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James Kendrick, Ph.D JAMES KENDRICK, PH.D. Professor Department of Film & Digital Media Baylor University One Bear Place #97321 Waco, Texas 76798-7368 (254) 710-6061 james_kendrick@baylor.edu A CADEMIC E MPLOYMENT Baylor University, Waco, TX (2005–present) Professor, Department of Film & Digital Media (August 2018–present) Undergraduate Program Director, Department of Film & Digital Media (2015–present) Associate Professor, Department of Film & Digital Media (August 2011–August 2018) Assistant Professor, Department of Communication (August 2005–August 2011) Courses Taught FAS 1116 Film & Global Culture FDM 2351 History of Motion Pictures FDM 2352 History of Radio and Television FDM 4340 Media & Society FDM 4343 Film/Video Aesthetics: Theory and Criticism FDM 4380 Violence and the American Screen (Topics in Media History) FDM 4386 The Horror Film (Topics in Media Genres) FDM 4397 Steven Spielberg and Contemporary Hollywood Cinema (Topics in Contemporary Cinema) FDM 5356 Masters of International Cinema (graduate seminar) FDM 5376 Contemporary Film Theory (graduate seminar) Indiana University, Bloomington (1999–2003) Associate Instructor, Department of Communication and Culture Courses Taught: C190 Introduction to Media C121 Public Speaking James Kendrick Curriculum Vitae 2 E DUCATION Indiana University, Bloomington Doctor of Philosophy, Communication and Culture (2005) Minor: American Studies Dissertation: Screen Violence and the New Hollywood (Advisor: Joan Hawkins) Baylor University, Waco, TX Master of Arts, Journalism (1999) Thesis: Critical Choices in Print and Cyberspace: A Content Analysis of Three Print-Based Film Critics and Three Internet-Based Film Critics (Advisor: Kyle V. Cole) Baylor University, Waco, TX Bachelor of Arts, English (1996) P UBLICATIONS Authored Books Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg. Bloomsbury Academic, New York, 2014. Film Violence: History, Ideology, Genre. Wallflower Press/Columbia University Press, London, 2009. Hollywood Bloodshed: Violence in 1980s American Cinema. Southern Illinois University Press, Carbondale, 2009. Edited Books A Companion to the Action Film. In publication at Wiley-Blackwell, Walden, MA, 2019. Book Chapters “Extreme Violence and Western Cinema.” Chapter in The Cambridge World History of Violence, Volume 4: The Modern World, edited by Louise Edwards, Nigel Penn, and Jay Winter. In publication, Cambridge University Press, 2019. James Kendrick Curriculum Vitae 3 “‘Some Men Just Want to Watch the World Burn’: Chaos and Terror in Dr. Mabuse, the Gambler and The Dark Knight.” Chapter in Screening Terrorism: Cinematic Representations of Terrorism and State Terror, edited by Michael Flynn and Fabiola Salek. In publication at Columbia University Press, New York, 2019. “Finding His Voice: Experimentation and Innovation in Duel, The Sugarland Express, and 1941.” Chapter in A Companion to Steven Spielberg, edited by Nigel Morris. Wiley- Blackwell, Hoboken, NJ, 2017. “The Terrible, Horrible Desire to Know: Post-9/11 Horror Remakes, Reboots, Sequels, and Prequels.” Chapter in American Cinema in the Shadow of 9/11, edited by Terence McSweeney. Edinburgh University Press, 2016. “An Improbable Career: The Films of Terrence Malick.” Chapter in Theology and the Films of Terrence Malick, edited by Christopher B. Barnett and Clark J. Ellston. Routledge, New York, 2016. “Ambiguous Loss: The Depiction of Child Abduction in Spielberg’s Early Films.” Chapter in Children in the Films of Steven Spielberg, edited by Adrian Schober and Debbie Olson. Lexington Books, Washington, DC, 2016. “Slasher Films and Gore in the 1980s.” Chapter in A Companion to the Horror Film, edited by Harry Benshoff. Wiley-Blackwell, Hoboken, NJ, 2014. “The Shark Is Still Working: The Impact and Legacy of Jaws,” “Raiders of the Lost Ark,” “Amistad,” “Catch Me If You Can,” “Minority Report,” “The Terminal,” “War of the Worlds.” Chapter entries in The Take2 Guide to Steven Spielberg, edited by Adam Zanzie. New York: Take2 Publishing, 2014. “A Return to the Graveyard: Notes on the Spiritual Horror Film.” Chapter in American Horror Film: The Genre at the Turn of the Millennium, edited by Steffen Hantke, University Press of Mississippi, Jackson, MS, 2010. “Representing the Unrepresentable: 9/11 on Film and Television.” Chapter in Why We Fought: America’s Wars in Film and History, edited by Peter C. Rollins and John E. O’Connor, University Press of Kentucky, Lexington, 2008. “A Nasty Situation: Social Panics, Transnationalism, and the Video Nasty.” Chapter in Horror Film: Creating and Marketing Fear, edited by Steffen Hantke, University Press of Mississippi, Jackson, MS, 2004. “Jacob’s Ladder” and “Häxan.” Chapter entries in 1001 Movies You Must See Before You Die, edited by Steven Jay Schneider, Quintet Publishing, London, 2004. James Kendrick Curriculum Vitae 4 Journal Articles “Phantom Cinema: Illuminating the Structuring Absences of Film History.” Quarterly Review of Film and Video, January 2013, Vol. 30, No. 1, pp. 62–73. “Disturbing New Pathways: Psycho and the Priming of the Audience.” Journal of Popular Film and Television, March 2010, Vol. 38, No. 1, pp. 2–9. “Razors in the Dreamscape: Revisiting A Nightmare on Elm Street and the Slasher Film.” Film Criticism, Spring 2009, Vol., 33, No. 3, pp. 17–33. “Aspect Ratios and Joe Six-Packs: Home Theater Enthusiasts’ Battle to Legitimize the DVD Experience.” The Velvet Light Trap, Fall 2005, No. 56, pp. 58–70. “Danish Horror: A Witches’ Brew of Fact, Fiction, and Spectacle: Benjamin Christensen’s Häxan (The Witch, 1922).” Kinoeye, October 13, 2003, Vol. 3, No. 11, http://www.kinoeye.org/03/11/kendrick11.php. “What is the Criterion? The Criterion Collection as an Archive of Film as Culture.” Journal of Film and Video, Summer/Fall 2001, Vol. 53, Nos. 2 & 3, pp. 124–139. “Marxist Ideology in Three Films by James Cameron.” Journal of Popular Film and Television, Fall 1999, Vol. 27, No. 3, pp. 36–44. Bibliographies “Action Cinema.” In Oxford Bibliographies in Cinema and Media Studies, edited by Krin Gabbard. Oxford University Press, New York, 2015. Film and Book Reviews and Other Articles “Review of The Fascination of Film Violence by Henry Bacon.” Projections: The Journal for Movies and Mind, Summer 2018, Vol. 12, No. 1, pp. 113–118. “The Many Shades of Red: On New Hollywood Violence, edited by Steven Jay Schneider.” Film-Philosophy, 2006, Vol. 10, No. 3, pp. 104–108. “A Greatly Exaggerated Death: The Persistent Power of the Cinema.” Baylor Magazine, Summer 2006, p. 25. “Review of Hindle Wakes (1927), directed by Maurice Elvey.” The Moving Image, Spring 2006, Vol. 6, No. 1, pp. 139–142. James Kendrick Curriculum Vitae 5 More than 2,900 feature-length film reviews published at The QNetwork (http://www.qnetwork.com), an entertainment content-provider web site (1997–present) I NVITED P RESENTATIONS “Spielberg’s Master Image: Close Encounters of the Third Kind 40 Years Later.” Lecture given at a special 40th anniversary screening at the Toledo Museum of Art, Toledo, OH, November 16, 2017. Also introduced a special screening of The Sugarland Express at the University of Toledo, November 17, 2017. “What We Talk About When We Talk About Film Violence.” Lecture given at Indiana University, Bloomington, sponsored by the Violence Students Network, the Department of East Asian Languages and Cultures, and the Department of Spanish and Portuguese. Also participated in a panel discussion titled “The U.S., Japan, and Argentina: Transnational Horror Film Violence,” March 28, 2017. “Defamiliarizing Popular Culture Through Media Literacy.” Presentation at the “Multiple Literacies: Reading and Writing Diverse Texts in a Digital Age” symposium, sponsored by Baylor’s Department of Curriculum and Instruction, April 15, 2016. “Rethinking Steven Spielberg.” Presentation at LoneStaRG 17, the annual convention of Lone Star Mensa, Round Rock, TX, Sept. 6, 2015. “More Than Just a Slideshow: Effective Uses of PowerPoint in the Classroom.” Presented multiple times for Baylor’s Summer Faculty Institute (June 2014–2015) and as a Seminar for Excellence in Teaching presentation, sponsored by Baylor’s Academy for Teaching & Learning (March 4, 2014; January 20, 2016). “The Church and the Zombie Apocalypse.” Panel discussion with Dr. Joe Coker, Dr. Elise Edwards, and Dr. Jim Kennedy, sponsored by Baylor’s Department of Religion, March 26, 2015. “Defamiliarizing Popular Culture.” Presentation at the Provost Faculty Forum, Baylor University, November 6, 2013. “Rethinking Steven Spielberg.” Presentation at the 20th Century Studies Research Seminar, Department of English, Baylor University, October 8, 2010. “Breaking Racial Barriers and Overcoming Stereotypes.” Introduction to a special preview of The Express at the Waco Hippodrome Theater, sponsored by the Baylor Activities Council, Oct. 9, 2008 James Kendrick Curriculum Vitae 6 “Violence in the Media and Cultural Stereotyping.” Introduction to a special preview of The Kingdom at the Waco Hippodrome Theater and facilitation of a post-screening discussion, sponsored by the Baylor Activities Council, Sept. 21, 2007. C ONFERENCE P RESENTATIONS “Horror and Hope: Thematic Coherence in the Radically Different Endings of The Shawshank Redemption and The Mist.” Presented at a moderated panel session at the annual conference of the Southwest/Texas Popular Culture and American Culture Association, Albuquerque, NM, February 11, 2012. “Darkness in the Bliss-Out: Reconsidering Steven Spielberg in the 1980s.” Presented at a moderated panel session at the
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