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Kyffin Williams and Welsh Art
Gareth Lloyd Roderick Kyffin Williams Online at the National Library of Wales: presenting and interpreting art in a digital context. 0 1 Mandatory Layout of Declaration/Statements Word Count of thesis: 82,423 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ....................................................... (candidate) Date .......................................................... STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where *correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ..................................................................... (candidate) Date ........................................................................ [*this refers to the extent to which the text has been corrected by others] STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ..................................................................... (candidate) Date ........................................................................ 2 Acknowledgements I would like to thank my supervisors, Professor Robert Meyrick and Professor Lorna Hughes for their help, guidance -
Here to See the Group and Apply for Membership
Building a Digital Portfolio RRCHNM & The Getty Foundation Building a Digital Portfolio DH for Art History Graduate Students 1 Building a Digital Portfolio RRCHNM & The Getty Foundation Table Of Contents About ............................................................... 3 Institute Team ........................................................ 4 July 13: Introductions ................................................... 5 July 14: Surveying Major Digital Art Collections ................................ 7 July 15: Building Digital Collections ......................................... 9 July 16: Modeling and Models ............................................ 11 July 17: Data and Text Analysis ........................................... 13 July 20: Visualizations and Networks ....................................... 15 July 21: Mapping and Spatial History ....................................... 17 July 22: Shared Authority and GLAMs ...................................... 19 July 23: Project Planning & Grant Proposals .................................. 21 July 24: Scholarly Communication, Professionalization, Publications ................. 23 Glossary ............................................................ 24 Bibliography ......................................................... 28 Digital Art History Web ................................................. 41 Art History Collections, Highlights ......................................... 43 Multimedia Sources .................................................... 45 SketchUp Tutorial .................................................... -
Communication Protocol and Management Considerations for Internet of Things Gateways
BILHANAN SILVERAJAN Communication Protocol and Management Considerations for Internet of Things Gateways Tampere University Dissertations 426 7CTWGXG8UQbGXYQ`d"QYYGX`C`QVUY '0&226'09#5(2 !aE4ESF 1I!F HHPI%c !1!3 DF/cPPH P$EaSHHEPSIF!aEEGUE H/ HaDSEFEaPaFa 13 HS/)RRaSaRa1// a31/1iESER: !1!3 /$EaSHHEPSIF!aEEEY $SF 4H)e 7CTWGXG8UQbGXYQ`d $SF 4H@P 4H4 EbGH@SSI 0878UQbGXYQ`d cBSF $SF 4HaR HSR $SF PISHPPPDUEPERFaIPa3IS!PER YGXbQE: !IPf31aP !FGYQIPaE: FF3F13FMO FF3F11FMFHO F3MO 3F33MFHO PPPa:HPFF3F11F 4a1a3hAS (VGUaa31 Abstract Today, it is inconceivable to think about modern life without the Internet. The Internet has transformed our lives, serving as a digital backbonefor communication, media and Web-based interaction among human users. It has, however, begun to evolve into the Internet of Things (IoT), interconnecting constrained devices such as sensors, actuators and miniaturised computing platforms. Aided in large part by advances in decreasing hardware costs, better battery, radio and computational technology, these kinds of connected IoT devices have rapidly begun to proliferate. The resulting traffic generated and exchanged by IoT devices is expected to dwarf that produced by humans. However IoT devices exhibit significant differences in terms of computational and storage capacities, wireless radio networks and communication protocols. Integrating them into the Internet is not straightforward, in terms of device addressing, reachability as well as data representation and transfer. In many IoT domains, there are already deployed networks, devices and sensors based on legacy technology, that the IoT is compelled to integrate. All this has led to the emergence of IoT gateways in playing a central role for integration and interoperability, in ensuring interconnection and end-to-end communication with different kinds of IoT devices and networks. -
Owning Online Art Selling and Collecting Netbased Artworks
Owning Online Art Selling And COlleCting netbASed ArtwOrkS UASO n rthweStern SwitzerlAnd, ACAdemy Of Art And deSign e dited by mArkUS SChwAnder And reinhArd StOrz 5 REINHARD STORZ AND MARKUS SCHWANDER INTRODucTION 7 RACHEL MADER OFFSIDE COMMENTARIES – NET-BASED ART AND THE ART SYSTEM 19 PETER SCHNEEMANN PROBLEMS OF COMpaTIBILITY: ON THE RELATIONSHIP BETWEEN NET-BASED ART AND MARKET IN A MEDIA HISTORY PERSPECTIVE 29 MARKUS SCHWANDER PACKAGE DEAL – ON THE MATERIALITY OF NET-BASED ART 37 OLIA LIALINA ALUMINUM SITES, GEEK CURATORS AND ONLINE CONSERVATORs 43 CARLO ZANNI 329,95 EURO – A TEN YEARS INVESTIGATION 51 TaBEA LuRK, BERN UNIVERSITY OF THE ARTs / AKTIVEARCHIVE ON THE AGING OF NET ART WoRKS 67 SIMON GRAND EcoNOMIES OF ART – CHALLENGES & STRATEGIES FOR A GALLERY FOR NET-BASED ART 75 FELIX STALDER PRopERTY, POSSESSION AND FREE GOODS SOCIAL RELATIONSHIPS AS THE CORE OF A NEW EcoNOMY OF IMMATE- RIAL CULTURE? 89 IsaBEL ZÜRCHER SHARED RESPONSIBILITY FOR A COMMON HERITAGE? NET-BASED ART IN PUBLIC COLLECTIONS 97 REINHARD STORZ INTERNET-BASED ART IN MusEUMS, PRIVATE ART COLLECTIONS AND GALLERIES 115 ROMAN KURZMEYER SWISS NET-BASED ART – A NEW CHAPTER IN THE HISTORY OF THE RICOLA COLLECTION 121 ANNETTE SCHINDLER UND REINHARD STORZ DIGITAL ART COLLECTION / STORE 125 ARTIST’S STATEMENTS OWNING ONLINE ART INTRODucTION 5 REINHARD STORZ AND MARKUS SCHWANDER INTRODucTION The Owning Online Art (OOA) research project studies conditions for the introduction of net-based art on the art market. It raises the question of how works of art published on the WWW and made available to all can be defined as property and how they can be in- tegrated into public and private collections of contemporary art. -
File Extensions
# File Extensions File types with extensions that start with a number or symbol. Extension File Type File Description .!ut Misc uTorrent Incomplete Download .$$$ Backup Temporary File .$01 Developer DOS Pipe File .$db Backup dBASE Temporary File .$er Data GroupWise Database .0 Compressed Hacha Split Archive File .0 Game M3 DS Real Save File .000 Misc Windows CE Installation Data File .000 Disk Virtual CD ISO File .000 Compressed DoubleSpace Compressed File .001 Image Fax File .001 Backup HJSplit Split Archive .001 Misc 001 File Manager Split File .001 Developer Multimedia Fusion Backup File .001 Game Snes9x Slot 2 Saved State .001 Backup Norton Ghost Disk Backup .001 Misc 001 File Joiner & Splitter File .001 Misc SplitJoin Split File .0xe Executable F-Secure Renamed Virus File .113 Backup Iomega Backup File .123 Data Lotus 1-2-3 Spreadsheet .123 Data PCB123 Circuit Board Design .1pe Data TurboTax Form File .1ph Data TurboTax File .1st Text Readme File .256 Settings Descent 2 Color Palette File .2bp Raster Image Pocket PC Bitmap Image File .2d Image VersaCAD 2D Drawing .2mg Disk Apple IIGS Disk Image .386 System Windows Virtual Device Driver .3d Image Stereo CAD-3D Image File .3d2 Image Stereo CAD-3D 2.0 Image File .3d4 3D Image Stereo CAD-3D 2.0 Image File .3da Image 3D Assembly .3df 3D Image 3D Format .3dl 3D Image LightConverse 3D Model File .3dm 3D Image Rhino 3D Model .3dmf 3D Image QuickDraw 3D Metafile .3dr Data 3DMark Results File .3ds 3D Image 3D Studio Scene .3dt Data 3D Topicscape File .3dv 3D Image 3D VRML World .3dx 3D Image -
Veritas Information Map User Guide
Veritas Information Map User Guide November 2017 Veritas Information Map User Guide Last updated: 2017-11-21 Legal Notice Copyright © 2017 Veritas Technologies LLC. All rights reserved. Veritas and the Veritas Logo are trademarks or registered trademarks of Veritas Technologies LLC or its affiliates in the U.S. and other countries. Other names may be trademarks of their respective owners. This product may contain third party software for which Veritas is required to provide attribution to the third party (“Third Party Programs”). Some of the Third Party Programs are available under open source or free software licenses. The License Agreement accompanying the Software does not alter any rights or obligations you may have under those open source or free software licenses. Refer to the third party legal notices document accompanying this Veritas product or available at: https://www.veritas.com/about/legal/license-agreements The product described in this document is distributed under licenses restricting its use, copying, distribution, and decompilation/reverse engineering. No part of this document may be reproduced in any form by any means without prior written authorization of Veritas Technologies LLC and its licensors, if any. THE DOCUMENTATION IS PROVIDED "AS IS" AND ALL EXPRESS OR IMPLIED CONDITIONS, REPRESENTATIONS AND WARRANTIES, INCLUDING ANY IMPLIED WARRANTY OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE OR NON-INFRINGEMENT, ARE DISCLAIMED, EXCEPT TO THE EXTENT THAT SUCH DISCLAIMERS ARE HELD TO BE LEGALLY INVALID. VERITAS TECHNOLOGIES LLC SHALL NOT BE LIABLE FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES IN CONNECTION WITH THE FURNISHING, PERFORMANCE, OR USE OF THIS DOCUMENTATION. THE INFORMATION CONTAINED IN THIS DOCUMENTATION IS SUBJECT TO CHANGE WITHOUT NOTICE.