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Building Electric Guitars MARTIN KOCH Building Electric Guitars How to make solid-body, hollow-body and semi-acoustic electric guitars and bass guitars eBook Edition Stratocaster®, Strat®, Telecaster®, Tele®, Precision Bass®, P Bass® and Jazz Bass® are registered trademarks of Fender® Musical Instruments Corporation. Les Paul® and P-90® are registered trademarks of Gibson® Guitar Corporation. Botar® is a registered trademark of DRAMM® Guitars. No liability is assumed for damages resulting from the use of information contained in this book. All rigths reserved. No part of this book may be reproduced or copied without written permission from the author. This eBook was downloaded from www.BuildYourGuitar.com eBook Edition © 2001 Martin Koch Translated from German by Franz Luttenberger Published by Martin Koch, Gleisdorf, Austria Martin Koch Building Electric Guitars How to make solid-body, hollow-body and semi-acoustic electric guitars and bass guitars Send me your suggestions, ideas, Before we begin: thank you for reading this book. I did my best to requests or complaints. Any letter make it a really helpful one. But I would also strongly recom- or e-mail will be very much appreci- ated. mend that you read other books as well. Every author chooses a different approach or a different style, and one has to keep trying Address: to learn from more than just one source to constantly widen Martin Koch, Hartbergerstrasse 22, one’s horizon. You won’t become poor from buying every book A-8200 Gleisdorf, Austria available on the building of electric guitars, for the simple reason that there are not that many books around. You may well find a Eddress: [email protected] number of books on how to build acoustic guitars, but when it www.BuildYourGuitar.com comes to building electrics, you can count the number of publications worldwide on one hand! There might be one or two more, but the only ones I got to know so far are Melvyn Hiscock’s “Make Your Own Electric Guitar” and Roger Simminoff’s “Con- structing A Solidbody Guitar”. So please do read and enjoy those books as well (as I hope you will mine). Doing it yourself can be looked at in two different ways, one of them being mocked by my Austrian fellow-countryman, the actor/comedian Lukas Resetarits, who has one of his characters, who likes “doing it yourself”, say the following: “So I bought myself this power drill for 3000 shillings, thinking one can always do with one of these. Mind you, since I bought it, I’ve only drilled ten holes with it - that’s 300 bucks a hole!” Looking at things from such a purely economical perspective may in many cases be appropriate and the right thing to do. If, however, by “doing it yourself” you are hoping to save money, you had better forget about it: in times like these, where guitars are built in low-wage countries, it is easy to get hold of an electric guitar of sufficient quality for relatively little money in every music-shop - without taking any risks or investing a lot of time. Remember also that the first guitar you build will never be a world-class instrument. Even the most professional guitarbuild- er will, at some point, have had to start with the basics and will have gradually built up his/her competence. As a proverb puts it so appropriately: “No master has as yet fallen from the sky.” Some things cannot be paid for with money, and if you regard your spare-time activities as hobbies and a welcome break from your everyday job, the economical perspective loses its impor- tance. How could anyone put a figure on the satisfaction that a positive learning experience or the joy of having successfully produced something can bring? I am not interested in the economical side of things; to me, building guitars is a meaning- ful spare-time activity and all about gaining experience - which can probably be said of any other hobby, too. It is all about trying to consume less and creating something of your own. If you feel like building an electric guitar, you should just do it. This book is aimed at people who enjoy working with wood in Guitarbuilding on the WWW their spare time, who are interested in building instruments and On the World Wide Web most of the established guitarbuilders as well as either play the guitar themselves or would like to surprise a son, quite a few individuals who build a daughter or a grandchild or someone else. For all of these guitars are represented with more groups of people the question of finding a suitable workplace or less informative pages. Talking will in most cases not arise and will already have been solved. I about “guitarbuilding individuals” mention this because I consider the availability of a workshop on the WWW, I would like to invite you to come and visit my guitar- where you can do whatever you like as one of the prerequisites building pages on the World Wide for the successful completion of a project such as this. In this Web at www.BuildYourGuitar.com respect, someone living in the countryside will, of course, be one I shall be trying to update my web up on someone who lives in an urban area and who may already site regularly - but what can you count themselves lucky to be allowed to use a basement room. expect to find there? Well, first of all As for tools, huge investments should not be required. If the obviously guitarbuilding-related links; apart from that, my webpages wood needed has been adequately prepared in a joiner's give me the opportunity to occasio- workshop, no other tools apart from what I would call “hobby nally share a few things I have tools” will be needed. If, however, your guitar is to seriously recently learnt with those who visit compete with professional instruments, good tools will be the pages. They are also to be a indispensable. source of useful addresses such as of suppliers of materials you may need. Apart from that you can find Reading alone won't be enough. Trying to describe the indivi- pages with useful guitarbuilding dual steps of work involved in detail, I have followed the motto tips, a quiz and a fret calculator. “A picture is worth a 1000 words” by including pictures, illustra- Finally, you can order my guitar- tions and drawings to better illustrate the verbal descriptions. building instruction materials there. You will, however, always need to bear in mind that there is of course a huge difference between reading something and actively doing it. Just as you are not going to satisfy your hunger by merely listening to a description of food, you will have to gather your own experiences in the world of guitarbuilding. The ability to put an idea which exists in someone's head into practice is what makes a great craftsman - this also applies when it comes to building guitars. On the long road between the initial idea and the actual result, a lot of compromises will have to be made at the beginning, due to not-yet-learnt skills, lack of both experience and patience or peculiarities of materials used. Although you will find that there are many pictures in this book, please do none the less read the instructions carefully: not each and every individual step of work has been captured in picture! Only those who do nothing will not make any mistakes. While building a guitar there will be moments of great joy as well as of huge frustration. If the latter is the case, sleep on it: something one presumes to have gone terribly wrong quite often doesn't look all that bad after a good night's sleep or after a couple of days. What you will certainly find then is enough energy to start all over again, in case things should have gone so badly wrong that there is no other alternative. Never try to achieve anything by force. Remember that sometimes it may be better to pause and not do any work, or to stop working rather too soon than too late. Mistakes made should not be regarded as setbacks but rather as opportunities to gain experience and, above all, to learn. Only those who do nothing will not make any mistakes. All steps of work which you have never tried your hand at before should always be practiced on a piece of scrap material first. There are many different methods of designing and building an instrument. In this book, I am going to describe my personal approach and experiences. If work is carried out with great care and precision, everybody will in the end have a good-quality and nice-looking instrument to call their own. I would even go so far as to claim that a home-made electric guitar can well compete with expensive, industrially-manufactured makes; after all you Units of measurement can afford to select the best wood available and to buy high- Measurements in inches may not be quality hardware as well as to tailor the instrument to fit your something you are familiar with personal requirements. And, what's more, you can afford to unless you live in an English-speak- ing country such as the USA; as a invest a lot of time. I should also like to mention the special guitarbuilder, however, you should relationship with “your” guitar that you are going to enjoy, a be. Despite the fact that electric feeling which you will hardly ever experience with a bought guitars are now built all around the instrument.
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