DOCSLIB.ORG

New Releases New Releases

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
New Releases New Releases November December Summer Interlude Raiders of the Lost Ark -S M T W T F S S M T W T F S New Releases New Releases 6:30pm The Seventh Seal 1:00pm 1:00pm Burning Shoplifters Opens Nov 2 The Magician INGMAR BERGMAN Kristin Lavransdatter Wings INGMAR BERGMAN LIV ULLMANN Opens Dec 21 with Live Piano Burning Science Fair 8:45pm 4:45pm Mirai Accompaniment THE GREAT WAR Opens Nov 2 The War at Home Science Fair The Silence Opens Dec 21 SPECIAL SCREENINGS INGMAR BERGMAN 4:45pm Transit 6:30pm For more New Release Opens Nov 9 7:00pm Winter Light Winter Light titles visit tiff.net INGMAR BERGMAN The Wild Pear Tree INGMAR BERGMAN The Sacrifice SPECIAL SCREENINGS 7:00pm Opens Nov 23 8:30pm Thirst Girl The Nun INGMAR BERGMAN SPECIAL SCREENINGS Opens Nov 23 9:00pm Happy as Lazzaro Peeping Tom Opens Nov 30 SPECIAL SCREENINGS 1 For more New Release 10:30am 6:30pm 6:15pm 6:30pm 11:00am 1:00pm titles visit tiff.net Secret Movie Club What the Complete From the Life of Night is My Future Lawrence of Arabia The Big Parade 1 2 3 Image Could Be: Works the Marionettes INGMAR BERGMAN THE GREAT WAR with Live Piano 1:00pm INGMAR BERGMAN 10:30am 6:00pm 6:15pm 6:30pm Transit 1:00pm by Faraz Anoushahpour, 9:00pm 3:45pm Accompaniment Daisy Kenyon Parastoo Anoushahpour, THE GREAT WAR Secret Movie Club Sofie All These Women Summer Interlude Possessed JOAN CRAWFORD 9:00pm Black Mother Peeping Tom 3:00pm LIV ULLMANN INGMAR BERGMAN INGMAR BERGMAN JOAN CRAWFORD and Ryan Ferko Strange Machines: with Khalik Allah SPECIAL SCREENINGS 3:45pm 1:00pm 3:15pm WAVELENGTHS 8:35pm 9:00pm Wild Strawberries 3:30pm The Films of Phillip Barker MDFF SELECTS The Serpent’s Egg Flamingo Road INGMAR BERGMAN 6:30pm Gallipoli 9:00pm with Phillip Barker INGMAR BERGMAN JOAN CRAWFORD Brakhage: Boosie Fade Film Club: Shame THE GREAT WAR Cries and Whispers 6:30pm The Painted Films Juice INGMAR BERGMAN Se7en and Mike Hoolboom INGMAR BERGMAN 6:15pm 3:15pm STAN BRAKHAGE BOOSIE FADE FILM CLUB 6:00pm DARIUS KHONDJI CANADIAN OPEN VAULT Miriam Bale on Persona 6:45pm Amour INGMAR BERGMAN 8:30pm Scenes from a Marriage After the Rehearsal DARIUS KHONDJI INGMAR BERGMAN Piers Handling on INGMAR BERGMAN Delicatessen 9:15pm The Great War on Film DARIUS KHONDJI Desperately before Paths of Glory Seeking Susan THE GREAT WAR 2 3 4 5 6 7 8 SPECIAL SCREENINGS 10:00pm 1:00pm 6:30pm 9:05pm 6:30pm 3:00pm 1:30pm A Clockwork Orange Sudden Fear Crisis Panels for the Walls of It Rains on Our Love It’s a Wonderful Life Vagabond SPECIAL SCREENINGS JOAN CRAWFORD INGMAR BERGMAN Heaven: The Final Films INGMAR BERGMAN SPECIAL SCREENINGS SPECIAL SCREENINGS STAN BRAKHAGE 2:20pm 8:45pm 9:00pm 6:15pm 3:45pm Member Meet-ups: Award-Winning Shorts Boosie Fade Film Club: Face to Face The Touch 4 5 6 7 8 9 10 Autumn Sonata SHORT CUTS Paid in Full INGMAR BERGMAN INGMAR BERGMAN BOOSIE FADE FILM CLUB 1:00pm 6:15pm 6:30pm 3:50pm 9:00pm 6:15pm Supporter Appreciation Weekend Mountains on Fire Tim Cook on The Virgin Spring Autumn Sonata Zidane: A 21st Century A Ship Bound for India THE GREAT WAR Lest We Forget INGMAR BERGMAN INGMAR BERGMAN Portrait INGMAR BERGMAN THE GREAT WAR 6:30pm Persona 11:30am DARIUS KHONDJI 3:35pm 9:00pm 6:00pm 9:00pm The Officers’ Ward INGMAR BERGMAN Member Meet-ups: All Quiet on the 9:00pm A Child’s Garden and the The Guardians Colin Geddes presents: with Mike Trauner 1:00pm Anna Christie Western Front Sundance Film Festival Serious Sea THE GREAT WAR with Leah Cuffe The Silent Partner THE GREAT WAR Short Film Tour STAN BRAKHAGE Autumn Leaves 12:00pm THE GREAT WAR KINOVORTEX SHORT CUTS 6:30pm JOAN CRAWFORD Canadian Cinema 9 10 11 12 13 14 15 To Joy 3:45pm Wiki Edit-a-thon at INGMAR BERGMAN Summer with Monika Film Reference Library 10:30am 6:30pm 6:30pm 6:30pm Shoplifters 1:15pm SPECIAL EVENT INGMAR BERGMAN Reel Talk: Contemporary Prison preceded by Daniel Dreams Brink of Life It’s a Wonderful Life INGMAR BERGMAN INGMAR BERGMAN INGMAR BERGMAN Mirai SPECIAL SCREENINGS 6:15pm 1:00pm World Cinema King and Country Anna Christie 1:00pm 8:30pm 8:30pm 3:15pm 4:00pm SPECIAL SCREENINGS THE GREAT WAR Strange Cargo 3 Women In the Presence of a Clown It’s a Wonderful Life The Sugarland Express SPECIAL SCREENINGS INGMAR BERGMAN SPECIAL SCREENINGS STEVEN SPIELBERG 9:05pm 3:15pm JOAN CRAWFORD Hour of the Wolf Passchendaele 3:30pm 6:30pm 7:00pm THE GREAT WAR INGMAR BERGMAN Secrets of Women Duel The Rite 6:30pm INGMAR BERGMAN STEVEN SPIELBERG INGMAR BERGMAN The Passion of Anna 6:05pm 8:45pm 9:00pm INGMAR BERGMAN Port of Call The Devil’s Eye preceded by Black Christmas 9:00pm INGMAR BERGMAN Karin’s Face SPECIAL SCREENINGS Colin Geddes presents: INGMAR BERGMAN Face to Face 16 17 18 19 20 21 22 11 12 13 14 15 16 KINOVORTEX 17 1:00pm 1:00pm 12:30pm 12:45pm 1:00pm 1:00pm 7:00pm 6:15pm 6:30pm 6:10pm 2:00pm Supporter Appreciation The Wild Pear Tree What Ever Happened E.T.: The Extra-Terrestrial Schindler’s List Indiana Jones Marathon The Goonies Empire of the Sun Duel Weekend Karina Longworth on The Kid Who Couldn’t Miss A Lesson in Love La Grande Guerra Regeneration to Baby Jane? STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG THE GREAT WAR INGMAR BERGMAN THE GREAT WAR THE GREAT WAR Wait Till The Sun Girl JOAN CRAWFORD 1:00pm 12:30pm 3:30pm 4:30pm 3:25pm 4:15pm 3:25pm Shines, Nellie 8:30pm 8:50pm 7:00pm 4:00pm 5:30pm Raiders of the Lost Ark SPECIAL SCREENINGS 3:45pm Close Encounters of the Gremlins E.T.: The Extra-Terrestrial Jurassic Park Amistad Lawrence of Arabia The Magic Flute Girlfriends TIFF Transforms Wooden Crosses STEVEN SPIELBERG THE GREAT WAR Harriet Craig Jaws Third Kind STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG INGMAR BERGMAN SPECIAL SCREENINGS THE GREAT WAR x Dan and Margot JOAN CRAWFORD STEVEN SPIELBERG STEVEN SPIELBERG 3:40pm 5:30pm SPECIAL EVENT 7:00pm 6:30pm 7:05pm 6:45pm 8:15pm 6:30pm 6:30pm 6:30pm Jurassic Park Indiana Jones and Munich E.T.: The Extra-Terrestrial Saving Private Ryan Member Meet-ups: 9:00pm Cries and Whispers Through a Glass Darkly STEVEN SPIELBERG the Temple of Doom STEVEN SPIELBERG STEVEN SPIELBERG STEVEN SPIELBERG Lawrence of Arabia Saraband Raiders of the Lost Ark STEVEN SPIELBERG Infinite Football INGMAR BERGMAN with José Teodoro INGMAR BERGMAN STEVEN SPIELBERG 9:50pm 9:45pm 9:30pm 10:10pm 6:30pm MDFF SELECTS INGMAR BERGMAN 6:25pm 8:45pm 9:10pm The Lost World: Jaws Close Encounters Raiders of the Lost Ark Humoresque Indiana Jones and Heathers Poltergeist Jurassic Park STEVEN SPIELBERG of the Third Kind STEVEN SPIELBERG with Karina Longworth SPECIAL SCREENINGS STEVEN SPIELBERG STEVEN SPIELBERG the Last Crusade STEVEN SPIELBERG JOAN CRAWFORD STEVEN SPIELBERG 9:15pm Indiana Jones and the Kingdom of the Crystal Skull 18 19 20 21 22 23 24 23 24 25 STEVEN SPIELBERG 26 27 28 29 10:30am 7:00pm 6:15pm 6:15pm Happy as Lazzaro 1:00pm 1:00pm Reel Talk: Contemporary Se7en Westfront 1918 Jonathan F. Vance on The Color Purple Back to the Future 3:30pm Regular programming TIFF Cinematheque World Cinema DARIUS KHONDJI THE GREAT WAR La Grande Illusion STEVEN SPIELBERG STEVEN SPIELBERG THE GREAT WAR What Ever Happened to 6:30pm 4:15pm 3:45pm 1:00pm Baby Jane? NEW RELEASES SPECIAL SCREENINGS JOAN CRAWFORD SHORT CUTS Grand Hotel Fårö Document 9:00pm JOAN CRAWFORD Empire of the Sun The Sugarland Express JOAN CRAWFORD INGMAR BERGMAN Save and Burn STEVEN SPIELBERG STEVEN SPIELBERG 6:30pm MEMBER EVENTS INGMAR BERGMAN STEVEN SPIELBERG LIV ULLMANN 8:45pm with Julian Samuel 7:20pm 6:20pm 3:30pm CANADIAN OPEN VAULT Life and Nothing But Fårö Document 1979 THE GREAT WAR Jaws A.I. Artificial Intelligence Fanny and Alexander SPECIAL EVENTS DARIUS KHONDJI KINOVORTEX WAVELENGTHS INGMAR BERGMAN INGMAR BERGMAN STEVEN SPIELBERG STEVEN SPIELBERG 9:15pm 8:45pm 9:15pm Peeping Tom REEL TALK STAN BRAKHAGE HIGHER LEARNING THE GREAT WAR The Library in Crisis SPECIAL SCREENINGS Close Encounters with Julian Samuel of the Third Kind CANADIAN OPEN VAULT STEVEN SPIELBERG SECRET MOVIE CLUB CANADIAN OPEN VAULT MDFF SELECTS BOOSIE FADE FILM CLUB 25 26 27 28 29 30 30 31.
Load more

Recommended publications
  • The Films of Ingmar Bergman: Centennial Celebration!
    The Films of Ingmar Bergman: Centennial Celebration! Swedish filmmaker, author, and film director Ingmar Bergman was born in 1918, so this year will be celebrated in Sweden and around the world by those who have been captivated by his work. Bergman belongs to a group of filmmakers who were hailed as "auteurs" (authors) in the 1960s by French, then American film critics, and his work was part of a wave of "art cinema," a form that elevated "movies" to "films." In this course we will analyze in detail six films by Bergman and read short pieces by Bergman and scholars. We will discuss the concept of film authorship, Bergman's life and work, and his cinematic world. Note: some of the films to be screened contain emotionally or physically disturbing content. The films listed below should be viewed BEFORE the scheduled OLLI class. All films will be screened at the PFA Osher Theater on Wednesdays at 3-5pm, the day before the class lecture on that film. Screenings are open to the public for the usual PFA admission. All films are also available in DVD format (for purchase on Amazon and other outlets or often at libraries) or on- line through such services as FilmStruck (https://www.filmstruck.com/us/) or, in some cases, on YouTube (not as reliable). Films Week 1: 9/27 Wild Strawberries (1957, 91 mins) NOTE: screening at PFA Weds 9/25 Week 2: 10/4 The Virgin Spring (1960, 89 mins) Week 3: 10/11 Winter Light (1963, 80 mins) Week 4: 10/18 The Silence (1963, 95 mins) Week 5: 10/25 Persona (1966, 85 mins) Week 6: 11/1 Hour of the Wolf (1968, 90 mins)
    [Show full text]
  • Themenportal Europäische Geschichte
    Themenportal Europäische Geschichte www.europa.clio-online.de Essay 1 EUROPA, „DIE GROßE ILLUSION“ Von Luisa Passerini Sprechen wir von „Europa“, dann sprechen wir von einer Idee, die durchaus ambivalen- te Züge aufweist. Um diese Ambivalenz der Idee „Europa“ näher zu charakterisieren, wähle ich hier den Ausdruck „Die große Illusion“. Das Wort „Illusion“ steht zuallererst für „Täuschung“, doch auf den zweiten Blick erschließen sich weitere Bedeutungen, wie diejenige, die sich aus der etymologischen Herkunft vom lateinischen Verb ludere = spielen und illudere = zum Spielen anregen, ergibt. Fragt man sich, womit denn über- haupt gespielt werden soll, so findet sich etwa im Oxford English Dictionary unter dem Begriff „Illusion“ der Verweis auf unsere Phantasie und unsere Vorstellungskraft. Die Verwendung des Ausdrucks „Illusion“ ist daher in diesem Sinne auch eine Einladung, unserer Phantasie freien Lauf zu lassen, um uns ein anderes, ein mögliches Europa vor- zustellen, ohne gleichzeitig dabei die Schwierigkeiten zu übersehen, denen Europa ge- genübersteht. Der Ausdruck „Große Illusion“ findet sich im Titel des 1910 zuerst erschienenen Bestsellers The great illusion von Sir Norman Angell (1872-1967).2 Angell, Friedens- nobelpreisträger des Jahres 1933, vertrat in diesem Buch die Position, Krieg sei wirt- schaftlich sinnlos und politischer Selbstmord. Bereits sein Buch von 1909, Europe’s optical illusion, hatte argumentiert, dass Kriegsrüstung und militärische Eroberung dem Aggressor keinen Nutzen bringe.3 The great illusion wurde durchaus zwiespältig aufge- nommen, da Angell auch dem Pazifismus, den er als „old pacifism“ bezeichnete, Senti- mentalität und Humanitätsduselei vorwarf. Nichtsdestotrotz trug das Buch, das bis in die 1930er Jahre mehrfach neu aufgelegt wurde, viel dazu bei, Kritik an Krieg und Mili- tarismus zu verbreiten.
    [Show full text]
  • O La Gran Ilusión
    UNA VERSIÓN CABALLERESCA: LA «GUERRA DE GUANTE BLANCO» O LA GRAN ILUSIÓN Gloria Camarero Gómez-Arteaga Universidad Carlos III de Madrid 1. Génesis e historia Corría el año de 1937 cuando Jean Renoir (1894-1979) realizó La gran ilusión, que sería la película que más fama le reportaría y también la preferida por el gran público. En esa fecha, este director francés era ya una fi gura muy re- conocida en el mundo del celuloide y se le consideraba un integrante destacado del cine frentepopulista1. 1 Sobre Jean Renoir puede consultarse: AA.VV. Jean Renoir. Ci- nemateca Portuguesa. Lisboa, 1994. BAZIN, A. Jean Renoir. Periodos, Filmes y documentos. Paidós. Barcelona, 1999. BERTIN, C. Jean Renoir, cineaste. Gallimard. París, 1944. BESSY, M. y BEYLIE, C. Jean Renoir. Pygmalion. París, 1989. BRAUDY, L. Jean Renoir. The world of his films. Doubleday. Nueva York, 1972. CAULIEZ, A. J. Jean Renoir. Editions Uni- versitaires. París, 1962. CUROT, F (dir.). «Renoir en France». Cahiers, 1, 1999. Centre d’Etude du XXe siècle. Publications de l’Université Paul Va- léry Montpellier III. Montpellier, 1999. DE VINCENTI, G. Jean Renoir. La vita i film. Marsilio Editori. Venecia, 1996. DURGNAT, R. Jean Renoir. University of California Press. Berkeley, 1974. FAULKNER, CH. The so- cial cinema of Jean Renoir. Princeton University Press. Princeton, 1986. FERNANDEZ CUENCA, C. Jean Renoir. Filmoteca Nacional de España. Madrid, 1966. HAFFNER, P. Jean Renoir. Editions Rivages. París, 1988. LEPHOHON, P. Jean Renoir. Editions Segners. París, 1967. PELAYO, A 15 Fue entonces cuando se interesó por el alcance de la I Guerra Mundial y decidió situar la acción de La gran ilusión en dicha contienda, que conocía de primera mano porque había servido en el ejercito francés como piloto en las tareas de reconocimiento de las líneas alemanas e in- cluso había estado preso en un campo alemán, entre 1916 y 1918.
    [Show full text]
  • Download the List of History Films and Videos (PDF)
    Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future.
    [Show full text]
  • Download Date 03/10/2021 11:10:08
    Sacred trauma: Language, recovery, and the face of God in Ingmar Bergman's trilogy of faith Item Type Thesis Authors Dyer, Daniel Download date 03/10/2021 11:10:08 Link to Item http://hdl.handle.net/11122/4802 SACRED TRAUMA: LANGUAGE, RECOVERY, AND THE FACE OF GOD IN INGMAR BERGMAN’S TRILOGY OF FAITH A THESIS Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS By Daniel Dyer, B.A. Fairbanks, Alaska December 2014 Abstract This thesis examines the three films that constitute director Ingmar Bergman’s first trilogy, Through a Glass Darkly , Winter Light , and The Silence. In the thesis I take a multi- disciplinary approach to analyzing the films’ treatments of language, trauma, and God. Drawing on the Old Testament and work of psychoanalysts dealing with trauma, I argue for the similarities and reciprocity between trauma and communion with God and the ways in which the three films illustrate these relationships. Each film functions on a reflexive level to criticize the tools of filmmaking—images, dialog, and narrative—and points to discordance between symbols and reality. Bringing in Jacques Lacan’s model of the imaginary and symbolic orders, I analyze the treatment of language and trauma in the trilogy and the potential for recovery suggested by the end of each film. The thesis culminates by tracing the trilogy toward a new vision of God and his role in the human psyche. v For Grandpa, the Eucharistic Minister. vi Table of Contents Signature Page .........................................................................................................................
    [Show full text]
  • David Roche (Ed.), Steven Spielberg: Hollywood Wunderkind & Humanist
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist Julia Echeverría-Domingo Electronic version URL: http://journals.openedition.org/miranda/14731 DOI: 10.4000/miranda.14731 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Julia Echeverría-Domingo, “David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist ”, Miranda [Online], 17 | 2018, Online since 02 October 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/14731 ; DOI: https://doi.org/10.4000/miranda.14731 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist 1 David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist Julia Echeverría-Domingo REFERENCES David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist (Montpellier: Presses Universitaires de la Méditerranée, 2018), 348 p, ISBN 978-2367812649. 1 This collective work provides an engaging and deeply respectful approach to Steven Spielberg, one of the most commercially successful and at the same time critically despised filmmakers of his time. As its editor David Roche acknowledges in his introduction, he himself was reluctant at first to deal with a filmmaker who is recognized for his emotional manipulation and popcorn blockbusters (11). This initial reticence, which is probably common to many other scholars, is soon dispelled by a thought-provoking collection of essays that situate Spielberg not just as a studio director in the classical sense but also as a gifted auteur.
    [Show full text]
  • The Techniques of Realism and Fantasy for the Expression of the Political in French Cinema from Its Origins to the New Wave
    THE EXPRESSION OF THE POLITICAL IN FRENCH CINEMA THE TECHNIQUES OF REALISM AND FANTASY FOR THE EXPRESSION OF THE POLITICAL IN FRENCH CINEMA FROM ITS ORIGINS TO THE NEW WAVE By FRANCES OKSANEN, B. A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University October 1990 MASTER OF ARTS (1990) McMASTER UNIVERSITY (French) Hamilton~ Ontario TITLE: The Techniques of Realism and Fantasy for the Expression of the Political in French Cinema from its Origins to the New Wave AUTHOR: Frances Oksanen, B. A. (McMaster University) SUPERVISOR: Professor John Stout NUMBER OF PAGES: v, 167. ii .... '. ABSTRACT This study examines the relationship between film techniques and politics in French cinema. The first filmmakers established the basic techniques of cinema, using realism to record events, and fantasy to create amusements. Narrative film developed as a combination of these techniques. Cinema of the twenties was closely associated with the European art movements of Dadaism, Surrealism and Expressionism. By the thirties, the political polarisation and the threat of a second World War caused filmmakers to project political opinions and to portray societal problems. Narrative film became an important means of influencing public opinion, although not always in the directions intended. With the New Wave, autobiographical content and a return to early film techniques made narrative film both personal and traditional. The directors solidified the reputation of French cinema as topical, socially relevant, and politically involved. iii ACKNOWLEDGEMENTS I would like to thank my supervisor, Professor John C. Stout for his advice through the course of my research, and Professor Charles E.
    [Show full text]
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • Understanding Steven Spielberg
    Understanding Steven Spielberg Understanding Steven Spielberg By Beatriz Peña-Acuña Understanding Steven Spielberg Series: New Horizon By Beatriz Peña-Acuña This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Beatriz Peña-Acuña Cover image: Nerea Hernandez Martinez All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0818-8 ISBN (13): 978-1-5275-0818-7 This text is dedicated to Steven Spielberg, who has given me so much enjoyment and made me experience so many emotions, and because he makes me believe in human beings. I also dedicate this book to my ancestors from my mother’s side, who for centuries were able to move from Spain to Mexico and loved both countries in their hearts. This lesson remains for future generations. My father, of Spanish Sephardic origin, helped me so much, encouraging me in every intellectual pursuit. I hope that contemporary researchers share their knowledge and open their minds and hearts, valuing what other researchers do whatever their language or nation, as some academics have done for me. Love and wisdom have no language, nationality, or gender. CONTENTS Introduction ................................................................................................. 1 Chapter One ................................................................................................. 3 Spielberg’s Personal Context and Executive Production Chapter Two .............................................................................................. 19 Spielberg’s Behaviour in the Process of Film Production 2.1.
    [Show full text]
  • The Films of Ingmar Bergman Jesse Kalin Frontmatter More Information
    Cambridge University Press 0521380650 - The Films of Ingmar Bergman Jesse Kalin Frontmatter More information The Films of Ingmar Bergman This volume provides a concise overview of the career of one of the modern masters of world cinema. Jesse Kalin defines Bergman’s conception of the human condition as a struggle to find meaning in life as it is played out. For Bergman, meaning is achieved independently of any moral absolute and is the result of a process of self-examination. Six existential themes are explored repeatedly in Bergman’s films: judgment, abandonment, suffering, shame, a visionary picture, and above all, turning toward or away from others. Kalin examines how Bergman develops these themes cinematically, through close analysis of eight films: well-known favorites such as Wild Strawberries, The Seventh Seal, Smiles of a Summer Night, and Fanny and Alexander; and im- portant but lesser-known works, such as Naked Night, Shame, Cries and Whispers, and Scenes from a Marriage. Jesse Kalin is Andrew W. Mellon Professor of Humanities and Professor of Philosophy at Vassar College, where he has taught since 1971. He served as the Associate Editor of the journal Philosophy and Literature, and has con- tributed to journals such as Ethics, American Philosophical Quarterly, and Philosophical Studies. © Cambridge University Press www.cambridge.org Cambridge University Press 0521380650 - The Films of Ingmar Bergman Jesse Kalin Frontmatter More information CAMBRIDGE FILM CLASSICS General Editor: Ray Carney, Boston University The Cambridge Film Classics series provides a forum for revisionist studies of the classic works of the cinematic canon from the perspective of the “new auterism,” which recognizes that films emerge from a complex interaction of bureaucratic, technological, intellectual, cultural, and personal forces.
    [Show full text]
  • The Sugarland Express (Spielberg 1974): Una Aproximación a Sus Hombres
    THE SUGARLAND EXPRESS (SPIELBERG 1974): UNA APROXIMACIÓN A SUS HOMBRES AUTOR José Díaz-Cuesta CILAP, Universidad de La Rioja en Logroño (España) [email protected] El texto fílmico The Sugarland Express (Spielberg 1974), titulado en España Loca evasión, es encuadrado por Lester Friedman en su libro Citizen Spielberg (2006), atendiendo a la temática de las películas, dentro de aquéllas que pertenecen al género melodramático de acción y/o aventura. El director reconocía en 1988 que “I don’t think I’ve ever not made a melodrama” (Spielberg 1988: 13). Aquí, además, como ya sucedía en Duel (Spielberg 1971), se cruza con la road movie. Continuando la tarea de analizar las representaciones de masculinidades en toda la filmografía de este director (Díaz-Cuesta 2010, 2012), parece oportuno abordar ahora la obra que supone la primera incursión directa en el cine. Para el análisis de las representaciones de masculinidades en esta obra seguimos un método analítico-sintético que sigue los cuatro entornos o sites en los que Pat Kirkham y Janet Thumim (1993: 11) enmarcan las masculinidades en el cine: el cuerpo, la acción, el mundo externo y el mundo interno. En el cuerpo, Kirkham y Thumim distinguen entre el representado por la star persona del actor y el que se incorpora al personaje de la película en cuestión. En el caso de The Sugarland Express el protagonismo central lo ocupa una madre, Lou Jean Poplin (encarnada por Goldie Hawn), alrededor de la cual pivotan los hombres que se cruzan en su camino: su marido Clovis (William Atherton), el policía al que secuestran, Matthew Slide (Michael Sacks), y el capitán Harlis Tanner (Ben Johnson), sin olvidarnos del niño Langston (Harrison Zanuck).
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Things I Hate About You DVD-0812 27 Dresses DVD-8204 1000 Eyes of Dr. Mabuse DVD-0048 28 Days Later DVD-4333 10th Victim DVD-5591 DVD-6187 12 DVD-1200 28 Weeks Later c.2 DVD-4805 c.2 12 and Holding DVD-5110 3 Women DVD-4850 12 Angry Men DVD-0850 3 Worlds of Gulliver DVD-4239 12 Monkeys DVD-3375 3:10 to Yuma DVD-4340 12 Years a Slave DVD-7691 30 Days of Night DVD-4812 1776 DVD-0397 300 DVD-6064 1900 DVD-4443 35 Shots of Rum DVD-4729 1984 (Hurt) DVD-4640 39 Steps DVD-0337 DVD-6795 4 Little Girls DVD-0051 1984 (Obrien) DVD-6971 400 Blows DVD-0336 2 Autumns, 3 Summers DVD-7930 42 DVD-5254 2 or 3 Things I Know About Her DVD-6091 50 First Dates DVD-4486 20 Million Miles to Earth DVD-3608 500 Years Later DVD-5438 2001: A Space Odyssey DVD-0260 61 DVD-4523 2010: The Year We Make Contact DVD-3418 70's DVD-0418 2012 DVD-4759 7th Voyage of Sinbad DVD-4166 2012 (Blu-Ray) DVD-7622 8 1/2 DVD-3832 21 Up South Africa DVD-3691 8 Mile DVD-1639 24 Season 1 (Discs 1-3) DVD-2780 Discs 9 to 5 DVD-2063 25th Hour DVD-2291 9.99 DVD-5662 9/1/2015 9th Company DVD-1383 Adventures of Ozzie and Harriet DVD-0831 A.I.
    [Show full text]