Is Political Science Producing Technically Competent Barbarians?
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Starring Hitler! Adolf Hitler As the Main Character in Twentieth-First Century French Fiction," Studies in 20Th & 21St Century Literature: Vol
Studies in 20th & 21st Century Literature Volume 43 Issue 2 Article 44 October 2019 Starring Hitler! Adolf Hitler as the Main Character in Twentieth- First Century French Fiction Marion Duval The College of Wooster, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, Holocaust and Genocide Studies Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Duval, Marion (2019) "Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction," Studies in 20th & 21st Century Literature: Vol. 43: Iss. 2, Article 44. https://doi.org/10.4148/ 2334-4415.2076 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction Abstract Adolf Hitler has remained a prominent figure in popular culture, often portrayed as either the personification of evil or as an object of comedic ridicule. Although Hitler has never belonged solely to history books, testimonials, or documentaries, he has recently received a great deal of attention in French literary fiction. This article reviews three recent French novels by established authors: La part de l’autre (The Alternate Hypothesis) by Emmanuel Schmitt, Lui (Him) by Patrick Besson and La jeunesse mélancolique et très désabusée d’Adolf Hitler (Adolf Hitler’s Depressed and Very Disillusioned Youth) by Michel Folco; all of which belong to the Twenty-First Century French literary trend of focusing on Second World War perpetrators instead of their victims. -
The Mind of Adolf Hitler: a Study in the Unconscious Appeal of Contempt
[Expositions 5.2 (2011) 111-125] Expositions (online) ISSN: 1747-5376 The Mind of Adolf Hitler: A Study in the Unconscious Appeal of Contempt EDWARD GREEN Manhattan School of Music How did the mind of Adolf Hitler come to be so evil? This is a question which has been asked for decades – a question which millions of people have thought had no clear answer. This has been the case equally with persons who dedicated their lives to scholarship in the field. For example, Alan Bullock, author of Hitler: A Study in Tyranny, and perhaps the most famous of the biographers of the Nazi leader, is cited in Ron Rosenbaum’s 1998 book, Explaining Hitler, as saying: “The more I learn about Hitler, the harder I find it to explain” (in Rosenbaum 1998, vii). In the same text, philosopher Emil Fackenheim agrees: “The closer one gets to explicability the more one realizes nothing can make Hitler explicable” (in Rosenbaum 1998, vii).1 Even an author as keenly perceptive and ethically bold as the Swiss philosopher Max Picard confesses in his 1947 book, Hitler in Ourselves, that ultimately he is faced with a mystery.2 The very premise of his book is that somehow the mind of Hitler must be like that of ourselves. But just where the kinship lies, precisely how Hitler’s unparalleled evil and the everyday workings of our own minds explain each other – in terms of a central principle – the author does not make clear. Our Deepest Debate I say carefully, as a dispassionate scholar but also as a person of Jewish heritage who certainly would not be alive today had Hitler succeeded in his plan for world conquest, that the answer Bullock, Fackenheim, and Picard were searching for can be found in the work of the great American philosopher Eli Siegel.3 First famed as a poet, Siegel is best known now for his pioneering work in the field of the philosophy of mind.4 He was the founder of Aesthetic Realism.5 In keeping with its name, this philosophy begins with a consideration of strict ontology. -
Opposing Evil #1 (Transcript)
Opposing Evil #1 by Ronald L. Dart The German people are, in every sense of the word, a great people—intelligent, innovative, accomplished—but for me the question about the Germans is always colored by the dark shades of Adolf Hitler, and the question of how it happened to them and to the Jews of Europe. Not long ago I presented a program titled How Freedom Is Lost. I turned back the pages to an episode in the history of Israel. (You can read it for yourself; it’s in 1 Samuel, chapter eight.) It came at the end of what may have been a period of unparalleled freedom, that has never been before and has never been since; and the story of why they laid that freedom down, and of what followed after, is an object lesson we must never let ourselves forget. Now, I’m not going to retell that story today. (I will tell you how to get a free CD of that program a little later.) What I want to do today is to draw another lesson from much more recent history, and to consider the implications for Christians living right now. I knew that Germany was a great nation in European history. Christianity was strong there and the Protestant Reformation was born there. I’ve heard people puzzle over how a people like the Germans of that era could possibly allow a man like Adolf Hitler—such a lowbrow, corruptible little man—to come to such absolute power. Strange as it may seem, it may have been for some of the same reasons I discussed in that program, How Freedom Is Lost. -
Of Adolf Hitler's Antisemitism in Vienna
Student Publications Student Scholarship Spring 2021 An Education in Hate: The “Granite Foundation” of Adolf Hitler’s Antisemitism in Vienna Madeleine M. Neiman Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the European History Commons, Holocaust and Genocide Studies Commons, and the Jewish Studies Commons Share feedback about the accessibility of this item. Recommended Citation Neiman, Madeleine M., "An Education in Hate: The “Granite Foundation” of Adolf Hitler’s Antisemitism in Vienna" (2021). Student Publications. 932. https://cupola.gettysburg.edu/student_scholarship/932 This open access student research paper is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. An Education in Hate: The “Granite Foundation” of Adolf Hitler’s Antisemitism in Vienna Abstract Adolf Hitler’s formative years in Vienna, from roughly 1907 to 1913, fundamentally shaped his antisemitism and provided the foundation of a worldview that later caused immense tragedy for European Jews. Combined with a study of Viennese culture and society, the first-hand accounts of Adolf Hitler and his former friends, August Kubizek and Reinhold Hanisch, reveal how Hitler’s vicious antisemitic convictions developed through his devotion to Richard Wagner and his rejection of Viennese “Jewish” Modernism; his admiration of political role models, Georg Ritter von Schönerer and Dr. Karl Lueger; his adoption of the rhetoric and dogma disseminated by antisemitic newspapers and pamphlets; and his perception of the “otherness” of Ostjuden on the streets of Vienna. Altogether, Hitler’s interest in and pursuit of these major influences on his extreme and deadly prejudice against Jews have illuminated how such a figure became a historical possibility. -
The Problem with Hitler. the Man Nobody Knows
HAOL, Núm. 9 (Invierno, 2006), 131-140 ISSN 1696-2060 THE PROBLEM WITH HITLER. THE MAN NOBODY KNOWS Ben Novak City University, Bratislava, Slovak Republic. E-mail: [email protected] Recibido: 1 Diciembre 2005 / Revisado: 11 Enero 2006 / Aceptado: 19 Enero 2006 / Publicación Online: 15 Febrero 2006 Resumen: We know so much about Adolf than is known about most other lives. We know, Hitler. We probably have more information— for example, his eating habits, and just about facts, details, and minutiae—about this man’s every illness and every medication he ever took. life than any other major figure of modern times. We know he was psychotic, sociopathic, Nonetheless, we still feel that we do not know paranoid, a bit schizophrenic, definitely a the man. His life is one of the greatest mysteries manic-depressive, who often talked of suicide— in human history. Why is it that Hitler, about and eventually died with a pistol in his mouth whom more facts and details are known than and a cyanide capsule clenched between his perhaps any other figure in modern history teeth. We know, too, about the women with (perhaps in all history), remains such a mystery? whom he had affairs; we suspect that he was Hitler frustrated his opponents, amazed neutral homosexually inclined, and perhaps even active. observers, and delighted his supporters by We even know how he felt about his dogs. We pulling off the seemingly “impossible”. He know that he considered himself an artist—we never would have made it into power except by have many of his drawings and paintings—and accomplishing these five “impossibilities”; and that he frequently spoke about his idea of art. -
Charisma: the Key to Hitler's Rhetoric
Charisma: The Key to Hitler’s Rhetoric Author: Bruce Loebs Professor, Department of Communication and Rhetorical Studies Idaho State University World War Two is the most cataclysmic event in history. According to British military historian John Keegan, “The Second World War is the largest single event in human history, fought across six of the world’s seven continents and all of its oceans. It killed 50 million human beings, left hundreds of millions of others wounded and materially devastated much of the heartland of civilization.”1 Incredibly, one man – Adolf Hitler – caused this “carnage and ruin.”2 Noted historian John Lukacs, in his insightful analysis of The Legacy of the Second World War, draws the cause and effect of Hitler and WWII succinctly, “No Hitler, no Second World War. The Second World War was Hitler’s war.”3 My purpose in this essay is to describe Hitler’s unquestioned skill as a public speaker by explaining how he projected himself as a charismatic leader. http://www.archives.gov/research/military/ww2/photos It is horrifying to contemplate the consequences of a German victory in WWII. Lukacs believes Hitler could have won. “Had the Germans invaded England during the summer [of 1940] he would have won his war.” Adds Lukacs, “in September and October 1941…Stalin was compelled to inform Churchill ‘the Soviet Union [is] in mortal danger’, on the verge of collapse.”4 H. Trevor Roper, premier historian of Hitler and Nazi Germany, agrees: “The fact is Hitler nearly won the war. It was by a whisker he didn’t. -
Visualizing FASCISM This Page Intentionally Left Blank Julia Adeney Thomas and Geoff Eley, Editors
Visualizing FASCISM This page intentionally left blank Julia Adeney Thomas and Geoff Eley, Editors Visualizing FASCISM The Twentieth- Century Rise of the Global Right Duke University Press | Durham and London | 2020 © 2020 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Julienne Alexander / Cover designed by Matthew Tauch Typeset in Minion Pro and Haettenschweiler by Copperline Books Library of Congress Cataloging-in-Publication Data Names: Eley, Geoff, [date] editor. | Thomas, Julia Adeney, [date] editor. Title: Visualizing fascism : the twentieth-century rise of the global right / Geoff Eley and Julia Adeney Thomas, editors. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019023964 (print) lccn 2019023965 (ebook) isbn 9781478003120 (hardback : acid-free paper) isbn 9781478003762 (paperback : acid-free paper) isbn 9781478004387 (ebook) Subjects: lcsh: Fascism—History—20th century. | Fascism and culture. | Fascist aesthetics. Classification:lcc jc481 .v57 2020 (print) | lcc jc481 (ebook) | ddc 704.9/49320533—dc23 lc record available at https://lccn.loc.gov/2019023964 lc ebook record available at https://lccn.loc.gov/2019023965 Cover art: Thomas Hart Benton, The Sowers. © 2019 T. H. and R. P. Benton Testamentary Trusts / UMB Bank Trustee / Licensed by vaga at Artists Rights Society (ARS), NY. This publication is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters, University of Notre Dame. CONTENTS ■ Introduction: A Portable Concept of Fascism 1 Julia Adeney Thomas 1 Subjects of a New Visual Order: Fascist Media in 1930s China 21 Maggie Clinton 2 Fascism Carved in Stone: Monuments to Loyal Spirits in Wartime Manchukuo 44 Paul D. -
STAGING HITLER MYTHS a Thesis Presented to The
STAGING HITLER MYTHS ____________________ A Thesis presented to the Graduate School University of Missouri _____________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts __________________ by Judith Lechner Dr. Roger Cook, Thesis Supervisor MAY 2009 The undersigned, appointed by the Dean of the Graduate School, have examined the thesis entitled STAGING HITLER MYTHS Presented by Judith Lechner A candidate for the degree of Master of Arts in German. And hereby certify that in their opinion it is worthy of acceptance. __________________________________________ Professor Roger Cook __________________________________________ Professor Sean Franzel __________________________________________ Professor Andrew Hoberek ACKNOWLEDGEMENTS I hereby want to thank the professors of my department and Professor Andrew Hoberek from the English Department for their support throughout my writing process. I want to thank Professor Bradley Prager, who first introduced me to this topic in his class about contemporary German cinema and supported me with articles, secondary literature and cause for thought. Furthermore, I want to thank Professor Roger Cook for spontaneously becoming my thesis supervisor. His support throughout the writing process helped me develop a strong thesis and explore my argument. I would also like to thank Professor Sean Franzel for his very helpful comments on the structure of the thesis. Through his comments, the logic of my argument improved. Last but not least, I want to thank Professor Hoberek for joining my -
Ernest Becker and the "Heroic Nazi"
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 12-20-2009 Understanding the Holocaust: Ernest Becker and the "Heroic Nazi" Stephen Martin University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Martin, Stephen, "Understanding the Holocaust: Ernest Becker and the "Heroic Nazi"" (2009). University of New Orleans Theses and Dissertations. 1001. https://scholarworks.uno.edu/td/1001 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Understanding the Holocaust: Ernest Becker and the “Heroic Nazi” A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History by Stephen F. Martin December 2009 Table of Contents Abstract .................................................................................................................iii -
Where Ghosts Walked : Munichs Road to the Third Reich Ebook, Epub
WHERE GHOSTS WALKED : MUNICHS ROAD TO THE THIRD REICH PDF, EPUB, EBOOK David Clay Large | 432 pages | 17 Oct 1997 | WW Norton & Co | 9780393038361 | English | New York, United States Where Ghosts Walked : Munichs Road to the Third Reich PDF Book Writing with flair and an eye for telling detail, Large brings to life the stories of the indelible characters who epitomized the Games. Explore dark alleys and the haunted town square by lantern light, and hear stories about murder, executions, witch burning, and all sorts of other mysteries. And I certainly found that having walked with him around a number of the historic locations mentioned in the book it certainly added a new dimension to the read. Calls for an international boycott of the games were made, but they went largely unheeded. Meine Mediathek Hilfe Erweiterte Buchsuche. Dan rated it really liked it Aug 17, Password required. Martin Luther King Jr. For a better shopping experience, please upgrade now. From the violent experience of the Munich Soviet, through Hitler's failed Beer-Hall Putsch of and on to his appointment as German chancellor in , Large unfurls a narrative full of insight and implication. As Large demonstrates, Munich being a part of Bavaria had strong nationalistic tendencies and did not like taking orders from the Berlin government. I grew sick to my stomach when I even thought back on that Babylon of races. An avid athlete, Large, when not writing, teaching, or parenting he has a nine-year-old daughter , can often be found running the roads of Bozeman, Montana, and San Francisco, California, the two places he calls home. -
Why Hitler? How Auschwitz?
University of California at San Diego WHY HITLER? HOW AUSCHWITZ? HIEU 158 Spring quarter 2005 529012 Class meets Mondays, Wednesdays and Fridays 11—11:50 in Center 105. Office hours: Mondays, Wednesdays and Fridays 9:30-10:30 Professor Deborah Hertz Humanities and Social Science Building 4040 534-5501 Please do not send me e-mail unless it is a picture connected to your Roundtable presentation. If you need to contact me, leave a message on my voicemail, see me before or after class or call me during my office hours. In an emergency, you can leave a message with the Judaic Studies Program assistant, Ms. Erin Svalstad, [email protected]. Requirements: All students are expected to attend every lecture and do the reading. Attendance will be taken in class. Although the class will be large, we will try to have discussions based on the question for that session, which will be posted on our WebCt the evening before the lecture. Students will take two in-class exams [April 18 and June 3] and one take- home examination, over the weekend of May 7-8. Late work or make-up examinations will generally not be possible unless you contact the instructor at least 24 hours before the deadline. Our class will have a web site. To gain access use your UCSD username and the password you have chosen. The address is http://webct.ucsd.edu. If you have problems gaining access call Academic Computing at 4-4061 or 4-2113. It may take a few days into the quarter for our site to be up and running. -
Representations of Hitler, 1900-1930S Course Syllabus
UCSB Int 184HM Honors Forum, Spring 2011 Prof. Marcuse Representations of Hitler, 1900-1930s Office: HSSB 4222; hours M 1-2, W 1-2 Mondays, 10-11:50, HSSB 4202 [email protected] Representations of Hitler, 1900-1930s Course Syllabus COURSE DESCRIPTION AND GOALS Adolf Hitler (1889-1945) grew up in several smaller cities in Austria, lived in Vienna from ages 18 to 24 (1907-1913), then lived in Munich until he became German chancellor in 1933, except for this World War I service from 1914 to 1918 and a spell in prison in 1924. How do we know what we know about Hitler? After some sporadic press reports about him in the early 1920s, Hitler presented the world with a short autobiography in his book Mein Kampf (My Struggle) in 1925. As Hitler's political notoriety increased, journalists scoured the countryside for information about him, and more serious biographies began to appear. During and shortly after World War I many people who had crossed paths with him had published their memories of him, and researchers sought to find every conceivable documentary trace. Since then more and more documents have been brought to light, with every more detailed biographies being written. In this course we will attempt to discern fact from fiction by examining both the primary sources and how they have been verified and interpreted by historians. We will also examine the backgrounds of the authors and the contexts in which those documents were written to attempt to discern how various biases shaped the portrayals. REQUIREMENTS Course Reader, 310 pages, available at GrafikArt on Pardall Rd.