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Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
2013 ANZSI Conference: “Intrepid Indexing: Indexing Without
Intrepid indexing: indexing without boundaries 13–15 March 2013 Wellington, New Zealand Table of Contents Papers • Keynote: Intrepid indexing: from the sea to the stars, Jan Wright • Publishers, Editors and Indexers: a panel discussion, Fergus Barrowman, Mei Yen Chua and Simon Minto • Māori names and terms in indexes, texts and databases, Robin Briggs, Ross Calman, Carol Dawber • EPUB3 Indexes Charter and the future of indexing, Glenda Browne • People and place : the future of database indexing for Indigenous collections in Australia, Judith Cannon and Jenny Wood • Indexing military history, Peter Cooke • Ethics in Indexing, Heather Ebbs • Running an Indexing Business, Heather Ebbs, Pilar Wyman, Mary Coe and Tordis Flath • Archives and indexing history in the Pacific Islands, Uili Fecteau and Margaret Pointer • Typesetting Dilemmas, Tordis Flath and Mary Russell • Can an index be a work of art? Lynn Jenner and Tordis Flath • Advanced SKY Index, Jon Jermey • East Asian names: understanding and indexing Chinese, Japanese and Korean (CJK) names, Lai Lam and Cornelia (Nelly) Bess • Intermediate CINDEX - Patterns for the Plucky, Frances Lennie • Demystifying indexing: keeping the editor sane! Max McMaster (presented by Mary Russell) • Numbers in Indexing, Max McMaster (presented by Mary Russell) • Japan's indexing practice, Takashi Matsuura • Understanding Asian Names, Fiona Price • Indexing Tips and Traps; Practical approaches to improving indexes and achieving ANZSI Accreditation, Sherrey Quinn o Indexing Tip and Traps — slides o Practical -
16 September 2005
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te Putahi¯ Tuhi Auaha o te Ao Newsletter – 16 September 2005 This is the 74th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Writers on Mondays: Short/Sharp/Script 2............................................................1 2. Literary spam alert .................................................................................................2 3. More than just a desk .............................................................................................2 4. Writers on campus .................................................................................................3 5. Your name here?....................................................................................................3 6. Flora Poetica ..........................................................................................................3 7. Iowa: Fiction ..........................................................................................................4 8. Iowa: Poetry...........................................................................................................4 9. From the whiteboard..............................................................................................4 10. Tusiata goes to Honolulu ...................................................................................5 11. The expanding bookshelf...................................................................................5 -
Metafiction in New Zealand from the 1960S to the Present Day
Metafiction in New Zealand from the 1960s to the present day A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Massey University, Albany, New Zealand Matthew Harris 2011 Metafiction in New Zealand from the 1960s to the present day (2011) by Matthew Harris (for Massey University) is licensed under a Creative Commons - Attribution -NonCommercial -NoDerivs 3.0 Unported License. Permissions beyond the scope of this license may be available at www.matthewjamesharris.com. ii ABSTRACT While studies of metafiction have proliferated across America and Europe, the present thesis is the first full-length assessment of its place in the literature of New Zealand. Taking as its point of reference a selection of works from authors Janet Frame, C.K. Stead, Russell Haley, Michael Jackson and Charlotte Randall, this thesis employs a synthesis of contextual and performative frameworks to examine how the internationally- prevalent mode of metafiction has influenced New Zealand fiction since the middle of the 20 th century. While metafictional texts have conventionally been thought to undermine notions of realism and sever illusions of representation, this thesis explores ways in which the metafictional mode in New Zealand since the 1960s might be seen to expand and augment realism by depicting individual modes of thought and naturalising unique forms of self-reflection, during what some commentators have seen as a period of cultural ‘inwardness’ following various socio-political shifts in the latter -
Frank Sargeson [Norris Frank Davey], 1903 – 1982
157 Frank Sargeson [Norris Frank Davey], 1903 – 1982 Lawrence Jones ‘It is not often a writer can be said to have become a symbol in his own lifetime. It is this quality of your achievement that has prompted us to remember this present occasion’. So Frank Sargeson’s fellow New Zealand fiction-writers ended ‘A Letter to Frank Sargeson’, published in Landfall in March 1953 to mark his fiftieth birthday. They were affirming his status as the most significant writer of prose fiction to emerge from that generation that began in the 1930s to create a modern New Zealand Literature. They were celebrating him first as the creator of the New Zealand critical realist short story and short novel, the writer who provided the literary model with which most of those signing the letter had started. But they were also celebrating him as a symbol and a model not only for what he wrote but for where and how he wrote it. In the editorial ‘Notes’ to that same issue of Landfall Charles Brasch stated of Sargeson that ‘by his courage and his gifts he showed that it was possible to be a writer and contrive to live, somehow, in New Zealand, and all later writers are in his debt’. Not only did he show by his example that it was possible to be a serious New Zealand writer without becoming an expatriate, but as mentor and encourager he fostered the careers of a whole generation of fiction writers. At least two of those who signed the letter (Janet Frame and Maurice Duggan) had even lived or were to live in the army hut behind his cottage for a time when they needed the place of refuge and the encouragement, Duggan in 1950 and again in 1958, Frame in 1955-1956. -
INTERNATIONAL INSTITUTE of MODERN LETTERS Te P¯Utahi Tuhi Auaha O Te Ao
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 24 March 2009 ISSN: 1178-9441 This is the 138th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. New Zealand poetry abroad....................................................................................1 2. The expanding bookshelf.........................................................................................2 3. Best New Zealand Poems 09....................................................................................2 4. Poetry on the air …..................................................................................................2 5. … and on the wall ....................................................................................................3 6. Creative writing in print .........................................................................................3 7. Rebel rebel ................................................................................................................3 8. From the whiteboard ...............................................................................................4 9. Think global, act local..............................................................................................4 10. Pikihuia Awards for Maori Writers.....................................................................4 11. Aloha Pacific writers..............................................................................................4 -
Art Nahill Poems by A
THEME: WHEELS SUMMER 2018/19 THE MAGAZINE OF THE NEW ZEALAND POETRY SOCIETY IN THIS ISSUE ARTICLES BY T. HOOD AND J. FLEMING REVIEWS BY N. EASTHOPE, S. EDWARDS AND P. HARRIS SUMMER FEATURED POET ART NAHILL POEMS BY A. CURRAN, C. FLETCHER, M. GIACON, S. HOWARD, G. ROACH, D. TODD, M. WOODFIELD Contents Feature Article Say, Slay, Get Scored: An Insight into the Savage Slam Poetry Scene Tarns Hood From the Editor Ivy Alvarez About Our Contributors Feature Article No Safety, No Submission? A Survey of New Zealand Small Presses Joan Fleming Members’ Books Nicola Easthope Featured Poet Art Nahill Reviews Night Horse by Elizabeth Smither Reviewed by Paula Harris Kokako 23 and Kokako 25 Reviewed by Sue Edwards Atonement and ternion by Vaughan Rapatahana Reviewed by Nicola Easthope Members’ Poems Instagram Poem 2 © New Zealand Poetry Society / Summer 2018/2019 / Editor: Ivy Alvarez / [email protected] The Magazine of the New Zealand Poetry Society ISSN 1177-6544 (print) Te Hunga Tito Ruri o Aotearoa ISSN 1178-3931 (digital) SUMMER 2018/2019 Feature Article New Zealand Poetry Society Say, Slay, Get Scored: An Insight into the Savage Slam Te Hunga Tito Ruri o Aotearoa Poetry Scene Charity Number: CC20250 by Tarns Hood Patrons Dame Fiona Kidman, Vincent O’Sullivan Slam poetry is all about owning and holding captive a critiquing President Shane Hollands audience for three minutes. This is your stage. Those faces in that crowd are looking at you, New Zealand Poetry Society PO Box 5283 watching you take that first breath, wishing you would start the Lambton Quay entertainment, the announcement, the poetic message that should be Wellington 6012 making them… feel something… [email protected] My name is Tarns Hood and I am an active performance poet in www.poetrysociety.org.nz Wellington, New Zealand. -
Essays on Place from Aotearoa New Zealand
Jo Bailey NRO2 Design Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand Bailey, J., & Brown, A. (2016). Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand [Editors: Lacey, C. and Horrocks, I. Book internals, cover and visual content map]. Wellington, New Zealand: Victoria University Press. Retrieved from http://vup.victoria.ac.nz/. Dust jacket and internal cover of the first print edition of Extraordinary Anywhere. 3 Dust jacket exterior 4 Dust jacket internals map 5 Dust jacket front and back 6 Contents map detail 7 Essay opening spreads 9 Section opening spread 10 Illustration selection 11 Book in situ in Unity Books 12 Second print edition 13 PANZ Book Design Awards 14 Postcard system 16 Full book: second edition printing NRO2 Jo Bailey Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand WITH CONTRIBUTIONS FROM Extraordinary Anywhere Extraordinary Ashleigh Young / Sally Blundell / Cherie Lacey / EDITORS INGRID Tony Ballantyne / Lydia Wevers / Ingrid Horrocks / HORROCKS Alice Te Punga Somerville / Annabel Cooper / & C H E R I E LACEY Alex Calder / Jack Ross / Harry Ricketts / Lynn Jenner / Tina Makereti / Ian Wedde / Giovanni Tiso / Tim Corballis / Martin Edmond To investigate something properly we need all three: archives, dreams, memories . MARTIN EDMOND Extraordinary Anywhere Essays on Place from Aotearoa New Zealand EXTRAORDINARY This collection of personalANYWHERE essays, a first CHERIE& LACEY HORROCKS INGRID EDITORS of its kind, re-imagines the idea of place for an emerging generation of readers and writers. It offers glimpses into where we are now and how that feels, and opens up the kinds of stories we can conceive of telling about living here. -
Newsletter – 21 December 2009 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 December 2009 ISSN: 1178-9441 This is the 151st in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters, and the last for 2009. For more information about any of the items, please email [email protected]. 1. Exploration of awkwardness wins Adam award ................................................. 1 2. Turbine 09 generates imaginative energy .............................................................. 2 3. Bill gets Biggs............................................................................................................ 2 4. From the whiteboard ............................................................................................... 3 5. Tale of island life brings scriptwriting prize ......................................................... 3 6. A job in Nelson ......................................................................................................... 3 7. Bub Bridger 1924-2009 ............................................................................................ 3 8. Louise St John (1949-2009) ..................................................................................... 4 9. Poets and playwrights .............................................................................................. 5 10. 2010 residencies announced… .............................................................................. 5 11. Residencies still up for -
He's the Master of Understatement. I've Had Other Authors Who Have Said to Me
usTWO Elizabeth Knox, 58, is an award-winning writer of adult and young adult fiction, including her bestseller, The Vintner’s Luck. Her husband, Fergus Barrowman, 56, is the publisher of Wellington’s Victoria University Press. Interview/ Sarah Catherall Photograph/ Kevin Stent FERGUS/ I met Elizabeth when I was editing her first to continue with, and she had to find that next stage. I If we are walking together, and I need to solve a book. After Z-Hour was published 30 years ago, on do credit myself with encouraging her to keep going. problem, that’s often when I’ll talk to him. November 11. Bill Manhire gave me the manuscript to She’s got into the habit of writing more than one book What I really appreciate is living in an environment read, and I rang her up, and said that if she finished it, at once, because of illness and family, and so on, and where books are celebrated. Fergus is a reader of I would publish it. that means she can bounce from book to book. She got fiction essays and poetry. It’s great living with someone Bill introduced us again at Rackets, the coffee bar occupational overuse syndrome some years ago, so she who is part of the process. And it’s been very good for near Victoria University in Wellington, and we had talks into her Dragon Dictate, or writes longhand, and me to be part of the VUP crowd, with so many people lunch there. She was completely wild. She was then this voice activated software puts it on the screen. -
Newsletter – 4 May 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 4 May 2011 ISSN: 1178-9441 This is the 168th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Come join the CREW .............................................................................................. 1 2. Auckland Writers Festival ..................................................................................... 2 3. Sport .......................................................................................................................... 2 4. A bit more best ......................................................................................................... 2 5. Literary lanes and garden paths (part the first) ................................................... 3 6. Literary lanes etc (part the second) ........................................................................ 4 7. Nominations corner ................................................................................................. 4 8. A question of copyright ........................................................................................... 4 9. Citrus theft outbreak in Menton ............................................................................ 5 10. Boy oh boy! ............................................................................................................. 6 11. Bloggers .................................................................................................................. -
Greville Texidor, Frank Sargeson and New Zealand Literary Culture in the 1940S
All the juicy pastures: Greville Texidor, Frank Sargeson and New Zealand literary culture in the 1940s by Margot Schwass A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy. Victoria University of Wellington 2017 ABSTRACT The cultural nationalist narrative, and the myths of origin and invention associated with it, cast a long shadow over the mid-twentieth century literary landscape. But since at least the 1980s, scholars have turned their attention to what was happening at the margins of that dominant narrative, revealing untold stories and evidence of unexpected literary meeting points, disruptions and contradictions. The nationalist frame has thus lost purchase as the only way to understand the era’s literature. The 1940s in particular have emerged as a time of cultural recalibration in which subtle shifts were being nourished by various sources, not least the émigré and exilic artists who came to New Zealand from war-torn Europe. They included not only refugees but also a group of less classifiable wanderers and nomads. Among them was Greville Texidor, the peripatetic Englishwoman who transformed herself into a writer and produced a small body of fiction here, including what Frank Sargeson would call “one of the most beautiful prose works ever achieved in this country” (“Greville Texidor” 135). The Sargeson-Texidor encounter, and the larger exilic-nationalist meeting it signifies, is the focus of this thesis. By the early 1940s, Sargeson was the acknowledged master of the New Zealand short story, feted for his ‘authentic’ vision of local reality and for the vernacular idiom and economical form he had developed to render it.