Aliens, Monsters, and Beasts in the Cultural Mapping of Nollywood Cinematography Matthew Michael Department of Philosophy & Religious Studies Nasarawa State University P,M.B. 1022, Keffi, Nigeria Email:
[email protected] Abstract: The emerging field of monster studies has witnessed significant contributions in the functions of monsters in the representations of human stories. In spite of the different creative discourses in this new field, the cultural aesthetics and the strategic polemics of monsters in African stories have largely remained unengaged. Drawing from recent development in monster theories and the cinematic presence of monsters in Nollywood movies, the paper interrogates the cultural aesthetics, ethno-polemics, and the moral constructs of monsters in Nollywood movies. Specifically, monsters in Nollywood movies are not only the cultural equivalents of the aliens and extraterrestrial creatures of Hollywood movies, but they occupied strategic importance in the mapping of deviant characters, ethics, theodicy and the constructs of the “ethnic other.” Through explorative method, the paper engages common cinematic motifs, social characterizations, and cultural polemics of monsters in Nollywood cinematography, thus providing new insights to the new field of monster studies. Keywords: Monster, Aliens, Nollywood movies, African stories, monster theories, African ethics, cinematography, African aesthetics Introduction Creatures of extraordinary size and shape have always preoccupied human fascinations and creative imaginations.1