DOCSLIB.ORG

Planescape Jumpchain V0.1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Planescape Jumpchain V0.1 Planescape Jumpchain V0.1 Welcome to Sigil, the City of Doors! The centre of the Planes and the local multiverse too. Sitting on the inside of a giant torus that itself floats above an infinitely tall mountain at the centre of the very plane of neutrality itself – the Concordant Domains of the Outlands. Here neutrality is enforced. Gods are barred from the city, and the Lady of Pain takes very aggressive steps to make sure nobody drags Sigil into the troubles outside. It is even a haven from the Blood War. Unfortunately, this means many, many criminals and troublemakers from outside land come here as a last resort. ‘Course, not everyone’s here of their own free choice. Sigil’s ridded in doors to other planes, and sometimes a local from outside falls in. What got them in Sigil rarely is what gets them out of Sigil, and they’re stuck here until they find a door back home. These planar doors all throughout Sigil would make it the most valuable place in the multiverse to hold. Master Sigil, you can master the Planes. But the Lady won’t let that happen. Piss her off and the best thing you can hope for is being locked in an extradimensional maze unable to die of age, hunger, or thirst. The unlucky ones get flayed alive in an instant. But on the bright side, you’ll see all kinds of things in Sigil. A devil and a demon (don’t call ‘em that, trust me) having friendly drinks in a bar. Angels in disguise buying weapons for god-knows-what purposes from a giant frog made of pure Chaos. And remember: When you see two things, look for the third. Here’s 1,000 CP. You’ll be needing it. Origins Drop-In: Or Clueless, as the locals call you, you stumbled into Sigil somehow, probably accidentally triggered one of the portals, and you’re stuck in the Cage like the rest of us. Cager: You had the privilege of being born inside the greatest metropolis of the planes. You’ll have an easier time navigating the sprawling, labyrinthine streets, and avoiding suffering one of the many entirely avoidable deaths lurking in the dark alleys. Location Sigil herself’s a bit of a Dickensian paradise, the nice places are pretty nice, but the bad places are smog-choked, sprawling slums inhabited by crowds of the destitute and unfortunate. Roll 1d8 or pay 50 CP to see just which district – or Ward as it’s called here – you emerge in. 1. The Hive Ward: Ignored by the Dabus whose duty it is to maintain Sigil, the Hive is a crumbling slum of decrepit buildings and shanty towns. Nobody lives here who can avoid it. 2. The Lower Ward: The beating industrial heart of Sigil, the Lower Ward is a filthy, smog-choked pile of hovels inhabited by the poorer folk. 3. The Clerk’s Ward: Home to the lucky educated citizens of Sigil, it is also the centre of bureaucracy in the Cage. 4. The Market Ward: 5. The Guildhall Ward: 6. The Lady’s Ward: 7. Free Choice 8. Also Free Choice Races You know the drill. Pay 50 CP to change gender or leave it as before for free. Any race bought here becomes an altform post-jump. Humanoid (Free): Human, Elf, Dwarf, Halfling, or Gnome. The classic fantasy races. Elves are dextrous, dwarves are short and stocky, halflings are short and nimble, gnomes are short and skilled with illusions, and humans are vanilla. Aasimar (100): The blood of celestials flows in the veins of the Aasimar. Aasimar have a mild magic resistance, a strong resistance to any form of magical compulsion, heat and cold, keen senses, 60 ft of darkvision, and are naturally slightly stronger and wiser than a normal human. Bauriar (100): Natives of the Upper Planes, a Bauriar is like a centaur, but instead of horse they have the body of a goat and the horns of a ram. The species is strongly sexually dimorphic, with females lacking horns but gaining intelligence, while males are slightly tougher, stronger and faster than a normal man, able to land a devastating charge with their horns. Both sexes possess a keen sense of smell and hearing. Genasi (200): Somewhere up your family tree is the blood of a denizen of the Elemental Planes. Just try not to think how a creature made of earth, water, air, or fire can sleep with a mortal. All Genasi get Darkvision (the ability to see even without any light at all, without colour, does not replace regular vision) out to 60 feet. If you’re an Air Genasi, you become faster, resistant to electrical attacks and air-based magic, can summon up strong gusts of wind, and no longer need to breathe. If you’re an Earth Genasi, you become tougher, resistant to acid and earth-based magic, can soften earth and stone, and have an intuitive grasp of masonry and stonework. If you’re a Fire Genasi, you become smarter, have resistance to fire and fire magic, can summon flames, and can heat yourself up enough to cause injury at a touch. Finally, if you’re a Water Genasi, you become tougher, resistant to cold and water magic, swim as fast as you can move on land, breathe water like you can air, and summon up thick clouds of fog. Githyanki/zerai (200): Former slaves of the Mind Flayers, both Githyanki and Githzerai are of the same species, yet radically different beliefs originating from an ancient split emerging just after a successful slave rebellion, between the followers of Gith (Githyanki) who desired an Eternal Crusade against the Mind Flayers, and the followers of Zerthimon (Githzerai) who saw Gith as a tyrant and chose to reject warfare so they may know wisdom. The Githyanki live in fortresses hollowed out of the bodies of dead gods floating in the Astral Plane, while the Githzerai choose to live in the Ever- Changing Chaos of Limbo, where through sheer discipline and willpower form stable cities monasteries amidst the whirling elemental chaos. Both Githyanki and Githzerai are taller, yet thinner than an average human, have 60 feet of darkvision, and are naturally mildly psychic. Additionally, as Gith grow stronger, they become increasingly resistant to all kinds of magic. Tiefling (100): Part human, part Fiend, Tieflings appear like normal humans, but with some obvious tell as to their fiendish heritage. Might be horns growing out of their heads, slit pupils like a snake, a mouth full of jagged razor teeth, the smell of ash and brimstone following them around, or even a long, sinuous tail. The fiend-touched body of a Tiefling grants them strong resistance to cold, a weaker resistance to poisons, fire and electricity, a natural charm and toughness, 60 feet of darkvision and the ability to conjure spheres of magical darkness. Other Outsider (Varies): Sigil’s a big place and all kinds of folk end up inside the City of Doors. Pick a published intelligent creature with the Outsider subtype (http://www.d20srd.org/indexes/monsters.htm is a good start), multiply the CR by 50, and that’s the cost of choosing it in CP. Perks General Perks Classes – 100 (One free for all): You get your free pick out of: Fighter, Paladin, Ranger, Mage, Illusionist, Thief, and Bard. Additional purchases make you a multi-class character, gaining experience as slow as both (or more) classes combined. Drop In Perks Cager Perks Class Perks Faction Perks Out on the planes, reality is shaped by belief. Convince enough people to believe something, and it is true. Naturally, at the centre of the planes, factions battle in the war of ideas for how reality itself works. You get to pick one, and only one, faction to be part of for free. This gives you a discount on the faction perks. If you don’t pick a faction, you’ll be an Independent; without any obligations to the faction but lacking the same support network as a member. The Athar (The Defiers, The Lost) The Athar don’t like the gods. According to them, the gods aren’t so much divine as they are overly powerful, fallible creatures who do not deserve worship. To the Athar, the gods are nothing more than frauds and liars swindling mortals, fighting their own petty squabbles over nonsense. Everyone knows a right dedicated cleric can draw on the same divine magic without worshipping any of the gods, and the Athar see this as proof there’s something more out there, something bigger and greater than the “gods”. Unfortunately, this denial of the gods comes with one major drawback; for the duration of the jump, you cannot receive any benefits from divine magic cast by a believer in one of the gods, as the powers forbid the use of their miracles on the Defiers. Divine magic from other sources are unaffected. Divine Immunities – 100 (Free Athar): The power of denial is a strong one when it comes up against the work of false gods. All hostile divine enchantments simply fail when used against you. Additionally, you gain a mild resistance to all other hostile divine spells. Athar Banishment – 200: By gathering four similarly-minded disbelievers, you can force the servant of any god back to its home plane through an act of pure will. If it is successful, the servant is forced back home for a minimum of a month. Even the avatars of the gods themselves are not immune, although it would take a mighty powerful gathering of Athar to pull that one off.
Load more

Recommended publications
  • Welcome to the Great Ring
    Planescape Campaign Setting Chapter 1: Introduction Introduction Project Managers Ken Marable Gabriel Sorrel Editors Gabriel Sorrel Sarah Hood Writers Gabriel Sorrel Sarah Hood Layout Sarah Hood 1 There hardly seem any words capable of expressing the years of hard work and devotion that brings this book to you today, so I will simply begin with “Welcome to the planes”. Let this book be your doorway and guide to the multiverse, a place of untold mysteries, wonders the likes of which are only spoken of in legend, and adventurers that take you from the lowest depths of Hell to the highest reaches of Heaven. Here in you will leave behind the confines and trappings of a single world in order to embrace the potential of infinity and the ability to travel Introduction wherever you please. All roads lie open to planewalkers brave enough to explore the multiverse, and soon you will be facing wonders no ordinary adventure could encompass. Consider this a step forward in your gaming development as well, for here we look beyond tales of simple dungeon crawling to the concepts and forces that move worlds, make gods, and give each of us something to live for. The struggles that define existence and bring opposing worlds together will be laid out before you so that you may choose how to shape conflicts that touch millions of lives. Even when the line between good and evil, lawful and chaotic, is as clear as the boundaries between neighboring planes, nothing is black and white, with dark tyrants and benevolent kings joining forces to stop the spread of anarchy, or noble and peasant sitting together in the same hall to discuss shared philosophy.
    [Show full text]
  • Planescape Part One: Sigil by Cutter
    Planescape Part One: Sigil By Cutter Welcome to Sigil, the City of Doors! The centre of the Planes and the local multiverse too. Sitting on the inside of a giant torus that itself floats above an infinitely tall mountain at the centre of the very plane of neutrality itself – the Concordant Domains of the Outlands. Here neutrality is enforced. Gods are barred from the city, and the Lady of Pain takes very aggressive steps to make sure nobody drags Sigil into the troubles outside. It is even a haven from the Blood War. Unfortunately, this means many, many criminals and troublemakers from outside land come here as a last resort. ‘Course, not everyone’s here of their own free choice. Sigil’s ridded in doors to other planes, and sometimes a local from outside falls in. What got them in Sigil rarely is what gets them out of Sigil, and they’re stuck here until they find a door back home. These planar doors all throughout Sigil would make it the most valuable place in the multiverse to hold. Master Sigil, you can master the Planes. But the Lady won’t let that happen. Piss her off and the best thing you can hope for is being locked in an extradimensional maze unable to die of age, hunger, or thirst. The unlucky ones get flayed alive in an instant. But on the bright side, you’ll see all kinds of things in Sigil. A devil and a demon (don’t call ‘em that, trust me) having friendly drinks in a bar.
    [Show full text]
  • PSCS Chapter 8
    Planescape Campaign Setting DM’s Dark Chapter 9: DM’s Dark Project Managers Sarah Hood Editors Gabriel Sorrel Sarah Hood Andy Click Writers Janus Aran Dhampire Orroloth Rip Van Wormer Chef‘s Slaad Nerdicus Bret Smith Charlie Hoover Galen Musbach W. Alexander Michael Mudsif Simson Leigh Smeazel Mitra Salehi Sarah Hood Layout Sarah Hood 1 Well, by now a canny cutter like yourself is itching to gather your favorite victi—ahem—players, and start running a game. Of course, if you‘re completely green to the task you could always use a little bit of advice on where to start. And if you‘re old-hat, a little bit of a refresh DM’s Dark couldn‘t hurt, now could it? This chapter of the PSCS aims to help any new GMs out there who don‘t have anyone locally they can turn to for advice on some of the common or stereotypical problems with a planar game. We‘ve tried to cover the major ‗issues‘ that creep up for bashers lost in a sea of clueless, and of course if you have a question that isn‘t answered here, please feel free to drop by Planewalker.com and we‘ll be glad to give some extra advice. Preparing the Game Starting advice for a Planescape campaign is the same as it is for any other game really: Define what sort of a campaign you‘re looking to run. A planar campaign can have as wide or as narrow a scope as you like, and any sort of tone that you care to adopt.
    [Show full text]
  • Tomb of Horrors | Dungeons & Dragons
    TOMB OF HORRORS™ ROLEPLAYING GAME ADVENTURE Ari Marmell • Scott Fitzgerald Gray CRED1TS Design Art Director Ari Marmell (lead), Scott Fitzgerald Gray Mari Kolkowsky Development Cover Illustration Stephen Radney­MacFarland (lead), Ralph Horsley Stephen Schubert Graphic Designers Editing Keven Smith, Emi Tanji Cal Moore (lead), Miranda Horner Additional Graphic Design Managing Editing leon Cortez Kim Mohan Interior Illustrations Director of D&D R&D and Book Publishing Kerem Beyit, Zoltan Boros & Gabor Szikszai, Bill Siavicsek Nicole Cardiff, Vincent Dutrait, Steve Ellis, Jason A_ Engle, Warren Mahy, Vincent Proce, D&D Creative Manager Franz Vohwinkel Christopher Perkins Cartographer D&D Design Manager Jason A. Engle James Wyatt Publishing Production Specialist D&D Development and Editing Manager Erin Dorries Andy Collins Prepress Manager D&D Senior Creative Art Director Jefferson Dunlap Jon Schindehette Imaging Technician Carmen Cheung Production Manager Cynda Callaway Game rules based on the original DUNGEONS & DRAGONS" rules created by E. Gary Gygax and Dave Arneson, and the later editions by David "Zeb" Cook (2nd Edition);Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison (3rd Edition); and Rob Heinsoo, Andy Collins, and James Wyatt (4th Edition). 620·25385000­001 EN U.S., CANADA, ASIA, PACIFIC , EUROPEAN HEADQUARTERS WIZARDS OF THE COAST, BELGIUM 987654321 & LATIN AMERICA Hasbro UK Ltd Industrialaan 1 Fi rst Printing: Wizards ofthe Coast LLC Caswell Way 1702 Groot­Bijgaardcn P.O. Box 707 Newport, Gwent NP9 OYH
    [Show full text]
  • BEYOND COUNTLESS DOORWAYS a Book of Planes by Monte Cook, Wolfgang Baur, Colin Mccomb, and Ray Vallese
    ® BEYOND COUNTLESS DOORWAYS A Book of Planes By Monte Cook, Wolfgang Baur, Colin McComb, and Ray Vallese Uses the Third Edition rules, including updated material from the v. 3.5 revision. Additional Credits Editing: Sue Weinlein Cook and Ray Vallese Production: Sue Weinlein Cook Cover Illustration: rk post Interior Illustrations:SampleKevin Crossley, file Eric Lofgren, and Tyler Walpole Cartography: Ed Bourelle Proofreading: Michele Carter Cover and Interior Page Design: Peter Whitley Playtesting: Michele Carter, Sue Cook, Bruce Cordell, Jesse Decker, Erik Mona, and Chris Perkins For supplemental material, visit Monte Cook’s Website: <www.montecook.com> Planescape® and Wizards of the Coast® are registered trademarks of Wizards of the Coast, a subsidiary of Hasbro, Inc., and are used with permission. All rights reserved. Malhavoc is a registered trademark and Eldritch Might is a trademark owned by Monte J. Cook. Sword & Sorcery and the Sword & Sorcery logo are trademarks of White Wolf Publishing, Inc. All rights reserved. All other content is ©2004 Monte J. Cook. The mention of or reference to any company or product in these pages is not a challenge to the trademark or copyright concerned. This edition of Beyond Countless Doorways is produced under version 1.0a and/or draft versions of the Open Game License and the System Reference Document by permission of Wizards of the Coast. Designation of Product Identity: The following items are hereby designated as Product Identity in accordance with Section 1(e) of the Open Game License, version
    [Show full text]
  • Rapture Rapture
    RRaptureapture Contents AN INTRODUCTION .................................................................................. 2 Including the Background of this story, a Summary of the Adventure, notes on Preparing for Play, and a word on the Factions Involvement. CHAPTER I: TANARRI INVASION ................................................................. 8 In which our Heroes find out that Sigil is not safe from fiends invasion and accidentally land in the Abyss. CHAPTER II: IN THE ABYSS ..................................................................... 14 In which our Heroes explore the 523rd layer of the Abyss and find there helpful Petitioners. CHAPTER III: MOUNT CELESTIA ............................................................. 24 In which our Heroes enter the Powers realm, are attacked by an Inquisitor, and meet the Deva named Morningstar. CHAPTER IV: PRIME CONCERNS .............................................................. 30 In which our Heroes visit the Holy City of Dratsum and witness the zealous attitude and blind faith of the Natives. CHAPTER V: THE FORBIDDEN TEMPLE ...................................................... 34 In which our Heroes enter the Holy Temple,and battle with Devas on their way to the Rod of Divinity. CONCLUSION ........................................................................................ 40 In which our Heroes battle the Power and rescue the world by destroying it. Credits Designer: Greg Jensen ª Editor: Feniks Interior Artists: Andy, Chris Appelhans, Bruno Rubio, Derrick Schommer
    [Show full text]
  • Collectors Checklist by Richard © 2001, Version 2.7
    Dungeons&Dragons Collectors Checklist by Richard © 2001, version 2.7 Well met and welcome to the Collectors Checklist! I made this checklist for myself to keep track of what TSR products I own. Many times was I in the position to photocopy (“Xerox”) a module or booklet that the owner didn’t wish to sell. So gradually my collection expanded with not only genuine products but also with photocopies. Since the coming of the officially digitized classic products (PDF) it is even harder to keep track of what product you own in what format. With the Collectors Checklist you will be able to sort your whole Dungeons&Dragons collection, no matter what the format is! For those out there who haven’t got a clue, here’s how to use the Collectors Checklist: TSR-Code : The product’s publishing code Sub-Code : When a product belongs to a specific group of products it carries this code Title : The product’s title (dah!) Hardcopy : Check this if you have the original item Copy : Check this if you have a copy (Xeroxcopy for instance) of the original product PDF : Check this if you have a digital copy(.pdf/.doc/etc.) of the original product HINT: you can even write down the number when you own more than one copy of a product ; ) If you think any items are missing, please mail me at [email protected] . Feel free to copy/share/print this list. Please visit these websites for the best Dungeons&Dragons archives on the Internet : http://www.acaeum.com http://home.flash.net/~brenfrow/index.htm .
    [Show full text]
  • Book Abbreviation
    Realease Date Code 3e Book Title Abbreviation Key 11/2007 AtEotS Anauroch: The Empire of the Shade 03/2003 A&EG Arms and Equipment Guide 3.0 02/2007 BotFK Barrow of the Forgotten King 03/2002 BoBS Bastion of Broken Souls 3.0 06/2002 BoC Book of Challenges 3.0 10/2003 BoED Book of Exalted Deeds 10/2002 BoVD Book of Vile Darkness 3.0 10/2002 BoVDwe Book of Vile Darkness (Web Enhancement) 01/2005 CAd Complete Adventurer 11/2004 CAr Complete Arcane 05/2007 CC Complete Champion 05/2004 CD Complete Divine 10/2006 CM Complete Mage 05/2005 CoR Champions of Ruin 05/2005 CoRwe Champions of Ruin (Web Enhancement) 11/2005 CoV Champions of Valor 04/2007 CoP City of Peril 06/2005 CoS City of Splendors: Waterdeep 02/2008 CoSR City of Stormreach 09/2002 CotSQ City of the Spider Queen 3.0 04/2006 CP Complete Psionic 03/2007 CtTotW Cormyr: The Tearing of the Weave 11/2006 CS Cityscape 01/2007 CSc Complete Scoundrel 12/2003 CW Complete Warrior 04/2002 D&D Deities and Demigods 3.0 07/2006 DG Dragondown Grotto 11/2001 DH Deep Horizon 3.0 08/2003 DLCS Dragonlance Campaign Setting 08/2003 DL AoM Dragonlance, Age of Mortals 05/2004 DL BoK Dragonlance, Bestiary of Krynn 05/2007 DL BoKR Dragonlance, Bestiary of Krynn, Revised 09/2006 DL DoA Dragonlance, Dragons of Autumn 10/2007 DL DoK Dragonlance, Dragons of Krynn 01/2008 DL DoS Dragonlance, Dragons of Spring 11/2007 DL DoW Dragonlance, Dragons of Winter 09/2005 DL HOotS Dragonlance, Holy Orders of the Stars 05/2004 DL KoD Dragonlance, Key of Destiny 07/2006 DL KOoA Dragonlance, Knightly Orders of Ansalon 02/2006
    [Show full text]
  • A Brief History of Orcus Page 1
    A Brief History of Orcus Page 1 A Brief History of Orcus A Scholarly Study of the First and Second Edition Canon1 by Shane O’Connor2 Orcus began his life as a mortal man, just like the rest of us. The details of his mortal life are unknown, save that he was bloated even then, and was some sort of spellcaster. Eventually, he died, as all mortals do. After his death, he passed on to the outer planes, becoming a loathsome larva, and then working his way up through the tanar’ric hierarchy.3 Once achieving great abyssal power, Orcus began to assert himself as a force to be reckoned with. One of his greater achievements, though little noted, is the creation of the Orcusword.4 What powers the Orcusword had are unknown though, as it lost much of its original potency once Orcus was killed (see below).5 Another item of his crafting that is all but lost to mortal knowledge today is the Juggernaut, a suit of armor so powerful it is a minor artifact.6 It was after Orcus achieved his status as an Abyssal Lord7 that he became truly infamous across the planes. He asserted himself as the patron of undeath, an 1 This summary is based on previously released material that is copyright TSR, Inc., and or Wizards of the Coast. This summary is a personal work of individual scholarship and is not intended as a challenge to any of the trademarks and/or copyrighted material of TSR, Inc., and/or Wizards of the Coast.
    [Show full text]
  • Celestial Wisdom 7714545.Pdf
    i ii Celestial Wisdom Writing, Artwork, Layout, and Editing by Ryan Chaddock Additional Editing by Katherine Gohring Copyright Ryan Chaddock Games 2013 This product was created under license from Monte Cook Games, LLC. Numenera and its logo are trademarks of Monte Cook Games, LLC in the U.S.A. and other countries. All Monte Cook Games characters and character names, and the distinctive likenesses thereof, are trademarks of Monte Cook Games, LLC. iii Creative Commons Source Images The source images for the following artwork are used under this license: http://creativecommons.org/licenses/by/2.0/deed.en : Original photo for the Brethsid image: Copyright fdecomite Original photo for the Channels a Deity focus image: Copyright Rex Harris Original photo for the cover image: Copyright Victor Andafrous Original photo for the Cyborg Descriptor image: Copyright KRAANIKA Original photo for the Domed City image: Copyright Jeff Kubina Original photo for the Grahast image: Copyright Karen Roe Original photo for the Handy image: Copyright The Hague, The Netherlands Original photo for the Knows Too Much focus image: Copyright mazaletel Original photo for the Ultrenara image: Copyright Devin Moore Original photo for the Walks the Datasphere focus image: Copyright Chris Dlugosz The source images for the following artwork are used under this license: http://creativecommons.org/licenses/by-sa/3.0/ : Original photo for the Cloudseed image: Copyright Derrich Original photo for the Old Ones image: Copyright Hans Hillewaert Original photos for the Vradredal-5 and Praeten images as well as the image in the Introduction about the Datasphere: Copyright Matteo Turner iv ~Table of Contents~ Introduction pg 1 Chapter I: THE DATA GODS pg 4 Chapter II: THE LOST POWER pg 16 Chapter III: THE DRITTY TOOLS pg 31 Chapter IV: THE AZURE STEEL SEEDS pg 46 v ~Introduction~ “The desert stirred with wind and glass, Beneath the land she trekked.
    [Show full text]
  • Sample File Sample File FOREWORD
    Sample file Sample file FOREWORD.... .............................. 4 In which the Dunge of the two Adventures in this volume, the'means by which they might be made of the Statistics and Poster map, and other Products both required and option + ef +HC DARKNCSS INTRODUMION, . ................... .................... ........... In which the Heroes Thieves that steal more them across the Out1 afv branches of Yggdrasi ...........26 ................... 36 ........................... Sample file CHAPTER THEBOTTOM OF THE MULTWXRSE... ............... 58 In which the Heroes journey to the Cold Land, explore a peculiar and hidden Fottress of things undead, and stumble across a dark Prisoner with much to share - if only he could Remember. INTERLUDE11 . ......................................... ................70 geon Master~learnshow the Villain himselfcame to CHAFER VI: VAULT OF THE DROW ........... .72 In which the Heroes see cargo s yss to Oerth,fnd the Vault of the dark elves tom apart by civil War, and try to gain the confidence of a Drow who alone knows a terrible Truth. CHAPTER w: TIE RUINSOF PELION. ........................................................ 88 In which the Heroes seek passage to the dusty deserts of Arborea, relive a harrowing Adventure from the plane's distant past, and learn the nature of powerful Magic stolen long ago by the Villain. ~~~EE....................................................................... In which the Dungeon Master learns how the Villainfinallyfound the object of his long Quest. CHAPTER WII: DEEPESTPANOEMONIUM . ................. In which the Heroes seek refugefrom Madness with a traveling ci ey deep within the cavm of the Howling Plane, and unearth a long-buried Artifact offrightening power. CHAPTERIX: THE DEAD-BOOKOF THE GODS.............. ................... In which the Heroes travel to the Silver Void, receive a not yet right, explor the rocky Corpse of the Villain they have long opposed, and learn, once again, that Things are seldom what tkq Seem.
    [Show full text]
  • Channel Divinity: Nerull by Jon Green Illustrations by Matt Cavotta and Nicole Cardiff
    Channel Divinity: Nerull By Jon Green Illustrations by Matt Cavotta and Nicole Cardiff Grandmaster Roslow, In the earliest days of creation, when gods still walked the land alongside mortals and the Dawn Nerull’s priest has died. The causes appear to be natural, War had just begun, Nerull—a clever and ruthless but given the timing and the person, I cannot rule out foul human wizard—became one of the first nonelves to play. learn arcane magic from Corellon. His newfound Before he passed, he gave a brief account of what he power soon drew him into the war against the pri- knew about the rise and fall of the god of death. I have mordials. After one particularly gruesome battle, transcribed his remarks and included them with this letter. Nerull looked over the fields filled with corpses and Given its source, this information should be taken with a cursed at those who had allowed themselves to pass grain of salt, but it is intriguing nonetheless. I’ve taken the into death, avoiding the duty of preserving creation liberty of removing the extraneous homilies and adulations against annihilation. Retreating back to his study, he in the transcription. (If I ever hear the phrase, “Praise be to spent months brooding over issues of mortality and his unholy name and the encroaching darkness” again, it the threat of the elementals. will be far too soon.) In addition, I have edited the profane During this withdrawal, the mage first began his names used in reference to the Raven Queen, since they are studies of the dead and their uses.
    [Show full text]