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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Representing Heroes, Villains and Anti- Heroes in Comics and Graphic
H-Film CFP: Who’s Bad? Representing Heroes, Villains and Anti- Heroes in Comics and Graphic Narratives – A seminar sponsored by the ICLA Research Committee on Comic Studies and Graphic Narratives Discussion published by Angelo Piepoli on Wednesday, September 7, 2016 This is a Call for Papers for a proposed seminar to be held as part of the American Comparative Literature Association's 2017 Annual Meeting. It will take place at Utrecht University in Utrecht, the Netherlands on July 6-9, 2017. Submitters are required to get a free account on the ACLA's website at http://www.acla.org/user/register . Abstracts are limited to 1500 characters, including spaces. If you wish to submit an astract, visit http://www.acla.org/node/12223 . The deadline for paper submission is September 23, 2016. Since the publication of La vida de Lazarillo de Tormes y de sus fortuna y adversidades in 1554, the figure of the anti-hero, which had originated in Homeric literature, has had great literary fortune over the centuries. Satan as the personification of evil, then, was the most interesting character in Paradise Lost by John Milton and initiated a long series of fascinating literary villains. It is interesting to notice that, in a large part of the narratives of these troubled times we are living in, the protagonist of the story is everything but a hero and the most acclaimed characters cross the moral borders quite frequently. This is a fairly common phenomenon in literature as much as in comics and graphic narratives. The advent of the Modern Age of Comic Books in the U.S. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2013 12:00 AM Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance Caitlin Foster The University of Western Ontario Supervisor Dr. Joseph Wlodarz The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Caitlin Foster 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Advertising and Promotion Management Commons, and the Film and Media Studies Commons Recommended Citation Foster, Caitlin, "Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance" (2013). Electronic Thesis and Dissertation Repository. 1494. https://ir.lib.uwo.ca/etd/1494 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CLASH OF THE INDUSTRY TITANS: MARVEL, DC AND THE BATTLE FOR MARKET DOMINANCE (Thesis format: Monograph) By Caitlin Foster Graduate Program in Film Studies A thesis submitted in partial fulfillment Of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Caitlin Foster 2013 Abstract This thesis examines the corporate structures, marketing strategies and economic shifts that have influenced the recent resurgence of the comic book superhero in popular Hollywood cinema. Using their original texts and adaptation films, this study will chronologically examine how each company’s brand identities and corporate structures have reacted to and been shaped by the major cultural and industrial shifts of the past century in its attempt to account for the varying success of these companies throughout their histories. -
Voters' Pamphlet
Voters’ Pamphlet Oregon Primary Election May 16, 2006 Bill Bradbury Oregon Secretary of State This Voters’ Pamphlet is provided for assistance in casting your vote by mail ballot. OFFICE OF THE SECRETARY OF STATE ELECTIONS DIVISION BILL BRADBURY JOHN LINDBACK DIRECTOR SECRETARY OF STATE 141 STATE CAPITOL PADDY J. MCGUIRE SALEM, OREGON 97310-0722 DEPUTY SECRETARY OF STATE (503) 986-1518 Dear Oregonian, I am excited to tell you about some of the improvements that we’ve been making to increase your confidence in a safe, reliable, and easy-to-navigate elections system. Our toll-free voter information line at 1-866-ORE-VOTES (1-866-673-8683) or TTY service at 1-866-350-0596 is available every business day all year long from 8:00 am to 5:00 pm if you have any questions about your ballot or about voting. Under the federal Help America Vote Act, we have implemented a new Centralized Voter Registration system that keeps our voter rolls clean and up-to-date, and we are working on ways to make voting more accessible for people with disabilities. The federal law also imposes some new identification requirements. If you are registering to vote in Oregon for the first time, you must provide your Oregon Driver’s License number, or if you do not have a Driver’s License, then you must provide the last four digits of your Social Security number. If you do not have either a Driver’s License or Social Security number and are registering by mail, then you may provide a copy of other forms of identification listed on the voter registration card. -
RFC's Library's Book Guide
RFC’s Library’s Book Guide 2017 Since the beginning of our journey at the Royal Film Commission – Jordan (RFC), we have been keen to provide everything that promotes cinema culture in Jordan; hence, the Film Library was established at the RFC’s Film House in Jabal Amman. The Film Library offers access to a wide and valuable variety of Jordanian, Arab and International movies: the “must see” movies for any cinephile. There are some 2000 titles available from 59 countries. In addition, the Film Library has 2500 books related to various aspects of the audiovisual field. These books tackle artistic, technical, theoretical and historical aspects of cinema and filmmaking. The collec- tion of books is bilingual (English and Arabic). Visitors can watch movies using the private viewing stations available and read books or consult periodi- cals in a calm and relaxed atmosphere. Library members are, in addition, allowed to borrow films and/or books. Membership fees: 20 JOD per year; 10 JOD for students. Working hours: The Film Library is open on weekdays from 9:00 AM until 8:00 PM. From 3:00 PM until 8:00 PM on Saturdays. It is closed on Fridays. RFC’s Library’s Book Guide 2 About People In Cinema 1 A Double Life: George Cukor Patrick McGilligan 2 A Hitchcock Reader Marshall Dentelbaum & Leland Poague 3 A life Elia Kazan 4 A Man With a Camera Nestor Almenros 5 Abbas Kiarostami Saeed-Vafa & Rosenbaum 6 About John Ford Lindsay Anderson 7 Adventures with D.W. Griffith Karl Brown 8 Alexander Dovzhenko Marco Carynnk 9 All About Almodovar Epps And Kakoudeki -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
Marvelcomicsinthe70spreview.Pdf
Contents Introduction: The Twilight Years . 5 PART I: 1968-1970 . 9 PART II: 1970-1974 . 46 PART III: 1974-1976 . 155 PART IV: 1976-1979 . 203 Creator Spotlights : Roy Thomas . 10 Gene Colan . 16 Neal Adams . 31 Gil Kane . 52 Joe Sinnott . 54 Gerry Conway . 90 Marv Wolfman . 143 Jim Starlin . 150 Jim Shooter . 197 John Byrne . 210 Frank Miller . 218 Key Marvel Moments : Marvel Con . 175 Marvel Comics in the 1970s 3 Introduction: The Twilight Years n volume one, Marvel Comics in the 1960s , it was mix, vaulting Marvel Comics into a pop-culture Ishown how the development of the company’s new movement that threatened to overwhelm established line of super-hero books introduced in that decade notions of art and its role in society. As a result, Lee could be broken up into four distinct phases: the came to be seen as Marvel’s front man, and through a Formative Years, the Years of Consolidation, the combination of speech making, magazine interviews, Grandiose Years, and the Twilight Years. Led by and his often inspiring comic book scripts, he became editor Stan Lee, who was allied with some of the a sort of pop guru to many of his youthful readers. best artists in the business including Jack Kirby, However, by 1968, Marvel Comics had reached its Steve Ditko, Don Heck, John Romita, John Buscema, zenith in terms of its development and sheer creative Jim Steranko, and Gene Colan, Marvel moved quickly power. Soon after came an expansion of the company’s from its early years when concepts involving continuity line of titles and a commensurate dilution of the and characterization were intro - duced to new features with little thought given to their revolu - tionary impact on the industry to the Years of Consolidation when concepts of characteriza - tion, continuity, and realism began to be actively applied. -
A Place at the Table Some Snapshots of the Oregon LGBTQ Movement’S History
A Place at the Table Some snapshots of the Oregon LGBTQ movement’s history By George T. Nicola Last updated 11-16-2017 By the LGBTQ movement, we mean the movement that advocates that lesbian, gay, bisexual, transgender, and queer (LGBTQ) persons be treated equally and with the same dignity as heterosexual and cisgender people. This includes non- discrimination and non-bias based on sexual orientation and gender identity. A Place at the Table ● A GLAPN 11/16/2017 1 Presentation By the mid 1960s, the City of Portland had abandoned its efforts to close all the gay bars in the city limits. The bars were not well identified, but gay men and lesbians who could locate them felt relatively secure within their walls. Darcelle XV Showplace in Still, given the hostility of the city government, those who downtown Northwest Portland opened gay bars were very courageous. One of those people, Walter Cole, bought a bar in Old Town, Northwest Downtown in 1967 and welcomed a mixed but primarily lesbian clientele. The bar was originally named Demas Tavern, but changed its name to Darcelle XV Showplace for Walter Cole on the right, with Walter’s drag persona. It became famous for its elaborate his life partner, the late Roxy Neuhart drag shows and remains open today as Oregon’s oldest gay bar. In addition to being iconic, the club has raised large amounts of money for local LGBTQ causes. In 2016, Guinness World Records listed Darcelle as the “oldest drag queen performer”. Walter as Darcelle A Place at the Table ● A GLAPN 11/16/2017 2 Presentation Oregon’s LGBTQ movement began with a few local politically oriented gay groups. -
Willamette University College of Law ESTABLISHED 1883 SALEM, OREGON 2013–2014
willamette university college of law ESTABLISHED 1883 SALEM, OREGON 2013–2014 willamette.edu/wucl/admission | 1 A MESSAGE FROM THE DEAN It is my pleasure to introduce you to the Willamette University College of Law, and to invite you to get to know us better. Established in 1883, we are the second-oldest law school in the West, and part of a small private university that is older than the state of Oregon itself. AN INTIMATE LEARNING clinics. Most students gain some sort of ENVIRONMENT real-world experience while in law school, and we offer many classes taught by At Willamette, we take pride in being leaders in the Oregon bar. At Willamette, one of the smaller law schools in the you can learn statutory interpretation country. Most classes have fewer than from a current justice of the Oregon 25 students, and those students get to Supreme Court or civil trial practice know each other and their professors from one of the most experienced civil well. We have excellent nationally and litigators in the state. internationally known scholars on our faculty, and what students appreciate AN OUTSTANDING is how accessible they are outside of ALUMNI NETWORK class. Faculty members serve as valuable Because of our 130-year history, we have mentors to students throughout their a hugely successful and far-reaching time at Willamette and beyond. alumni network. Our alums include the LEARNING WHERE LAWS governor of Washington, a U.S. Senator, ARE MADE counsel and deputy legal counsel for the governor of Oregon, a current Our campus sits directly across the street justice of the Oregon Supreme Court, from the state Capitol. -
Oregon Appellate Almanac
NOT IN, BUT LARGELY ABOUT, THE APPELLATE COURTS IN THE STATE OF OREGON OREGON APPELLATE ALMANAC APPELLATE OREGON In Re: A Publication of the Volume 9 Appellate Practice Section of the Oregon State Bar. OREGON APPELLATE ALMANAC 2019 A Collection of Highly Specific Scholarship, Exuberant Wordplay, Volume 9 – 2019 Volume and Fond Memories from the Appellate Practice Section Nora Coon, Editor Cite as: 9 Oregon Appellate Almanac ____ (2019) The Oregon Appellate Almanac is published annually by the Appellate Section of the Oregon State Bar. Copies are archived on our website, http://appellatepractice.osbar.org/appellate-almanac, as well as on HeinOnline. To contact the editor, send an email: [email protected] THANKS TO OUR SPONSORS: Publication Information The Oregon Appellate Almanac is printed by Joe Christensen, Inc. Back issues may be ordered in print from HeinOnline. ISSN 2688-5034 (print) ISSN 2688-5018 (online) OREGON APPELLATE ALMANAC Volume 9 (2019) Editor Nora Coon Almanac Editorial Subcommittee Nani Apo Jeffrey Armistead Nora Coon J. Aaron Landau Copyediting Michael J. Beilstein Sources Mick R. Harris SUBMISSIONS The Almanac welcomes submissions of approximately 500 to 2000 words in the following areas: . Biographies, interviews, and profiles of current and past figures in Oregon law . Court history, statistics, and trivia . Legal analysis of recent, significant, or overlooked Oregon appellate cases . Miscellany: humor, poetry, wit, and word puzzles The annual submission deadline is June 1. Submissions should be lightly footnoted as necessary to support the author’s assertions. In deference to the fact that most contributors and readers are practitioners, citations should conform to the Oregon Appellate Courts Style Manual.