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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Motörhead: ?1979? Box Set. 40 Anys Dels Àlbums Overkill I Bomber
It's only rock & roll | Pep Saña | Actualitzat el 04/05/2020 a les 17:04 Motörhead: ?1979? Box Set. 40 anys dels àlbums Overkill i Bomber. A mitjans del 2019, el segell discogràfic BMG anunciava el llançament de ?1979?, una capsa de luxe per commemorar el 40 aniversari d'un dels anys clau de la carrera de Motörhead. I és que al 1979 la banda liderada per Lemmy Kilmister editaven, Overkill i Bomber, dos dels seus àlbums clàssics, amb el guitarrista ?Fast? Eddie Clarke i el bateria Phil ?Philthy Animal? Taylor. Aquells eren uns altres temps, és l'única manera d'explicar que en el període de 365 dies la banda llancés dos dels que encara avui són considerats entre els seus millors àlbums. El 1979 va ser un any agitat i de grans canvis socials a Gran Bretanya, amb l'inici de l'era Thatcher i una greu crisi que desembocaria en grans vagues i enfrontaments. Aquest va ser el teló de fons amb el que Motörhead van gestar aquestes dues obres fonamentals per entendre molt del Rock que vindria després. En aquest context també, el 9 de març de 1979 milions d'espectadors s'esperen per veure el famós programa musical de la BBC, Top Of The Pops. Molts no imaginaven el que se'ls venia a sobre quan Motörhead van arrencar amb una tronadora i vertiginosa, Overkill, el tema que dona títol a un d'aquests àlbums. Començava la llegenda. Lemmy Kilmister va formar Motörhead al 1975, després de ser expulsat de Hawkwind per l'incident de la droga al Canadà. -
Motörhead Magic for Robe | 1
Motörhead Magic for Robe | 1 Pics by Louise Stickland Motörhead, one of the most truly iconic bands in the history of heavy, hard and speed metal, with an illustrious and thunderous career that blasted off in the 1970s and rocked gloriously loudly for the next 40 years until their last live gig in Berlin on 11th December 2015. Story and Photos by Louise Stickland. The band officially ended on 28th December 2015, two and a half weeks after that memorable show in Berlin, and part way through the “Bad Magic” tour with the passing of founder, lead singer and rock ‘n’ roll warrior Lemmy (Ian Fraser Kilmister) aged 70. The “Bad Magic” tour was supporting of their 22nd studio album – for which lighting designer Caio Bertti sculpted a classic rock ’n’ roll look with the contemporary twist of moving lights from Robe. The famous Motörhead bomber set piece also flew again for this European tour – its last as it would turn out – and its first time on a tour for many years. It was completely refurbished and brought bang up-to-date with new lighting including Robe Pointes and LEDWash 600s plus a full automation system making it more agile and maneuverable than ever before Their shows have always been uncompromisingly rock ‘n’ roll, and this one very much mimicked Motörhead Magic for Robe | 2 that oeuvre, however Caio broke new ground in 2013 when asked onboard by previous LD Stefan Sjoland … and became the first to introduce moving lights to the stage with 24 x Robe Pointes on the “Aftershock” tour. -
Wydawnictwo UP
FOLIA 287 Annales Universitatis Paedagogicae Cracoviensis Studia de Cultura 11(3) 2019 ISSN 2083-7275 DOI 10.24917/20837275.11.3.3 Jakub Kosek Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie ORCID 0000-0001-7664-4599 Tanatoekshibicjonizm medialny w perspektywie (metal) music studies. Rekonesans Słowie wstępnym - Wymiary śmierci Stanisław Rosiek w do antologii francuskich tekstów dotyczą cych tanatologii zatytułowanej stwierdza: „Cóż można powiedzieć o śmierci, prócz tego, że jest – i że jest nieuchronna? Niewiele więcej. A jednak mówi się o niej i pisze ciągle od nowa” (Rosiek 2002: 6). Badacz dostrzega dewaluację słów o śmierci, zauważa, że „jako kategoria ogólna – zniknęła, tak samo jak kiedyś- rozpadła się jako persona” (Rosiek 2002: 6). Historyk literatury podkreśla jednak- wartość i potrzebę mówienia o zmarłych, a także o „żywych, którzy się obok umar- łych pojawiają jako uczestnicy zbiorowych rytuałów żałobnych lub jako rozpacza jący wedle prywatnej reguły” (Rosiek 2002: 6). Celem artykułu będzie próba scha rakteryzowania wybranych zjawisk związanych ze śmiercią muzyków metalowych- i wskazania specyficznych osadzonych w kontekście metakultury symultaniczności (Burszta 2007: 37) aspektów ogniskujących się przede wszystkim wokół medial nych reprezentacji o charakterze (tanato)ekshibicjonistycznym. Jeden z najważniejszych francuskich prekursorów studiów tanatologicznych,- socjolog Louis-Vincent Thomas, zauważał poszerzenie zakresu badań dotyczących tanatologii jako szczególnej refleksji o życiu i śmierci, służącej życiu i upamiętnia jącej tych, którzy od nas odeszli (Thomas 2002: 11). Badacz wskazuje wybrane- dziedziny współtworzące tę wiedzę: filozofię i teologię, sztukę (malarstwo, rzeźbę,- architekturę, muzykę, komiks, fotografię, sztukę filmową) i literaturę, nauki biolo giczno-medyczne, nauki humanistyczne i społeczne (lingwistykę i semiologię, histo- rię, antropologię społeczną i kulturową, psychologię, ekonomię śmierci). -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
EDITORIAL BLITZ! Numéro 17
EDITORIALEDITORIAL BLITZ!BLITZ! numéronuméro 1717 La transition entre les années 2015 et 2016 a été marquée par deux décès majeurs dans le monde de la musique moderne et populaire que nous aimons : Ian « Lemmy » Frazer Kilmister, fondateur de Motörhead, et David Bowie, artiste aux talents multiples, ont pris le grand départ pour l’au-delà. Nous avons décidé de consacrer notre dossier à Motörhead, projet musical dont nous admirons la constance affichée pendant quarante ans, et qu’il serait très réducteur d’affubler de la seule étiquette heavy metal. Quant à David Bowie, l’influence qu’il a exercée sur beaucoup d’artistes que nous aimons, parmi lesquels Ian Curtis, le rend forcément incontournable dans un très prochain numéro de BLITZ! Fort heureusement, le présent numéro de votre webzine n’est pas qu’une rubrique nécrologique : vous y trouverez aussi des interviews et des articles consacrés à des artistes bien vivants, dont les têtes fourmillent de projets. Bonne lecture et merci pour votre fidélité ! Général Hiver BLITZ! numéro 17 – 1er trimestre 2016 1 TELEX – BLITZ! numéro 17 – Par le Général Hiver Le label français Unknown Pleasures propose une compilation hommage au duo new-yorkais Suicide, pionner de la musique électronique et incarnation du slogan do it yourself cher aux punks. La setlist rassemble des noms prestigieux : Gabi Delgado s’associe à Adan & Ilse dans une cover très réussie de « Girl ».Les reprises les plus remarquables sont, à notre avis, celles de Distel (qui offre une version funèbre de « Che »), et de Laag, dont le « Rain of Ruin » très new wave nous a ravis, Le morceau « Ghostrider » est quant à lui présent trois fois, la version d’In Death It Ends, quoique réussie, n’a pas l’intensité urbaine de son homologue, proposée par.. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
MOTÔRHEAD Fejrer 40 År Med Nyt Album Imorgen 28
2015-08-27 11:21 CEST MOTÔRHEAD fejrer 40 år med nyt album imorgen 28. aug ! Inkl en hyldest til The Rolling Stones ! Freedom to believe don’t have a price Innocence never gets too old You need a bolt of rock Severe toxic shock Electricity deep in your soul “Electricity” – Motörhead After 40 years rattling teeth, bones and ears with their legendary rock’n’roll, you might excuse Motörhead if they wanted to ease off. Put their feet up. Relax a little. But that’s just it… …this is Motörhead. And instead, Motörhead gleefully say a loud and hearty ‘bollocks’ to that sort of feeble-minded thinking with their 22nd studio album, Bad Magic. Bristling with thunderous attitude, pioneering spirit and some of the fiercest rhythms and riffs that’ll beat your ears into submission this year, Bad Magic is a massive kick in the teeth for anyone who dared believe it might be otherwise. Indeed, if those people still remain, they would do well to grab some big fat earplugs, fall to their knees and pray like buggery, because big-rig head crushers like “Thunder And Lightning” and the especially l-o-u-d “Teach‘Em How To Bleed” show that Motörhead are as strong, mean, loud, relentless, uncompromising and goddam heavy as ever. Drawing on their own vast catalogue of road-warrior freewheeling rock’n’roll spirit, Bad Magic also strides confidently into some of the earlier attitudes of Motörmusic. Written and recorded in the studio together, for the first time in the Kilmister/Campbell/Dee era, the more ‘live’ approach to creating Bad Magic has obviously paid dividends in this regard. -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4. -
Saxon Headlining Lemmy 500 in Sweden
2016-03-23 13:49 CET Saxon headlining Lemmy 500 in Sweden The British world-renowned rock band Saxon will headline the Swedish racingseries V8 Thunder Cars final, the Lemmy 500 at Ljungbyhed in September 24. Saxon will give the Swedish audience a full concert and to honour the legendary frontman of Motorhead, Lemmy Kilmister who passed away recently, Saxon will also team up with the former members of Motorhead, Mikkey Dee and Phil Campbell to make a one-off musical tribute to Lemmy performing some of Motorheads greatest hits. ”It´s going to be great to come back and see all our Swedish fans! This event is something special an unique. We have never before made a concert at a racetrack on a raceday and also to do a tribute to our long time friend and rock icon Lemmy along with Mikkey Dee and Phil Campbell”, says Biff Byford, the lead singer of Saxon, whose latest album Battering Ram reached number 13 on the Swedish charts. ”This is going to be a night to remember! Playing some of Motorheads greatest hits together with our friends Saxon is going to be a great tribute to our former friend and band member. The Lemmy 500 will go down in history as the rockiest race championship final ever!”, says former drummer of Motorhead, Mikkey Dee. The Swedish national championship racing series V8 Thunder Cars has been given the go-ahead to name its final race in honour of Lemmy – the winner of the Lemmy 500 and the championship will be crowned on stage before the concert starts. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 1-17-1989 Columbia Chronicle (01/17/1989) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (01/ 17/1989)" (January 17, 1989). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/260 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Classes falsely cancelled Teachers angered by unofficial notes posted on· doors aild blackboards of those absent that evening be By Douglas Holt A half hour later, Cohn was · fore Thanksgiving break. and Adolfo Mendez waiting for the Wabash building elevator doors to open; just after "I didn' t say a word about it Mysterio us unofficial class the doors opened, security guard [after Thanksgiving break], " cancellation tales; several in- Clifton Stuckey stepped out of Cohn said. " I was wattmg for structors have them to tell. the e leva tor and approached so meone in the class to say " I went and checked out my Cohn as he was entering . something about it. I didn' tthink _ room at about 6 p.m:, but no- " He [Stuckey] said, 'Your somebody in class did it." body wa:s in the room," Steve class was cancelled,' and I said, .