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MICHIGAN MONTHLY ______November, 2018 Diane Klakulak, Editor & Publisher ______
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ November, 2018 Diane Klakulak, Editor & Publisher __________________________________________________________________________________________________________________ DETROIT LIONS – Ford Field; DetroitLions.com or UNIVERSITY OF MICHIGAN WOLVERINES – 866- FordField.com; on Fox unless otherwise specified 296-MTIX, MGOBLUE.com/Tickets Nov. 4 at Minnesota Vikings; 1 pm Nov. 3 vs. Penn State Nov. 11 at Chicago Bears; 1 pm Nov. 10 at Rutgers Nov. 18 vs. Carolina Panthers; 1 pm Nov. 17 vs. Indiana Nov. 22 vs. Chicago Bears; 12:30 pm; CBS Nov. 24 at Ohio State Buckeyes; noon; Fox Dec. 2 vs. Los Angeles Rams; 1 pm Dec. 1 Big Ten Championship Dec. 9 at Arizona Cardinals; 4:25 pm Dec. 16 at Buffalo Bills; 1 pm MICHIGAN STATE UNIVERSITY – Dec. 23 vs. Minnesota Vikings; 1 pm msuspartans.com Dec. 30 at Green Bay Packers; 1 pm Nov. 3 at Maryland Terrapins DETROIT RED WINGS – LITTLE CAESARS Nov. 10 vs. Ohio State Buckeyes ARENA – on FSD unless otherwise stated Nov. 17 at Nebraska Cornhuskers Nov. 24 vs. Rutgers Scarlet Knights Nov. 1 vs. New Jersey Devils; 7:30 pm Dec. 1 Big Ten Championship Game; 8 pm; Fox Nov. 3 vs. Edmonton Oilers; 7 pm; also CBC Nov. 6 vs. Vancouver Canucks; 7:30 pm; FSD+ DETROIT PISTONS – LITTLE CAESAR’S ARENA Nov. 9 vs. N.Y. Rangers; 7:30 pm Nov. 10 at Carolina Hurricanes; 7 pm Nov. 3 at Philadelphia 76ers; 1 pm Nov. 13 vs. Arizona Coyotes; 7:30 pm Nov. 5 vs. Miami Heat; 7 pm Nov. 15 at Ottawa Senators; 7:30 pm Nov. 7 at Orlando Magic; 7 pm Nov. -
Legitimizing Pay to Play: Marketizing Radio Content Through a Responsive Auction Mechanism
LEGITIMIZING PAY TO PLAY: MARKETIZING RADIO CONTENT THROUGH A RESPONSIVE AUCTION MECHANISM Alon Rotem* I. INTRODUCTION ............................................. 130 II. RADIO REGULATION BACKGROUND / HISTORY ........ 131 A. Government Enforced Public Interest Standards...... 131 B. Marketization of the Public Interest Doctrine ........ 133 C. The Impact of the 1996 Telecommunications Act on License Renewals .................................... 134 III. PAYOLA RULES ............................................ 135 A. Payola Rules Impact on the Recording Industry ...... 136 B. A Brief History of Payola Transgressions ............ 137 C. Falloutfrom Recent Payola Prosecution .............. 139 D. Modern Payola Rules Ambiguity ..................... 139 IV. IMPACT OF TECHNOLOGY AND AUCTIONS ON BROAD- CAST SCARCITY ............................................ 140 A. The Rise and Evolution of Technology-Driven A uctions ....... ..................................... 141 B. Applying the Auction Mechanism to Radio Content Programm ing ........................................ 141 * J.D. Candidate 2007, University of California, Berkeley, Boalt Hall School of Law. B.S. Managerial Economics, 2001, University of California, Davis. I would like to thank my wife, Nicole, parents, Doron and Batsheva, and brothers, Tommy and Jonathan for their love, support, and encouragement. Additionally, I would like to thank Professor Howard Shelanski for his wisdom and guidance in the "Telecommunications Law & Policy" class for which this comment was written. Special thanks to Paul Cohune, who has generously de- voted his time to editing this and virtually every paper I have written in the last 10 years, to Zach Katz for sharing his profound knowledge of the music industry, and to my future col- leagues at Ropes & Gray, LLP. I am also very grateful for the assistance of the editors of the UCLA Entertainment Law Review. Mr. Rotem welcomes comments at alon.rotem@ gmail.com. -
Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the Podcast Online, Visit
Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one to one interviews with people at the top of the media game. Today, I’m here in the studios of BBC 6 Music and joined by Jeff Smith, the man who has chosen the tracks that we’ve been listening to on the radio for years. Now head of music for BBC Radio 2 and BBC Radio 6 Music, Jeff spent most of his career in music. Previously he was head of music for Radio 1 in the late 90s, and has since worked at Capital FM and Napster. In his current role, he is tasked with shaping music policy for two of the BBC’s most popular radio stations, as the technology of how we listen to music is transforming. Jeff, thank you for joining me. Pleasure. Jeff, Radio 2 has a phenomenal 15 million listeners. How do you ensure that the music selection appeals to such a vast audience? It’s a challenge, obviously, to keep that appeal across the board with those listeners, but it appears to be working. As you say, we’re attracting 15.4 million listeners every week, and I think it’s because I try to keep a balance of the best of the best new music, with classic tracks from a whole range of eras, way back to the 60s and 70s. So I think it’s that challenge of just making that mix work and making it work in terms of daytime, and not only just keeping a kind of core audience happy, but appealing to a new audience who would find that exciting and fun to listen to. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Cabin and Plantation Songs As Sung by the Hampton Students
.CABIN AND PLANTATION SONGS' AS SUNG BY THE HAMPTON STUDENTS, ARRANGED BY THOMAS P. FENNER, FREDERIC G. RATHBUN, ' AND Miss BESSIE CLEAVELAND, MUSICAL INSTRUCTORS IN THE HAMPTON NORMAL AND AGRICULTURAL INSTITUTE OF VIRGINIA. THIRD EDITION, ENLARGED BY THE ADDITION OF FORTY-FOUR SONGS. TO WHICH ARE ADDED A FEW INDIAN SONGS, GATHERED AT HAMPTON INSTITUTE, THE NEGROES* BATTLE HYMN, AND THE GRACE AS SUNG AT HAMPTON. G. P. PUTNAM'S SONS NEW YORK AND LONDON ^bc IRntcJ^erbockec press 1901 COPYRIGHT, 1890 BY F. C. BRIGGS Enlarged Edition copyright, 1900 BY F. C. BRIGGS Ube 'ftnicJierboclscr press, "Kew IBocft ; PREFACE TO MUSIC. ^T^HE slave music of the South presents a field for research and study very extensive and rich, and one which has been scarcely more than entered upon. There are evidently, I think, two legitimate methods of treating this music : either to render it in its absolute, rude simplicity, or to develop it without destroying its original characteristics ; the only proper field for such development being in the harmony. Practical experience shows the necessity, in some cases, of mak- ing compensation for its loss in being transplanted. Half its eflfect- iveness, in its home, depends upon accompaniments which can be carried away only in memory. The inspiration of numbers ; the overpowering chorus, covering defects ; the swaying of the body the rhythmical stamping of the feet ; and all the wild enthusiasm of the negro camp-meeting—these evidently can not be transported to the boards of a public performance. To secure variety and do justice to the music, I have, therefore, treated it by both methods. -
Patriot Press March-April 2017
Patriot Press Page Guide News..........................................1 @LibertyPublicat Features......................................2 Entertainment..........................3-5 Center Spread............................6-7 Sports.....................................8-10 Viewpoint...................................11 Back Page..................................12 www.pinterest.com/tyearbook March/April 2017 Volume 23: Issue 5 6300 Independence Avenue, Bealeton, Virginia 22712 Safe Dating Experts Stress “Love Should Be Respectful.” by Savannah Johnson This year Liberty High School ~Staff Reporter ly learn from others and share positive decided to try something new by offer- pieces of those experiences with others,” ing a safe dating workshop. From Jan- Abuse said social worker Rochelle Ferguson. uary 25 until April 5 in the Eagle Room, Acts of violence, threats of violence, Students in this workshop do var- there are sessions held to teach students victim-blaming, intimidation ious activities to help us spot abusive be- about positive and non-positive relation- havior. They read scenarios and with ev- ships. Professional social workers Ro- erything that happens, and they decide if chelle Ferguson and Lauren Dracoules they would leave or stay in that situation. are the ones who are teaching this class. Tension Building Reconciliation The class gets handouts with examples Safe Dates’ primary purpose is to Tensions increase, breakdown of Excuses, apologies, denial of abuse, they can look back on. Also papers that equip individuals at the school who are en- communication survivor is fearful victim-blaming they fill out remind them what they want tering the dating arena and/or advise those and need out of a relationship. Students do who are currently in a relationship. The not just learn how they should be treated, tools students gain from this class will help they also learn how to treat their partners. -
Billboard Magazine
HOT R&B SONGSWorldMags.net™ R&B ALBUMS™ Taylor, 2 WKS. LAST THIS TITLE CERTIFICATION Artist PEAK WKS. ON LAST THIS ARTIST CERTIFICATION Title WKS. ON AGO WEEK WEEK POS. CHART WEEK WEEK CHART PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL IMPRINT/DISTRIBUTING LABEL Banks #1 0 #1 TEYANA TAYLOR VII BANKS: BROOKE NIPAR BANKS: 12 WKS DON’T TELL ‘EM Jeremih Featuring YG 122 1 WK 1 1 1 1 M.SCHULTZ,DJ MUSTARD (J.FELTON,M.SCHULTZ,D.MCFARLANE,K.D.R.JACKSON,B.BENITES,M.MUNZING,L.ANZILOTTI,T.AUSTIN) MICK SCHULTZ/DEF JAM G.O.O.D./DEF JAM Take A TUESDAY I LOVE MAKONNEN Featuring Drake CHRIS BROWN X 8 3 29 4 2 RCA 2 0 M.SHERAN,L.WAYNE,SONNY DIGITAL (M.SHERAN,O.ALEEM,A.GRAHAM) OVO SOUND/WARNER BROS. NEW FLAME Chris Brown Featuring Usher & Rick Ross 219 PRINCE ART OFFICIAL AGE 6 Bow J.B.JOHNSON (C.M.BROWN,J.B.JOHNSON,K.THOMAS,M.N.SIMMONDS,W.L.ROBERTS II,M.PITTS,E.BELLINGER) RCA NPG/WARNER BROS. 30 0 HOLD YOU DOWN ARETHA FRANKLIN Sings The Great Diva Classics Newcomer Teyana Taylor DJ Khaled Feat. Chris Brown, August Alsina, Future & Jeremih 413 2 4 3 LDB,LEE ON THE BEATS,B.KORN,DJ KHALED (K.M.KHALED,C.M.BROWN,A.ALSINA,N.WILBURN CASH,J.FELTON,A.L.NORRIS,B.KORN) WE THE BEST/CASH MONEY/REPUBLIC RCA travels directly to No. 1 00 on Top R&B/Hip-Hop TOUCHIN, LOVIN Trey Songz Featuring Nicki Minaj 519 JAGGED EDGE JE Heartbreak II 2 THE FEATHERSTONES (T.NEVERSON,K.ROSS,F.BRIM,W.FEATHERSTONE,J.FEATHERSTONE,C.FEATHERSTONE,M.FEATHERSTONE . -
Charlie Puth Youtube Sensation to Pop Prince B787 HANDSET & NAVIGATION GUIDE
choose from over entertainment options* 1000 inflight entertainment guide | august 2018 ready player one spielberg takes us on a virtual reality fantasy adventure the miracle season turning tragedy into triumph voicenotes: charlie puth youtube sensation to pop prince B787 HANDSET & NAVIGATION GUIDE choose from over entertainment options* Impian - Dream Touch Navigation 1000 CONTENTS Passengers can touch/select the items on the screen to make inflight entertainment guide | AUGUST 2018 Royal Brunei Airlines are proud to a selection. Details of the touchable/selectable items on each offer our passengers a wide range of screen are available in the Screen Element Glossary section of entertainment options. Please refer to our 04 MOVIES FEATURE: LIMELIGHT new Impian magazine for details on the the GRD. films, television, music and games we have Ready Player One B ready player one available this month for your amusement. Key Definitions – Handset spielberg takes us on a virtual reality fantasy adventure the miracle season turning tragedy into triumph voicenotes: charlie puth Enjoy your flight. UP: This arrow key is used to browse through the various items/ C youtube sensation to pop prince 06 MOVIES description pages. Q The best Hollywood and foreign films DOWN: This arrow key is used to browse through the various DOA SAFAR (TRAVEL PRAYER) items/description pages in the Interactive. E In the name of Allah, Most Gracious, Most Merciful screening this month. A M F Praise be to Allah, the Cherisher and Sustainer of the Worlds, LEFT/RIGHT: These arrow keys are used to browse through the D and may peace be upon our Honourable Prophet and Messenger 25 TELEVISION FEATURE: HIGHLIGHT various items/description pages in the Interactive. -
Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8Th Ave 28Th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255
Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8th Ave 28th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255 14. Jerome Foster a.k.a. Knobody Akon STREET RECORDS CORPORATION, 1755 Broadway 6th , NY 10019 New York, USA Phone +1 212 331 2628 / Fax +1 212 331 2620 16. Rob Walker Clipse, N.E.R.D, Kelis, Robin Thicke STAR TRAK ENTERTAINMENT, 1755 Broadway , NY 10019 New York, USA Phone +1 212 841 8040 / Fax +1 212 841 8099 Ken Bailey A&R Urban Breakthrough credits: Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 William Engram A&R Urban Breakthrough credits: Bobby Valentino Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 Ron Fair President, A&R Pop / Rock / Urban Accepts only solicited material Breakthrough credits: The Calling Christina Aguilera Keyshia Cole Lit Pussycat Dolls Vanessa Carlton Other credits: Mya Vanessa Carlton Current artists: Black Eyed Peas Keyshia Cole Pussycat Dolls Sheryl Crow A&M RECORDS 2220 Colorado Avenue Suite 1230 CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 6270 Marcus Heisser A&R Urban Accepts unsolicited material Breakthrough credits: G-Unit Lloyd Banks Tony Yayo Young Buck Current artists: 50 Cent G-Unit Lloyd Banks Mobb Depp Tony Yayo Young Buck INTERSCOPE RECORDS 2220 Colorado Avenue CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 7908 www.interscope.com Record Company A&R Teresa La Barbera-Whites -
Playlists from the Matrix — Combining Audio and Metadata in Semantic Embeddings
PLAYLISTS FROM THE MATRIX — COMBINING AUDIO AND METADATA IN SEMANTIC EMBEDDINGS Kyrill Pugatschewski1;2 Thomas Kollmer¨ 1 Anna M. Kruspe1 1 Fraunhofer IDMT, Ilmenau, Germany 2 University of Saarland, Saarbrucken,¨ Germany [email protected], [email protected], [email protected] ABSTRACT 2. DATASET 2.1 Crawling We present a hybrid approach to playlist generation which The Spotify Web API 2 has been chosen as source of playlist combines audio features and metadata. Three different ma- information. We focused on playlists created by tastemak- trix factorization models have been implemented to learn ers, popular users such as labels and radio stations, as- embeddings for audio, tags and playlists as well as fac- suming that their track listings have higher cohesiveness in tors shared between tags and playlists. For training data, comparison to user collections of their favorite songs. Ex- we crawled Spotify for playlists created by tastemakers, tracted data includes 30-second preview clips, genres and assuming that popular users create collections with high high-level audio features such as danceability and instru- track cohesion. Playlists generated using the three differ- mentalness. ent models are presented and discussed. In total, we crawled 11,031 playlists corresponding to 4,302,062 distinct tracks. For 1,147 playlists, we have pre- view clips for their 54,745 distinct tracks. 165 playlists are curated by tastemakers, corresponding to 6,605 tracks. 1. INTRODUCTION 2.2 Preprocessing The overabundance of digital music makes manual compi- To use the high-level audio features within our model, we lation of good playlists a difficult process. -
Congratulations to ACM Award Winners!
www.halleonard.com The Hal Leonard Herald May 2019 Please send orders to: [email protected] P/V/G Personality Folios Kacey Musgraves – Golden Hour Congratulations 13 tracks from the 2019 Grammy® & CMA award winner for Album of the Year by country diva to ACM Kacey Musgraves, arranged for piano, voice and guitar. Includes: Butterflies • Golden Hour • Award Winners! Happy & Sad • High Horse • Lonely Weekend • Love Is a Wild Thing • Mother • Oh, What a The following artists were World • Rainbow • Slow Burn • Space Cowboy • named as the recipient of one or Velvet Elvis • Wonder Woman. more awards by the Academy 00293819 P/V/G .................................... $19.99 of Country Music (ACM) on (EAN 978-1-5400-5213-1) (UPC 8-88680-93928-1) April 7th. Ask your sales rep for details on titles available from Charlie Puth – Voicenotes this year’s winners! This songbook features piano/vocal/guitar ar- rangements of all 13 tracks from Puth’s second album: Attention • Boy • Change • Done for Me • Empty Cups • How Long • If You Leave Me Now • LA Girls • Patient • Slow It Down • Somebody Told Me • Through It All • The Way I Am. Billie Eilish – Don’t Smile At Me 00280870 P/V/G .................................... $17.99 (EAN 978-1-5400-3290-4) (UPC 8-88680-78469-0) This California teenage newcomer to the pop music scene launched to viral fame with her debut single “Ocean Eyes.” Our songbook includes this song and 8 Vocal Selections more from her debut album, plus a bo- nus track, “Lovely.” Other songs include: The Prom &Burn • Bellyache • COPYCAT • Hostage VOCAL SELECTIONS FROM BROADWAY’S NEW MUSICAL COMEDY • idontwannabeyouanymore • My Boy • Music by Matthew Sklar, Lyrics by Chad Beguelin Party Favor • Watch. -
TELLIN' STORIES: the Art of Building & Maintaining Artist Legacies
TELLIN’ STORIES The Art Of Building & Maintaining Artist Legacies TELLIN’ STORIES: The Art of Building & Maintaining Artist Legacies Introduction “A legacy has to be proactive and reactive at the same time and their greatest successes lie in simultaneously looking back to guide the way forward...” Legacies in music are a life’s work – constantly sometimes it can have a detrimental impact. It is evolving and surprising audiences. a high-wire act and a bad decision can unspool a lifetime of work, an image becomes frozen or the It does not follow, however, that just because you artists (and their art) are painted into a corner. have built a legacy in your career that it is set in stone forever. Legacies are ongoing work and they When an artist passes away, that work they have to be worked at, refined and maintained. achieved in their lifetime has to be carried on by the Existing audiences have to be held onto and new artist’s estate. Increasingly they have to be worked audiences have to be continually brought on board. and developed just like current living artists. Streaming and social media have made that always- Equally, it does not follow that everything an on approach more straightforward, but every step artist and their team does will add to or expand has to be carefully calculated and remain true to that legacy. Sometimes it can have no impact and the original vision of that artist. 2 TELLIN’ STORIES: The Art of Building & Maintaining Artist Legacies Contents 02 Introduction 04 Filing systems: the art of archive management 12 Inventory