DOCSLIB.ORG

Full Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Full Program ACCELERATION 2016 PLEASE NOTE: • Latecomers will not be admitted to the theatre until there is a break in the performance. • The use of cameras, video cameras, or camera phones is strictly prohibited. • Please turn off your cell phones, or set to silent mode. Duet from Fjeld (1990) Choreography: Christopher House Rehearsal Direction: Rosemary James Music: Es sang vor langen Jahren, Arvo Pärt, performed by The Hilliard Ensemble Lighting Design: Simon Rossiter after Ron Snippe Costume Design: Denis Joffre Dancers: • Marie-Pier Beauregard, Jade Clancy (March 30, April 1) • Sonja Boretski, Margarita Soria (March 31, April 2) This duet was inspired by images from Symbolist paintings and in the films of Ingmar Bergman. It was first performed by Coralee McLaren and Kate Alton. – C.H. Excerpt from coalesce (2010) Choreography: Peggy Baker Staging and Rehearsal Direction: Kate Holden Music: Original score by Debashis Sinha Lighting Design: Simon Rossiter Costume Design: Jennifer Dallas Dancers: • Jade Clancy, Katherine Semchuk, Noelle Young (March 30, April 2) • Sonja Boretski, Hilary Knee, Emily Spearing (March 31, April 1) coalesce was inspired by a series of films offered to me as source material by visual artist Sylvia Safdie, and by essays on social insects in the Lewis Thomas book The Lives of a Cell. The original cast of coalesce – Kate Holden, Sean Ling, and Sahara Morimoto – all made crucial contributions to the creation of this work. – P.B. Conflicted Resolution (March 30, 2016) Choreography: Peter Chin Rehearsal Assistance: Andrea Roberts Music: Angel, Massive Attack, Psalms of Repentance, Alfred Schnittke, ritual and ceremonial music of the Bosavi People of Papua New Guinea Music Mixing and Arrangement: Peter Chin Lighting Design: Simon Rossiter Costume Design: Jennifer Dallas Dancers: Rachel Borshell, Anna Defent, Raya Facey, Vicky Gélineau, Sebastian Hirtenstein, Hilary Knee, Sasha Ludavicius, Mikaela Orford, Jake Ramos, Emily Spearing INTERMISSION METAPHOR! (March 30, 2016) Choreography: Susie Burpee Music: Illustrated Bible Stories for Children, The Weakerthans (used by permission), Etude #1 in C, Frederic Chopin, performed by Istvan Szekely, Drone 3, Christine Fellows Additional Sound Recording and Editing: James Bunton Lighting Design: Simon Rossiter Costume Design: Jennifer Dallas Dancers: • Marie-Pier Beauregard, Rachel Borshell, Anna Defent, Vicky Gélineau, Sebastian Hirtenstein A metaphor is a kind of pirouette performed by an idea. – Paul Valéry As dance interpreters, our work is to keep aware of when moments swivel – when things turn, take us by surprise, and allow us to look at something from a different angle. In these moments live transformation, truth, and delight. I commend the dancers on their excellent work in this piece that is in constant pirouette! – S.B. Special thanks to Marie-Josée Chartier. unfinished business (1984) Choreography: James Kudelka Rehearsal Direction: Patricia Miner Rehearsal Assistance: Patricia Fraser Music: Original score by Michael J. Baker Lighting Design: Simon Rossiter Original Lighting Design: Peter McKinnon Costume Design: Jennifer Dallas after Shawn Kerwin Dancers: • Adrian Maxwell-Campagna, Mikael Orford, Jake Ramos, Katherine Semchuk, Margarita Soria (March 30, April 2) • Raya Facey, Sasha Ludavicius, Philip McDermott, Roberto Soria, Noelle Young (March 31, April 1) unfinished business was commissioned by Dancemakers. The original cast included Francisco Alvarez, Carol Anderson, Patricia Fraser, Ken Gould, and Susan McKenzie (later casting included Danielle Bélec, Philip Drube, and Julia Sasso). The dance subsequently entered the repertoire of Les Grands Ballets Canadiens, in Montreal. – J.K. The music, unfinished business, appears courtesy of the Michael J. Baker Estate. It is available on the Arraymusic CD Strange City - Ville Étrange and can be ordered at www.musiccentre.ca With grateful thanks to Dancemakers for the generous loan of the original costumes. CHOREOGRAPHERS PEGGY BAKER has been a vivid presence in contemporary dance for more than four decades. She established Peggy Baker Dance Projects in 1990, and for the first 20 years she dedicated herself to solo performance, winning rapturous praise for the eloquence and depth of her dancing, and accolades for her collaborative partnerships with extraordinary musicians and designers. Since 2010 her choreography has focused on works for small ensemble. SUSIE BURPEE choreographs for contemporary dance and theatre, and her work has received Dora Mavor Moore Awards for Outstanding Choreography and Performance. She was a company dancer for Dancemakers, Le Groupe Dance Lab, and Ruth Cansfield Dance, and is a past recipient of the K.M. Hunter Artist Award for Dance. Originally from Manitoba, Burpee is a graduate of the Professional Program of Contemporary Dancers/University of Winnipeg. She teaches contemporary technique and rehearsal directs devised work. PETER CHIN is a Jamaican-born, Toronto-based choreographer/dancer, composer/musician, designer, and artistic director of the interdisciplinary company Tribal Crackling Wind. His works have been presented across Canada, as well as in Cambodia, Colombia, Holland, India, Indonesia, Jamaica, Japan, Malaysia, Mexico, Singapore, the U.K., and the U.S. Numerous awards include four Dora Mavor Moore Awards in dance, the Muriel Sherrin Award for International Achievement in Dance, and a Gemini Award for Best Performance in a Performing Arts Program. www.tribalcracklingwind.ca CHRISTOPHER HOUSE is one of Canada’s most respected dance artists. Artistic Director of Toronto Dance Theatre since 1994, he has contributed over fifty works to the company’s repertoire. He is active as a choreographer, performer, teacher, and mentor, and is an Associate Dance Artist of Canada’s National Arts Centre. He has received many awards for his work including three Dora Mavor Moore Awards, the Muriel Sherrin Award for International Achievement in Dance, an honorary doctorate from Memorial University, and the Silver Ticket Award for Lifetime Achievement. JAMES KUDELKA is among todays’ most versatile and innovative dance artists. He has choreographed for many of the world’s leading ballet companies as well as for smaller, contemporary troupes. He is renowned for distinctive versions of such classics as The Nutcracker, Swan Lake, and Cinderella, all signature works of the National Ballet of Canada. Equally, he excels in making smaller-scaled dances that while outwardly abstract are rich in psychological implication and human drama. He was appointed an Officer of the Order of Canada in 2005. GRADUATING CLASS 2015-16 Marie-Pier Beauregard (Saint-Hyacinthe), attended the dance program at l’École de Danse de Québec (2009); performed in The Nutcracker with Les Grands Ballets Canadiens (2011); performed with Cie Danse en Équilibre (2012). She is currently studying and involved at the School of TDT as costume design assistant and stage manager. Sonja Boretski was born in Belleville, Ontario. Her initial training began at the Quinte Ballet School of Canada. Upon graduation, she chose to further her dance career at The School of Toronto Dance Theatre. She has attended the ProArteDanza Summer Intensive Program and the Kenny Pearl Emerging Artist Intensive. Rachel Borshell started dancing at three. She trained at various studios in many styles. During high school she starred in musicals, danced and choreographed in dance shows, and was artistic director of her final show. Currently in her final year at the School of TDT, Borshell is curious about change and movement. Anna Defent, from Centreville, Ontario, began her training at Judith Coleman Oxford School of Dance at age three. She furthered her training at the School of Alberta Ballet, graduating in 2013. She then decided to continue with her dance training and was accepted into The School of Toronto Dance Theatre. Jade Clancy attended Canada’s National Ballet School, and graduated from Etobicoke School of the Arts, where she worked with Gabby Kamino. Currently at the School of TDT, she has worked with many choreographers including Kate Alton, Robert Desrosiers, Sasha Ivanochko, Sharon B. Moore, Julia Sasso, Ofilio Sinbadinho, and Darryl Tracy. Born in Toronto, Raya Facey trained at Interplay School of Dance. In 2012, she graduated from Earl Haig Secondary School as a Dance Major. She was accepted into the School of TDT and began her first year in 2013. In future, Facey plans to finish her B.F.A. at York University. Vicky Gélineau (L’Acadie, Quebec), trained at L’école de danse Maureen MacDonald before attending the summer intensive of The School of Toronto Dance Theatre in 2013. She enrolled in the Professional Training Program that year. Since then, she has twice attended RUBBERBANDance Group’s summer intensive, and participated in Montreal’s TransFormation Danse. Sebastian ‘Bash’ Hirtenstein, from Aurora, Ontario, began dancing at the late age of twelve, immersing himself in Toronto’s hip hop and street dance culture. He began his professional training with the O.I.P. Dance Company, before entering the School of TDT. He has performed with numerous local and international recording artists. Hilary Knee (Corner Brook, NL) moved to Halifax to pursue further dance training where she studied with Leica Hardy. She is currently in her third year of studies at The School of Toronto Dance Theatre’s PTP, learning from dance artists such as Sasha Ivanochko, Patricia Miner, and Darryl Tracy. Sasha Ludavicius, from Sault Ste. Marie, studied ballet internationally but
Load more

Recommended publications
  • A Building Renos Start This Summer
    I'M GOING NEWS ENTERTAINMENT OPINIONS TO THE An open letter to the students BEACH and Students' Association Board CALL ME IN SEPTEMBER. of Red River Community College Red River Community College May 25 - August 25, 1998 Volume 30• Issue 20 Changes on the way: A Building renos start this summer By Ross Romaniuk "The big firms adhere to a value - 10 N • kr 1 Staff Writer they want to give something back to their community," said TITANIC YOU ed River College Garbutt. O STUDENTS' ASSOCIATION is looking to the The campaign team, now num- bering about 40 volunteers, has private sector to RR been networking in and around Rcome through Winnipeg to drum up financial Volunteers and future students ofn Red River Community College thank you with the necessary funds for support since August of last year. for your support of the Vision Inovation Partnership Campaian---our first the College's first major Although the project is going established to fund Building, A renovations program facilities expan- well now, it got off to a slow gC College start. Many businesses were Community Red River majorwhich fund will raisingcreate a facility to tae education and Red River students into sion. reluctant to contribute to the Office take VIP Campaign The capital campaign to raise pri- Notre Dame Ave. College because 2055 A109 - vate funds for the upcoming they weren't aware of the range Winnipeg, MB R3H 039 the future. Phone: (204) 632-2011 Your support comes at an imporntgrowing time in demand the development for skilled andof the technologi- redevelopment of Building A has of programs it provides, 4859 - generated $1.35 million of the Fax: (204) 632 explained Garbutt.
    [Show full text]
  • SHARY BOYLE Toronto, Canada SELECT EXHIBITIONS SOLO +
    SHARY BOYLE Toronto, Canada SELECT EXHIBITIONS SOLO + COLLABORATIONS 2018 Kabuki-za, The Gardiner Museum, Toronto, ON, CA The Illuminations Project, with Emily Vey Duke. Art Gallery of Nova Scotia, Halifax, NS, CA 2017 The Smile at the Bottom of the Ladder, Galerie 3, Quebec City, PQ, CA Scarecrow, MacKenzie Art Gallery, Regina, SK, CA Slipper, with Ambera Wellman. Suzanne Biederberg Gallery, Amsterdam, NL 2015 Universal Cobra, with Shuvinai Ashoona. PFOAC, Montreal, PQ, CA 2014 Illuminations Project, with Emily Vey Duke. Oakville Galleries, Oakville, ON, CA 2013 Music for Silence, Canada Pavilion, 55th Venice Biennale, ITA 2012 Buttermint Equilux, Louis Vuitton Maison, Toronto, ON, CA Stranger, Jessica Bradley Gallery, Toronto, ON, CA Canadian Artist, BMO Project Room, Toronto, ON, CA 2011 The Illuminations Project, Institute of Contemporary Art, Philadelphia, US 2010 Shary Boyle: Flesh and Blood, Art Gallery of Ontario, Toronto; Galerie de l’UQAM. Montreal, PQ (2011); Contemporary Art Gallery, Vancouver, BC (2011) 2009 Moon Hunter, Fumetto Festival, Lucerne, CHE The Cave, Jessica Bradley Art + Projects, Toronto, ON, CA 2008 The History of Light, Southern Alberta Art Gallery, Lethbridge, AB, CA 2007 The Clearances, Space Gallery, London, UK Wonderlust, Jessica Bradley Art + Projects, Toronto, ON, CA 2006 Lace Figures, The Power Plant, Toronto, ON, CA GROUP 2019 Dark Spring, Sargent’s Daughters, New York City, NY, US 2018 Cedric ter Bals, Shary Boyle, Marjolijn Meij, Galerie Maurits van de Laar, The Hague, NL Reopening, Canadian Cultural
    [Show full text]
  • Ho-Ho-Homegrown! a Personal Choice of 15 Stocking-Filler Cds by Canadian Acts
    M ORE L IVING A What Goes On? More Music Seasonal Special: Ho-Ho-Homegrown! A Personal Choice Of 15 Stocking-Filler CDs By Canadian Acts By David Morrison I love lists. Love them! And there is no time when lists are more visible than Christmas, recommendations of this or that product as the ideal gift in list form just about everywhere you look. Regard- less of my available budget, I can’t help but scan them all! What’s more, I’ve decided to join in this festive season with New Lines at Maliah’s – I’ll check the internet for logos? a few (alphabetically presented) recom- mendations of my own from homegrown musical talent you should know about if Roxy Girl – 6 months to 7 years you don’t already. Mark Berube & The Patriotic Few Ghost Bees Tasseomancy However, I must stress, firstly, that this is What The Boat Gave The River (Youth Club Records) a personal choice uninfluenced by anyone (Redux/KBM) Quicksilver Boy 12 months to 7 years or anything beyond my own ears and Any fans of such as Joanna Newsom and Co- tastes. Secondly, I could’ve included many, A companion release to 2007’s equally fine corosie yet to encounter Halifax twins Romy many more than just these fifteen; the What The River Gave The Boat, this exquisite al- and Sari Lightman’s bewitching debut, here’s DC Runner from Crib to 3 years list could have been three or more times bum should appeal to fans of Rufus Wainwright, your cue. Quirky, creaky and kinda freaky, longer.
    [Show full text]
  • Trains of Winnipeg, the Book Inside
    trains of winnipeg trains of winnipeg poems by Clive Holden Copyright © 2002 Clive Holden All rights reserved. No part of this book may be reproduced by any means — graphic, electronic or mechanical — without the prior written permission of the publisher or author, with the exception of brief passages in reviews, or for promotional purposes. for Alissa Printed and bound in Canada Edited by Jon Paul Fiorentino and Robert Allen Book design: Clive Holden, Clint Hutzulak, Richard Hunt Cover design: Clint Hutzulak Filmstills & photos: Clive Holden The National Library of Canada Cataloguing in Publication Holden, Clive, 1959 – Trains of Winnipeg Thanks to Elizabeth and Martin Holden, Clint Hutzulak, Richard Hunt, Poetry. Jon Paul Fiorentino, Andrew Horridge, Christine Fellows, John K. Samson, ISBN 0-919688-57-8 Jason Tait, Steve Bates, Ricardo Sternberg, Gilbert Dong, Bonnie Light, 1. Title. Sean Virgo, Robert Allen, and Molly Peacock. PSXXXX.XXXXXXX 2002 CXXX’.X C2002-XXXXXX-X PRXXXX.X.XXXXXX 2002 The publisher and author gratefully acknowledge the financial assistance of the Canada Council for the Arts, SODEC, and the Manitoba Arts Council. Twelve of the poems in this book were first published on the audio CD, Trains of Winnipeg (2001), which is available from Endearing Records or Signature Editions. Others were first published in Matrix Magazine and Dark Leisure Magazine. DC Books The rest of the Trains of Winnipeg project can be seen and heard at: C.P. 662, 950 Decarie Montreal, Quebec, H4L 4V9, Canada www.trainsofwinnipeg.com. www.trainsofwinnipeg.com
    [Show full text]
  • Shary Boyl CV Jun 11 2020
    SHARY BOYLE SOLO EXHIBITIONS & COLLABORATIONS 2012 Outside the Palace of Me, Gardiner Museum, Toronto, ON, Canada 2020 White Elephant, CAFKA, Kitchener-Waterloo, ON, Canada 2019 Face of the Deep, with Shuvinai Ashoona and Rajni Perera, PATEL Gallery, Toronto, ON, Canada 2018 Kabuki-za, The Gardiner Museum, Toronto, ON, Canada 2018 The Illuminations Project, with Emily Vey Duke. Art Gallery of Nova Scotia, Halifax, NS, Canada 2017 Slipper, with Ambera Wellman. Suzanne Biederberg Gallery, Amsterdam, the Netherlands 2017 The Smile at the Bottom of the Ladder, Galerie 3, Quebec City, PQ, Canada 2017 Scarecrow, MacKenzie Art Gallery, Regina, SK, Canada 2015 Universal Cobra, with Shuvinai Ashoona. PFOAC, Montreal, PQ, Canada 2014 Illuminations Project, with Emily Vey Duke. Oakville Galleries, Oakville, ON, CA 2013 Music for Silence, Canada Pavilion, 55th Venice Biennale, ITA 2012 Buttermint Equilux, Louis Vuitton Maison, Toronto, ON, CA 2012 Stranger, Jessica Bradley Gallery, Toronto, ON, CA 2012 Canadian Artist, BMO Project Room, Toronto, ON, CA 2012 The Illuminations Project, Institute of Contemporary Art, Philadelphia, US 2010 Shary Boyle: Flesh and Blood, Art Gallery of Ontario, Toronto; Galerie de l’UQAM. Montreal, PQ (2011); Contemporary Art Gallery, Vancouver, BC (2011) 2009 Moon Hunter, Fumetto Festival, Lucerne, CHE 2009 The Cave, Jessica Bradley Art + Projects, Toronto, ON, CA 2008 The History of Light, Southern Alberta Art Gallery, Lethbridge, AB, CA 2007 The Clearances, Space Gallery, London, UK 2007 Wonderlust, Jessica Bradley Art
    [Show full text]
  • Faculty and Staff Dean Greg Gatien Chair, Graduate Department
    School of Music Faculty and Staff Dean Greg Gatien Chair, Graduate Department Greg Gatien was born and raised in Halifax, Nova Scotia where he began playing saxophone in the Halifax City Schools music program. He went on to earn his undergraduate degree in Music Education and Jazz Studies from Saint Francis Xavier University in Antigonish, Nova Scotia. During this time, Greg also studied privately with saxophonist Don Palmer, and began free-lancing throughout the Maritimes with prominent Nova Scotia-based musicians, including Gene Smith, Tom Roach, Dave Staples, Al Sutherland, Jerry Granelli, Skip Beckwith and Danny Sutherland. Greg moved to Boston for the first time in the early 1990s to study saxophone and improvisation with Jerry Bergonzi. During this two-year period, Greg continued to perform frequently, including worK as a member of the Maritime Jazz Orchestra alongside Eastern Canadian jazz musicians KirK McDonald, Chris Mitchell, MiKe Murley, Jim Vivian, Greg Carter, and others. Greg would remain a member of this group until the late 1990s, performing alongside Kenny Wheeler, Norma Winstone and John Taylor and recording the JustinTime release, Siren Song. FULL BIO Michael Cain – Jazz Piano Michael Cain began a performing career between Las Vegas and Los Angeles in the mid 1980’s, worKing with flutist and composer James Newton, Las Vegas based jazz vocalist Marlena Shaw, The Gerald Wilson Orchestra, and drummer Billy Higgins among others. After moving to New YorK in 1990, Michael became one of the first call pianists worKing with JacK DeJohnette for nine years, along with Dave Holland, Steps Ahead, Ravi Coltrane, Bobby McFerrin, Stanley Turrentine, Lauren Hill, Pat Metheny, Charles Neville, Christian McBride, Vernon Reid, Kevin EubanKs, and Meshell N’degeocello.
    [Show full text]
  • 2005/2006 Annual Report
    MMSS 00008008 AAnnualnnual RReport_Eeport_E 06_F.ind106_F.ind1 1 77/10/06/10/06 88:25:41:25:41 AMAM MMSS 00008008 AAnnualnnual RReport_Eeport_E 06_F.ind206_F.ind2 2 77/10/06/10/06 88:25:52:25:52 AMAM Letter of Transmittal July 31, 2006 Honourable Eric Robinson Minister of Culture, Heritage and Tourism Room 118, Legislative Building 450 Broadway Winnipeg, Manitoba R3C 0V8 Dear Minister Robinson: In accordance with Section 16 of The Manitoba Film and Sound Recording Development Corporation Act, I have the honour to present the Annual Report of the Manitoba Film and Sound Recording Development Corporation for the fi scal year ended March 31, 2006. Respectfully submitted, Cheryl Barker CHAIRPERSON MMSS 00008008 AAnnualnnual RReport_Eeport_E 06_F.ind306_F.ind3 3 77/10/06/10/06 88:26:03:26:03 AMAM MESSAGE FROM THE CHAIRPERSON AND CHIEF EXECUTIVE OFFICER On behalf of the Manitoba Film & Sound Recording Development MANITOBA FILM & SOUND’s locations department Corporation (MANITOBA FILM & SOUND) and the Board of hosted 54 production personnel for 20 different Directors, we are pleased to present the Annual Report productions who visited Manitoba to scout the for the fi scal year ending March 31, 2006. province’s impressive services and locations. This resulted in one of the busiest winters for offshore This past year has been exciting and energetic, fi lled production, with four features, The Lookout, The Good with milestones and success stories. From securing Life, Blue State and You Kill Me, all in prep or fi lming our province’s fi rst-ever prime time drama series, to during the months of January through to March .
    [Show full text]
  • STREET DATE: Jan 15, 2013 5% DISCOUNT on New Release Items Through January 22
    JANUARY NEW RELEASE GUIDE STREET DATE: Jan 15, 2013 5% DISCOUNT on New Release Items through January 22 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases January 2013 (503) 231-0876 / www.bdcdistribution.com 2 BDC New Releases January 2013 Welcome!! Welcome!! What’s the commonality between Bottlecaps and Fugs and Velocity Ramblers and Holy Modal Officially, the United Nations proclaimed 1979 as The Year Of The Child, but around here we think 2013 Rounders and Sam Shephard (and offspring) and friends of Clamtones? The amazing septuagenarian is going to be KID’S YEAR…we start off with I FOUND YOU! by Caspar Babypants (aka Chris Ballew Peter Stampfel of course; crossing boundaries as usual and defining The Sound of America. “It’s 21st from The Presidents of the Unites States of America) - this is #6 in the Caspar series of albums full century 19th century American music played in a vast variety of 20th century styles.” of songs for kids from Chris with friends Rachel from Visqueen and Steve from Mudhoney - cool What a delight to have the Six Shooter Records label back with us here at Burnside: Luke Doucet solo beans! We also have two releases from Chris’ friends, The Harmonica Pocket, this month and we’ll and with bands Veal and Whitehorse; Jenn Grant, NQ Arbuckle, Christine Fellows, Elliott Brood and have new ones from Recess Monkey, The Not-Its and others throughout KID’S YEAR 2013. other terrific Canadien musicians on the award-winning Toronto label.
    [Show full text]
  • An Economic Impact Analysis of Manitoba's Music Industry
    CHECK SOUND SOUND CHECKCHECKAn economic impAct AnAlysis of mAnitobA’s music industry SOUND An Economic Impact Analysis of Manitoba’s Music Industry Final Report November 2012 Prepared by: Nordicity SoundCheck: An Economic Impact Analysis of Manitoba’s Music Industry 1 of 52 ACKNOWLEGEMENTS Nordicity would like to thank Sara Stasiuk, Executive Director, and Rachel Stone, Association and Communications Manager, and all of the staff at Manitoba Music, for their valued leadership, vision and support throughout the course of this project. Nordicity would also like to acknowledge all of the Manitoba Music membership, artist entrepreneurs and music businesses, funders and government stakeholders for their support, and the Canadian Independent Music Association (CIMA), without each of whom this research would not have been possible. We would like to express our deepest gratitude to the following supporters of the project. Don Amero, Artist Entrepreneur Don Benedictson, Unity Gain Productions Chris Burke-Gaffney, CBG Artist Development Stephen Carroll, The Weakerthans, Empirical Artist Services Lindsey Collins, Flying Fox and the Hunter Gatherers Michel Durand-Wood, Durand Musique Management Michael P. Falk, Les Jupes, Head In The Sand Christine Fellows, Artist Entrepreneur Rick Fenton, BreakOut West / Western Canadian Music Alliance Adam Hannibal, Balanced Records Jaylene Johnson, Artist Entrepreneur Stuart Johnston, Canadian Independent Music Association Jack Jonasson, The Lo Pub Keri Latimer, Nathan Keith MacPherson, Artist Entrepreneur, Keith and Renée Jesse Matthewson, KEN mode Duncan McKie, FACTOR Nicky Mehta, Artist Entrepreneur, The Wailin’ Jennys Gilles Paquin, Paquin Entertainment Dale Penner, Paradise Alley Productions Murray Pulver, Artist Entrepreneur Thomas Sparling, ACI Manitoba Andrina Turenne, Chic Gamine Patrick Watson, Singer-songwriter SoundCheck: An Economic Impact Analysis of Manitoba’s Music Industry 2 of 52 Report prepared by Nordicity Group Ltd.
    [Show full text]
  • Uniter #6.Qxd
    The Wesmen Upset In Final Page 19 The Weakerthans Rock Page 11 VolumeUniter 58, Issue 6 october 9, 2003 THE Uniter T HE O FFICIAL W EEKLY S TUDENT N EWSPAPER OF THE U NIVERSITY OF W INNIPEG Happy Thanksgiving! page 2 october 9, 2003 the uniter uniter the news Volume 58, Issue 6 October 9, 2003 STAFF Jonathan Tan Editor In Chief [email protected] Hollywood Squares Michelle Kuly Managing Editor [email protected] in Winnipeg? A. P. (Ben) Benton News Editor [email protected] MICHELLE Cheryl Gudz KULY Features Editor Managing Editor [email protected] What do Bill Clinton, Jeff Robson Dr. Ruth, Ed McMahon A&E Editor and Wolf Blitzer have in [email protected] common? Winnipeg. This fall will see the kick off of My Leighton Klassen Life…Our Times: The Interactive Series, a four Sports Editor part speakers series that will see each celebrity [email protected] in an exclusive engagement at the Centennial Concert Hall. The series will deal with four Stu Reid categories: Lifestyle, Politics, Entertainment Production Manager and Media, with each speaker addressing [email protected] issues appropriate to their area of expertise. It opens on Nov. 18 with world-renowned psy- Julie Horbal chosexual therapist Dr. Ruth Westheimer, fol- Listings Editor lowed by President Clinton on Dec. 9. The [email protected] second half of the series will unfold in the New Chandra Mayor Year, with Ed McMahon appearing on Feb. 17 and CNN anchorWolf Blitzer concluding the Copy Editor series on April 1. Despite the unfortunate association, the Ted Turner series is no April fool’s joke.
    [Show full text]
  • My City's Still Breathing (But Barely It's True) Through Buildings Gone Missing Like Teeth
    MY CITY’S STILL BREATHING a symposium exploring the arts, artists and the city NOVEMBER 4-7, 2010 WINNIPEG, MANITOBA CULTURAL CAPITAL OF CANADA www.artsforall.ca FOR MORE INFORMATION CONTACT: Alix Sobler Marketing and Communications (204) 918-0164 [email protected] Why MY CITY’S STILL BREATHING? What does it mean for a city to breathe? Those of us who live in cities know that the concrete and glass of our urban sur- roundings add up to more than the sum of their parts. Our cities have moods, humours, opinions, personalities. They suffer from illnesses, they burst forth in jubilation, they move from ennui to optimism with the changing of the weather. Our cities are alive, and therefore, it is no wonder they are breathing. We chose the lyrics of The Weakerthan’s Left and Leaving , written by John K. Samson, as the title of this symposium because it is our belief that it is the art of a city that makes it breathe. The title reflects the precarious situation we are in as city dwellers: the use of the word “still” implies the breathing continues, but is not guaranteed forever. It is both a declaration of pride in our city, and ac- knowledgement of the threat we face if we devalue our arts and artists. Without that constant breath of art and creativity, a city would be still; never growing, never progressing, never bringing in ideas and sending out discoveries. As a life-long Winnipeg artist, John K. Samson is especially in-tune with the delicate breath of a city like Winnipeg.
    [Show full text]
  • Inside 18 15 09 07 02
    ISSUE 2007/11/1510VOLUME 62 INSIDE 02 News 07 Comments 09 Arts & Culture 15 Listings uniter.ca 18 Sports » EB W HE T N O [email protected] » E-MAIL . 10 . ss I VOL. 62 NOV 15, 2007 15, NOV EEKLY W T DEN TU FACEBOOK ACTIVATES ACTIVISM ON CAMPUS 03 SOCIAL NETWORKING TOOL BECOMES POLITICAL TOOL WAFF HEATS UP DOWNTOWN 09 THE CREATIVE FIRE BURNS STRONG AT THE FILM FEST F WINNIPEG S F WINNIPEG REDUCING THEIR CARBON, NOT MUSICAL, FOOTPRINT O 12 THE DUHKS INTRODUCE THEIR VERSION OF ECO-FOLK Y T WESMEN PLAY TOUGH WITH BEARS ERSI 20 TIGHT SETS PREP FOR UPCOMING GAMES WITH TRINITY V NI U THE THE ♼ November 15, 2007 The Uniter contact: [email protected] 02 NEWS UNITER STAFF NEWS EDITOR : STACY CARDIGAN SMITH NEWS EDITOR : KSENIA PRINTS MANAGING EDITOR E-MAIL : N EWS @U N ITER .CA E-MAIL : N EWSPROD @U N ITER .CA Jo Snyder » [email protected] News BUSINESS MANAGER James D. Patterson » [email protected] PRODUCTION MANAGER Melody Morrissette » [email protected] Adapting Remembrance Day PHOTO EDITOR Natasha Peterson » [email protected] CAMERON MACLEAN COPY & STYLE EDITOR BEAT REPORTER Jacquie Nicholson » [email protected] NEWS ASSIGNMENT EDITOR ach year, around Nov. 11, the ques- Stacy Cardigan Smith » [email protected] tion is always asked: what is the NEWS PRODUCTION EDITOR meaning of Remembrance Day? Ksenia Prints [email protected] E » And, depending on whom one asks, the an- swer will be different. COMMENTS EDITOR As time creates distance between us Ben Wood » [email protected] and the calamitous events of World Wars I and II and the Korean War, the veterans of ARTS & CULTURE EDITOR which Remembrance Day commemorates, EAN Whitney Light » [email protected] cL A our perspective on those events changes.
    [Show full text]