Bob the Drag Queen on Creating Connection During Pride in Era of COVID-19

Total Page:16

File Type:pdf, Size:1020Kb

Bob the Drag Queen on Creating Connection During Pride in Era of COVID-19 ‘Pride is the People’ Bob The Drag Queen on Creating Connection During Pride in Era of COVID-19 Photo by Jacob Ritts PRIDESOURCE.COM JUNE 11, 2020 | VOL. 2824 | FREE 2 BTL | June 11, 2020 www.PrideSource.com VOL. 2824 • JUNE 11, 2020 ISSUE 1149 PRIDE SOURCE MEDIA GROUP Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL Editor in Chief Susan Horowitz, 734.293.7200 16 [email protected] Entertainment Editor 15 Chris Azzopardi, 734.293.7200 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 [email protected] News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, 10 Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] COVER Columnists NEWS ENTERTAINMENT Charles Alexander, Michelle E. Brown, 6 Bob The Drag Queen on Creating Mikey Rox, D’Anne Witkowski, Connection During Pride in Era of 8 2 Detroit Activists Seek Help Handing Out Care 16 Tori Amos Meets the Muses in Quarantine Gwendolyn Ann Smith, Dana Rudolph COVID-19 Packages to Fight COVID-19 20 Deep Inside Hollywood Cartoonists 10 Planned Parenthood: ‘Care. No Matter What’ — Paul Berg 21 Q Puzzle Even During a Global Pandemic Contributing Photographers Andrew Potter, Andrew Cohen, Roxanne Frith, Tih Penfil 14 Nation: Anger Over Racism, Police Brutality Directed at Trump in White House Protests ADVERTISING & SALES Director of Sales RESOURCES Jan Stevenson, 734.293.7200 OPINION [email protected] 22 Michigan Community Resources 12 Parting Glances: Fundies! Go Fly Ben Franklin’s Sales Representatives Ann Cox, 734.293.7200 Kite! [email protected] 12 Transmissions: Stereotypes, Biases and Bad National Advertising Representative Theories Rivendell Media, 212.242.6863 13 Creep of the Week: Donald Trump MEMBER OF Michigan Press Assoication National LGBT Media Association National Gay & Lesbian Chamber Q Syndicate “Between The Lines Newspaper” Follow us @YourBTL Email your op–eds to [email protected] Sign up online to receive our E–Digest Our rate cards are available online. All material appearing in Between The Lines is protected by federal copyright law and may not be reproduced in whole or part without the permission of the publishers. Between The Lines is supported by many fine advertisers, but we cannot accept responsibility for claims made by our advertisers, nor can we accept responsibility for materials provided by advertisers or their agents. Copyright 2020 www.PrideSource.com BTL | June 11, 2020 3 IMPORTANT FACTS FOR BIKTARVY® This is only a brief summary of important information about BIKTARVY and does not replace (bik-TAR-vee) talking to your healthcare provider about your condition and your treatment. MOST IMPORTANT INFORMATION ABOUT BIKTARVY POSSIBLE SIDE EFFECTS OF BIKTARVY BIKTARVY may cause serious side efects, including: BIKTARVY may cause serious side efects, including: � Worsening of hepatitis B (HBV) infection. If you have � Those in the “Most Important Information About both HIV-1 and HBV, your HBV may suddenly get worse if BIKTARVY” section. you stop taking BIKTARVY. Do not stop taking BIKTARVY � Changes in your immune system. Your immune system without irst talking to your healthcare provider, as they may get stronger and begin to ight infections. Tell your will need to check your health regularly for several months. healthcare provider if you have any new symptoms after you start taking BIKTARVY. ABOUT BIKTARVY � Kidney problems, including kidney failure. Your healthcare BIKTARVY is a complete, 1-pill, once-a-day prescription provider should do blood and urine tests to check your medicine used to treat HIV-1 in adults and children who kidneys. If you develop new or worse kidney problems, they weigh at least 55 pounds. It can either be used in people who may tell you to stop taking BIKTARVY. have never taken HIV-1 medicines before, or people who are � Too much lactic acid in your blood (lactic acidosis), which is replacing their current HIV-1 medicines and whose healthcare a serious but rare medical emergency that can lead to death. provider determines they meet certain requirements. Tell your healthcare provider right away if you get these symptoms: weakness or being more tired than usual, unusual BIKTARVY does not cure HIV-1 or AIDS. HIV-1 is the virus muscle pain, being short of breath or fast breathing, stomach that causes AIDS. pain with nausea and vomiting, cold or blue hands and feet, Do NOT take BIKTARVY if you also take a medicine that contains: feel dizzy or lightheaded, or a fast or abnormal heartbeat. � Severe liver problems, which in rare cases can lead to death. � dofetilide Tell your healthcare provider right away if you get these � rifampin symptoms: skin or the white part of your eyes turns yellow, � any other medicines to treat HIV-1 dark “tea-colored” urine, light-colored stools, loss of appetite for several days or longer, nausea, or stomach-area pain. BEFORE TAKING BIKTARVY � The most common side efects of BIKTARVY in clinical studies Tell your healthcare provider if you: were diarrhea (6%), nausea (6%), and headache (5%). These are not all the possible side efects of BIKTARVY. Have or have had any kidney or liver problems, including � Tell your healthcare provider right away if you have any hepatitis infection. new symptoms while taking BIKTARVY. � Have any other health problems. You are encouraged to report negative side efects of � Are pregnant or plan to become pregnant. It is not known if prescription drugs to the FDA. Visit www.FDA.gov/medwatch BIKTARVY can harm your unborn baby. Tell your healthcare or call 1-800-FDA-1088. provider if you become pregnant while taking BIKTARVY. Your healthcare provider will need to do tests to monitor your � Are breastfeeding (nursing) or plan to breastfeed. Do not health before and during treatment with BIKTARVY. breastfeed. HIV-1 can be passed to the baby in breast milk. Tell your healthcare provider about all the medicines HOW TO TAKE BIKTARVY you take: Take BIKTARVY 1 time each day with or without food. � Keep a list that includes all prescription and over-the-counter GET MORE INFORMATION medicines, antacids, laxatives, vitamins, and herbal supplements, and show it to your healthcare provider � This is only a brief summary of important information about and pharmacist. BIKTARVY. Talk to your healthcare provider or pharmacist to learn more. � BIKTARVY and other medicines may afect each other. Ask your healthcare provider and pharmacist about � Go to BIKTARVY.com or call 1-800-GILEAD-5 medicines that interact with BIKTARVY, and ask if it is � If you need help paying for your medicine, visit BIKTARVY.com safe to take BIKTARVY with all your other medicines. for program information. Get HIV support by downloading a free app at BIKTARVY, the BIKTARVY Logo, DAILY CHARGE, the DAILY CHARGE Logo, KEEP ASPIRING, LOVE WHAT’S INSIDE, GILEAD, and the GILEAD Logo are trademarks of Gilead Sciences, Inc., or its related companies. Version date: February 2020 MyDailyCharge.com © 2020 Gilead Sciences, Inc. All rights reserved. BVYC0218 04/20 � � � � � � DIMITRI � � LIVING WITH HIV SINCE 2018 � REAL BIKTARVY PATIENT � � � KEEP � � ASPIRING. Because HIV doesn’t change who you are. � � BIKTARVY® is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in certain adults. BIKTARVY does not cure HIV-1 or AIDS. � � Ask your healthcare provider if BIKTARVY is right for you. � See Dimitri’s story at BIKTARVY.com. Featured patient compensated by Gilead. Please see Important Facts about BIKTARVY, including important warnings, on the previous page and visit BIKTARVY.com. ‘Pride is the People’ Bob The Drag Queen on Creating Connection During Pride in Era of COVID-19 Photo by Jacob Ritts BY EVE KUCHARSKI in the age of COVID-19, the importance of performers of drag to really educate themselves aggression against myself or my tribe. And increased visibility for black queer performers on the culture? online it happens a lot [italics]. People feel aintaining a packed schedule can be and the deep personal connections people I mean, I think it would give you a more online to say potentially whatever they want tricky for drag queens at the best of create through drag. fruitful experience in terms of celebrating to say because they don’t actually have to see times, but for Bob the Drag Queen, M Pride. Of course, it’s not my job to tell anyone your face. And if I think there’s a moment of even a global pandemic can’t keep her down. What does it feel like to be a drag queen going what their job is. But I think if you want to have growth, then I’ll address it. If not, especially Despite heading into a Pride season illed with into a June that celebrates Pride virtually this a fruitful experience with Pride, a fully well- if it’s online, I’ll just let it ly over my head nearly across-the-board event cancellations and year? rounded experience to know what it is you’re because, you know, some people online are postponements due to the novel coronavirus, Well, I mean, I’m not saddened by it. I think celebrating, then yeah, do your research, just trolling. You know, looking to elicit a the season eight winner of “RuPaul’s Drag Race” that it is going to be diferent. I also think which, by the way, is not even hard. Like, it’s response. is regularly making appearances across the that part of it is going to be diferent not not 1999 where you have to go down to the virtual stage everywhere. Fans can catch Bob Now more than ever it seems that performers only because of COVID-19 but because of library or get an Encyclopedia Britannica or in the HBO series “We’re Here,” a brand-new the Black Lives Matter Movement, and I’m something.
Recommended publications
  • Bob the Drag Queen and Peppermint's Star Studded “Black Queer Town Hall”
    FOR IMMEDIATE RELEASE BOB THE DRAG QUEEN AND PEPPERMINT’S STAR STUDDED “BLACK QUEER TOWN HALL” IS A REMINDER: BLACK QUEER PEOPLE GAVE US PRIDE Laverne Cox, Mj Rodriguez, Angelica Ross, Todrick Hall, Monet X Change, Isis King, Tiq Milan, Shea Diamond, Alex Newell, and Basit Among Participants NYC Pride and GLAAD to Support Three Day Virtual Event to Raise Funds for Black Queer Organizations and NYC LGBTQ Performers on June 19, 20, 21 New York, NY, Friday, June 12, 2020 – Advocates and entertainers Peppermint and Bob the Drag Queen, today announced the “Black Queer Town Hall,” one of NYC Pride’s official partner events this year. NYC Pride and GLAAD, the global LGBTQ media advocacy organization, will stream the virtual event on YouTube and Facebook pages each day from 6:30-8pm EST beginning on Friday, June 19 and through Sunday, June 21, 2020. Performers and advocates slated to appear include Laverne Cox, Mj Rodriguez, Angelica Ross, Todrick Hall, Monet X Change, Isis King, Shea Diamond, Tiq Milan, Alex Newell, and Basit. Peppermint and Bob the Drag Queen will host and produce the event. For a video featuring Peppermint and Bob the Drag Queen and more information visit: https://www.gofundme.com/f/blackqueertownhall The “Black Queer Town Hall” will feature performances, roundtable discussions, and fundraising opportunities for #BlackLivesMatter, Black LGBTQ organizations, and local Black LGBTQ drag performers. The new event replaces the previously announced “Pride 2020 Drag Fest” and will shift focus of the event to center Black queer voices. During the “Black Queer Town Hall,” a diverse collection of LGBTQ voices will celebrate Black LGBTQ people and discuss pathways to dismantle racism and white supremacy.
    [Show full text]
  • Charles Bukowski Christopher Ryan
    St Vincent (AKA Annie Clark) List c. 2014 AUTHORS/BOOKS/WRITERS: Charles Bukowski As It Lays/The White Album)* Christopher Ryan - (Sex at John Fowles - (The Magus) Dawn) Patti Smith - (Just Kids) Cormac McCarthy Philip Roth* Dan Savage Ray Kurzweil - (Experiencing Dave Hickey - (Air Guitar) Time Perabolically) David Foster Wallace Richard Brautigan Dylan Thomas Roland Barthes E. E. Cummings Spalding Gray - (The Journals Ernest Hemingway - (The Sun of Spalding Gray) Also Rises) Tina Fey - (Bossy Pants) Frank O’Hara Tracy Morgan - (I Am the New Hans Christian Anderson Black) James Baldwin Werner Herzog - (The James Westcott - (When Conquest of the Useless: Marina Abramovic Dies) Reflections from the Making of Joan Didion - (Slouching Fitzcarraldo/Animal Love) Towards Bethlehem/Play It MUSIC: A Tribe Called Quest The Beatles Andrew Bird Beck Andy Gill Big Black Anton Bruhin Billy Strayhorn Antony and the Johnsons Black Moth Super Rainbow Arcade Fire Bob Dylan Arthur Russell Bobby Sparks Bang on a Can Bon Iver Battles Bonnie ‘Prince’ Billy Basia Bulat Brian Eno - (Here Come the Beach House Warm Jets) The Breeders (Petrushka) Bruce Spingsteen Iron Maiden Bryce Dressner INXS Camera Obscura IUD Can James Blake Cass McCombs James Brown Cat Power Janet Jackson Charles Mingus Jethro Tull Charlie Parker Jimmi Hendrix Chris Cornell Joanna Newsom Cibo Matto - (Birthday cake) John Coltrane City Center John Zorn Clogs Johnny Hartman CoCoRosie Joni MItchell Crooked Fingers Justin Vivian Bond Daniel Hart Kate & Anna McGarrigle Dead Milkmen Kiki and Herb
    [Show full text]
  • Dissertation
    DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….………….
    [Show full text]
  • Warlikowski's “Warsaw Cabaret”
    Warlikowski’s “Warsaw Cabaret”: Transmissions from the End of the World The premiere performance of “Warsaw Cabaret” at Nowy Teatr. Krzysztof Warlikowski shows his sense of humour with a play that we thought would be a warning against the brutal new wave. The most famous scene in Bob Fosse’s “Cabaret” starring Liza Minelli? A boy crisply singing an innocent song as others gradually join in and transform it into a show of Nazi strength – “Tomorrow belongs to me.” In the Oscar-winning musical, a couple of decadent Anglo-Saxons watches the rise of Nazism from their vantage point inside night-time lounges and champagne-soaked soirees. Warlikowski’s latest play from Warsaw in 2013 transports us back to Berlin of the 1930s; to a revue cabaret. The spectacular venue is a haven for those yearning to lose themselves in intensity and not think about the threat approaching to the tune of a military march. Could this be a warning against the resurgence of totalitarianism and the end of liberal democracy? The official premiere of “Warsaw Cabaret” is slated for 3 July at the Open’er Music Festival in Gdynia. Next, the show will head to Avignon, to Europe’s foremost theatre festival. But lucky viewers got a chance to see the play during a pre-premiere performance at the new home of Nowy Teatr – a former garbage truck garage in Mokotów transformed into a fascinatingly-raw performance space. Nazism and golden confetti The original 26 May premiere was pushed back because of an injury suffered by actress Magdalena Cielecka, who plays Sally Bowles, a girl who comes to Berlin in search of showbiz success.
    [Show full text]
  • DOCTORAL THESIS Carrying Queerness Queerness, Performance
    DOCTORAL THESIS Carrying Queerness Queerness, Performance and the Archive Hunt, Raymond Justin Award date: 2013 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 Carrying Queerness: Queerness, Performance and the Archive by Raymond Justin Hunt, BA, MA A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Drama, Theatre and Performance University of Roehampton 2013 ABSTRACT This dissertation responds to the archival turn in critical theory by examining a relation between queerness, performance and the archive. In it I explore institutional archives and the metaphors of the archive as it operates in the academy, while focusing particularly on the way in which queerness may come to be archived. Throughout I use the analytic of performance. This work builds on and extends from crucial work in Queer studies, Performance Studies and Archival Studies.
    [Show full text]
  • Tori Amos Live
    TORI AMOS LIVE Musik-Ikone am 2. März 2022 in der Laeiszhalle in Hamburg! Tori Amos, eine der erfolgreichsten und einflussreichsten Künstlerinnen ihrer Generation, hat mehr als 12 Millionen Alben verkauft, über 1.000 Konzerte gegeben und zahlreiche Auszeichnungen erhalten. Seit ihrem Debüt ›Little Earthquakes‹ 1992 sandte sie mit ihren musikalischen Offenbarungen oftmals Schockwellen aus. Im Verlauf ihrer erstaunlichen Karriere entwickelte sich die weltweit anerkannte Sängerin und Songschreiberin zu einer wahren Kultfigur der internationalen Musikszene. Dabei erfährt sie immer wieder Zuspruch für ihre beispiellosen Botschaften und ambivalenten Bekenntnisse, die verwirren, verwundern und verzaubern – und das u.a. auch als Autorin eines New York Times-Bestseller (›Resistance‹). In der Musikszene greift Amos auch gerne mal zu schärferen Tönen – und prägt damit eine ganze Industrie. Von ihrer bedrückenden Schilderung sexueller Gewalt in ›Me and a Gun‹ über ihr post 9/11-Album ›Scarlet’s Walk‹ bis hin zu ihrem feministischem Musical ›The Light Princess‹ (2013) hat sie sich nie davor gescheut, persönliche Erfahrungen mit politischen Ansichten zu verbinden. Ihr 15. und jüngstes Studioalbum ›Native Invader‹ aus dem Jahre 2017 entstand mit der Absicht zu beweisen, dass »wir das destruktive um uns herum mit kreativer Kraft überwinden können.« Und diese Botschaft war auch 2020 die Grundlage ihres zweiten New York Times-Bestsellers ›Resistance‹, eine Geschichte der Hoffnung, des Wechsels und des Muts als Gegenpol zum derzeitigen Trauma. Tickets: 040 413 22 60 // kj.de // [email protected] WEBSITE www.toriamos.com FACEBOOK www.facebook.com/toriamos INSTAGRAM www.instagram.com/toriamos YOUTUBE www.youtube.com/channel/UCQQ5UXpimsgkX2g8kxI6agA Karsten Jahnke Konzertdirektion GmbH | kj.de Telefon: (0 40) 41 47 88-0 | Fax: (0 40) 41 47 88-11 | [email protected] .
    [Show full text]
  • Justin Vivian Bond in Conversation « AMS :: ATX
    LGBTQ Studies Program Inaugural Event: Justin Vivian Bond in Conversation « AMS :: ATX Home Events Newsletter Calendar Bookmark the permalink. Security/Insecurity Contact AMS :: ATX is a blog dedicated to Sep LGBTQ Studies representing the many activities and 6 interests of the department of Program Inaugural American Studies at The University of Texas at Austin. Together with the Event: Justin Vivian department’s Twitter feed, this blog exists to serve the AMS and Austin Bond communities by acting as a hub for up-to-date information on events and in Conversation by opportunities at UT and beyond. American Studies Tomorrow evening, faculty from UT- Austin’s new LGBTQ Studies Program will be hosting their inaugural event: an evening with acclaimed performer, writer, visual artist, and recording artist Justin Vivian Bond. Mx Bond will be in conversation with UT faculty Laura https://amstudies.wordpress.com/2017/09/06/lgbtq-studies-program-inaugural-event-justin-vivian-bond-in-conversation/[9/15/2017 12:13:55 PM] LGBTQ Studies Program Inaugural Event: Justin Vivian Bond in Conversation « AMS :: ATX Gutierrez, Ann Cveckovitch, and Paul Soileu in the Glickman Conference Center (CLA 1.302 E) from 7 – 9 P.M. From LGBTQ Studies: “Mx Justin Vivian Bond is a trans-genre artist living in New Email Subscription York City. As a performer both on and Off- Broadway, Mx Bond has received numerous Enter your email address to subscribe accolades, winning an Obie (2001), a Bessie to this blog and receive notifications (2004), a Tony nomination (2007), the of new posts by email. Ethyl Eichelberger Award (2007), The Peter Join 2,197 other followers Reed Foundaton Grant, and a New York Foundation for the Arts Grant for Artists.
    [Show full text]
  • Forest Health Technology Enterprise Team
    Forest Health Technology Enterprise Team TECHNOLOGY TRANSFER Hemlock Woolly Adelgid FOURTH SYMPO S IUM ON HEMLOCK WOOLLY ADELGID IN THE Eas TERN UNITED ST A TE S HA RT F ORD , CONNECTICUT FEBRU A RY 12-14, 2008 Brad Onken and Richard Reardon, Compilers Forest Health Technology Enterprise Team—Morgantown, West Virginia FHTET-2008-01 U.S. Department Forest Service June 2008 of Agriculture Most of the abstracts were submitted in an electronic form, and were edited to achieve a uniform format and typeface. Each contributor is responsible for the accuracy and content of his or her own paper. Statements of the contributors from outside of the U.S. Department of Agriculture may not necessarily reflect the policy of the Department. Some participants did not submit abstracts, and so their presentations are not represented here. The use of trade, firm, or corporation names in this publication is for the information and convenience of the reader. Such use does not constitute an official endorsement or approval by the U.S. Department of Agriculture of any product or service to the exclusion of others that may be suitable. References to pesticides appear in some technical papers represented by these abstracts. Publication of these statements does not constitute endorsement or recommendation of them by the conference sponsors, nor does it imply that uses discussed have been registered. Use of most pesticides is regulated by state and federal laws. Applicable regulations must be obtained from the appropriate regulatory agency prior to their use. CAUTION: Pesticides can be injurious to humans, domestic animals, desirable plants, and fish and other wildlife if they are not handled and applied properly.
    [Show full text]
  • NCV Issue 8 2017.Indd
    Locally Owned and Operated Est. 2000 FREE! Vol. 17 - Issue 8 • August 9 - September 13, 2017 INSIDE August 18th - 20th Craft Brew News • Blues & Jazz News, Concerts, Movies & Much More! Entertainment, Dining & Leisure Connection Read online at www.northcoastvoice.com North Coast Voice OLD FIREHOUSE WINERY 5499 Lake Road East • Geneva-on-the Lake, Ohio Restaurant & Tasting Room Open 7 Days Noon to Midnight Live Music Every Night Entertainment See inside back cover for music listings Tasting Rooms 1-800-Uncork-1 FOR ENTERTAINMENT AND every Saturday! 7 - 10 EVENTS, SEE OUR AD ON PG. 7 Kitchen Opening Soon! Hours: Mon. 12-4 Wine Tasting and Hours: Tue. – ur. noon – 9 carry-out, Wed 12-7, Thurs 12-8, Fri. & Sat. noon - 11 Fri 12-9, Sat 12-10 & Sun 12-5 Sun. noon - 8 834 South County Line Road 4573 Rt. 307 East, Harpersfi eld, Ohio Harpersfi eld, Ohio 44041 440.415.0661 216.973.2711 www.laurellovineyards.com www.bennyvinourbanwinery.com [email protected] [email protected] If you’re in the mood for a palate pleasing wine tasting accompanied by a delectable entree from our restaurant, Ferrante Winery and Ristorante is the place for you! HOURS Tasting Room: Mon. - Tues. 10-5 pm • Wed. & Thurs. 10-8 pm Fri. & Sat. 10-10 pm • Sun. 1-6 pm Restaurant: Wed. & Thurs. 12-8 pm Fri. & Sat. 12-10 pm • Sun. 1-6 pm 5585 N. River W, Geneva, Ohio 44041 (440) 466-8466 www.ferrantewinery.com Open 7 Days a Week! 636 State Route 534 • Harpersfi eld Mon.
    [Show full text]
  • Large-Print Program Notes
    LARGE PRINT PROGRAM LINCOLN CENTER FOR THE PERFORMING ARTS FREDERICK P. ROSE HALL HOME OF JAZZ AT LINCOLN CENTER THE ALLEN ROOM Lincoln Center presents American Songbook January 28 –June 12, 2014 Sponsored by Prudential Investment Management Wednesday Evening, March 5, 2014, at 8:30 Taylor Mac’s 24-Decade History of Popular Music: The 1920s Matt Ray , Musical Director and Piano Dana Lyn , Violin Jon Natchez , Baritone Saxophone, Clarinet, and Banjo Greg Glassman , Trumpet Todd Londagin , Trombone Viva DeConcini , Electric Guitar Gary Wang , Bass Bernice “Boom Boom” Brooks , Drums Machine Dazzle , Costume Design PLEASE TURN PAGES QUIETLY (program continued) 2 This evening’s program is approximately 75 minutes long and will be performed without intermission. Major support for Lincoln Center’s American Songbook is provided by Fisher Brothers, In Memory of Richard L. Fisher; and Amy & Joseph Perella. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain your cellular phone, pager, or watch alarm is switched off. Additional support for Lincoln Center’s American Songbook is provided by The Brown Foundation, Inc., of Houston, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Endowment support is provided by Bank of America. 3 Public support is provided by the New York State Council on the Arts. Artist catering is provided by Zabar’s and Zabars.com.
    [Show full text]
  • Winter/Spring Season
    WINTER/SPRING SEASON Jan 23–24 eighth blackbird Hand Eye __________________________________________ Jan 28–30 Toshiki Okada/chelfitsch God Bless Baseball __________________________________________ Feb 4 and 6–7 Ingri Fiksdal, Ingvild Langgård & Signe Becker Cosmic Body __________________________________________ Feb 11–14 Faye Driscoll Thank You For Coming: Attendance __________________________________________ Feb 18–27 Tim Etchells/Forced Entertainment The Notebook, Speak Bitterness, and (In) Complete Works: Table Top Shakespeare __________________________________________ Mar 5–6 Joffrey Academy of Dance Winning Works __________________________________________ Mar 25–26 eighth blackbird featuring Will Oldham (Bonnie “Prince” Billy) Ghostlight __________________________________________ Mar 31–Apr 3 Blair Thomas & Co. Moby Dick __________________________________________ Apr 7–10 Teatrocinema Historia de Amor (Love Story) __________________________________________ Apr 12 and 14–16 Taylor Mac A 24-Decade History of Popular Music __________________________________________ Apr 28–May 1 Kyle Abraham/ Abraham.In.Motion When the Wolves Came In Museum of Contemporary Art Chicago Apr 12 and 14–16, 2016 FEATURING Vocals Taylor Mac ____________________________________________ A 24-Decade History WITH Music Director/Piano/ Matt Ray of Popular Music: Backup Vocals Bass Danton Boller Drums Bernice “Boom Boom” (1956–1986) Brooks ____________________________________________ Guitar Viva De Concini CONCEIVED, WRITTEN, PERFORMED, AND CODIRECTED BY Baritone
    [Show full text]
  • Tori Amos Trouble's Lament (Unrepentant Geraldines) Mp3, Flac, Wma
    Tori Amos Trouble's Lament (Unrepentant Geraldines) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Trouble's Lament (Unrepentant Geraldines) Country: Hong Kong Released: 2014 Style: Alternative Rock, Contemporary MP3 version RAR size: 1749 mb FLAC version RAR size: 1269 mb WMA version RAR size: 1887 mb Rating: 4.7 Votes: 436 Other Formats: MP2 MP4 AUD FLAC AA MPC AAC Tracklist 1 Trouble's Lament 3:20 Companies, etc. Distributed By – Universal Music Hong Kong Credits Liner Notes – Alice Luk Notes Stickered CD with full colour paper insert in plastic sleeve, issued to promote 'Unrepentant Geraldines'. Unlike the alternative Hong Kong Trouble's Lament promo, this release replicates the 'Unrepentant Geraldines' cover, with the insert displaying track and biographical information in Chinese. Other versions Category Artist Title (Format) Label Category Country Year Trouble's Lament (CDr, none Tori Amos Mercury Classics none UK & Europe 2014 Single, Num, Promo, Wat) none Tori Amos Trouble's Lament (CDr) Universal none Netherlands 2014 Trouble's Lament (CDr, Universal Music none Tori Amos none Hong Kong 2014 Promo) Hong Kong Trouble's Lament (CDr, none Tori Amos Universal none Denmark 2014 Promo) Trouble's Lament (File, none Tori Amos Mercury Classics none UK & Europe 2014 MP3, Single, 320) Related Music albums to Trouble's Lament (Unrepentant Geraldines) by Tori Amos 1. Tori Amos - Native Invader 2. Tori Amos - Do That One For Me 3. Tori Amos - RAINN PSA / Silent All These Years 4. Tori Amos - London Girls 5. Tori Amos - Taxi Ride 6. Tori Amos - Digital Collection 7. Tori Amos - Live In Canada '92 8.
    [Show full text]