON: Yeah, well, you already introduced Garrett Anderson, so, uh, I am the Artistic Fellow here at Shakespeare Theatre this season; done quite a bit of work dramaturgically with, with you, Drew, and, yeah, excited to be here, excited to do the Prosecast. LICHTENBERG: Okay, so normally how this works is Hannah interviews me— ANDERSON: Uh huh. LICHTENBERG: —and I talk sort of about the show, so, you know, I’m gonna try to host, but also have Garrett interview me— ANDERSON: Yeah. LICHTENBERG: —and Andy Smith, our beloved tech, can interject— SMITH: Hi, everyone. LICHTENBERG: —if we’re getting off of track. ANDERSON: There you go. LICHTENBERG: Hannah wants me to reassure our listeners that she will be back for the next episode. She's also getting married on Sunday— ANDERSON: Woo hoo! LICHTENBERG: —so she will be Hannah Hessel Ratner, I think, officially.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
    Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career.
    [Show full text]
  • SCRAPBOOK of MOVIE STARS from the SILENT FILM and Early TALKIES Era
    CINEMA Sanctuary Books 790 - Madison Ave - Suite 604 212 -861- 1055 New York, NY 10065 [email protected] Open by appointment www.sanctuaryrarebooks.com Featured Items THE FIRST 75 ISSUES OF FILM CULTURE Mekas, Jonas (ed.). Film Culture. [The First 75 Issues, A Near Complete Run of "Film Culture" Magazine, 1955-1985.] Mekas has been called “the Godfather of American avant-garde cinema.” He founded Film Culture with his brother, Adolfas Mekas, and covered therein a bastion of avant-garde and experimental cinema. The much acclaimed, and justly famous, journal features contributions from Rudolf Arnheim, Peter Bogdanovich, Stan Brakhage, Arlene Croce, Manny Farber, David Ehrenstein, John Fles, DeeDee Halleck, Gerard Malanga, Gregory Markopoulos, Annette Michelson, Hans Richter, Andrew Sarris, Parker Tyler, Andy Warhol, Orson Welles, and many more. The first 75 issues are collected here. Published from 1955-1985 in a range of sizes and designs, our volumes are all in very good to fine condition. Many notable issues, among them, those designed by Lithuanian Fluxus artist, George Macunias. $6,000 SCRAPBOOK of MOVIE STARS from the SILENT FILM and early TALKIES era. Staple-bound heavy cardstock wraps with tipped on photo- illustration of Mae McAvoy, with her name handwritten beneath; pp. 28, each with tipped-on and hand-labeled film stills and photographic images of celebrities, most with tissue guards. Front cover a bit sunned, lightly chipped along the edges; internally bright and clean, remarkably tidy in its layout and preservation. A collection of 110 images of actors from the silent film and early talkies era, including Inga Tidblad, Mona Martensson, Corinne Griffith, Milton Sills, Norma Talmadge, Colleen Moore, Charlie Chaplin, Lillian Gish, and many more.
    [Show full text]
  • THE ZOOMINGLY FUN 'N' FESTIVE YULETIDE PHOENIX QUIZ 2020! the Answers
    THE ZOOMINGLY FUN ’n’ FESTIVE YULETIDE PHOENIX QUIZ 2020! The Answers We hope you enjoyed this year’s quiz, and now is the time you can find out how you got on and who won! Sorry there are no prizes, but do let us know how you fared. Page 1 of 5 A-list Stars /12 First-name terms /30 1. Sean Connery 1. SOPHIA LOREN 2. GEORGE PEPPARD 2. Judi Dench 3. SUSAN SARANDON 4. DANIEL AUTEUIL 3. Charlie Chaplin 5. EMILY BLUNT 6. GARY OLDMAN 4. Elizabeth Taylor 7. BRIGITTE BARDOT 8. PIER PAOLO PASOLINI 5. Alfred Hitchcock 9. CHARLIZE THERON 10. CHRISTIAN BALE 11. CATE BLANCHETT 6. Charlotte Rampling 12. SAMUEL L. JACKSON 13. INGMAR / INGRID BERGMAN 7. George Clooney 14. RYAN GOSLING 15. LAUREN BACALL 8. Meryl Streep 16. JAMES STEWART 17. HALLE BERRY 9. Woody Allen 18. BRUNO GANZ 19. MYRNA LOY 10. Julia Roberts 20. ANTHONY HOPKINS 21. NICOLE KIDMAN 11. Robert Redford 22. KLAUS KINSKI 23. MAGGIE GYLLENHAAL 12. Marilyn Monroe 24. JAKE GYLLENHAAL 25. KRISTIN SCOTT THOMAS 26. MADS MIKKELSON 27. NATALIE / ERIC PORTMAN 28. CLARK GABLE 29. HELEN MIRREN 30. GERARD DEPARDIEU Page 2 of 5 General Knowledge /20 Missing words /30 1. Samuel Beckett 1. The Sound of Music 2. 500 (formerly 480) 2. The Great Escape 3. 22 yards 3. Lorenzo’s Oil 4. The Postman Always Rings Twice 4. Puck 5. Closely Observed Trains 5. Laika 6. I Know What You Did Last Summer 6. a snail 7. The Last King of Scotland 7. 9B 8. Les Parapluies de Cherbourg 8.
    [Show full text]
  • A FUNNY THING HAPPENED on the WAY to the FORUM Book by BURT SHEVELOVE and LARRY GELBART Music and Lyrics by STEPHEN SONDHEIM
    Dural Musical Society presents A FUNNY THING HAPPENED ON THE WAY TO THE FORUM Book by BURT SHEVELOVE and LARRY GELBART Music and Lyrics by STEPHEN SONDHEIM Originally Produced on Broadway by Harold S. Prince Licensed exclusively by Music Theatre International (Australasia). All performance materials supplied by Hal Leonard Australia A Funny Thing Happened on the Way to the Forum is a delightfully funny musical. Inspired by the farces of the ancient Roman playwright Plautus (251–183 BC), this musical tells the story of a slave named Pseudolus and his attempts to win his freedom by helping his young master woo the girl next door. The plot displays many classic elements of farce, including puns, the slamming of doors, cases of mistaken identity (frequently involving characters disguising themselves as one another), and satirical comments on social class. The musical's original 1962 Broadway run won several Tony Awards, including Best Musical and Best Author (Musical). A Funny Thing… has enjoyed several Broadway and West End revivals and was made into a successful film starring the original lead of the musical, Zero Mostel. The 2012 Australian revival saw Geoffrey Rush following in the footsteps of musical theatre greats who have played the lead role of Pseudolus - Zero Mostel, Phil Silvers and Nathan Lane in the USA, and Frankie Howerd in the UK. In the case of Frankie Howerd, he followed up his role in “Forum” with a very similar character in the British TV series “Up Pompeii!” which went on to become a successful movie of the same name. This show doesn’t age – it is as popular now as it was when it first hit Broadway.
    [Show full text]