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PWA Unity Diversity Publication July 2017
July 2017 Volume 1, Issue 3 Unity: Cultivating Diversity and Inclusion in PWA Hilo, Hawaii LGBT Film Screening Hilo, Hawaii recognized LGBT Month by holding a special screening of the film Limited Partnerships. Limited Partnership is the love story between Filipino-American Richard Adams and his Australian husband, Tony Sullivan. In 1975, thanks to a courageous county clerk in Boulder, CO, Richard and Tony were one of the first same-sex couples in the world to be legally married. Richard immediately filed for a green card for Tony based on their marriage. But unlike most heterosexual married couples who easily file petitions and obtain green cards, Richard received a denial letter from the Immi- gration and Naturalization Service stating, “You have failed to establish that a bona AREA DIRECTOR’S fide marital relationship can exist between two faggots.” Outraged at the tone, tenor CORNER: and politics of this letter and to prevent Tony’s impending deportation, the couple sued the U.S. government. This became the first federal lawsuit seeking equal treat- Maintaining a workplace that wel- ment for a same-sex marriage in U.S. history. comes diversity in all forms is an im- Over four decades of legal challenges, Richard and Tony figured out how to maintain portant component of attracting high- ly-qualified applicants for our job their sense of humor, justice and whenever possible, their privacy. Their personal vacancies. Celebrations of Special tale parallels the history of the LGBT marriage and immigration equality move- Emphasis Program months contribute ments, from the couple signing their marriage license in Colorado, to the historic to this effort by enhancing our appre- U.S. -
Vexillum, June 2018, No. 2
Research and news of the North American Vexillological Association June 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Juin 2018 2 INSIDE Page Editor’s Note 2 President’s Column 3 NAVA Membership Anniversaries 3 The Flag of Unity in Diversity 4 Incorporating NAVA News and Flag Research Quarterly Book Review: "A Flag Worth Dying For: The Power and Politics of National Symbols" 7 New Flags: 4 Reno, Nevada 8 The International Vegan Flag 9 Regional Group Report: The Flag of Unity Chesapeake Bay Flag Association 10 Vexi-News Celebrates First Anniversary 10 in Diversity Judge Carlos Moore, Mississippi Flag Activist 11 Stamp Celebrates 200th Anniversary of the Flag Act of 1818 12 Captain William Driver Award Guidelines 12 The Water The Water Protectors: Native American Nationalism, Environmentalism, and the Flags of the Dakota Access Pipeline Protectors Protests of 2016–2017 13 NAVA Grants 21 Evolutionary Vexillography in the Twenty-First Century 21 13 Help Support NAVA's Upcoming Vatican Flags Book 23 NAVA Annual Meeting Notice 24 Top: The Flag of Unity in Diversity Right: Demonstrators at the NoDAPL protests in January 2017. Source: https:// www.indianz.com/News/2017/01/27/delay-in- nodapl-response-points-to-more.asp 2 | June 2018 • Vexillum No. 2 June / Juin 2018 Number 2 / Numéro 2 Editor's Note | Note de la rédaction Dear Reader: We hope you enjoyed the premiere issue of Vexillum. In addition to offering my thanks Research and news of the North American to the contributors and our fine layout designer Jonathan Lehmann, I owe a special note Vexillological Association / Recherche et nouvelles de l’Association nord-américaine of gratitude to NAVA members Peter Ansoff, Stan Contrades, Xing Fei, Ted Kaye, Pete de vexillologie. -
Agenda Format
NB-2 ADDITIONAL DOCUMENTS CITY POSITIONS ON STATE LEGISLATION CITY COUNCIL SUPPLEMENTAL REPORT MEETING DATE: MAY 7, 2019 SUBJECT: CITY POSITIONS ON STATE LEGISLATION: SCR 21 (CAPTAIN KREZA MEMORIAL HIGHWAY), SB 450 (MOTEL CONVERSIONS), AND AB 1273 (TOLL ROADS) (NB-2) DATE: MAY 6, 2019 FROM: CITY MANAGER’S OFFICE/ADMINISTRATION FOR FURTHER INFORMATION CONTACT: CONNOR A. LOCK AT (714) 754-5219 The purpose of this supplemental report is to provide a correction to an attachment for New Business Item 2 ‘City Positions on State Legislation: SCR 21 (Captain Kreza Memorial Highway), SB 450 (Motel Conversions), and AB 1273 (Toll Roads)’. Attachment 1 contains an update to the Table of Bills for Consideration to reflect the appropriate requestor of Assembly Bill 1273. ALBERTO C. RUIZ Management Aide ATTACHMENTS: 1- Table of Bills for Consideration Attachment 1 – Table of Bills for Consideration 5/7/2019 Bill # Bill Requestor Requested League ACCOC Brief Summary Notable Notable Fiscal Author Position Position Position Supporters Opposition Impact (s) City Staff Recommendation: Support SCR Senators Fire Chief Support Watch No Senate Concurrent Resolution California None Unknown 21 Bates and Stefano Position 21 would honor Captain Kreza’s Professional Moorlach memory by dedicating a portion Firefighters of Interstate 5, from Avery Costa Mesa Parkway to El Toro, as the Costa Firefighters Mesa Fire Captain Michael Kreza Memorial Highway. SB Senator Mayor Support Watch No This bill would, until January 1, Mayors of: None Unknown 450 Umberg Foley Position 2025, exempt from CEQA, Anaheim projects related to the Bakersfield conversion of a structure with a Fresno certificate of occupancy as a Long Beach motel, hotel, apartment hotel, Los Angeles transient occupancy residential Oakland structure, or hostel to supportive Riverside housing or transitional housing, Sacramento as defined, that meet certain San Diego requirements. -
KATHARINE CONLEY August 2020
KATHARINE CONLEY August 2020 Modern Languages & Literatures 21 Sussex Court William and Mary Williamsburg, VA 23188 PO Box 8795 (757) 645-3876 Williamsburg, VA 23187-8795 (603) 443-2462 (cell) [email protected] ACADEMIC AND ADMINISTRATIVE POSITIONS Professor of French and Francophone Studies, William and Mary, 7/12- Dean of the Faculty of Arts and Sciences, William and Mary 7/12-6/20 Edward Tuck Professor of French and Comparative Literature, Dartmouth, 7/10-6/12 Professor of French, Dartmouth College, 7/04-6/12, Emerita 7/12- Associate Professor of French, Dartmouth College, 7/98 - 6/04 Assistant Professor of French, Dartmouth College, 7/92 - 6/98 EDUCATION Virginia Women’s Senior Leadership Seminar 2015-16 Harvard Institute for Management and Leadership in Education, June 2014 PhD French, University of Pennsylvania, May 1992 Honorary MA, Dartmouth College, 2007 MA French, University of Pennsylvania, 1990; MA French, University of Colorado, 1988 BA cum laude, Harvard-Radcliffe University, 1979 (major: honors English) AWARDS, FELLOWSHIPS, AND INSTITUTES (since 1992) Phi Beta Kappa, Dartmouth College, June 2009 Jacobus Family Fellowship, Dartmouth College, 2004-2005 Senior Faculty Fellowship, Dartmouth College, Winter-Spring 2005 J. Kenneth Huntington Memorial Award, Dartmouth College, June 2004 Whiting Foundation Travel Grant: Summer 1996 Humanities Institute on Cultural Memory and the Present, Spring 1996 Junior Faculty Fellowship, Dartmouth College, Winter-Spring 1996 School of Criticism and Theory, June-July 1995 Burke Research Initiation Grant, Dartmouth College: 1992-1995 PUBLICATIONS AND PAPERS Books and Edited Volumes: Author: Surrealist Ghostliness. Lincoln: University of Nebraska Press, 2013. Katharine Conley / 2 Author: Robert Desnos, Surrealism, and the Marvelous in Everyday Life. -
Manifestopdf Cover2
A Manifesto for the Book Sarah Bodman and Tom Sowden A Manifesto for the Book Sarah Bodman and Tom Sowden with an edited selection of interviews, essays and case studies from the project What will be the canon for the artist’s book in the 21st Century? 1 A Manifesto for the Book Published by Impact Press at The Centre for Fine Print Research University of the West of England, Bristol February 2010 Free download from: http://www.bookarts.uwe.ac.uk/canon.htm This publication is a result of a project funded by the Arts and Humanities Research Council from March 2008 - February 2010: What will be the canon for the artist’s book in the 21st Century? The AHRC funds postgraduate training and research in the arts and humanities, from archaeology and English literature to design and dance. The quality and range of research supported not only provides social and cultural benefits but also contributes to the economic success of the UK. For further information on the AHRC, please see the website www.ahrc.ac.uk ISBN 978-1-906501-04-4 © 2010 Publication, Impact Press © 2010 Images, individual artists © 2010 Texts, individual authors Editors Sarah Bodman and Tom Sowden The views expressed within A Manifesto for the Book are not necessarily those of the editors or publisher. Impact Press, Centre for Fine Print Research UWE, Bristol School of Creative Arts Kennel Lodge Road, Bristol BS3 2JT United Kingdom Tel: +44 (0) 117 32 84915 Fax: +44 (0) 117 32 85865 www.bookarts.uwe.ac.uk [email protected] [email protected] 2 Contents Interview with Eriko Hirashima founder of LA LIBRERIA artists’ bookshop in Singapore 109 A Manifesto for the Book Sarah Bodman and Tom Sowden 5 Interview with John Risseeuw, proprietor of his own Cabbagehead Press and Director of ASU’s Pyracantha Interview with Radoslaw Nowakowski on publishing his own Press, Arizona State University, USA 113 books and artists’ books “non-describing the world” since the 70s in Dabrowa Dolna, Poland. -
Francesca Woodman Born Boulder, Colorado, 1958. Died
Francesca Woodman Born Boulder, Colorado, 1958. Died New York City, 1981 Lived and worked in Boulder, Colorado; Providence, Rhode Island; Rome, Italy; and New York City. Solo Exhibitions 2019 Francesca Woodman: Portrait of a Reputation, MCA Denver, Denver, Colorado (including works by George Lange) (exhibition catalogue) 2018 Francesca Woodman: Italian Works, Victoria Miro Gallery, Venice, Italy Francesca Woodman, Galerie Hubert Winter, Vienna, Austria 2017 Francesca Woodman: Ausencia/Presencia, Bernal Espacio, Madrid, Spain Francesca Woodman: Obras de la Coleccion Verbund, Patio Herrerariano Museo de Arte Contemporaneo Espanol, Valladolid, Spain 2016 The Second Space, Galerie Clara Maria Sels, Düsseldorf, Germany 2015 On Being an Angel, Moderna Museet, Stockholm, Sweden; traveled to Foam, Amsterdam, Netherlands, 2016; Fondation Henri Cartier Bresson, Paris, France, 2016; Moderna Museet, Malmo, Sweden, 2017; Finnish Museum of Photography, 2017; Fundacion Canal, Madrid, Spain, 2019; C/O Berlin, Berlin, Germany, 2020 (exhibition catalogue) I’m trying my hand at fashion photography, Marian Goodman Gallery, New York, New York (exhibition catalogue) 2014 Francesca Woodman: Artist Rooms, Oriel Davies Gallery, Newtown, Wales Zigzag, Victoria Miro Gallery, London, England Francesca Woodman: Artist Rooms, Bodelwyddan Castle, Denbighshire, Wales Francesca Woodman: Works from the Sammlung Verbund, Vertical Gallery, Vienna, Austria (exhibition catalogue) 2012 Francesca Woodman, Mendes Wood, São Paulo, Brazil Francesca Woodman, Galerie Clara Maria -
THE RAINBOW FLAG of the INCAS by Gustav Tracchia
THE RAINBOW FLAG OF THE INCAS by Gustav Tracchia PROLOGUE: The people of this pre-Columbian culture that flourished in the mid- Andes region of South America (known as The Empire of The Incas) called their realm: Tawantinsuyo, meaning the four corners. The word INCA is Quechua for Lord or King and was attached to the name of the ruler e.g., Huascar Inca or Huayna Capac Inca. In Quechua, the official language of the empire; Suyo is corner and Tawa, number four. Ntin is the way to form the plural. Fig. 1 Map of the Tawantinsuyo Wikipedia, (en.wikipedia.org/wiki/file:inca expansion.png) 1 Gustav Tracchia The "four corners" or suyos radiated from the capital, Cuzco: - Chincasuyo: Northwest Peru, present day Ecuador and the tip of Southern Colombia. - Contisuyo: nearest to Cuzco, south-central within the area of modern Peru. - Antisuyo: almost as long as Chincansuyo but on the eastern side of the Andes, from northern Peru to parts of upper eastern Bolivia. - Collasuyo: Southwest: all of western Bolivia, northern Chile and northwest of Argentina. Fig. 2 Cobo, Historia, schematic division of the four suyos 2 The Rainbow Flag of the Incas Fig. 3 Map of Tawantinsuyo, overlapping present day South American political division. ()www.geocities.com/Tropics/beach/2523/maps/perutawan1.html To simplify, I am going to call this still mysterious pre-Columbian kingdom, not Tawantinsuyo, but the "Empire of the Incas" or "The Inca Empire." I am also going to refer to events related to the culture of the Incas as "Incasic" or "Incan". -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
Under the Rainbow: Oral Histories of Gay, Lesbian, Bisexual, Transgender, Intersex and Queer People in Kansas
Under the Rainbow: Oral Histories of Gay, Lesbian, Bisexual, Transgender, Intersex and Queer People in Kansas Gilbert Baker Oral History Interviewed by Tami Albin June 19, 2008 http://kuscholarworks.ku.edu/dspace/handle/1808/6895 This interview was made possible by the generous support of the University of Kansas Libraries and the University of Kansas grants 2302114, 2301283, 2301334. © Under the Rainbow: Oral Histories of Gay, Lesbian, Bisexual, Transgender, Intersex and Queer People and Kansas Copyright and permissions All oral histories in the Under the Rainbow: Oral Histories of Gay, Lesbian, Bisexual, Transgender, Intersex and Queer People in Kansas are copyrighted and protected by copyright law (Title 17, U. S. Code). Requests for permission to publish quotations beyond “fair use” from this collection should be addressed to: Tami Albin ([email protected] or [email protected] ) Director of Under the Rainbow: Oral Histories of GLBTIQ People in Kansas Anschutz Library 1301 Hoch Auditoria Dr., University of Kansas Lawrence, KS 66045 Requestors must identify: 1. Type of publication 2. Proposed title 3. Specific passages to be quoted 4. Anticipated uses of the passages 5. Publisher’s name 6. Expected date of publication Citing Under the Rainbow Oral History Interviews Your citation should include information that will allow people to find this transcript. Please consult a citation guide (Chicago, MLA, ALA) for the correct citation style for audio/video interviews or transcripts. Please be sure to include: Narrator’s name e.g. Bill Smith Interviewer’s Name e.g. Tami Albin Date of interview e.g. March 26, 2009 Name of project and location e.g. -
On Photographer Francesca Woodman Los Angeles Review Of
MARIAN GOODMAN GALLE RY Los Angeles Review of Books An Hourglass Figure: On Photographer Francesca Woodman By: Ariana Reines April 4, 2013 1. PROBLEM SETS I WOULD PREFER to keep her as I wish to think of her, as an emigrant flitting between worlds, a kind of Franco-Italian woodsprite immured in the charismatic and frail perfection of her minority. But she is a problem. She and her figure, which is also her but is not, but which is also a she, and not an it. A problem as in, “How do you solve a problem like Maria,” and a problem as in a problem that is real. She is a problem because she is a seducer, and I — I mean we — love to be seduced, though we also resent it, and she is a problem because she is a suicide, and suicides are seductive because we all want to die sometimes, and dead young women artists and dead women artists of any age are a problem because it has always been easier for this culture to love their artworks when they, the women, are not alive to interfere with our relations with them, and her precocity was and remains a problem because of its completeness and because precocity is also always resented and dismissed, and she is a problem because it has historically been too easy to praise what is dead and too difficult to nurture what lives, and she is a problem because she is a martyr and ours is a culture addicted to martyrs and martyrology and powered by competition and self-loathing, which leads to the wrong kind of death, and she is a problem because the relation between life and nonlife or the animate and the inanimate -
Be Y Woodman My Work for the Past 50 Years Or So Has Been
Bey Woodman My work for the past 50 years or so has been involved with a sort of “seng the stage” for a performance. At mes the theatrics happened at breakfast, dinner or tea; at mes the scenery has included flowers in vases in architectural sengs. References to other works of art have also always been present as a constant in my pracce. Such work is intended to be read with the inclusion of our knowledge of other works of art. These have ranged from Korean folk art painng to Masse and Bonnard to Classic Greek and Roman vases. Recently, I have been looking at Roman Frescos and various other wall painngs where images of architecture are painted on the actual walls. These give the illusion, with their columns and windows, of architecture within architecture. I have also observed how oen these frescos include images of vase…There are a series of cross-references in ceramic, wood, glaze and paint which return us to the “theatrical” domain of the wall pieces. We go to the theater to see plays and “play” is fundamental to the spirit of my recent work. Character, mise en scene, costume, plot and denouement are all important here. I am playing with play. Bey Woodman, 2010 Betty Woodman (1930 - 2018) began her nearly seventy-year engagement with clay in the 1950s as a functional potter with the aim of creating beautiful objects to enhance everyday life. In the 1960s, the vase form became Woodman’s subject, product, and muse. In deconstructing and reconstructing its form, she created an exuberant and complex body of ceramic sculpture. -
A Case Study of Project Space by Tracy Ann Stefanucci Bachelor Of
Making Space for Publication: A Case Study of Project Space by Tracy Ann Stefanucci Bachelor of Education, University of British Columbia, 2009 Bachelor of Fine Arts, University of British Columbia, 2008 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF PUBLISHING in the Publishing Program Faculty of Communication Art and Technology © Tracy Ann Stefanucci 2016 SIMON FRASER UNIVERSITY Summer 2016 This work is licensed under a Creative Commons Attribution-4.0 International License. You are free to share—copy and redistribute the material in any medium or format—and adapt— remix, transform, and build upon the material. Approval Name: Tracy Ann Stefanucci Degree: Master of Publishing Title of Project: Making Space for Publication: A Case Study of Project Space Dr John W Maxwell Associate Professor, Publishing Program, Senior Supervisor Mauve Page Lecturer, Publishing Program, Supervisor Leanne Johnson Gave and Took Publishing, Vancouver BC Industry Supervisor Brian McBay Director, 221A, Vancouver, BC Industry Supervisor Date Approved: May 18, 2016 ii Abstract The proliferation of digital technologies has initiated a need for radical changes to publishing business models, while simultaneously laying the foundation for a renaissance of the print book akin to that which occurred in the 1960s and 70s. This “second wave of self-publishing” has come about as a widespread surge, particularly in the realm of contemporary art and graphic design, but also in literary and DIY circles. As was the case in the “first wave,” this expansion has resulted in the development of brick-and-mortar spaces that house and nurture the activities of this niche, particularly the production of publications, exhibitions and additional programming (such as lectures and workshops).