L'académicien
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1895. Mille Huit Cent Quatre-Vingt-Quinze, 38 | 2002 Les Années Trente Entre Chanson Et Cinéma 2
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition 1895. Mille huit cent quatre-vingt-quinze Revue de l'association française de recherche sur l'histoire du cinéma 38 | 2002 Musique ! Les années trente entre chanson et cinéma Giusy Pisano Édition électronique URL : http://journals.openedition.org/1895/357 DOI : 10.4000/1895.357 ISBN : 978-2-8218-1026-6 ISSN : 1960-6176 Éditeur Association française de recherche sur l’histoire du cinéma (AFRHC) Édition imprimée Date de publication : 1 octobre 2002 ISBN : 2-913758-35-5 ISSN : 0769-0959 Référence électronique Giusy Pisano, « Les années trente entre chanson et cinéma », 1895. Mille huit cent quatre-vingt-quinze [En ligne], 38 | 2002, mis en ligne le 08 mars 2007, consulté le 23 septembre 2019. URL : http:// journals.openedition.org/1895/357 ; DOI : 10.4000/1895.357 Ce document a été généré automatiquement le 23 septembre 2019. © AFRHC Les années trente entre chanson et cinéma 1 Les années trente entre chanson et cinéma Giusy Pisano 1 Qu’il s’agisse de peinture ou de musique, de théâtre ou de cinéma, la chronologie des années trente présente un nombre considérable d’événements. Leur degré d’importance et de créativité est très inégal, et reflète l’éclectisme qui a caractérisé la période. Cependant, d’une manière générale, il faut d’abord constater que les années trente ne sont pas au centre de mouvements et de recherches « révolutionnaires » dans le domaine des arts. Il s’agit plutôt d’années de synthèse. La France vit sur les innovations des périodes précédentes, ce qui est particulièrement flagrant dans le domaine de la création musicale « savante ». -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Allez Viens Poupoule Septembre 1902. Après Être
ALLEZ VIENS POUPOULE Septembre 1902. Après être passé par la scène de la Scala, le célèbre music-hall parisien du boulevard de Strasbourg où il interprète son répertoire Montmartrois, Félix Mayol enregistre son premier disque chez Zon O Phone. Son titre : Viens Poupoule. Cet ancien matelot de la Marine nationale arrivé huit ans plus tôt à la capitale pour chanter dans les cabarets se produi- sait déjà, adolescent, dans sa ville de Toulon sous le nom de « Petit Ludovic ». À trente ans, il est désormais une star reconnue, et reconnaissable, grâce au brin de muguet qu’il porte à la boutonnière et à la houppe qui trône au-dessus de sa tête. Mais c’est avec Komm Karlineken, un air créé par l’Allemand Adolf Spahn en 1898, que Mayol deviendra riche et très célèbre. Cet air, Mayol l’entend sur la scène de la Scala, interprété en conclusion de son tour de chant par un artiste venu d’outre-Rhin. Enthousiaste, il demande à son ami, le parolier Alexandre Trébitsch, de l’adapter. Mais le gros problème est de remplacer le prénom Karlineken par un prénom, ou un surnom : Lisette, Ninette, Poulette, rien ne vient, ou plutôt, rien ne va… jusqu’au jour où, à la sortie du cabaret, il entend un homme lancer à son épouse : « Allez, viens Poupoule »… 15 SI LE CURÉ N’AVAIT paS ÉTÉ LÀ Mars 1914. Costume de troufion sur le dos, Bach se présente sur la scène du café-concert l’Eldorado de Paris et chante devant les soldats en permission la nouvelle chan- son de son répertoire : c’est un succès ! Face à un public composé essentiellement de jeunes militaires partant à la guerre, La Madelon et, il faut bien le dire, son hilarante interprétation à la fois burlesque et théâtrale font mouche. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
I Sur La Bouche | 21 Table Des Matières
OPÉRA NATIONAL C BORDEAUX PAS SUR LA BOUCHE MAURICE Y VA I N ALBERT WILLEMETZ I ANDRÉ BARDE .ANDRÉ MOUËZ Y-EON GUSTAVE QUINSON NOUVEAU LEXUS RX400hybride CHANGEZ LE MONDE SANS CHANGER LA PLANETE Nouveau Lexus RX400K. Le premier tout-terrain hybride Haute performance au monde. Le nouveau tout-terrain Lexus RX400h Lexus RX400h lout en lu assurant une constitue une véritable avancée corBomrrMfoondecarixrantctompnmert »*cWog«**. H est en effet équipé basse et des émanons poluantes redites, d'un système de propdbon hybride comparables è celles d'une berfme (HyfardSjmergyDrwe) A ta fos perform** familiale. Alors la«sse2-vous séduire par et écologique. Le Lexus RX400h une e*pér»ence de conduite hors associe deux moteurs électriques zéro du commun et extraordma«rement émission et un moteur essence V6, sondeuse. Un plamr pour le conducteur, les a!tem*nt ou les combinant «n fonction un plus grand respect pour la Planète des conditions de condutfe, sans jamais recourir 4 une recharge extérieure des batteries Cafte association offre ©LEXUIS des performances exceptonneles au La poursuite de la perfection Lexus Bordeaux 4, rue Gutenberg - Mérignac 05 57 0010 20 www.lexus.fr Pas sur la bouche Opérette en trois actes Livret d'André Barde, André Mouëzy-Eon, Gustave Quinson, Albert Willemetz Musique de Maurice Yvain Créé le 18 février 1925 au Théâtre des Nouveautés. Bordeaux Avril 2006 g sa w*a MEMBRES PARTENAIRES MEMBRES VIGNOBLES Notre association culturelle a pour objectif de promou Banque Populaire du Sud-Ouest Château Haut-Brion voir le développement et le rayonnement de l'Opéra Caisse d'Épargne Aquitaine-Nord Premier Grand Cru Classé Graves National de Bordeaux en France et à l'étranger. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Songs of the Ziegfeld Follies
SONGS OF THE ZIEGFELD FOLLIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Ann Ommen, B.M., M.A. The Ohio State University 2007 Dissertation Committee: Professor Graeme Boone, Adviser Approved by Professor Thomas Postlewait Professor Danielle Fosler-Lussier _________________________ Adviser Graduate Program in Music Copyright by Ann Ommen 2007 ABSTRACT Enormously popular in their own time, the Ziegfeld Follies have become an icon of American popular culture. Produced annually by Florenz Ziegfeld, Jr. between 1907 and 1931, these revues were and still are best-known for their lavish production numbers which brought unprecedented attention to members of the chorus. They have served as inspiration for generations of filmmakers, playwrights, and popular authors, but have only been studied by a small number of scholars, primarily those working in cultural studies. For the first time, this dissertation brings a musicological identity to the Follies by examining their songs. It addresses the legends surrounding certain songs so that their performance history can be better understood. It discusses representations of gender, race, and national identity in songs of the Follies, revealing the cultural beliefs Ziegfeld thought would be most acceptable to his largely white, middle-class audiences. It dissects comic song performances to show a specifically musical component to the humor of the Follies. Finally, it analyzes compositional techniques in the lyrics of Gene Buck and in the songs written by Irving Berlin for the Ziegfeld Follies of 1927 , the only Follies production to have been written by a single songwriter. -
Identifying Classical Vocal Collaborative Piano Practices In
COLLABORATIVE CROSSOVER: IDENTIFYING CLASSICAL VOCAL COLLABORATIVE PIANO PRACTICES IN JAZZ VOCAL ACCOMPANYING David Jonathan Morgenroth Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED: John Murphy, Major Professor and Chair of the Division of Jazz Studies Steven Harlos, Committee Member John Dan Haerle, Committee Member Benjamin Brand, Director of Graduate Studies, College of Music James C. Scott, Dean of the College of Music Costas Tsatsoulis, Dean of the Toulouse Graduate School Morgenroth, David Jonathan. Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying. Doctor of Musical Arts (Performance), August 2015, 160 pp., 8 tables, 18 figures, 27 examples, bibliography, 457 titles. Classical vocal collaborative piano and jazz vocal accompaniment are well-established fields with long-standing performance traditions. Classical collaborative performance practices have been researched and codified, but jazz accompanying practices largely remain in the domain of aural tradition. Both classical and jazz accompaniment share associated practices, such as rubato, transposition, and attention to lyric diction and inflection, but there is little previous investigation into the idea that classical collaborative practices might apply to jazz accompanying. This research examines jazz piano accompanying practices in sung verses of standard tunes to demonstrate how accomplished jazz pianists intuitively use many of the same techniques as classical collaborative pianists to create balance with singers. Through application of expressive microtiming analysis to graphical displays of transcribed recorded performances, a strong correlation is established between the classical and jazz vocal accompanying traditions. Linking classical practices to jazz potentially creates a foundation for jazz accompanying pedagogy. -
Pianist Léon Kartun, Composer Ralph Erwin: from Their Celebrity to Internment in the French Département of Loiret Christophe Bennet
Pianist Léon Kartun, Composer Ralph Erwin: From their celebrity to internment in the French département of Loiret Christophe Bennet To cite this version: Christophe Bennet. Pianist Léon Kartun, Composer Ralph Erwin: From their celebrity to internment in the French département of Loiret. 2015. halshs-01146577 HAL Id: halshs-01146577 https://halshs.archives-ouvertes.fr/halshs-01146577 Preprint submitted on 28 Apr 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Pianist Kartun and Composer Erwin : from celebrity to their internment – Christophe Bennet – April 2015 PIANIST LÉON KARTUN, COMPOSER RALPH ERWIN: FROM CELEBRITY TO INTERNMENT IN THE FRENCH DÉPARTEMENT OF LOIRET by Christophe BENNET In the interwar period, Léon Kartun and Ralph Erwin both acquired a musical reputation in their domain. This however didn’t prevent their being interned as Jews in the camps of Pithiviers and Beaune-la-Rolande. A written version of a communication released in the frame of the exhibition “La musique internée” (The detained Music) at the CERCIL Museum (Memorial Museum of the “Vel d’Hiv’” children) in Orléans, this article, through the prism of the broadcasting of the thirties, shows how two musicians, whose origisn and routes were different, share many other similarities beyond their tragic fate during World War Two. -
Official File-Standard Songs
II Dr. K’s Song Stories A collection of popular Songs and how and/or why they were written. Table of Contents Preface - 2 Rodgers, Richard - 3 Oklahoma – 1943 - 4 Oh What a Beautiful Morning – 1943 - 5 People will Say We’re in Love – 1943 - 6 Surrey with the Fringe on Top – 1943 - 6 Carousel – 1945 - 6 You’ll Never Walk Alone – 1945 - 7 If I Loved You – 1945 - 7 Allegro – 1947 - 7 A Fella Needs a Girl – 1947 - 8 South Pacific – 1949 - 8 Some Enchanted Evening – 1949 - 8 Younger then Springtime – 1949 - 8 This Nearly was Mine – 1949 - 9 Bali Hai – 1949 - 9 Songs From Other Shows - 9 Manhattan – 1925 - 9 My Heart Stood Still – 1927 - 9 With a Song in My Heart – 1929 - 10 Dancing on the Ceiling - 1930 - 10 Blue Moon – 1934 -10 My Romance & The Most Beautiful Girl in the World – 1935 - 11 Easy to Remember – 1935 - 11 My Funny Valentine – 1937 -11 Where or When – 1937 - 11 I Married an Angel – 1938 - 11 Falling in Love with Love – 1938 - 11 I Could Write a Book – 1940 - 11 Thou Swell - 1943 - 11 It Might as Well be Spring – 1945 - 12 No Other Love – 1952 – 12 Edelwiess – 1959 – 12 There’s a Small Hotel – 1936 - 12 III Whiting, Richard - 13 Till We Meet Again – 1918 - 13 My Ideal – 1930 - 14 On the Good Ship Lollipop – 1934 - 14 Warren, Harry - 14 Lullaby of Broadway – 1934 - 15 I Got a Gal in Kalamazoo – 1937 - 16 September in the Rain – 1937 - 16 Jeepers, Creepers – 1938 - 16 Chattanooga Choo Choo – 1941 - 17 You’ll Never Know – 1943 - 17 That’s Amore – 1952 - 17 Arlen, Harold - 19 I Love a Parade – 1931 - 20 I’ve Got the World on a String -
573973 Itunes
Vincent Youmans (1898–1946) Rodolphe Berger Tea for Two 1No, no, Nanette! (1925) Messalinette, ou le tour du demi-monde en 80 nuits Tea for Two (Act II) (arr. Matthieu Michard) 5:31 0(1902) From the Belle Epoque to the Roaring Twenties Text: Otto Harbach (1873–1963), Messalinette, fantaisie-sélection Irving Caesar (1895–1996) (arr. Matthieu Michard) 7:37 ‘I am quite convinced that there is no city in the world orchestras and theatres for decades. André Messager Text: Pierre-Louis Flers (1865–1932) where as much music is consumed as in London’, noted (1853–1929) was one of those who had a successful 2Hope Temple (1859–1938) Berlioz in his column in the Journal des Débats on 29 July career on the English side of the Channel, as a composer, My Lady’s Bower (1887) (arr. Chloé Ducray) 3:24 Reynaldo Hahn (1874–1947) 1851. The observation remained pertinent at the turn of conductor and administrator – he worked in the latter role Text: Frederick E. Weatherly (1848–1929) !Une Revue… (1926) the 20th century. at Covent Garden between 1901 and 1907. Brought to the La Dernière Valse (arr. Philippe Perrin) 4:14 London and Paris shared an artistic vitality that set London music world’s attention in 1891 when the D’Oyly André Messager (1853–1929) Text: Maurice Donnay (1859–1945), Henri Duvernois them apart. Many British artists appeared on stage in Carte Company gave the British premiere of La Basoche , 3Mirette (1894) (1875–1937) Paris, and London was equally enthusiastic about Messager was then commissioned to write a new opera Ah! Nay, do not fly me! (Act I) (arr.