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Guitar Capo Reference Chart
Guitar Capo Reference Chart Chrestomathic Zalman puns very just-in-time while Pail remains uncircumcised and aligning. Unshed Clarance snipes, his auklet swang deep-fries tomorrow. Oogamous Dov yells no schoolhouses craning frolicsomely after Christian stultify confusedly, quite unmastered. Not hard it be just about guitar capo is assumed Using a capo will almost anything make the chords feel a little easier which immediately allow you to count more songs and caught more fun which will anger you had practice note All dice which will make you fly better player. 27 Chord Progressions for Guitar Players and Reference for Rhythm Technique What's must this post With it chord progression listed we've also included a. Getting a capo for my OM conversion from a 34 guitar 2275 scale. Hint to visualize the chart indicates a capo reference chart this now and effectively an error, you should open. Born In The USA Bruce Springsteen CAPO 7 I've oversee A once The Beatles. Guitar Capo Transition Chart Guitar Warrior. GuitarToolkit Agile Partners. Universal Capo Guitar Accessories Quick table Clamp Key Aluminium. How memory use a Capo on Guitar Using a Guitar Capo. Buy Guitar Laminated Chord Reference Sheet Tools Amazoncom FREE DELIVERY possible. For electric guitars and basses Capo the last fret. What trait I became instead embrace a capo? Reference Easy Apply Acoustic Electric Music Learning Guitar Chord Chart. Guitar Capos JOYO Audio UK. Diagram make reference to the left her finger- ing Some chord. When referencing fingerings for a return that uses a capo the player determines whether the chart references absolute finger positions or positions relative major the. -
Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
A BOWIE CELEBRATION” ANNOUNCES 32-DATE 2019 NORTH AMERICAN WINTER TOUR Tickets for the March 16 Concert at Parker Playhouse Go on Sale Friday, September 14
September 10, 2018 Media Contact: Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center 954.765.5814 “A BOWIE CELEBRATION” ANNOUNCES 32-DATE 2019 NORTH AMERICAN WINTER TOUR Tickets for the March 16 Concert at Parker Playhouse Go On Sale Friday, September 14 FORT LAUDERDALE – A Bowie Celebration: The David Bowie Alumni Tour featuring Mike Garson and fellow key alumni musicians of David Bowie’s bands from across the decades has announced a 32-date North American winter tour for 2019. Tickets for the Saturday, March 16 concert at Parker Playhouse go on sale Friday, September 14 at 10 a.m. A Bowie Celebration features alumni band members Mike Garson, Earl Slick, Gerry Leonard and Carmine Rojas along with world-class vocalists such as Bernard Fowler and Corey Glover, among others, and drummer Lee John performing a mix of Bowie’s hits and deep-cuts. Kicking off February 6 in Mesa, Arizona, A Bowie Celebration then stops in Los Angeles February 7 at the Orpheum Theatre before making its way across the country and into Canada. The critically acclaimed show will stop in San Francisco, Seattle, Vancouver, Denver, Chicago, Detroit, Cleveland, Toronto, Montreal, Boston, New York City (March 5 at Irving Plaza), Philadelphia, Louisville, Nashville, Fort Lauderdale, Houston, and Austin, among many other cities, before wrapping March 22 in Dallas. See below for full list of North American tour dates and venues and visit www.abowiecelebration.com for ticket information. Watch the show’s trailer here. Keyboardist and band leader Mike Garson, the longest-standing member of Bowie’s bands, performed with David at his first and last concerts in the United States as well as 1,000 concerts together around the globe in between. -
Designing and Building an Electric Baritone Guitar
Hendrik Gideonse Audio Research December 14, 2008 Designing an Electric Baritone Guitar 0 Anatomy of a Guitar ................................................................................................... 2 1 Introduction ................................................................................................................. 3 2 Baritone History .......................................................................................................... 3 3 Problems with Existing Designs ................................................................................. 5 3.1 String Tension ..................................................................................................... 5 3.2 Balance, Ease of Playing 1st Position Chords and Bridge Position .................... 7 3.3 Rigidity for Tone and Sustain ........................................................................... 11 4 Designing the Baritone Guitar .................................................................................. 12 4.1 Woods, Tone and Rigidity ................................................................................ 13 4.2 Angled Headstock and ‘V’ Neck Contour ........................................................ 16 4.3 Headstock Shapes ............................................................................................. 19 4.4 Joining the Neck to the Body ............................................................................ 24 4.5 Body Shape ...................................................................................................... -
CORDAS Inter & PT.Xlsm
INSTRUMENTS TUNING AND SCALE LENGHT 20/07/2017 Instrument Scale Type END Notes Classical 4/4 High Tension 650 mm Nylon E B G D A E Classical 3/4 High tension 577 mm Nylon E B G D A E Acoustic Guitar Bronze 0,011 650 mm Steel Ball E B G D A E Acoustic Guitar 3/4 Bronze 580 mm Steel Ball E B G D A E Baritone Guitar 766 mm Nylon B F# D A E B Tenor Guitar 577 mm Nylon A D G C Acoustic bass - 32 inch 812 mm Taped Ball G D A E Algerian Mondol 10C 650 mm Steel Loop B B G G D D A A E E Algerian Mondol 8C 650 mm Steel Loop B B G G D D A A Balalaika Alto 520 mm mix Ball A E E Balalaika Prima 445 mm Nylon A E E Banjo Guitar 650 mm Steel Ball E B G D A E Banjo Mandola 468 mm Steel Loop E E A A D D G G Banjo Portuguese 364 mm Steel Loop E E A A D D G G Banjo Trompete 300 mm Steel Loop E E A A D D G G Caipira 564 mmSteelBall E E B B G G E E B B Cap-verde 364 mm Steel Ball D B G D Cav Brasilian & Original 342 mm Steel Ball D B G D Cuatro Puerto Rico 515 mm Nylon G G D D A A E E B B Cuatro Venuzuelano 484 mm Nylon B F# D A Domra Alto 490 mm Nylon D A E Domra Prima 395 mm Nylon D A E Irish Bouzouki 650 mm Steel Loop D D A A D D G G Mandocello 610 mm Steel Loop E E A A D D G G Mandocello EU 650 mm Steel Loop A A D D G G C C Mandola 468 mm Steel Loop E E A A D D G G Mandola Octave 563 mm Steel Loop E E A A D D G G Mandolin 364 mm Steel Loop E E A A D D G G Portuguese Amarantina 505 mm Steel Loop A A E E B B A A D D Portuguese Beiroa 520 mm SteelLoop D D B B G G D D A A D D Portuguese Braguesa 505 mm Steel Loop A A E E B B A A D D Portuguese Braguinha 342 -
Transgender People As “He, She Or It,” “Some Questions, a Woman in the Crowd Brought up Stop-And-Frisk First
Buttigieg Drops Presidential Campaign Bloomberg Campaign Stops by LGBT Detroit The Madness of Martha Wash On Being Heard 5 Detroit Women of Color Connect the Local with Global Work for Women’s Equality BTL Photo: Andrew Potter PRIDESOURCE.COM MARCH 5, 2020 | VOL. 2810 | FREE 4 BTL | March 5, 2020 www.PrideSource.com VOL. 2810/11 • MARCH 5, 2020 ISSUE 1142 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152r Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL 30 Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 x 105 [email protected] 24 28 News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, Michelle E. Brown, Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith, Dana Rudolph Cartoonists Paul Berg Contributing Photographers Andrew Potter, Andrew Cohen, Roxanne Frith, Tih Penfil ADVERTISING & SALES Director of Sales 08 18 Jan Stevenson, 734.293.7200 x 101 NEWS LIFE [email protected] 8 Rep. Amash One of 4 Votes Against House Anti- 24 The Madness of Martha Walsh Sales Representatives Ann Cox, 734.293.7200 x 103 Lynching Bill [email protected] 28 Detroit’s Alex English Talks Flexing Comedic 8 Bloomberg Campaign Reaches out to Detroit’s Muscles on ‘National Lampoon Radio Hour: The National Advertising Representative LGBTQ Community of Color Podcast’ Rivendell Media, 212.242.6863 MEMBER OF 12 On Being Heard: 5 Detroit Women to Visit UN to 30 Review: ‘Portrait of a Lady on Fire’ Michigan Press Assoication Fight for Women’s Equality National LGBT Media Association 38 Deep Inside Hollywood National Gay & Lesbian Chamber 18 Pence Downplays Role in HIV Outbreak as Q Syndicate Indiana Governor 42 Detroit to Showcase its Mighty Real, Queer Art 20 Va. -
Guitarist Magazine
WIN! A JACKSON QUILT-TOP SOLOIST ELECTR IC INSIDE Issue 404 MARCH 2016 COLLE C TOR’S E DITION The Stories Behind The Riffs FEATURING FIRST PLAY CARLOS ALOMAR MICK RONSON A ‘Real’ Gretsch NILE RODGERS for under £400? EARL SLICK p98 & MORE... Recording His Final Album Future Publishing Limited, Quay House, The Ambury, Bath, BA1 1UA Telephone 01225 442244 Email [email protected] Online www.guitarist.co.uk Changes Like many others, I think everyone at Guitarist had more or less considered David Bowie to be immortal. Likewise, Lemmy seemed too much a part of rock’s scenery to leave us so soon. As we went to press with this issue, we also learned the sad news that Eagles co-founder Glenn Frey had passed (look out for a full tribute next month), making this winter the worst in memory for losing legends. The only very slight consolation for all this is that it prompted us to listen again to the music that made them household names. In the case of Bowie, it was a reminder of the astonishing breadth and ambition of his music-making (see cover feature, p76). Rightly regarded as classic now, Bowie’s music must have been sensational when he was starting out – and I’m sure not everyone ‘got it’ at the time. Passing years have a habit of making the new and strange in music feel comfortably familiar, and finally classic. That thought has been a reminder of the importance of seeking out uncommon sounds, and not just sticking to your comfort zone of old favourites. -
BRM Works List Jan 15
Brendon Randall-Myers WORKS LIST Chamber (3-8 players) 2014 Simple Machine for percussion, piano, and electric bass, 12’ Juiced for string quartet, 15’ Long Con for mixed quintet, 8’ Salvage for tenor saxophone quartet, 5’ East for keyboard ensemble, 20’ 2013 For Ronny for piano, string trio, electric guitar, 6’30” Inside Out for mixed ensemble, 6’ Sherlock Horse: Horse Detective for string quartet, drumset, 13’ 2012 Soft Language for vocal quartet, 5’ 2011 Double Double for 2 electric guitars, 2 drumsets, 5’30” Large Ensemble (9+ players) / Orchestral 2013 Indefatigable Optimism for orchestra, 10' 2012 Learning to Ride a Broken Bicycle for sinfonietta, 4’ 2011 Precarious Balance for mixed ensemble, 10’ Classical Guitar(s) 2012 Gladwell for guitar orchestra, 10’ Making Good Choices for guitar trio, 12’ 2011 Percussion Quartet for Four Guitars for guitar quartet, 7’ Solo/Duo 2013 Nausea for amplified bass clarinet, drum machine, 6’ Disintegration Machine for percussion, tape, 6’ 2012 Copy for electric guitar, drumset, 2’30” 2011 Ostinati for Stockhausen (2011) for flute and guitar, 2’30” Rock Band/Collaborative Marateck (w/ Jesse Kranzler, Jason Burger, Tristan Kasten-Krause) 2015 Beethoven 2012 for electric guitar, baritone guitar, electric bass, drumset, 7’ Shrimp Tooth for electric guitar, baritone guitar, electric bass, drumset, 3’30” 2014 Moses the Black for electric guitar, baritone guitar, electric bass, drumset, 5’ 1000 Self-Assembling Robots Swarm Like Bugs for electric guitar and baritone guitar, 6’ 2013 Liver for 2 electric guitars, electric bass, drumset, 4’ Heart Failure for electric guitar, baritone guitar, electric bass, drumset, 5’ KIDNE for electric guitar, baritone guitar, electric bass, drumset, 8’ . -
Taylor Guitars Wood & Steel Magazine
INSIDE THE WORLD OF TAYLOR GUITARS / VOLUME 74 winter 2013 THE 2013 GUITAR GUIDE The New Grand Orchestra Big & Balanced Koa 200s Find Your Fit All About Shapes, Woods & Sounds Your Player Profile Sustainable Forestry String-Changing Tips Taylor Around the World 2 www.taylorguitars.com 3 Letters Volume 74 Winter 2013 Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars the eye of the hurricane passed over around the block, so to speak. We lor sales managers Michael Lille and the beauty and the fullness of the us and spared us the non-stop winds were overwhelmed by the knowledge, Aaron Dablow, and product specialist sound coming from such a small guitar. and torrential rain that afflicted the sense of humor, and musical abilities of Marc Seal] played three different Taylor I knew I had to have one. areas farther north. We did, however, both people putting on the show [Ed. guitar shapes with different woods My wife and I do a great deal of suffer two high-tide storm surges that Note: Taylor district sales manager together, it was awesome to hear the traveling. I realized that the Mini would reached record heights. We were with- Mike Ausman and product specialist differences. The guys all had fantastic make a truly great travel guitar. The out heat or electricity for four days, and Wayne Johnson]. We are both retired attitudes, great senses of humor, and a Road Show was on a Tuesday, and were banned from returning home for teachers and have hundreds if not wonderful dedication to Taylor Guitars. -
Meet Your Match!
MEET YOUR MATCH! BERLIN MAY 5+6 2018 AN EVENT BY C4 C3 C2 C1 DEMO CONCERTS STAFF ONLY SOUND CABINS SOUND CABINS Restricted access 5 Cabins: 5 Cabins: Testing electric Testing electric guitars guitars, basses & acoustic guitars THE HOLY GRAIL GUITAR SHOW STAGE May 5 & 6, 2018 Estrel Berlin • Sonnenallee 225, 12057 Berlin SOUND CABINS 4 Cabins: Testing acoustic guitars ► PUBLIC HOURS: Saturday, May 5, 2018 • 11:00 - 19:00 Sunday, May 6, 2018 • 11:00 - 17:00 DeO M COnCeRTS & LeCTUReS FOYER ESTREL HALL Exhibitors ► TICkeTS*: Exhibitors 62-135 1-61 1-day ticket € 20 First-come, first-served; once all Weekend ticket € 30 seats are taken doors will close. Doors will remain closed during ► DISCOUnTeD 1-Day tickeTS*: concerts and lectures. The schedule Disabled persons, seniors (65 and older), students € 12 is subject to change without notice. Child (under 14) free Free oF ChArGe For tickeT holDerS * All prices include 19 % VAT Bathrooms Show Entrance & Exit Restaurant PASSAGE area PUBLIC LOUnge / ROOM PaRIS Ticket Counter Wardrobe Saturday, May 5 Sunday, May 6 ► OPenIng hours: ► OPenIng hours: Smoking Coffee bar: 09:00 - 19:00 Coffee bar: 08:30 - 11:30 & 13:30 - 17:00 Area Acoustic Guitar Stage: 12:00 - 19:00 Gear Talk: International Pickup Maker Panel: 11:30 - 13:30 Reception Acoustic Guitar Stage: 13:30 - 17:00 ROOM PARIS ROOM LYON ROOM STRAßBURG Entrance Estrel PUBLIC LOUNGE DEMO CONCERTS LECTURES TAXI The Holy grail guitar Show is organized by the european guitar Builders e.V. (egB). an important part of the EGB’s mission is the promotion of the luthier-built guitar among the guitar playing public. -
VG Stratocaster® 0 1 5 * Main Features
VG Stratocaster® VG G-5A * 1 0 - 8 0 9 2 3 0 0 0 1 5 * Main Features The V-Guitar is a new instrument that fuses a traditional Fender® Stratocaster® with Roland’s cutting-edge technology. The G-5A VG Stratocaster® can be used not only as a conventional Stratocaster®, but also allows you to play a wide range of sounds using COSM technology such as those of humbucking pickups or an acoustic guitar, simply by turning a single knob. You can also instantly switch to an alternate tuning or the sound of a 12-string guitar without touching the tuning pegs, allowing a single V-Guitar G-5A to fulfill the roles of multiple guitars. What is the COSM? Technology that simulates existing physical structures, materials, and the like using different, virtual means is called “modeling technology.” COSM (Composite Object Sound Modeling) is a technical innovation from Roland that combines a number of such sound- modeling technologies to create new and unique sounds. Contents Main Features . .2 About GK Pickup Height . .9 Panel Descriptions . .3 Main Specifications . 10 Turning On the Power . .5 USING THE UNIT SAFELY . 11 Selecting Modeling Modes . .6 IMPORTANT NOTES . 14 Selecting Tunings . .8 Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 11) and “IMPORTANT NOTES” (p. 14). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. -
Legendary Guitars & Musical Treasures
LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence.