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Parrot Head Members Survived the Winter and Are Ready to Fly Into Some Sunny Warm Weather
Issue #26 Winter 2012 Business Tagline or Motto HELLO from the President's Perch CONTENTS : By the time this edition arrives, we will be almost through what has been a mild winter. I hope all of our Parrot Head members survived the winter and are ready to fly into some sunny warm weather. Things were certainly not mild or cold in our Berks County Parrot Head Club. Christmas in the Caribbean 2 In December we hosted another successful Toys for Tots party at the Christmas in the Caribbean Spruce and delivered more toys and cash to the Marines than any prior Afterparty 3 year. Things heated up even more with the 4th annual Christmas show Cabin Fever Festival 4 at the Miller Center on December 17th. The Club Trini band (Michael Photomontage I 5 Utley and Robert Greenidge) was enjoyed by all. Jimmy and the Parrots entertained almost 200 members and guests at the after party (in the Viva lounge) that included a “Quick Licks” featuring buffet and a few drinks. Through your efforts and your support of the show we raised $14,000 for Robert Greenidge 6 Crime Alert Berks. Toys for Tots 7 Winter Cabin Fever was next, and Berks Encore was the chosen charity this year. In our In Memoriam 7 efforts to make each event better than the one before, we changed a few things from 2011. Trivia 8 Thanks to the great support from Crowne Plaza and general manager Craig Poole, we held the Phledgling Phlockers 9 event on a Saturday Night for the first time. -
LETTER from the PRESIDENT, SANDY GOLDSTEIN Alive@Five As an Economic Engine for the Downtown
61080_SD_NL.qxp:0 11/9/11 2:19 PM Page 1 N UMBER 43 • FALL 2011 LETTER FROM THE PRESIDENT, SANDY GOLDSTEIN Alive@Five as an Economic Engine for the Downtown Now that we are several months removed from our summer events, it’s According to Todd Kosakowski whose illuminating to evaluate them through the very important prism of company owns Black Bear Saloon, Downtown economic development; after all, economic development is Hula Hanks Island Bar & Grille and what Downtown event production is all about. 84 Park and Mike Marchetti, the owner The value of the performing arts in spurring the economy has long been of Columbus Park Trattoria, most known. According to the national research organization, Americans for Columbus Park area restaurants do the Arts, movie, theatre and concert-goers spend an average of $23 for an average of seven times the amount every dollar spent on tickets. This is a national average, which is much of business on Alive@Five Thursdays lower than what is spent in Fairfield County. However, using the research than done on other Thursday nights. This amounts to a 600% jump in organization’s conservative formula, the 75,000 patrons who attended the The streets & outdoor patios alike seven Alive@Five concerts this season, spent an estimated $1,725,000 to dine somewhere in the city. business! Let’s look at these numbers another way. If a restaurant does were packed all season at Alive@Five The latter number tells only part of the story. Delving deeper into the facts of producing the $4,000 on a normal Thursday, then on Alive@Five series, a compelling picture of economic development success emerges. -
Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless. -
Coconuthead -.:: GEOCITIES.Ws
Dave Pittman aka CoconutHead From 1995 to 2001, the band CoconutHead supplied the gulf coast panhandle with top-notch acoustic Jimmy Buffett music. Now based out of the upstate of South Carolina, Dave Pittman, the lead singer and acoustic guitar player, continues to perform solo as CoconutHead. CoconutHead is just what the parrot heads ordered! Playing a large selection of acoustic Jimmy Buffett tunes, Dave Pittman covers everything from the popular “Songs You Know By Heart” to the more obscure parrot head favorites. His song list includes music related to Jimmy Buffett such as In the Meantime, Chain of Love, and Suzannah by Buffett’s guitarist Peter Mayer, crowd favorite hits by Bob Marley such as No Woman, No Cry and Redemption Song, and the Eagles' Tequila Sunrise served up right along side Margaritaville. A long time parrot head himself, Dave Pittman knows exactly what Jimmy Buffett fans want: Acoustic performances with the intensity and freshness that Jimmy Buffett had when he started in the 1970’s. Let CoconutHead excite your crowd into a Feeding Frenzy with requests and audience sing-alongs. Far left: Dave plays on St. George Island, FL Left: Greg “Fingers” Taylor plays with CoconutHead in Tallahassee, FL. Right: Dave entertains the parrotheads in W. Palm Beach at Mars Amphitheater before a Jimmy Buffett concert. Dave Pittman supplies his own PA equipment providing DJ music before & after each set. Contact Dave about playing your private party or live music venue! Web site: http://CoconutHead.ontheweb.nu E-mail: [email protected] -
May/June 2015
ROUTE 66 PARROT HEAD CLUB THE ST. SOMEWHERE TIMES A club with a community service problem May/June 2015 We are a non-profit inclusive social club whose purpose is to bring together like-minded folks infused with the tropical spirit of Jimmy Buffett as well as his kick-back lifestyle, music and writings. We desire to leave things a little better than we found them while having a BLAST doing it. We like to party with a purpose as we perform community service projects and donate to charities. Happy Hour & “Bored” Meetings every 2nd Thursday Join us! Happy hour starts at 6:00 p.m. Meeting at 7:00 p.m. What’s inside... 1 Front Page 10 Jimmy Buffett Concert 2 Letter From The Prez 11 MOKSARK 3 Birthdays 12 Kelly On The Lake 4 Club Events 13 Benefit Golf Tournament 5 Crawfish & Shrimp Boil 14 MOTM 2015 6 Charity 15 St. Louis PHC Events 7 Get To Know Me 16 Clinton County PHC Events 8 A Bit Of Trivia 17 Your Board 9 Rendezvous Pictures 18 Dime A Message From Our Prez... The St. Somewhere Times Route 66 PHC President PHins up from the Prez Mark Fuchs [email protected] Hello PHriends! The weather is here! It's what we've all been waiting for! I hope you are all out enjoying the sunshine! Our Crawfish & Shrimp boil event is coming upon us! Please help us get some of the community to attend! I know our scribe challenged you each to sell one ticket to a friend, co-worker or family member. -
Book Your Group Dinner at Jimmy Buffett's® Margaritaville®, and We'll
Book your group dinner at Jimmy Buffett’s® Margaritaville®, and we’ll take care of the rest. The music, lyrics and laid back island attitude DAYS: Sunday–Thursday only of Jimmy Buffett come to life at this popular landmark restaurant GROUP SIZE: 15 to 50 people featuring a unique combination of Key West and Caribbean foods. The main dining room was inspired by one of Jimmy Buffett’s favorite South Florida waterfront concert venues. The restaurant’s three bars — The Volcano Bar, Land Shark Bar, and 12 Volt Bar — were themed around Jimmy Buffett songs. The Volcano Bar is a fan favorite, complete with a giant exploding volcano that erupts periodically. The restaurant offers the ever popular Cheeseburger in Paradise®, award-winning margaritas and more. Booking a group dinner at Jimmy Buffett’s Margaritaville is as effortless as enjoying a delicious meal. For more information or to book your group dinner, call 407-224-6222, email [email protected] or visit UOMeetingsAndEvents.com. Jimmy Buffett’s ® Margaritaville ® Jimmy Buffett. Universal elements and all related indicia TM & © 2015 Universal Studios. © 2015 Universal Orlando. All rights reserved. 1510969/AS We have several menus for you to choose from when booking your dinner: IT’S 5 O’CLOCK SOMEWHERE TRIP AROUND THE SUN JAMAICA MISTAICA CAPACITY: 15-50 GRATUITY: 20% BEVERAGE ALTERNATIVES Soft Drinks, Tea or Coffee: $3.75 Wines by the Glass: $9.25-$10.75 (house selections) Bottled Wine: Selections recommended and priced accordingly ADVANCE NOTICE REQUIRED Must be reserved 7 days in advance, 48-hour notice required for cancellations CAESAR SALAD Hearts of Romaine tossed in creamy lime Caesar dressing, topped with house made crostini croutons, parmesan cheese and fried onions. -
Steve Smith Steve Smith
• SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades. -
AJ Muste's Theology
! A.J. Muste’s Theology: Tracing the Ideas that Shaped the Man Jeffrey D. Meyers M.A. Thesis Earlham School of Religion April 16, 2012 ! Table of Contents Introduction 1 Chapter 1: A Short Biography 4 Chapter 2: The Theological Task 14 Chapter 3: Mysticism and the Inner Life 22 Chapter 4: The Social Gospel 34 Chapter 5: The Way of Love, the Way of the Cross 43 Chapter 6: Theological Anthropology 61 Chapter 7: Ecclesiology 81 Chapter 8: Eschatology: The Kingdom of God 101 Conclusions 115 Annotated Bibliography 121 Appendix 1a: Books Owned By Muste 150 Appendix 1b: Books Owned By Muste 158 Appendix 2: Authors Cited By Muste 176 Appendix 3: Books Assigned By Muste 191 Introduction Historians study the Reverend Abraham Johannes Muste primarily for his shaping of the labor movement of the 1920s and 1930s, his work for peace from the mid 1930s through the 1960s, and his involvement in laying the foundations of the Civil Rights Movement.1 His leadership in these movements often gained him national attention––Time Magazine once labeled him “the No. 1 U.S. Pacifist.”2 Although most attempts at understanding this complex man have noted the influence of his Christian faith, few scholars have explored its true depth. The religious foundations of his life, thought, and work were often an embarrassment to those he worked with and those who admired him. In avoiding Muste’s faith, his contemporaries and scholars alike have missed the ways his theology undergirded and motivated his life and work. At heart, Muste was a theologian. -
Parrot Press
www.metrophc.com Metro phc Parrot press New York - New Jersey - Connecticut Vol. 22 – Ja n/Fe b2015 Hi METROs! Happy New Year! We didn’t have much time to look back on yesteryear before the METRO second wind kicked in and we were off to a great 2015! METRO’s annual clothing drive for Big Brothers Big Sisters/LI was held on January 17th at KB’s Burger Shack. Fun time as always with Ed Travers on the bill! Thanks to Tom Pfeiffer for coordinating the event! Our donations weighed in over 500 lbs.! We subtracted the weight of the Big Guy. He was stuffing the bin so enthusiastically; we think he went in with FROSTED PARTY! the bags. Thank you to all who helped make the collection a success once again! 02/07/15 6:00 – 12:00 At a Board meeting earlier this month Linda Masten, Executive VP handed out a tentative schedule of Jimmy and the Parrots! events for 2015. We’re going to have A Lot to Drink Tropical Soul! About! Steel Margarita Continued on page 12…but first, did you send in your See inside for more info check for FROSTED yet? Ok, go ahead; I’ll wait for about METRO’s PHriends & you over on the 2nd page… PHamily annual party! Your party!! Dawn Everett 1 Fins Tom Voigt 1 Fins Fred Gallagher 2 One Particular Harbor Joe Lombardi 2 No Plane On Sunday Lorraine Burmester 3 It‟s Five O'Clock Somewhere Gerri Ostuni 4 Fins Peter Zendt 4 Off To See The Lizard Larry DeGennaro 5 Jimmy Dreams Ralph Wotruba 6 Cheeseburger In Paradise Ronald Caveglia 7 Come Monday Congratulations to John Hartnett Joan Maxwell 8 Migration nd John Brown 9 Big Top on the -
February 2012 Percussion News
percussion news The newsletter of the PERCUSSIVE ARTS SOCIETY FEBRUARY 2012 IN THIS ISSUE: SocIETy UpdaTE 3 New Rhythm! Programs Draw Visitors pEoplE aNd placES 4 IN MEMorIaM: hythm! Discovery Center is quickly becoming MINorU MIkI 4 Ra destination within the Central Indiana com- rEcENT doNaTIoNS 6 munity for music appreciation and education initia- IN MEMorIaM: tives while fulfilling the PAS mission of promoting pHIl kraUS 8 percussion education, research, performance, and IN MEMorIaM: appreciation. National publications and newspapers ralpH MacdoNald 10 recently wrote about the Center and the great offer- Jazz EdUcaTIoN NETwork ings for tourists coming to Indianapolis for weekend coNfErENcE 12 trips. Two new programs have brought new patrons INdustry NEwS 14 and excited children to Rhythm! with great results ScHolarSHIpS & and placed the Center as a leading, standards-based assistantshipS 18 music education facility in Indianapolis. SUMMEr workSHopS 20 claSSIfIEdS 22 Find Your Rhythm! Outreach Program Through a generous grant from the NAMM Foun- dation and the Arts Council of Indianapolis, Rhythm! Discovery Center and PAS enacted the Find Your Rhythm! Outreach Program. Through this initiative, PAS partnered with Indianapolis Public Schools to engage 4,000 elementary students in the school district to raise awareness about rhythm and PONTIAC IL music and ultimately increase enrollment in music education programs throughout the Indianapolis Public Schools system. PERMIT NO. 19 NON PROFIT ORG. U.S. POSTAGE PAID U.S. POSTAGE Students come to the Center for a free 60-minute guided tour of the interactive museum. During the tour, they learn basic principles of sound production for percussion instruments and how those sounds are manipulated to create music; innova- tions within the percussion world; and the role of percussion in radio, film, and television throughout the 20th Century and beyond. -
View Or Download Sample Songlist
Jimmy Stowe & the Stowaways Jimmy Buffett... our friend & Pencil Thin Mustache favorite performer Pirate Looks At Forty Rag Top Day Savannah Fare You Well Back to the Island Saxophones Banana Republic Sea Cruise Banana Wind Son of a Son of a Sailor Barefoot Children Southern Cross Barometer Soup Surfin' in a Hurricane Boat Drinks Tampico Trauma Bob Roberts Society Band The Weather Is Here Brown Eyed Girl They Don’t Dance Like Carmen Changes in Latitudes Tin Cup Chalice Cheeseburger in Paradise Volcano Coast of Marseilles We are the People Coconut Telegraph Who’s the Blonde Stranger Come Monday Wino & I Know Desperation Samba Everybody’s Talkin’ Surf's Up... the endless Everybody's on the Phone Fins summer Frank and Lola Fruitcakes Beer in Mexico Grapefruit Juicy Fruit Guitars and Tiki Bars Growing Older But Not Up Mountain Of Love Havana Daydreamin' No Shoes. No Shirt, No Problem He Went To Paris Pipeline Holiday Secret Agent Man Hurricane Season Shout I Will Play For Gumbo Sleep Walk It's 5 O'clock Somewhere Summer Rain Jamaica Mistaica Surfin' Safari Last Mango in Paris Surfin' USA Lovely Cruise Tequila Lucky Stars We’re Havin’ a Party Margaritaville When the Sun Goes Down Migration Nautical Wheelers Nothin' but a Breeze Off to See the Lizard One Particular Harbour Only Time Will Tell Party at the End of the World 1 Jimmy Stowe & the Stowaways Sun Dance... from beaches to I Saw the Light ballrooms Into The Mystic Key Largo Kokomo 19th Nervous Breakdown Lay Down Sally All Shook Up Mercy Mercy Mercy Doctor My Eyes Redneck Friend Domino Saint Thomas Gimme Gimme Good Lovin' Good Lovin' Soul Shakedown.. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.