2015 Interim Record
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Theorising the Practice of Expressing a Fictional World Across Distinct Media and Environments
Transmedia Practice: Theorising the Practice of Expressing a Fictional World across Distinct Media and Environments by Christy Dena A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy (PhD) School of Letters, Art and Media Department of Media and Communications Digital Cultures Program University of Sydney Australia Supervisor: Professor Gerard Goggin Associate Supervisor: Dr. Chris Chesher Associate Supervisor: Dr. Anne Dunn 2009 Let’s study, with objectivity and curiosity, the mutation phenomenon of forms and values in the current world. Let’s be conscious of the fact that although tomorrow’s world does not have any chance to become more fair than any other, it owns a chance that is linked to the destiny of the current art [...] that of embodying, in their works some forms of new beauty, which will be able to arise only from the meet of all the techniques. (Francastel 1956, 274) Translation by Regina Célia Pinto, emailed to the empyre mailing list, Jan 2, 2004. Reprinted with permission. To the memory of my dear, dear, mum, Hilary. Thank you, for never denying yourself the right to Be. ~ Transmedia Practice ~ Abstract In the past few years there have been a number of theories emerge in media, film, television, narrative and game studies that detail the rise of what has been variously described as transmedia, cross-media and distributed phenomena. Fundamentally, the phenomenon involves the employment of multiple media platforms for expressing a fictional world. To date, theorists have focused on this phenomenon in mass entertainment, independent arts or gaming; and so, consequently the global, transartistic and transhistorical nature of the phenomenon has remained somewhat unrecognised. -
2016 Kentucky General Assembly Directory
2016 Kentucky General Assembly Directory Legislative Research Commission Legislative 700 Capitol Ave., Frankfort, KY 40601 Research 502-564-8100 lrc.ky.gov Commission LRC COMMONWEALTH OF KENTUCKY LEGISLATIVE RESEARCH COMMISSION Senate Robert Stivers David P. Givens Senate President President Pro Tem Damon Thayer Ray S. Jones II Majority Floor Leader Minority Floor Leader Dan “Malano” Seum Gerald A. Neal Majority Caucus Chair Minority Caucus Chair Jimmy Higdon Julian M. Carroll Majority Whip Minority Whip House of Representatives Greg Stumbo Jody Richards Speaker of the House Speaker Pro Tem Rocky Adkins Jeff Hoover Majority Floor Leader Minority Floor Leader Sannie Overly Stan Lee Majority Caucus Chair Minority Caucus Chair Johnny Bell Jim DeCesare Majority Whip Minority Whip The Kentucky Legislative Research Commission is a 16-member committee of the majority and minority leadership of the Kentucky Senate and House of Representatives. Under Chapter 7 of the Kentucky Revised Statutes, the LRC constitutes the administrative offi ce for the General Assembly. Its director serves as chief administrative offi cer of the Legislature when it isn’t in session. The Commission and its staff, by law and by practice, perform numerous fact-fi nding and service functions for members of the Legislature, employing professional, clerical and other employees required when the General Assembly is in session and during the interim period between sessions. These employees, in turn, assist committees and individual legislators in preparing legislation. Other services include conducting studies and investigations, organizing and staffi ng committee meetings and public hearings, maintaining offi cial legislative records and other reference materials, providing information about the Legislature to the public, compiling and publishing administrative regulations, administering a legislative intern program, conducting orientation programs for new legislators, and publishing a daily index and summary of legislative actions during sessions. -
© 2011 Behice Ece Ilhan
© 2011 Behice Ece Ilhan TRANSMEDIA CONSUMPTION EXPERIENCES: CONSUMING AND CO-CREATING INTERRELATED STORIES ACROSS MEDIA BY BEHICE ECE ILHAN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Business Administration in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor Cele C. Otnes, Chair, Co-Director of Research Professor Robert V. Kozinets, Co-Director of Research, York University Professor Kent Grayson, Northwestern University Professor James Hay Associate Professor Tiffany White ABSTRACT Marketers and consumers alike are experiencing immense changes in the way entertainment is conceived, consumed, produced, distributed, and marketed as a result of intensifying socio-cultural, technologic, and economic convergence (Jenkins 2006, Dena 2004). Transmedia storytelling, aesthetic and product of this convergence culture, is the systematic dispersal of narrative elements across multitude of media for the purpose of creating a unified and coordinated consumer experience (Jenkins 2006). To respond to the increasingly cluttered mediascape, producers of entertainment and non-entertainment brands are under pressure to develop engaging experiences for consumers and also to manage brand stories that integrate various media platforms. Transmedia storytelling becomes a relevant and lucrative solution that helps producers achieve these ends. Adapting and extending on the idea of transmedia storytelling and grounding transmedia to the consumer behavior and marketing fields, this dissertation seeks to develop transmedia consumption (TMC) –– transmedia logic –– that focuses on the consumer practices and processes around transmedia narratives. This dissertation is guided by the following research questions: What constitutes transmedia consumption experiences and practices? How do consumers consume and co-create these consumption experiences? The findings detail the key practices, boundaries, and important processes of TMC. -
Transmedia Storytelling and User-Generated Content
GUERRERO-PICO, M. y SCOLARI, C.A. Transmedia storytelling and user-generated content CUADERNOS.INFO Nº 38 ISSN 0719-3661 Versión electrónica: ISSN 0719-367x http://www.cuadernos.info doi: 10.7764/cdi.38.760 Received: 04-15-2015 / Accepted: 03-23-2016 Transmedia storytelling and user-generated content: A case study on crossovers Narrativas transmedia y contenidos generados por los usuarios: el caso de los crossovers Narrativas transmídia e conteúdos gerados por usuários: o caso dos crossovers MAR GUERRERO-PICO, Departamento de Comunicación, Universitat Pompeu Fabra, Barcelona, España [[email protected]] CARLOS A. SCOLARI, Departamento de Comunicación, Universitat Pompeu Fabra, Barcelona, España [[email protected]] ABSTRACT RESUMEN RESUMO The aim of this article is to analyze a El objetivo de este artículo es analizar un O objetivo deste artigo é analisar um tipo special type of textuality: crossovers. tipo especial de textualidad: los crossovers. especial de textualidade: os crossovers. A The analy¬sis focuses on user-generated El análisis se focalizará en los contenidos análise se centra nos conteúdos gerados content in the transmedia storytelling generados por los usuarios de las narrati- pelos usuários de narrativas transmídia. context. The study follows a series of vas transmedia. Para ello, se toman como Para isso, 25 produções derivadas das 25 productions derivative of ABC’s Lost caso 25 producciones derivadas de dos se- séries de televisão Lost (ABC, 2004- (2004- 2010) and FOX’s Fringe (2008- ries televisivas: Lost (ABC, 2004-2010) y 2010) e Fringe (FOX, 2008-2013) são 2013). After describing the scenario where Fringe (FOX, 2008-2013). -
The Digital Transmedia Narrative Composition of the Storytelling of Lost La Construcción Narrativa Transmedia Digital Del Relato De Lost
The digital transmedia narrative composition of the storytelling of Lost La construcción narrativa transmedia digital del relato de Lost Víctor Álvarez Rodríguez. PhD student in the Interuniversity Doctoral Programme in Communication at the Uni- versities of Sevilla, Malaga, Cadiz and Huelva. Master’s Degree in Script, Narrative and Audiovisual Creativity from the University of Sevilla. Degree in Advertising and Public Relations from the University of Cadiz. Research line: analysis of audiovisual communication and advertising. University of Cádiz, Spain [email protected] ORCID: 0000-0003-4918-4261 Received: 08/07/2019 - Accepted: 12/11/2019 Recibido: 08/07/2019 - Aceptado:12/11/2019 Abstract: Resumen: Analysing the transmedia narrative through the virtual environment Analizar la narrativa transmedia a través del entorno virtual supo- ISSN: 1696-019X / e-ISSN: 2386-3978 means recognizing the communication model used by television ne reconocer el modelo de comunicación empleado por las ficciones fiction today and the behaviour of its audience. Thanks to the televisivas en la actualidad y el comportamiento de su audiencia. development of digital media, numerous audio-visual productions Gracias al desarrollo de los medios digitales, numerosas produccio- have addressed these platforms to transmit and expand their nes audiovisuales han abordado estas plataformas para transmitir narrative. The pioneering production in this field is the fantasy y expandir su narrativa. La producción pionera en este campo es la genre series Lost (2004-2010). Therefore, this research proposes serie de género fantástico Lost (2004-2010). Por ello, esta investiga- a methodology of analysis of the narrative discourse of three ción plantea una metodología de análisis del discurso narrativo de transmedia works in order to identify and study their repercussions tres obras transmedia con el fin de identificar y estudiar sus reper- in the final narrative of the work. -
Kentucky Public Library Legislative Caucus
Kentucky General Assembly 2015 Public Library Caucus Updated 6 June 2015 House Representative Arnold Simpson Representative Jody Richards (co-chair) Representative Rita Smart Representative Bob DeWeese (co-chair) Representative Fitz Steele Representative Rocky Adkins Representative Wilson Stone Representative Robert Benvenuti III Representative Jim Stewart Representative Regina Bunch Representative Denny Butler Representative Tommy Thompson Representative Larry Clark Representative Tommy Turner Representative Hubert Collins Representative Ken Upchurch Representative Leslie Combs Representative David Watkins Representative Tim Couch Representative Susan Westrom Representative Will Coursey Representative Addia Wuchner Representative Ron Crimm Representative Brent Yonts Representative Jim DeCesare Representative Jill York Representative Mike Denham Representative Joe Fischer Representative Jim Glenn Representative Jeff Hoover Senate Representative James Kay Senator Brandon Smith (co-chair) Representative Dennis Keene Senator Robin Webb (co-chair) Representative Kim King Senator Julian Carroll Representative Martha Jane King Senator Perry Clark Representative Tom McKee Senator Chris Girdler Representative Suzanne Miles Representative Charlie Miller Senator C.B. Embry, Jr. Representative Terry Mills Senator David Givens Representative Brad Montell Senator Denise Harper Angel Representative Tim Moore Senator Jimmy Higdon Representative Sannie Overly Senator Paul Hornback Representative Ruth Ann Palumbo Senator Ray S. Jones II Representative Tanya Pullin Senator Alice Forgy Kerr Representative Bart Rowland Senator Gerald Neal Representative Ryan Quarles Representative Marie Rader Senator Dennis Parrett Representative Rick Rand Senator Dorsey Ridley Representative Steve Riggs Senator Robert Stivers Representative Sal Santoro Senator Johnny Ray Turner Senator Mike Wilson . -
Lost E a Ficção Televisiva Transmídia1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXII Congresso Brasileiro de Ciências da Comunicação – Curitiba, PR – 4 a 7 de setembro de 2009 1 Lost e a Ficção Televisiva Transmídia Afonso de Albuquerque 2 RESUMO: O texto se propõe a discutir a série Lost como um exemplo de ficção televisiva transmídia, tendo em vista o modo como a sua trama e a sua estrutura narrativa se relacionam com a crescente convergência (tecnológica e cultural) que se estabelece entre a televisão e outros meios de comunicação. PALAVRAS-CHAVE: Lost, Televisão, Ficção Multiplataforma No dia 22 de setembro de 2004, o vôo 815 da Oceanic Airlines terminou de forma inesperada quando o avião, procedente de Sidney, na Austrália, rumo a Los Angeles se despedaçou sobre uma remota ilha do Pacífico. A despeito da violência do acidente – o avião se partiu em dois pedaços ainda no ar – um grupo de passageiros conseguiu sobreviver e se organizou para esperar um resgate. Em vão. Desta forma teve início Lost, uma das séries de televisão mais marcantes de todos os tempos. Nos episódios que se seguiram, a trama não cessou de ganhar complexidade. Os espectadores foram apresentados ao passado – quase sempre sombrio – dos personagens principais. Vieram a saber que um outro grupo de passageiros também sobrevivera à queda em uma outra parte da ilha. Descobriram indícios de uma ocupação humana anterior, inicialmente na forma de complexas e misteriosas construções e, em seguida, através do contato com um grupo hostil – os “Outros”. Se depararam com fenômenos aparentemente inexplicáveis, como a presença de ursos polares em uma ilha tropical. -
The On-Demand Brand: 10 Rules for Digital Marketing Success in An
The On-Demand Brand 10 Rules for Digital Marketing Success in an Anytime, Everywhere World RICK MATHIESON AMERICAN MANAGEMENT ASSOCIATION New York ● Atlanta ● Brussels ● Chicago ● Mexico City ● San Francisco Shanghai ● Tokyo ● Toronto ● Washington, D.C. Bulk discounts available. For details visit: www.amacombooks.org/go/specialsales Or contact special sales: Phone: 800-250-5308 Email: [email protected] View all the AMACOM titles at: www.amacombooks.org This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional service. If legal advice or other expert assis- tance is required, the services of a competent professional person should be sought. All brand names and trademarks used herein are the property of their respective owners. The BURGER KING® trademarks and advertisements are used with permission from Burger King Corporation. Library of Congress Cataloging-in-Publication Data Mathieson, Rick. The on-demand brand : 10 rules for digital marketing success in an anytime, everywhere world / Rick Mathieson. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8144-1572-6 ISBN-10: 0-8144-1572-5 1. Branding (Marketing) 2. Internet marketing. I. Title. HF5415.1255.M38 2010 658.8'27—dc22 2009040693 © 2010 Rick Mathieson. All rights reserved. Printed in the United States of America. This publication may not be reproduced, stored in a retrieval system, or transmitted in whole or in part, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of AMACOM, a division of American Management Association, 1601 Broadway, New York, NY 10019 About AMA American Management Association (www.amanet.org) is a world leader in talent development, advancing the skills of individuals to drive business success. -
2016 Legislative Digest a Guide to State Energy and Environment Legislation in the South
2016 Legislative Digest A Guide to State Energy and Environment Legislation in the South 2016 Legislative Digest A Guide to State Energy and Environment Legislation in the South September 2016 Covering measures in 16 states and two U.S. territories Introduction by Representative Rocky Adkins, Kentucky SSEB Vice-Chairman Acknowledgments The Southern States Energy Board’s 2016 Legislative Digest is compiled each year in collaboration with member states and territories. We would like to thank the Board members, legislative research staff and state administrative officials and their staffs as well as many other SSEB friends for assisting us in compiling and reviewing the Digest. A special thank you to the Kentucky Legislative Research Commission (LRC) for providing us with the cover photo. Cover Photo Courtesy of LRC Public Information 2016 Legislative Digest Published by Southern States Energy Board 6325 Amherst Court Peachtree Corners, Georgia 30092 Phone: (770) 242-7712 Fax: (770) 242-9956 Web: www.sseb.org Email: [email protected] Acknowledgements 2 Table of Contents Acknowledgments .................................................................................................. 2 Representative Rocky Adkins - Biography .............................................................. 4 Introduction .......................................................................................................... 5 Categories of Energy Legislation ............................................................................ 9 Categories of Environmental -
VALERIA GRAZIANO Phd Thesis Common Pleasures. The
Common pleasures: The politics of collective practice from sociability to militant conviviality Valeria Antonella Graziano Dissertation submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy School of English and Drama School of Business and Management Queen Mary University of London Dr. Michael McKinnie Dr. Arianna Bove Autumn 2014 1 Statement of originality I, Valeria Antonella Graziano, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 01th October 2014 2 Abstract This thesis considers from a theoretical and historical standpoint the different political implications of experiencing togetherness as a source of pleasure and joy. The first part critically reflects upon the discourse of “sociability” developed from early modernity to the 19th century and examines the most significant institutional formations that characterised its practice, with a particular focus on the passage from aristocratic salons to the bourgeois world of cafes. -
NEWS DEC 09.P65
A QUARTERLY PUBLICATION Kentucky Retired Teachers Association Serving Retired Teachers Since 1957 VOLUME XLIV, NUMBER 2 LOUISVILLE, KENTUCKY DECEMBER 2009 Over the past two months, I have had the pleasure of useless. So my talk today is not billion to the Commonwealth in 2010. Averaged out traveling around the state meeting with over 1,500 of just about this year or next, but over the last three years, that equals 6,800 jobs at you at our KRTA Workshops. It has certainly been a busy about a thought process for the $40,000 each. But our legislators and governor’s office time, but I have thoroughly enjoyed meeting as many of rest of your lives. And I hope to seem to be more excited by a Toyota Plant or a you as I could and sharing my message about how be watching for the next thirty International Horse Show than the well being of our “United We Win.” Since not all of you were able to join years and keeping tab. own retired teachers. As retired teachers, we must us at the workshops, I wanted to share some of the text of unite to make our state government realize that they my speech with you in our newsletter this month. I used As you can see my theme for must place more importance on the needs of this an analogy in the speech about building and construction. the workshops is United We dedicated group of professionals. In my presentation, I had some images that my son, John Win. Now why did I choose this Cebert Gilbert C.