The Society of Christian Enlightenment: from “Heretical” Blog to Heretical Offline Community

Total Page:16

File Type:pdf, Size:1020Kb

The Society of Christian Enlightenment: from “Heretical” Blog to Heretical Offline Community SCE members gather in 2015. SITES The Society of Christian Enlightenment: From “Heretical” Blog to Heretical Offline Community Ekaterina Grishaeva On February 21, 2012, the feminist For two Moscow professors and Or- punk rock band Pussy Riot organized thodox believers, Il’ya and Yana Braz- a performance, Punk Prayer: Mother of nikovy, Punk Prayer was a catalyst for God, Drive Putin Away, at the Cathe- launching public debates about the dral of Christ the Saviour in Moscow. modernization of the Russian church. Participants danced and made the The Brazhnikovys organized a group sign of the cross at the ambon and called the Society of Christian Enlight- solea for less than a minute before enment (the SCE or Obshchestvo Chris- being escorted outside the building tianskogo Prosveshchenia) in 2012. Their by guards. This episode provoked aim was to create an independent forum public debate and led to the arrest for theological debates that would carry and prosecution of three group mem- forward the legacy of the religious-phil- bers. The Russian Orthodox Church osophical meetings organized between considered the performance blas- 1901 and 1903 by the writers Zinaida phemous and called for Pussy Riot’s Gippius, Dmitry Merezhkovsky, and prosecution. Some church leaders Vasily Rozanov. Most of the intellectu- even advocated severe punishment. als who joined the SCE had been active Meanwhile, a few advocates argued churchgoers in the early 2000s before be- that Pussy Riot’s Punk Prayer was lit- ginning to criticize the clericalism of the tle more than a radical yet modern Moscow Patriarchate. At SCE meetings, expression of its views. speakers raised issues they considered 32 important for the modernization of the Meanwhile, as a tiny group of intellec- © 2019 The Wheel. Russian Orthodox Church, such as the tuals, the SCE members continued to May be distributed for ordination of women and the Church’s rely on digital technologies to expand noncommercial use. www.wheeljournal.com engagement with feminism and social- the geographical outreach of their meet- ism, and elaborated an alternative theo- ings (through Skype connections), to logical discourse proudly described by communicate with each other between some of them as “heretical.” The SCE’s meetings, and to disseminate their activities illustrate how the concepts views to the wider society. of orthodoxy and heresy are evolving as new means of communication alter This article is concerned less with the the social conditions of theological dis- content of SCE beliefs than with the course. group’s relationship to various forms of communication. I approach the SCE It is important to emphasize that the as a hybrid phenomenon shaped by SCE was a group of conservative Or- social interactions offline and online thodox intellectuals: prior to 2009, communication. I analyze how digital some of them had advocated for the technologies have contributed to the engagement of the Russian Church in development of the SCE and why it be- the political domain and had support- came so important to them to organize ed monarchy. Yet their conservatism is offline meetings. First, I will show that interwoven with a postmodern way of online communication was a necessary thinking. They regard a postmodern step toward the emergence of the SCA interpretation of Orthodox tradition as as a “heretical” community. Second, I the key to recovering “true” apostolic argue that the development of the SCE Orthodoxy. Since they consider strict equally reflects the experience that dig- observance of church prescriptions to ital technologies do not meet members’ be the invention of modern society, they religious needs. Most of the SCE mem- propose to deconstruct the Church’s rit- bers were driven together by a desire uals and dogmas in order to be closer to to build an offline community that re- the non-institutionalized communes of sembled a monastery or parish, where early Christians. This conservative ap- “heretical identity” would be recog- proach formed the basis for what they nized by others. The rise of the SCE is call a “radical” interpretation of Ortho- therefore a revealing illustration of both dox tradition. the power and the limitations of online communication. Before the SCE was founded, these in- tellectuals developed and promoted Tradition, Individualism, and Digital their interpretations of Orthodox tra- Media dition primarily online, since there was 1 Peter Horsfield, “‘A no other public space for discussing The emergence of digital technologies Moderate Diversity radical or modern approaches to Or- has challenged and transformed re- of Books?’ The Chal- thodoxy. From 2012 to 2015, however, ligious authority, as various scholars lenge of New Media nine in-person meetings were held in to the Practice of have noted. For example, Peter Hors- Christian Theology,” Moscow and Saint Petersburg, each field points out that digital media have in Digital Religion, including between eight and fifteen changed the distribution of religious Social media and participants. These offline meetings knowledge by providing “for equal dis- Culture: Perspectives, enabled SCE members to develop their tribution and circulation of theological Practicies and Futures, “radical” interpretations of Orthodox ed. Pauline Hope ideas developed by the theologically Cheong et al. (New tradition and to build a common “he- uneducated as for the theologically ed- York: Peter Lang, retical” identity through discussion. ucated.”1 Online access to religious texts 2012), 254. The Wheel 19 | Fall 2019 33 makes it easier for individuals to inter- viding unrestricted access to religious 2 Mia Lövheim, pret religious ideas on their own, lead- knowledge and by strengthening net- “New Media, Reli- gion, and Gender: ing to a democratization of religion and works of Orthodox Internet users. Young Swedish making visible the plurality of vernacu- Female Bloggers,” in lar religious beliefs.2 To make sense of Before the SCE: “Radical” Interpreta- Religion Across Media: how the Internet enables an expanding tions of Orthodoxy Online From Early Antiquity variety of religious positions, Stewart M. to Late Modernity, ed. Knut Lundby (New Hoover and Nabil Echchaibi describe it Before the Russian state’s first attempts York: Peter Lang, as a liminal “third space,” where formal to establish control over the digital 2013), 153–68. Stefan structures of religious knowledge and sphere in 2011, the Russophone seg- Gelfgren, “Why practice are revised and transformed re- ment of the Internet—sometimes called Does the Archbishop flexively by religious users.3 As a result Runet—was a place for free debate on Not Tweet? How So- cial Media Challenge of the interactive character of the online political, social, and cultural issues. Its Church Authorities,” environment, religious authority tends communication culture resembled the Nordicom Review 36 to shift from institutions to diverse in- late Soviet tradition of dissidence and (2015): 109–23. ternet users, who project themselves “kitchen table discussions,” forms of and their opinions into the online mar- debate which were accessible to only a 3 Stewart M. Hoover 5 and Nabil Echchaibi, ket of religions. small number of people. Despite hier- “Media Theory and archs’ criticisms of secular online cul- the ‘Third Spaces of It is important to place the online visi- ture, Orthodox believers used Runet as Digital Religion’” bility of personal religious positions in a space for open debates on theological (Boulder, Colorado: a broader context. Modern social trans- topics and problems such as the rap- Center for Media, Religion, and Cul- formations such as enhanced reflexiv- prochement between the Russian Or- ture, 2014). https:// ity (that is, individuals’ increasingly thodox Church and the Russian state.6 www.researchgate. active shaping of their own identities) As some Orthodox bloggers expressed net/publication and a general crisis of institutions have in their posts, online discussions be- /287644204_The_ contributed to more individualized in- came an outlet due to the lack of open Third_Spaces_of_ 4 Digital_Religion. terpretation of religious traditions. A debate inside the Church and in the sec- person may now choose, from among a ular public sphere. 4 See Anthony variety of religious ideas and practices, Giddens, Modernity the ones that seem most suitable for his Most of the future SCE members were and Self-Identity: Self or her lifestyle, discarding those that and Society in the Late active Runet users and were recognized Modern Age (Cam- are burdensome. From this perspec- as online religious experts. In com- bridge: Polity Press, tive, digital media provide religious parison with print media, the Internet 1991), and Zygmunt people with the resources to rethink opened new perspectives for them to Bauman, Liquid Mo- their own religious views and make develop their “radical” interpretations dernity (Cambridge: individualistic approaches to religion Polity Press, 2000). of Orthodoxy. It provided them with more visible in the public sphere. quick and cheap ways of disseminating 5 Tine Roesen, Vera their religious-philosophical and liter- Zvereva, “Social Net- Following these theoretical premises, I ary works outside institutional control. work Sites on the Ru- analyze how the emergence of the SCE Having a keen knowledge of Orthodox net: Exploring Social has been shaped by a combination of Communication,” tradition, they sought to enlighten their in Digital Russia: The online and offline factors. Before the audience. The various digital communi- Language, Culture and Society’s formation, its members were cation platforms helped them to create Politics of New Media searching for an interpretation of Or- and maintain heretical networks. Communication, ed. thodox tradition that fit better with Michael S. Gorham, their philosophy and lifestyle. Frustra- Ingunn Lunde, and In the early 2000s, Il’ya Braznikov Martin Paulsen (New tion with offline social interactions led launched the website pravaya.ru, an inde- York: Routledge, them to move online. The Internet fur- pendent forum for Orthodox analysis of 2014), 72–87. thered their theological search by pro- political, cultural issues, and Orthodoxy, 34 today.
Recommended publications
  • Problems of Mimetic Characterization in Dostoevsky and Tolstoy
    Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought.
    [Show full text]
  • Generate PDF of This Page
    Institute of National Remembrance https://ipn.gov.pl/en/news/4412,It-was-good-to-fight-for-Poland.html 2021-09-25, 16:52 12.08.2020 “It was good to fight for Poland!” We encourage you to read an article written by President of the IPN Jarosław Szarek, Ph.D. for the "Rzeczpospolita" newspaper. “We have the whole world against us” wrote Stanisław Posner in a report for Józef Piłsudski, submitted end of June 1920, after travelling through Western European countries. During his several-week expedition, he visited a few capital cities and returned with observations free of any hope, on the day preceding the breakout of decisive battles in the east. Posner highlighted that even those who had been siding with Poland, such as French President Alexandre Millerand, assuring of his support for Warsaw in the conflict with the Czechs ,“is siding with them and, in other matters, will always submit to the opinion of England, because he depends on her as a creditor. What can I say about the others? The issue of compensation, the issue of Gdańsk, the issue of the plebiscites – are worse than ever.” The following weeks confirmed these observations. Even among recent sympathisers of Poland’s cause there was no shortage of those observing with indifference our battle with Bolshevism, interested, at most, in taking as much as they could for themselves. The year 1920 did not just mean the struggle with Bolshevism, but also a clash with the indifference and reluctance from the West. Hence the assistance we received from those willing to help us at this dramatic time was even more valuable.
    [Show full text]
  • Tolstoy in Prerevolutionary Russian Criticism
    Tolstoy in Prerevolutionary Russian Criticism BORIS SOROKIN TOLSTOY in Prerevolutionary Russian Criticism PUBLISHED BY THE OHIO STATE UNIVERSITY PRESS FOR MIAMI UNIVERSITY Copyright ® 1979 by Miami University All Rights Reserved Library of Congress Cataloging in Publication Data Sorokin, Boris, 1922­ Tolstoy in prerevolutionary Russian criticism. Bibliography: p. Includes index. 1. Tolstoi, Lev Nikolaevich, graf, 1828-1910—Criticism and interpretation—History. 2. Criticism—Russia. I. Title. PG3409.5.S6 891.7'3'3 78-31289 ISBN 0-8142-0295-0 Contents Preface vii 1/ Tolstoy and His Critics: The Intellectual Climate 3 2/ The Early Radical Critics 37 3/ The Slavophile and Organic Critics 71 4/ The Aesthetic Critics 149 5/ The Narodnik Critics 169 6/ The Symbolist Critics 209 7/ The Marxist Critics 235 Conclusion 281 Notes 291 Bibliography 313 Index 325 PREFACE Leo Tolstoy (1828-1910) has been described as the most momen­ tous phenomenon of Russian life during the nineteenth century.1 Indeed, in his own day, and for about a generation afterward, he was an extraordinarily influential writer. During the last part of his life, his towering personality dominated the intellectual climate of Russia and the world to an unprecedented degree. His work, moreover, continues to be studied and admired. His views on art, literature, morals, politics, and life have never ceased to influence writers and thinkers all over the world. Such interest over the years has produced an immense quantity of books and articles about Tolstoy, his ideas, and his work. In Russia alone their number exceeded ten thousand some time ago (more than 5,500 items were published in the Soviet Union between 1917 and 1957) and con­ tinues to rise.
    [Show full text]
  • Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia
    Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia © 2014 Brad Alexander Gordon A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies at the Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi University, Mississippi April, 2014 Approved: Advisor: Dr. Joshua First Reader: Dr. William Schenck Reader: Dr. Valentina Iepuri 2 Table of Contents Acknowledgements……………………………………………………………………p. 3 Part I: Interwar Émigrés and Their Literary Contributions Introduction: The Russian Intelligentsia and the National Question………………….............................................................................................p. 4 Chapter 1: Russia’s Eschatological Quest: Longing for the Divine…………………………………………………………………………………p. 14 Chapter 2: Nature, Death, and the Peasant in Russian Literature and Art……………………………………………………………………………………..p. 26 Chapter 3: Tsvetaeva’s Tragedy and Tolstoi’s Triumph……………………………….........................................................................p. 36 Part II: The Émigrés Return Introduction: Nostalgia’s Role in Contemporary Literature and Film……………………………………………………………………………………p. 48 Chapter 4: “Old Russia” in Contemporary Literature: The Moral Dilemma and the Reemergence of the East-West Debate…………………………………………………………………………………p. 52 Chapter 5: Restoring Traditional Russia through Post-Soviet Film: Nostalgia, Reconciliation, and the Quest
    [Show full text]
  • Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,A Liudmila Mikheeva2,* Yulia Gushchina3,B
    Advances in Social Science, Education and Humanities Research, volume 572 Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021) Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,a Liudmila Mikheeva2,* Yulia Gushchina3,b 1 Institute of Fine Arts, Moscow Pedagogical State University, Moscow, Russia 2 Department of General Humanitarian Disciplines, Russian State Specialized Academy of Arts, Moscow, Russia 3 Likhachev Russian Research Institute for Cultural and Natural Heritage, Moscow, Russia a Email: [email protected] b Email: [email protected] *Corresponding author. Email: [email protected] ABSTRACT The present article focuses on the artistic culture of the Silver Age and the remarkable creative atmosphere of Russia at the turn of the 20th century characterized by the synthesis of arts: drama, opera, ballet, and scenography. A key figure of the period was Sergei Diaghilev, the editor and publisher of the magazines Mir Iskusstva (World of Art) and The Yearbook of the Imperial Theatres, the founder of the famous Ballets Russes in Paris, the organizer of exhibitions of Russian artists of different schools and movements. The article studies the features of Symbolism as an artistic movement and philosophy of art of the Silver Age, a spiritual quest of artistic people of the time, and related and divergent interests of representatives of different schools and trends. The Silver Age is considered the most sophisticated and creative period of Russian culture, the time of efflorescence, human spirit, creativity, the rise of social forces, general renewal, in other words, Russian spiritual and cultural renaissance.
    [Show full text]
  • Mirrors in Russian Decadent and Symbolist Prose: Valery Briusov and Dmitry Merezhkovsky
    Studies in 20th & 21st Century Literature Volume 34 Issue 2 Reflections and Refractions: The Mirror Article 4 in Russian Culture 6-1-2010 Mirrors in Russian Decadent and Symbolist Prose: Valery Briusov and Dmitry Merezhkovsky Kirsten Lodge Columbia University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Slavic Languages and Societies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Lodge, Kirsten (2010) "Mirrors in Russian Decadent and Symbolist Prose: Valery Briusov and Dmitry Merezhkovsky," Studies in 20th & 21st Century Literature: Vol. 34: Iss. 2, Article 4. https://doi.org/10.4148/ 2334-4415.1730 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Mirrors in Russian Decadent and Symbolist Prose: Valery Briusov and Dmitry Merezhkovsky Abstract Examining mirror imagery in the prose works “In the Mirror” by Valery Briusov and The Resurrected Gods: Leonardo da Vinci by Dmitry Merezhkovsky, both published in 1902, this article situates the Russian Decadent and Symbolist associations of the mirror in the pan-European literary and philosophical context. The mirror constitutes the threshold of manifold oppositions, including life and art, life and death, and reality and dream or imagination. It is a realm of alternative reality, magical and seductive, as in Briusov’s story, or potentially both demonic and divine, as in Merezhkovsky’s novel.
    [Show full text]
  • Russia Outside Russia”: Transnational Mobility, Objects Of
    “RUSSIA OUTSIDE RUSSIA”: TRANSNATIONAL MOBILITY, OBJECTS OF MIGRATION, AND DISCOURSES ON THE LOCUS OF CULTURE AMONGST EDUCATED RUSSIAN MIGRANTS IN PARIS, BERLIN, AND NEW YORK by Gregory Gan A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Anthropology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2019 © Gregory Gan, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: “Russia outside Russia”: Transnational Mobility, Objects of Migration, and Discourses on the Locus of Culture amongst Educated Russian Migrants in Paris, Berlin, and New York submitted by Gregory Gan in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Anthropology Examining Committee: Dr. Alexia Bloch Supervisor Dr. Leslie Robertson Supervisory Committee Member Dr. Patrick Moore Supervisory Committee Member Dr. Nicola Levell University Examiner Dr. Katherine Bowers University Examiner Prof. Michael Lambek External Examiner ii Abstract This dissertation examines transnational Russian migration between Moscow, Berlin, Paris, and New York. In conversation with forty-five first- and second-generation Russian intellectuals who relocated from Russia and the former Soviet Union, the researcher investigates transnational Russian identity through ethnographic, auto-ethnographic, and visual anthropology methods. Educated migrants from Russia who shared with the researcher a comparable epistemic universe and experiential perspective, and who were themselves experts on migration, discuss what it means to belong to global transnational diasporas, how they position themselves in historical contexts of migration, and what they hope to contribute to modern intellectual migrant narratives.
    [Show full text]
  • Life and Death in Russian Literature (Part 2) Tolstoy and in Part , Chekhov
    Life and Death in Russian Literature (Part 2) Tolstoy and in part , Chekhov, Global Focus on Knowledge / 2009 Summer No.8 8 June Mitsuyoshi Numano (The Department of Contemporary Literary Studies / Slavic Literature, Faculty of Letters) The figures, photos and moving images with ‡ marks attached belong to their copyright holders. Reusing or reproducing them is prohibited unless permission is obtained directly from such copyright holders. Lev Nikolaevich Tolstoy z Лев Николаевич Толстой Lev Nikolaevich Tolstoy (Tolstoi) 28 August 1828 (Bunsei 11) ~ z 7 November 1910 (Meiji 43) Portrait by Ivan Kramskoy (1873) The State Tretyakov Gallery, Moscow Tolstoy, in his Later Years (1900s) Dostoevsky and Tolstoy The Two Giants of World Literature (1) Two great writers who have often been compared Dmitry Merezhkovsky. Tolstoy and Dostoevsky. 1901-02 Dostoevsky: “a seer of the spirit” Tolstoy: “a seer of the flesh” George Steiner. Tolstoy or Dostoevsky. 1959 Dostoevsky: the continuity of a tragic world view from Oedipus Rex Tolstoy: the epic tradition from Homer Dostoevsky and Tolstoy The Two Giants of World Literature (2) z Isaiah Berlin. The Hedgehog and the Fox: An Essay on Tolstoy’s View of History. 1953 The fragment of verse by the ancient Greek poet Archilochus “The fox knows many things, but the hedgehog knows one big thing.” Dostoevsky: hedgehog Pushkin: fox Then, how about Tolstoy? He is diagnosed as a fox who imagined himself a hedgehog (according to Berlin’s hypothesis). Tolstoy’s Life and Career (1) z 1828 Tolstoy is born in Yasnaya Polyana, in Tula Province, the fourth son of Count Tolstoy. z 1847 Tolstoy leaves Kazan University without a degree.
    [Show full text]
  • Orthodox Political Theologies: Clergy, Intelligentsia and Social Christianity in Revolutionary Russia
    DOI: 10.14754/CEU.2020.08 ORTHODOX POLITICAL THEOLOGIES: CLERGY, INTELLIGENTSIA AND SOCIAL CHRISTIANITY IN REVOLUTIONARY RUSSIA Alexandra Medzibrodszky A DISSERTATION in History Presented to the Faculties of the Central European University In Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy CEU eTD Collection Budapest, Hungary 2020 Dissertation Supervisor: Matthias Riedl DOI: 10.14754/CEU.2020.08 Copyright Notice and Statement of Responsibility Copyright in the text of this dissertation rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions and no materials previously written and/or published by another person unless otherwise noted. CEU eTD Collection ii DOI: 10.14754/CEU.2020.08 Technical Notes Transliteration of Russian Cyrillic in the dissertation is according to the simplified Library of Congress transliteration system. Well-known names, however, are transliterated in their more familiar form, for instance, ‘Tolstoy’ instead of ‘Tolstoii’. All translations are mine unless otherwise indicated. Dates before February 1918 are according to the Julian style calendar which is twelve days behind the Gregorian calendar in the nineteenth century and thirteen days behind in the twentieth century.
    [Show full text]
  • Peter Weiss. Andrei Platonov. Ragnvald Blix. Georg Henrik Von Wright. Adam Michnik
    A quarterly scholarly journal and news magazine. March 2011. Vol IV:1 From the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm FEATURE. Steklov – Russian BALTIC temple of pure thought W O Rbalticworlds.com L D S COPING WITH TRANSITIONS PETER WEISS. ANDREI PLATONOV. RAGNVALD BLIX. GEORG HENRIK VON WRIGHT. ADAM MICHNIK. SLAVENKA DRAKULIĆ. Sixty pages BETRAYED GDR REVOLUTION? / EVERYDAY BELARUS / WAVE OF RELIGION IN ALBANIA / RUSSIAN FINANCIAL MARKETS 2short takes Memory and manipulation. Transliteration. Is anyone’s suffering more important than anyone else’s? Art and science – and then some “IF YOU WANT TO START a war, call me. Transliteration is both art and science CH I know all about how it's done”, says – and, in many cases, politics. Whether MÄ author Slavenka Drakulić with a touch царь should be written as tsar, tzar, ANNA of gallows humor during “Memory and czar, or csar may not be a particu- : H Manipulation: Religion as Politics in the larly sensitive political matter today, HOTO Balkans”, a symposium held in Lund, but the question of the transliteration P Sweden, on December 2, 2010. of the name of the current president This issue of the journal includes a of Belarus is exceedingly delicate. contribution from Drakulić (pp. 55–57) First, and perhaps most important: in which she claims that top-down gov- which name? Both the Belarusian ernance, which started the war, is also Аляксандр Лукашэнка, and the Rus- the path to reconciliation in the region. sian Александр Лукашенко are in use. Balkan experts attending the sympo- (And, while we’re at it, should that be sium agree that the war was directed Belarusian, or Belarussian, or Belaru- from the top, and that “top-down” is san, or Byelorussian, or Belorussian?) the key to understanding how the war BW does not want to take a stand on began in the region.
    [Show full text]
  • Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
    Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open.
    [Show full text]
  • IV. the Contradictions of the Northern Pilgrim Dmitry Merezhkovsky
    IV. The Contradictions of the Northern Pilgrim Dmitry Merezhkovsky mitry Sergeyevich Merezhkovsky, the forerunner of the modernist movement in Russia, played a considerable role in Dcreating the image of ancient Rome for the Russian reader. Born in St. Petersburg and educated at St. Petersburg University, Merezhkovsky (1865-1941) embarked on a successful literary career very early. In 1889 he married Zinaida Gippius, an exceptionally talented young poet. They created and maintained a literary salon that influenced the entire literary environment in St. Petersburg, and later in Paris where they emigrated after the Communist take-over. With a degree in history and philosophy, vast traveling experience, and fluency in Greek and Latin, Merezhkovsky was perfectly equipped to contribute to the revival of the symbolism of antiquity, and of ancient Rome in particular. He did so primarily in The Death of the Gods (Smert’ bogov, Julian the Apostate in the English translation)1 and the first part of his renowned historical trilogy entitled Christ and Antichrist (Khristos i Antikhrist), which brought him fame, first outside of Russia, and subsequently in his own country, where a novel on an ancient subject was still a rarity.2 In the trilogy Christ and Antichrist Merezhkovsky formulated his religious and philosophical concept—a concept very insightfully described by Nikolai Berdyayev: He was possessed by the pathos of globalism, of coercive universalism, typical for the Latin spirit, for the Roman idea. He apparently received this yearning for global unity from Dostoevsky. He perceives the entire world and the whole of world history either as poles, or as aspects of Christ and Antichrist.
    [Show full text]