Jazzia Soolona

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JAZZIA SOOLONA Abercrombie, John: Characters Actis Dato, Carlo: Urartu Akchoté, Noël: Sonny II Alperin, Misha: At home Andress, Tuck: Reckless precision Bates, Django: Autumn fires… Benzoni, Andrea: Timing Bergman, Borah: Meditations for piano Björkenheim, Raoul: Apocalypso Björnstad, Ketil: New life Blake, Ran: All that is tied Blake, Ran: Duke dreams Bley, Paul: Open, to love Bollani, Stefano: Piano solo Braxton, Anthony: Saxophone improvisations Breau, Lenny: Five o’clock bells… Breau, Lenny: Last sessions Brubeck, Dave: Alone Bruno, Jimmy: Solo Burrell, Dave: Windward passages Caine, Uri: Solitaire Camilo, Michel: Solo Chadbourne, Eugene: Strings Copland, Marc: Time within time Corea, Chick: Expressions Corea, Chick: Solo piano (1•2) Coryell, Larry: The dragon gate Coryell, Larry: Twelve frets to one octave Degruy, Philip: Innuendo out the other Doyle, Arthur: The songwriter Escheté, Ron: A closer look Evans, Bill: Alone Evans, Bill: Conversations with myself Garner, Erroll: Erroll Garner plays Gershwin & Kern Garner, Erroll: Solitaire Graves, Milford: Stories Green, Benny: Green’s blues Gruntz, George: Ringing the laminator Gustafsson, Mats: The education of Lars Jerry Hanna, Roland: Everything I love Hays, Kevin: Open range Heinilä, Kari: Antiqua Hersch, Fred: Fred Hersch plays Rodgers & Hammerstein Hill, Andrew: Les trinitaires Hines, Earl: Earl Hines plays Duke Ellington Holland, Dave: Emerald tears Jackson, D. D.: So far Jarrett, Keith: The Carnegie Hall concert Jarrett, Keith: Dark intervals Jarrett, Keith: The Köln concert Jarrett, Keith: Paris concert Jarrett, Keith: Radiance Jarrett, Keith: La Scala Jarrett, Keith: Solo concerts Johnson, James P.: From ragtime to jazz Jones, Hank: Handful of keys Joplin, Scott: Scott Joplin piano rags Jordan, Stanley: Magic touch King, Steven: Acoustic swing King, Steven: Let it ring Klugh, Earl: Solo guitar Kühn, Joachim: Allegro vivace Lacy, Steve: Only Monk Lang, Thierry: Guide me home Leavell, Chuck: Forever blue Legends – solo guitar performances Legrand, Michel: Michel Legrand plays Michel Legrand Malmi, Jani: Kosketuksia Marsalis, Ellis: Duke in blue McFerrin, Bobby: Simple pleasures McFerrin, Bobby: Spontaneous inventions McKenna, Dave: A handful of stars Mehldau, Brad: Elegiac cycle Mehldau, Brad: Live in Tokyo Metheny, Pat: One quiet night Monk, Thelonious: Alone in San Francisco Monk, Thelonious: Monk alone Montoliu, Tete: The music I like to play (1•2) Morath, Max: The world of Scott Joplin (1•2) Morris, Joe: No vertigo Newton, James: Axum Nichols, Jim: Jazz & country Pass, Joe: Blues for Fred Pass, Joe: I remember Charlie Parker Pass, Joe: Live at Elder Hall, Adelaide Pass, Joe: Unforgettable Pass, Joe: Virtuoso (1•4) Pass, Joe: Virtuoso in New York Peterson, Oscar: My favorite instrument Peterson, Oscar: Tracks Petrucciani, Michel: 100 hearts Petrucciani, Michel: Promenade with Duke Pizzarelli, Bucky: Solo flight Pullen, Don: Evidence of things unseen Ribot, Marc: Saints Rifkin, Joshua: Piano rags Rivers, Sam: Portrait Savolainen, Jarmo: Songs for solo piano Sharp, Elliott: Looppool Shearing, George: Piano Shipp, Matthew: One Smith, Wadada Leo: Kulture jazz Tatum, Art: Piano starts here Tatum, Art: The Standard sessions Tatum, Art: 20th century piano genius Taylor, Cecil: For Olim Taylor, Cecil: The Willisau concert Taylor, Martin: Artistry Taylor, Martin: In concert Taylor, Martin: Portraits Towner, Ralph: Ana Towner, Ralph: Anthem Towner, Ralph: Solo concert Towner, Ralph: Time line Tristano, Lennie: Lennie Tristano/The new Tristano Tyner, McCoy: Jazz roots Tyner, McCoy: Soliloquy Wakenius, Ulf: The guitar artistry of Ulf Wakenius Valdés, Chucho: Solo Valdés, Chucho: Solo piano Waldron, Mal: Update Valle, Ramón: Memorias Wallin, Per Henrik: One knife is enough Wilson, Teddy: Piano solos Vitous, Miroslav: Emergence Wooten, Victor: A show of hands Öberg, Mats: In the moment.

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2014-2015 Fine Arts Mid-Season Brochure

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Jazz and the Cultural Transformation of America in the 1920S

Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
Keith Jarrett's Spiritual Beliefs Through a Gurdjieffian Lens

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J w,·_" -- ver, and Art Blakey's Jazz Messengers, eschewing the refinements and affecta Stream"). They are picking things up where the Parkers, Dolphys, Coltranes, tions of "classical" techniques, returned to jazz roots for inspiration, mainly the Bud Powells, and Scott LaFaros left things some years ago. blues and the mUSic ofthe black church. Into this setting stepped four saxophon ists who were in their own ways to change the face of jazz: Sonny Rollins, John Reprinted from MUSings: The Mustcal World ofGunther Schuller by permission ofOxford University Coltrane, Ornette Coleman, and Eric Dolphy. All four typified a revolt not only Press. Copyright © 1986 by Gunther Schuller. Cjas~'( L ~):s". <!) A T ~cn~- against the effeteness of"cool" jazz, but even against the "modem jazz» conven c..~I"'''i. ~b ~'- tions, a heritage left in some state of confusion by the untimely death of Charlie ~e~+~8V\..e¢"t <~D~c~'Y Parker. .(tV 8,c.Ls • ""-'.lJ 15 ~\c.':, " t <\ ~ b Both Rollins-with his prodigious facility and almost encyclopedic knowledge \ ) The Jazz Avant-Garde of musical traditions (comparable to a computer memory bank)-and Coltrane with hIS agonizing need to struggle through his musical problems in public-ex pressing the anguish of the artist as a serious quiet man in a violent, crude, and In the early 1960s, the African-American dramatist, novelist, poet, historian, and activist unquiet world-flirted with the avant-garde. But it was Ornette Coleman who in Amiri Baraka (born 1934) contributed many fine essays on jazz and blues to Down 1959 seemed to break all links with the past.
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Keith Jarrett Dark Intervals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Dark Intervals Country: Japan Released: 1991 Style: Contemporary Jazz MP3 version RAR size: 1257 mb FLAC version RAR size: 1733 mb WMA version RAR size: 1546 mb Rating: 4.5 Votes: 460 Other Formats: AIFF WMA MP2 MP4 AA AU APE Tracklist 1 Opening 12:52 2 Hymn 4:56 3 Americana 7:11 4 Entrance 2:54 5 Parallels 4:57 6 Fire Dance 6:51 7 Ritual Prayer 7:10 8 Recitative 11:17 Companies, etc. Record Company – Polydor K.K. Phonographic Copyright (p) – ECM Records GmbH Copyright (c) – ECM Records GmbH Published By – Cavelight Music Recorded At – Suntory Hall, Tokyo Credits Design – Barbara Wojirsch Engineer – Kimio Oikawa Photography By [Cover Photo] – Christian Vogt Piano, Music By – Keith Jarrett Producer – Manfred Eicher Notes Digital recording April 11, 1987 at Suntory Hall, Tokyo. Published by Cavelight Music, BMI/AMRA. Printed in W. Germany. An ECM Production © ℗ 1988 ECM Records GmbH On page 2 of sleeve: "Touch is only possible at the edge of spaces Light is only precious during dark intervals" Contains information sheet and text in Japanese Barcode and Other Identifiers Barcode (Scanned): 4988005079251 Barcode (Text): 4 988005 079251 Label Code: LC 2516 Other versions Category Artist Title (Format) Label Category Country Year ECM 1379, 837 Keith Dark Intervals (LP, ECM Records, ECM 1379, 837 Germany 1988 342-1 Jarrett Album) ECM Records 342-1 Keith Dark Intervals UCCE-9233 ECM Records UCCE-9233 Japan 2014 Jarrett (CD, Album) ECM 1379, 837 Keith Dark
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Discografia Keith Jarrett marzo 2001 Pianoforte solo # Titolo Anno Etichetta Live Set Strumenti Note 1 Facing You 1971 ECM pf. 2 Solo Concerts 1973 ECM X 3LP pf. 3 The Koln Concert 1975 ECM X pf. 4 Sun Bear Concerts 1976 ECM X 10LP pf. 5 Staircase 1976 ECM 2LP pf. 6 The Moth And The Flame 1979 ECM 2LP pf. Set con Invocations 7 Concerto in solo. Bregenz 1981 ECM X 3LP pf. 8 Concerto in solo. Moanco 1981 ECM X pf. 9 Dark Intervals 1987 ECM X pf. 10 Paris Concert 1988 ECM X pf. 11 Vienna Concert 1991 ECM X pf. 12 La Scala Concert 1997 ECM X pf. 13 The Melody At Night, With You 2000 ECM pf. Trio # Titolo Anno Etichetta Live Set Strumenti Note 1 Standards Vol.1 1983 ECM pf. / basso / batteria Standards 2 Standards Vol.2 1983 ECM pf. / basso / batteria Standards 3 Changes 1983 ECM pf. / basso / batteria Brani riginali 4 Standards Live 1985 ECM X pf. / basso / batteria Standards 5 Changeless 1987 ECM X pf. / basso / batteria Brani originali 6 Still Live 1988 ECM X 2CD pf. / basso / batteria Standards 7 Tribute 1989 ECM 2CD pf. / basso / batteria Standards 8 Standards In Norway 1989 ECM pf. / basso / batteria Standards 9 The Cure 1990 ECM pf. / basso / batteria Standards / 1 or. 10 Bye Bye Blackbird 1991 ECM X pf. / basso / batteria Trib. M.Davis 11 At the Deer Head Inn 1992 ECM X pf. / basso / batteria Con P.Motian 12 Tokyo '96 2000 ECM X pf. / basso / batteria Standards 13 Whisper Not 2000 ECM pf.