17-04 NEWSFLASH April
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Hidden Hydrology COIL’S ‘Lost Rivers’ Sessions 1995-1996
Hidden Hydrology COIL’s ‘Lost Rivers’ Sessions 1995-1996 {Fan Curated EP} COIL - The ‘Lost Rivers’ Sessions 1995-1996 {Fan Curated EP} Lost Rivers of London Succour Version [DAT Master]. Untitled Instrumental #6 [DAT #30] 5 takes from the BLD Sessions 1995-1996. London’s Lost Rivers [Take #2 - vocals] Rough vocal track w. minimal backing mix. Lost Rivers of London [Take #1] Early version with vocals. Crackanthorpe; Sunrise Reading from Vignettes by Phil Barrington. London’s Lost Rivers [Take #1] Initial studio version with abrupt ending. [Cover Version] By The Psychogeographical Commission. Hidden Hydrology COIL's 'Lost Rivers' Studio Sessions COIL's "Lost Rivers" sessions were recorded during the Winter period of December 1995- February 1996 at COIL's own "Slut's Hole" studio in London. The day-long sessions were part of what ultimately became the "A Thousand Lights In A Darkened Room" album (at least as far as the vinyl pressing of that album went), though were apparently very rushed recordings (Jhonn later claimed that the full vocal version was written and recorded in one day to meet the “Succour” compilation deadline - Jhonn’s wraparound vocals were not redone for the BLD track). Around this winter time Jhonn Balance received a fax from David Tibet containing evocative passages from the Crackanthorpe "Vignettes" journal, originally published 100 years earlier (1896). Jhonn loved the sections he read and swiftly used passages as lyrics for the recording sessions to meet the Succour deadline (lifting text from the ‘On Chelsea Embankment’ and “In Richmond Park” sections of the small book). At the very same time as recording this track, the official (and long-awaited) 2nd Edition of the Nicholas Barton book called "The Lost Rivers of London" appeared in the bookshops of the city. -
Infernus Nº XXIII Pág.7: Nesten – Nesten.Deviantart.Com Pág.30: Andrew Ross Fritt S – Dungeonsdeep.Deviantart.Com Pág.9: Jenna R
Cartoon-h-ell King Chaos Ficha Técnica Infernus nº XXIII Pág.7: Nesten – nesten.deviantart.com Pág.30: Andrew Ross Fritt s – dungeonsdeep.deviantart.com Pág.9: Jenna R. – visualjenna.deviantart.com Pág.36: Carlos Valenzuela – valzonline.deviantart.com Editor: Lurker Pág.10: thechaosofpeace – thechaosofpeace.deviantart.com Pág.37: Helen – kkassulaav.deviantart.com Pág.11: kitt omer – kitt omer.deviantart.com Pág.38: Mpalanta – mpalanta.deviantart.com Produção: Fósforo, Colectivo Criativo Pág.12: Travis Randall Williams – platinus.deviantart.com Pág.39: Paul – deopek.deviantart.com Pág.13: ness – nessie-x.deviantart.com Pág.40: Dragonic Wolf Equipa Editorial: Black Lotus, BM Resende, Pág.14: Silvia – sivel12001.deviantart.com Pág.41: Chryssalis – chryssalis.deviantart.com King Chaos, Metzli, Mosath, Outubro Pág.15: Luke Flegg – fi reandfeathers.deviantart.com Pág.42: Hermin Abramovitch – ahermin.deviantart.com Colaboradores: .:gmr:., Aires Ferreira, Charles Pág.16: Mya – fl ightlessbirdxo.deviantart.com Pág.43: Efi alt – efi alt.deviantart.com Sangnoir, David Soares, Devis, Fátima Vale, Flávio Pág.17: David Q Tran – conteart.deviantart.com Pág.44: WildRainOfIceAndFire – wildrainofi ceandfi re.deviantart.com Gonçalves, José Pedro, José Macedo Silva, Júlio Pág.18, 19: Chaotic Muffi n – chaotic-muffi n.deviantart.com Pág.45: dougfdoug – dougfdoug.deviantart.com Mendes Rodrigo, Luís Couto, Melusine de Matt os, Pág.20: Vanessa Bett encourt Pág.46: Rengim Mutevellioglu – ennil.deviantart.com Mónica Sousa, Naive, Paulo César, Paulo Sequeira Pág.21: Ophelias -
The Last Adventures Education Pack
THE LAST ADVENTURES EDUCATION INFORMATION PACK CONTENTS 1. Teacher’s notes and your group’s visit to the theatre 2. About the performance 3. About the company 4. Tim Etchells 5. Tarek Atoui 6. KK Null 7. Interview with Tim Etchells and Tarek Atoui 8. Further resources available 9. Credits The Last Adventures Information Pack 1 ** 1. TEACHER’S NOTES AND YOUR GROUP’S VISIT TO THE THEATRE This pack is designed to help prepare a college or university group for their visit to the theatre. We hope the information provided will enhance students’ overall critical appreciation of the production and we look forward to welcoming you to the theatre. The aims of this resource pack are: • To provide some context to the work of Forced Entertainment, especially for those who may be encountering the work for the first time; • To provide some background as to how this work in particular is placed in the company’s repertoire; • To introduce Forced Entertainment’s artistic director, Tim Etchells, and this project’s key collaborators; • To provide signposts to further resources for those wishing to engage in deeper research. You can support this through: • Engaging students in a discussion or some preliminary research about the company, prior to their visit; • Making students aware Forced Entertainment’s work is very different from ‘traditional theatre’; that it can be seen as challenging and dark as well as funny and moving; • Ensuring in their visit that students are briefed to turn their mobile phones off and that quite a high level of concentration may be required throughout the show; • Encouraging students to think about what they might ask in a post-show discussion. -
Coil Another Brown World / Baby Food Mp3, Flac, Wma
Coil Another Brown World / Baby Food mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Another Brown World / Baby Food Country: Belgium Released: 2017 Style: Industrial, Experimental MP3 version RAR size: 1468 mb FLAC version RAR size: 1195 mb WMA version RAR size: 1667 mb Rating: 4.4 Votes: 169 Other Formats: MP4 AHX WMA AC3 MMF VOC MP1 Tracklist Hide Credits Another Brown World A Producer [Produced By], Mixed By – CoilRecorded By – Danny HydeWritten-By – John Balance, Peter Christopherson Baby Food B Performer [Essentials] – Danny HydePerformer [Fundamentals] – Peter ChristophersonPerformer [Vibrant Rays Of Spiritual Psychosis] – John BalanceWritten-By, Performer [Performed By] – Coil Companies, etc. Recorded At – Threshold House Pressed By – Record Industry – 9543 Notes Side A: Recorded by Danny Hyde at Threshold House, London, Summer 1989. Vocals recorded at the Animist Monastery situated at the Summit of Mount Popa in Pagan, Burma. First issued 1989 on Myths 4 • Sinople Twilight In Çatal Hüyük compilation. Side B issued 1993 on Chaos In Expansion compilation. Both tracks were commissioned by Sub Rosa. Barcode and Other Identifiers Barcode: 5411867114437 Matrix / Runout (Side A, stamped): 9543 2A SRV443 Matrix / Runout (Side B, stamped): 9543 2B SRV443 Other versions Category Artist Title (Format) Label Category Country Year SRV443 Coil Another Brown World / Baby Food (LP, Comp) Sub Rosa SRV443 Belgium 2017 Related Music albums to Another Brown World / Baby Food by Coil 1. Coil - The Restitution Of Decayed Intelligence 2. Coil - Panic / Tainted Love 3. Danny Peppermint - One More Time / La Dee Dah 4. Blue Jay Boys - My Baby / Brown Skin Mama 5. Coil - Horse Rotorvator 6. -
Off the Pedestal, on the Stage: Animation and De-Animation in Art
Off the Pedestal; On the Stage Animation and De-animation in Art and Theatre Aura Satz Slade School of Fine Art, University College, London PhD in Fine Art 2002 Abstract Whereas most genealogies of the puppet invariably conclude with robots and androids, this dissertation explores an alternative narrative. Here the inanimate object, first perceived either miraculously or idolatrously to come to life, is then observed as something that the live actor can aspire to, not necessarily the end-result of an ever evolving technological accomplishment. This research project examines a fundamental oscillation between the perception of inanimate images as coming alive, and the converse experience of human actors becoming inanimate images, whilst interrogating how this might articulate, substantiate or defy belief. Chapters i and 2 consider the literary documentation of objects miraculously coming to life, informed by the theology of incarnation and resurrection in Early Christianity, Byzantium and the Middle Ages. This includes examinations of icons, relics, incorrupt cadavers, and articulated crucifixes. Their use in ritual gradually leads on to the birth of a Christian theatre, its use of inanimate figures intermingling with live actors, and the practice of tableaux vivants, live human figures emulating the stillness of a statue. The remaining chapters focus on cultural phenomena that internalise the inanimate object’s immobility or strange movement quality. Chapter 3 studies secular tableaux vivants from the late eighteenth century onwards. Chapter 4 explores puppets-automata, with particular emphasis on Kempelen's Chess-player and the physical relation between object-manipulator and manipulated-object. The main emphasis is a choreographic one, on the ways in which live movement can translate into inanimate hardness, and how this form of movement can then be appropriated. -
Throbbing Gristle Reissue Series PR
THROBBING GRISTLE THE REFORMATION YEARS NEW REISSUES SERIES OUT 13 DECEMBER 2019: Part Two: The Endless Not TG Now A Souvenir of Camber Sands “The Endless Not features some of the subtlest songwriting of TG's career, playing that knot of tension for all its worth and all the more disturbing for how pensive and restrained it feels” - Pitchfork “…more of a rebirthing than a reunion” - Tiny Mix Tapes “a gristly comeback”” - DJ Throbbing Gristle announce the next phase of their reissues series with the release of Part Two: The Endless Not, TG Now and A Souvenir of Camber Sands, out on CD and limited edition vinyl on 13 December 2019. In 2004 Chris Carter, Peter Christopherson, Genesis P. Orridge and Cosey Fanni Tutti reformed - 23 years after their mission was originally terminated - and between 2004 and 2007 the band released 14 new studio tracks and a live album of their appearance at ATP's Nightmare Before Christmas in Camber Sands. TG Now, originally released in 2004, was the sound of Throbbing Gristle testing the waters, seeing how it felt to work together again. The 4-track limited vinyl and CD release was available originally to attendees of the RE-TG Astoria event in 2004, their first performance together since 1981’s US tour. With Part Two: The Endless Not, the band returned to the studio after deciding they had unfinished creative business outside of the live arena. Released in 2007, over 25 years after their last studio album, the album was, as Tiny Mix Tapes put it, “…more of a rebirthing than a reunion”. -
DISINTEGRATION Loop 1.1
SVILOVA | WILLIAM BASINSKI DISINTEGRATION LOOP 1.1 WILLIAM BASINSKI JUNE 18–JULY 31, 2014 www.svilova.org 1 SVILOVA | WILLIAM BASINSKI SCALE BE THY KING: THE BLACK Mirror OF William Basinski By David Keenan 1. Scalle Bee Thie Kynge. There is a magical idea, rarely articulated, that imagination is the world-creating matrix of desire, in other words that imagination is what translates a sensation into a thought. Disintegration Loops, still the central, emblematic work of the artist and composer William Basinski, conflates the biological with the constructed, the historical with the personal, by a creative act of imagination that would attempt to mimic the function of memory via accidental processes of auto-forgetting while connecting it with historical trauma –the 9/11 attacks on the Twin Towers as a head wound – and romantic portraiture, through the back cover recreation of Henry Wallis’s 1856 painting, The Death Of Chatterton, with Basinski posed as the dead 18th Century English poet, who poisoned himself in 1770, aged 17. Thomas Chatterton’s reputation as a forger of mystical poetry is of note here. From the age of 12 onwards he produced a run of strange, visionary verse that he claimed was the work of a 15th century monk of his own invention, Thomas Rowley. Indeed, a particular adjective, “Rowliean”, has been coined to describe the works of this historical figment, this shade birthed of an intoxicated imagination. Rowley’s verse is difficult, its language being largely derived from Chatterton’s study of the English philologist John Kersey’s Dictionarium Anglo-Britannicum, “comprehending a brief explication of all sorts of difficult words”. -
17-06-27 Full Stock List Drone
DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome -
Kapotte Muziek - an Apology Is Necessary
Kapotte Muziek - An Apology Is Necessary - 1. Noiseperformance 2. Treatment 3. The Karnage 4. Ha Heizel 5. Stag/nation 6. Guns For Sale 7. Karnage Of The Voice 8. Rock N Roll Part 1 9. Death Is No Life To Come 10. raw sounds #1* 11. Sounds From Unknown Source 12. raw sounds #2* 13. Soundwave 2 14. raw sounds #3* 15. Aircraft 16. raw sounds #4* 17. I Am The Way, The Truth And The Life An Apology Is Necessary. 18. raw sounds #5* 19. Untitled Yes it is. You are about to hear and view material that was 20. raw sounds #6* released by Kapotte Muziek in 1988. It was an anthology of 21. Untitled works from the first three and half years of existence. A 22. raw sounds #7* lifetime it seemed back then, a mere drop in time when I look back on it now. I compiled this tape in 1988 for the US *these short interludes separated the branche of my label Korm Plastics, run by Jeff Surak, who tracks on side b of the original was the driving force behind Destruktive Technologies cassette release. Foundation.I went back to the archives of Kapotte Muziek and dug out some of the original artwork produced for some of these tracks. In those days your compilation cassette was Extras: not complete with a black and white xeroxed booklet. I either had some drawing or some text or some image. I also Phallophories Vol. 3 produced some postcards and in my naïve youth I used skulls Postcard from 1985 and pictures of naked women: things I wouldn't do now, or in Postcard from 1986 a more thought-out context at least. -
Musique 8109 Morceaux, 23,6 Jours, 45,77 Go
Musique 8109 morceaux, 23,6 jours, 45,77Go Nom Du… Artiste Album Ge… Tai… An… Type Regr… Cat… … 01 Broken … 8:39 A Silver Mt Zion He has lelt us alone … Po… 11,… Fichier a… 02 Sit in th… 5:08 A Silver Mt Zion He has lelt us alone … Po… 7,1… Fichier a… 03 Stumble… 6:04 A Silver Mt Zion He has lelt us alone … Po… 8,4… Fichier a… 04 Movie (… 3:22 A Silver Mt Zion He has lelt us alone … Po… 4,7… Fichier a… 05 13 ange… 7:21 A Silver Mt Zion He has lelt us alone … Po… 10,… Fichier a… 06 Long m… 0:05 A Silver Mt Zion He has lelt us alone … Po… 13… Fichier a… 07 Blow-ou… 9:46 A Silver Mt Zion He has lelt us alone … Po… 13,… Fichier a… 08 For wanda 6:37 A Silver Mt Zion He has lelt us alone … Po… 9,2… Fichier a… 01 4.49 Stool 6:33 A Witness I am John's Pancreas … Pu… 9,1… Fichier a… 02 Hard da… 3:14 A Witness I am John's Pancreas … Pu… 4,5… Fichier a… 03 Smalt li… 3:08 A Witness I am John's Pancreas … Pu… 4,4… Fichier a… 04 O'Grady'… 5:26 A Witness I am John's Pancreas … Pu… 7,5… Fichier a… 05 Car skid… 3:02 A Witness I am John's Pancreas … Pu… 4,2… Fichier a… 06 Red snake 4:00 A Witness I am John's Pancreas … Pu… 5,6… Fichier a… 07 Sharpen… 2:25 A Witness I am John's Pancreas … Pu… 3,4… Fichier a… 08 The Lou… 3:38 A Witness I am John's Pancreas … Pu… 5,1… Fichier a… 09 Legs be … 2:12 A Witness I am John's Pancreas … Pu… 3,1… Fichier a… 10 Dipping… 4:09 A Witness I am John's Pancreas … Pu… 5,8… Fichier a… 11 Lucky in… 2:21 A Witness Loudhailer songs (19… Pu… 3,3… Fichier a… 12 Kitchen … 4:05 A Witness Loudhailer songs (19… Pu… 5,7… Fichier a… 13 Regular … 3:24 A Witness Loudhailer songs (19… Pu… 4,7… Fichier a… 14 Camera 2:42 A Witness Loudhailer songs (19… Pu… 3,8… Fichier a… 15 Drill me.. -
16-09 Newsflash September
DRONE RECORDS ҉ NEWSFLASH ҉ SEPTEMBER 2016 ҉ Dear Droners and Psychonauts, here are the NEWS for SEPTEMBER 2016! * LABEL ANNOUNCEMENT!! the new "DRONE-MIND//MIND-DRONE" LP has a delay, the release date is now set to 10/10/2016 !! Only 400 copies are pressed this time, we will have about 300 for sale. DRONE-MIND // MIND-DRONE Vol. 5 LP (Drone Records MIND-05) € 15.00 again filled with exiting experimental drone acts from the whole planet, we can finally present you Vol. 5 in our ongoing series, with new names you probably don't know yet: GYDJA (New Zealand), CLADE, (Scotland / USA), MONOCUBE (Ukraine) and YRSEL (France) ; lim. 400, coloured vinyl. Artwork paintings be the great British painter PETE GREENING!! + SOME OF OUR PERSONAL HIGHLIGHTS and RECOMMENDATIONS, checking them out is stronly recommended: Z'EV - Eleven Mirrors to the Light CD Cold Spring Records CSR196CD 2015 : amorph masses of dynamically morphing metal-spark ambience.. TRICOLI, VALERIO - Clonic Earth do-LP PAN Records PAN 71 2016: absolutely stunning experimental dronescapes to enlarge your consciousness ELEH / TARA JANE O'NEIL - Circle Four: 100 Gongs for Arieto LP Important IMPREC430 2015: meditative gong drones, dedicated to HARRI BERTOIA V.A. - Bruitisme¹ LP Rotorelief ROTOR 0047 2016: four French acts and their actual perspective on Bruitism KHOST (deconstructed and reconstructed by) GODFLESH - Needles into the Ground LP Cold Spring Rec.CSR215LP 2016: advanced industrial metal at its best SEMBLER DEAH - Kaessariah. Heel een Leven lang LP Hypertension Rec.Hype 013 -
Cross of Light Temple 2003 – 2017
CROSS OF LIGHT TEMPLE 2003 – 2017 τί γὰρ ὠφελήσει ἄνθρωπον ἐὰν κερδήσῃ τὸν κόσμον ὅλον καὶ ζημιωθῃ τὴν ψυχὴν αὐτοῦ CROSS OF LIGHT TEMPLE [email protected] CROSS OF LIGHT TEMPLE POSITION STATEMENT 1. Everything is grounded in the immediate experience of now. We are here and not elsewhere, and we act from where we are. The immediate experience of now reasserts itself as reality no matter how often it is denied. 2. There is no secret wisdom. Everything is provisional. Nothing is certain. There are no reliable authorities. All systems are arbitrary and only acquire meaning if their constituent elements are accepted as if they were true. All supposedly valid systems can be invalidated by the simple expedient of refusing their premises. 3. What people tell me I am is a fiction. I am beyond any definition given by the other. I am beyond any definition given by myself. I am beyond what I'm told I am. I begin nowhere. I end nowhere. I occupy a space between beginning and end, which is constant but seems to change. The mortal and corruptible body is absolutely linked to any notion of super sensible being with which it is associated. We have the necessary resources within us and we do not need instruction from elsewhere. 4. Form is a treatment of unfettered imagination. The limited is a manifestation of the limitless. Limitless being exists in the context of finite being; the endless is known by that which knows a beginning and end. The end is in the beginning and the beginning is in the end.