DOCSLIB.ORG

Österreichische Kulturforen Mail: [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Österreichische Kulturforen Mail: Belgrad-Kf@Bmeia.Gv.At Österreichische Kulturforen Mail: [email protected] Web: https://www.bmeia.gv.at/kf-belgrad/ Social Media: https://facebook.com/AustrijskiKulturniFo- rum/ Mail: [email protected] Web: https://kulturforumberlin.at/ Social Media: https://facebook.com/OB.Berlin https://www.instagram.com/oesterreichische- botschaft/ Mail: [email protected] Web: https://www.bmeia.gv.at/kf-bern/ Mail: [email protected] Web: https://rakuskekulturneforum.sk/ Social Media: https://www.facebook.com/rakuskekulturnefo- rum Österreichische Kulturforen Mail: [email protected] Web: https://www.bmeia.gv.at/kf-bruessel/ Social Media: https://facebook.com/austrocult.be Mail: [email protected] Web: https://www.bmeia.gv.at/kf-budapest/ Social Media: https://facebook.com/kulturforumbudapest/ Mail: [email protected] Web: https://www.bmeia.gv.at/kf-bukarest/ Social Media: https://facebook.com/pages/forumul-cultural- austriac/175720712890?sk=wall Mail: [email protected] Web: https://www.bmeia.gv.at/kf-istanbul/ Social Media: https://facebook.com/ACFIstanbul/ https://instagram.com/acfistanbul/ Österreichische Kulturforen Mail: [email protected] Web: https://www.bmeia.gv.at/kf-kairo/ Social Media: https://facebook.com/acfcairo.egypt/?fref=ts Mail: [email protected] Web: https://www.bmeia.gv.at/oeb-kiew/bilaterale- beziehungen/kultur/ Mail: [email protected] Web: https://kf-laibach.squarespace.com/ Social Media: https://facebook.com/AKF.Ljubljana https://instagram.com/akf.ljubljana/ Mail: [email protected] Web: https://www.acflondon.org/ Social Media: https://facebook.com/acflondon Österreichische Kulturforen Mail: [email protected] Web: https://www.bmeia.gv.at/kf-madrid/ Social Media: https://facebook.com/ForoCulturaldeAustria/? ref=stream Mail: [email protected] Web: https://www.bmeia.gv.at/kf-mailand/ Social Media: https://facebook.com/ForumAustriacoDiCultu- raMilano Mail: [email protected] Web: https://www.bmeia.gv.at/es/foro-cultural-de- austria-en-mexico/ Social Media: https://facebook.com/foroculturaldeaustriaen- mexico Mail: [email protected] Web: https://www.akfmo.org/ Social Media: https://facebook.com/austrian.cultural.forum Österreichische Kulturforen Mail: [email protected] Web: https://www.bmeia.gv.at/acf-new-delhi/ Social Media: https://facebook.com/AustrianEmbassyNewDe- lhi Mail: [email protected] Web: https://acfny.org/ Social Media: https://facebook.com/acfny Mail: [email protected] Web: https://www.bmeia.gv.at/oeb-ottawa/oester- reich-in-kanada/kultur/ Social Media: https://facebook.com/austriaincanada Mail: [email protected] Web: https://austrocult.fr/ Social Media: https://facebook.com/austrocult.fr Österreichische Kulturforen Mail: [email protected] Web: https://www.bmeia.gv.at/kf-peking/ Mail: [email protected] Web: https://www.oekfprag.at/ Social Media: https://facebook.com/rkfpraha Mail: [email protected] Web: https://www.austriacult.roma.it/de/ Social Media: https://facebook.com/ForumAustriaco Mail: [email protected] Web: https://www.bmeia.gv.at/bs/austrijska-amba- sada-sarajevo/ Social Media: https://facebook.com/austrijskikulturnifo- rumsarajevo/ Österreichische Kulturforen Mail: [email protected] Web: https://www.bmeia.gv.at/kf-teheran/ Mail: [email protected] Web: https://www.bmeia.gv.at/kf-tel-aviv/ Social Media: https://facebook.com/AustrianCulturalForum- TelAviv Mail: [email protected] Social Media: https://facebook.com/AustrianCulturalForum- Tokyo https://instagram.com/austrocultjapan/ Mail: [email protected] Web: https://austria.org.pl/ Social Media: https://facebook.com/AustriackieForumKultu- ry/ Österreichische Kulturforen Mail: [email protected] Web: https://acfdc.org/ Social Media: https://facebook.com/acfdc Mail: [email protected] Web: https://kulturforum-zagreb.org/ Social Media: https://facebook.com/AKF.Zagreb --------------------------------------------- Mail: [email protected] Web: https://oead.at/de/nach-oesterreich/aussen- stellen/lemberg/ Mail: [email protected] Web: https://www.open-austria.com/ Social Media: https://facebook.com/openaustriasf https://instagram.com/open.austria/?hl=en.
Load more

Recommended publications
  • MAY the Bridges I BURN Light the WAY EXILE X Summer Camp
    M ay the brid G es I burn L I G ht the way EXILE X summer camp June 13 - 17, 2018 Curated by María Inés Plaza Lazo In collaboration with Alina Kolar, Dalia Maini & Christian Siekmeier PARTICI PANTS in 2008. Within the last 10 years EXILE Del Vecchio is an artist and co-curator of Narine Arakelyan is a performance artist concluded an MA at Goldsmiths, University has operated out of five distinctly different flip project space, a collaborative project for that works in conjunction with a Moscow of London. Graduated in Psychology, her Albrecht Pischel is interested in the definition spaces in Berlin. In 2011 EXILE became critical experimentation. He attended the based group of producers known as laboratory ongoing research unveils post-historical identity, of a new internationality and its ghosts. Most a professionally operating gallery. Until Städelschule in Frankfurt am Main and a abc. Together they aim to unite progressive hospitality and intergenerational transmission as of his works behave as representing signifiers today, EXILE has hosted over 80 solo and Masters in Fine Art at The Glasgow School artists, musicians and curators. The group a means to inhabit but also perform/transform of the medium of the art exhibition itself, group exhibitions which have been reviewed of Art. He recently took part of CuratorLab is committed to promote new ideas and to history. In her work she reflects on human oscillating between the disarming of symbols extensively in relevant publications around at Konstfack Stockholm, a curatorial course develop the values of the cultural heritage. relationships and how to create and re-create of colonialism and alienation.
    [Show full text]
  • Folder RINK-SCHLEGEL Print Rz-2
    cçäÇÉ ê ofkhJp`eibdbiPWi~óçìí=N==ORKMTKOMNO==QWNN=rÜê==pÉáíÉ=O ALMUT RINK born 1971 in Erfurt, Germany Almut Rink’s practice is dealing with the artificiality of nature. Her work presents how the notion oflandscape reflects our national, social and political identities. Projects/Exhibitions (Selection) 2012 TOPOPHOBIA ‒ Danielle Arnaud Gallery, London; Bluecoat, Liverpool; Spacex, Exeter 2011 gugler forum melk, Melk (solo); ZONEN_PREKÄR ‒ Kunstsaele Berlin 2010 FOAMYWATER‒das weisse haus, Wien (solo); DA BAO ‒ Anni Art Space, 798, Beijing 2008 FOAMYWATER‒Austrian Cultural Forum, London (solo); CONTACT ZONE ‒ Foamywater, 2008, Austrian Cultural Forum SOLID GROWTH Galeria Miroslav Kralevic, Zagreb (solo); REVERSE ENGINEERING‒Galerie Eboran, Salzburg London, Almut Rink (solo); URBAN GALLERIES ‒ Kunsthalle Wien Project Space, Wien; IST DIESE STADT EIN FERNER PLANET? ‒ Knoll Galerie, Budapest 2006 UNDO, NEW PATH ‒ mit /with Barbara Eichhorn, Galerie Christine König, Wien RAIFFEISEN-KALEIDOSKOP, Kunst am Bau, Raiffeisen Wien-Niederösterreich, with Christof Schlegel und Christine Gloggengiesser Almut Rink 2005 NO ORDINARY ‒ Skulpturens Huis, Stockholm 2004 HÖHENLUFT ‒ mit/with Barbara Eichhorn, Galerie Christine König, Wien; ES IST SCHWER, Christof Schlegel DAS REALE ZU BERÜHREN‒Kunstverein München 2003 MISSING ELSEWHERE‒mit /with Christof Schlegel, experimental intermedia, Gent HAPPY VALLEY ‒ ACC-Galerie, Weimar (solo) 2002 SECTOR NO LIMITS ‒ Galerie 5020, Salzburg (solo) 2001 RAIN OR SHINE‒offspace, Wien (solo); REBOUND, Yokohama Museum of Art,
    [Show full text]
  • Karl-Heinz Klopf
    1/5 KARL-HEINZ KLOPF Born in Linz (1956), studied there at the University for Artistic and Industrial Design. Lives in Vienna, Austria. Artist in residence, CCA/Centro Cultural Andratx, Mallorca (2019) Stipend, artist in residence in Yogyakarta (2014) Stipend, artist in residence in Beijing (2010) Artist in residence in Liverpool, Urban Interventions , Liverpool Biennial (2009/10) State studio Davidgasse, Vienna (2000/06) Stipend, artist in residence in Tokyo (1995/96) State scholarship for fine art (1987) Talent development grant of the Province of Upper Austria (1986) Art development stipend of the City of Linz (1985) Honorable mentions for Tower House and A Tropical House , Society of Architectural Historians (SAH) Award for Film and Video (2017) Special mention for Honorable mention for T ower House , 38th Duisburg Film Week (2014) Award for They, best short documentary at Diagonale 11, Graz (2011) Cultural award for Interdisciplinary Art Forms of the Province of Upper Austria (2011) Award for By Way of Display in the category Urban Research, 6th Media and Architecture Biennial Graz (2003) First price, European competition for a roundabout in Vilvoorde, Senneberg Foundation, Belgium (1998) First Römerquelle price for drawings, Vienna (1987) Second price of the International Triennial of Drawings, Nürnberg (1985) 2/5 Solo exhibitions and film presentations (selection) Screening, Belvedere 21/Blickle Kino, Vienna (2019) Property Liberty , Kunsthandel Gril & Neffe, Vienna (2018) Karl-Heinz Klopf Foco , BAFICI, Buenos Aires Festival International
    [Show full text]
  • Austrian Federalism in Comparative Perspective
    CONTEMPORARY AUSTRIAN STUDIES | VOLUME 24 Bischof, Karlhofer (Eds.), Williamson (Guest Ed.) • 1914: Aus tria-Hungary, the Origins, and the First Year of World War I War of World the Origins, and First Year tria-Hungary, Austrian Federalism in Comparative Perspective Günter Bischof AustrianFerdinand Federalism Karlhofer (Eds.) in Comparative Perspective Günter Bischof, Ferdinand Karlhofer (Eds.) UNO UNO PRESS innsbruck university press UNO PRESS innsbruck university press Austrian Federalism in ŽŵƉĂƌĂƟǀĞWĞƌƐƉĞĐƟǀĞ Günter Bischof, Ferdinand Karlhofer (Eds.) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 24 UNO PRESS innsbruck university press Copyright © 2015 by University of New Orleans Press All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage nd retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70148, USA. www.unopress.org. Printed in the United States of America Book design by Allison Reu and Alex Dimeff Cover photo © Parlamentsdirektion Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608011124 ISBN: 9783902936691 UNO PRESS Publication of this volume has been made possible through generous grants from the the Federal Ministry for Europe, Integration, and Foreign Affairs in Vienna through the Austrian Cultural Forum in New York, as well as the Federal Ministry of Economics, Science, and Research through the Austrian Academic Exchange Service (ÖAAD). The Austrian Marshall Plan Anniversary Foundation in Vienna has been very generous in supporting Center Austria: The Austrian Marshall Plan Center for European Studies at the University of New Orleans and its publications series.
    [Show full text]
  • Wonnerth Dejaco
    WONNERTH DEJACO Axel Koschier *1980 in Vienna, AT Lives and works in Vienna, AT Education 2011 Academy of Fine Arts Vienna, AT (textual sculpture) 2007 University of Technology Vienna, AT (architecture) 2005 University of Applied Arts Vienna, AT (media arts) 2005 University of the Arts Berlin, DE (sculpture) Solo and duo exhibitions 2021 Solo exhibition, WONNERTH DEJACO, Vienna, AT 2020 Material Art Fair (New Jörg Wien), Mexico City, MX 2019 Sculpture (in collaboration with Stefan Reiterer), Rubin & Chapelle, New York, NY, US Chill Out (in collaboration with Stefan Reiterer), Black Ball Projects, New York, NY, US Tud Cool (in collaboration with Stefan Reiterer), Fidalga, Sao Paulo, BR 2018 Axel Koschier, VinVin, Vienna, AT No Bonus (in collaboration with Stefan Reiterer), Galerie SPZ, Prague, CZ 2017 Artist Statement, Parallel Vienna 2017 art fair, Vienna, AT Axel Koschier, Leslie, Berlin, DE 2014 Axel Koschier & Robert Müller, Ve.sch, Vienna, AT 2011 oT. (Use Your Head In Tennis), Galeria ADM, Mexico City, MX 2008 Horst Skoff und die Denkarbeit, Bell Street Project Space, Vienna, AT 2007 Raumvermessungsobjekt Wittgensteinhaus, Wittgenstein House, Vienna, AT [email protected] wonnerthdejaco.com 1/4 WONNERTH DEJACO Selected group exhibitions 2020 Open Stage, PFERD, Wien CEREBRO CON HUEVO, Biquini Wax EPS, Mexico City, MX 2019 Demolished Beauty, Spouse Vienna, Palma de Mallorca, ES Fauxthenticity, Austrian Cultural Forum, Prague, CZ Finite Projections – the Deal of all Sapience, Gottrekorder, Graz, AT Wiener Salon #1, Rue Maes 87,
    [Show full text]
  • The International Cultural Relations at the Federal Ministry of European and International Affairs (Bmeia)
    THE INTERNATIONAL CULTURAL RELATIONS AT THE FEDERAL MINISTRY OF EUROPEAN AND INTERNATIONAL AFFAIRS (BMEIA) Basic Principles, Key Areas and Programmes 1 2 THE INTERNATIONAL CULTURAL RELATIONS AT THE FEDERAL MINISTRY OF EUROPEAN AND INTERNATIONAL AFFAIRS (BMEIA) Basic Principles, Key Areas and Programmes 4 INTRODUCTORY REMARKS AUSLANDSKULTURKONZEPT On the basis of its experiences with the key areas and programmes to date, and with a view to the future, the Directorate-General for International Cultural Affairs at the Federal Ministry of European and International Affairs has further developed the basic principles, key areas and programmes for Austrian international cultural policy. These principles align with the joint efforts of our partners at federal, provincial, and mu- nicipality level, as well as many other individuals and institutions working in the fields of art, culture, the sciences and dialogue and their valuable and constructive contributions to our country and its international relations. The initial outline of this document was completed before the outbreak of the Covid-19 pandemic, and its focus is on the future. Some new insights and experiences from the pandemic period are however reflected in this document, which summarises the efforts of Austrian International Cultural Relations in its areas of activity and thematic fields to date. Two new areas are defined which must play a role in future international cultural policy: ecology and new forms of sustainable economy, as well as the issue of the impact of digi- talisation on life and work in the future. The document was developed by staff at the Directorate-General for International Cul- tural Affairs, under the supervision of Teresa Indjein, Peter Mikl and Christian Autengru- ber with contributions by Ulla Krauss-Nussbaumer, Marcus Bergmann, Stephan Vavrik, Waltraud Dennhardt-Herzog, Ingrid Köhn-Dursy, Sonja Reiser-Weinzettl, Karin Cervenka, Valerie Hagg, Martin Pammer, Denise Quistorp-Rejc and Martin Rauchbauer.
    [Show full text]
  • Maria Koshenkova CV Was Born in 1981 St.Petersburg
    Maria Koshenkova CV Was born in 1981 St.Petersburg. Russia. Based in Copenhagen. Denmark Education 1998 – 2004 State Academy of Art and Design in St. Petersburg – MA degree, Russia 2003 – 2004 Glassblowing course, Bornholm, Denmark 2004 Glass Design Program at Kalmar University, Sweden 2005 – 2006 Royal Danish Academy of Fine Art, Copenhagen. Denmark Teaching and Lectures 2018 Speaker at 6th International Shanghai Intangible Cultural Heritage Protection Forum.China 2018 Aichi University of Education. Visiting lecturer. Japan 2013 Sotheby's Institute of Art, London, Visiting lecturer , UK 2011 Engelsholm folk high school, Guest lecturer, Denmark Selected Solo exhibitions 2019 Clara Scremini gallery. Paris, France 2018 Glass Museum Ebeltoft. STUDY exhibition. “Restrain&Release”. Denmark 2018 Art & Minde Center. Nagoya. Resrain&Release”. Japan 2017 Aasiaat Katersugaasiviat / Aasiaat Museum, Greenland. 2016 Gallery Inner Voice. St.Petersburg. Russia 2016 Hempel Glasmusem. Hempel Glass Prize. Denmark 2015 S12 Gallery and workshop. Bergen Norway “ Familiar Structures “ 2014 Clara Scremini gallery, Paris, France Selected group exhibitions 2019 Musverre. Museum of Contemorary Gasss. “ Glass in Movement”. France 2018 Toyama Glass Art Museum.Toyama International Glass Exhibition 2018. Japan. MINDCRAFT18. Curated by Ditte Hammerstøm organised by Danish Art Foundation exhibition Milan Design Week 2018: the ‘Fuorisalone’ Milan. Italy Shanghai Art Collection Museum. The 8th International Exhibition of Traditional Fine Arts. China A. Petersen .Collection&Craft. Japan Re-Tur. Denmark 2017 “Scandinavian Glass Starting All Over” Glass Museum Ebeltoft. Denmark, The Glass Factory, Boda. Sweden, The Finnish Glass Museum Riichimaki. Finland. Notojima Glass Art Museum”The International Exhibition of Glass Kanazawa”, Ishikawa. Japan Sophienholm,“Glasur”, Lyngby, Denmark “The Glass Project” Berlin.
    [Show full text]
  • Ellen Harvey
    ELLEN HARVEY Education 1998-9 Whit­­ney Museum of American Art, New York, NY, Independent Study Program 1993 Yale Law School, New Haven, CT, J.D. 1990 Hochschule der Künste, Berlin, Germany, no degree 1989 Harvard College, Cambridge, MA, A.B. Selected Solo Exhibtions 2020 Locks Gallery, Philadelphia, PA Ellen Harvey & J.M.W. Turner: The Disappointed Tourist, Turner Contemporary, Margate, U.K. 2019 The Disappointed Tourist, The Suburban, Milwaukee, WI 2017 Ornaments and other Refrigerator Magnets, The Children’s Museum of the Arts, New York, NY Nostalgia, Danese / Corey, New York 2016 Metal Painting, The Barnes Foundation, Philadelhpia, PA 2015 The Museum of Ornamental Leaves and Other Monochromatic Collections, Locks Gallery, Philadelphia, PA 2014 Open Depot, Groeninge Museum, Bruges, Belgium 2013 Collapse, Meessen De Clercq, Brussels, Belgium 2012 Arcade/Arcadia, Locks Gallery, Philadelphia, PA The Nudist Museum Giftshop, Dodge Gallery, New York, NY 2010 The Nudist Museum, Bass Museum of Art, Miami, Fl Picturesque Pictures, Galerie Gebr. Lehmann, Berlin, Germany The Doppleganger Collections, MagnusMüller, Berlin, Germany The Room of Sublime Wallpaper, APF Lab, New York, NY 2009 Empty Collections, Meessen De Clercq, Brussels, Belgium Ruins are More Beautiful, Center for Contemporary Art, Warsaw, Poland 2008 Private Collections, Locks Gallery, Philadelphia, PA 2007 The Museum of Failure, Luxe Gallery, New York, NY 2006 Beautiful / Ugly, MagnusMüller, Berlin, Germany Mirror, The Peddie School, Hightstown, NJ Broken Mirror, Galerie Gebr.
    [Show full text]
  • Kurt Hentschläger
    Kurt Hentschläger Selected Exhibitions and Performances 2013 Solo CLUSTER installation, The Office, Nicosia, Cyprus ZEE, HIVE, Wood Street Galleries, Pittsburgh, USA MODEL5, POL (as Granular Synthesis), Wood Street Galleries, Pittsburgh, USA Group ZEE, “I look to you and and I see nothing”, Sharjah Art Foundation, Sharjah, United Arab Emirates ZEE, Beam in Thine Own Eye, MONA – Museum of New and Old Art, Hobart, Tasmania ZEE, Nemo Festival, Le Centquatre, Paris, France CLUSTER installation, There is a Body on Screen, Luxun Museum, Shenyang, China SECTOR 2c, Accumulations, SherinNajjar Gallery, Berlin, Germany Performance FEED, Malta Festival, Poznan, Poland FEED, Göteborgs Dans & Teater Festival, Goethenburg, Sweden Online SECTOR 2c, Accumulations, www.blinkvideo.de CLUSTER & NATURE04, Ikono On Air Festival, www./ikono.org 2012 Solo CORE, Ironbridge Gorge Museum (Commission, Cultural Program of the UK Olympic Games & London 2012 Festival) MATTER, Site-specific commission, SATosphère Dome, Société des Arts Technologiques (SAT) Montreal Canada Performance CLUSTER, Experimental Media and Performing Arts Center (EMPAC), commissioned residency Rensselaer Polytechnic Institute (RPI) Troy, NY, USA 2011 Group CLUSTER, Simulationists, School of the Art Institute, Chicago, IL, USA ZEE, Matter-Light, Béthune, France ZEE, And, Foundation for Art and Creative Technology (Fact), Liverpool, England HIVE, Madde-Isik, Borusan Muzik Evi, Istanbul,Turkey VIEW, Public Art Installation Tom Bradley International Terminal, Los Angeles Airport, Los Angeles,
    [Show full text]
  • The Center for Austrian Studies
    THE CENTER FOR AUSTRIAN StUDIES 2005-06 Annual Report the 2005-06 staff Director: Gary B. Cohen, professor of history, University of Minnesota. Education: B.A., University of Southern California, 1970; M.A., Princeton University, 1972; Ph.D., Princeton University, 1975. He was a historian at the University of Oklahoma from 1976 to 2001 prior to taking the CAS directorship in August 2001. His publications include two books, The Politics of Ethnic Survival: Germans in Prague, 1861-1914 (1981), and Education and Middle-Class Society in Imperial Austria, 1848-1918 (1996). In addition to serving as director, he is executive editor of the AHY and the CAS book series. Acting Director: David F. Good, professor of history and director of the Center from 1990-96, served as interim director for spring semester 2006 while Gary B. Cohen was Front row, left to right: Daniel Pinkerton, Linda Andrean, Nicole Phelps. Back row, left to on sabbatical. In additon to his regular duties, Good right: Gary B. Cohen, Annett Richter, Silke Stern, David F. Good. Not pictured: Arnold Lelis enlisted the advisory board’s aid in creating a draft and Jules Gehrke. (photo by Sabine Engel) document that will serve as the Center’s blueprint for the future. Editor: Administrative Manager: Daniel Pinkerton, M.F.A. in playwriting, Linda Andrean, B.A. in Anthropology and History, contents M.A. in European history, has worked at B.S. in Secondary Education, came to the CAS in Staff 2 the Center since 1990. He has edited the June 2004 after twenty years of service in the U the Austrian Studies Newsletter since January of MN Academic Health Center, including work The Director’s View 3 1992 and the Annual Report since 1991.
    [Show full text]
  • For Immediate Release & Listing
    FOR IMMEDIATE RELEASE & LISTING Exhibition: NORMALITIES EXHIBITION DATES: JAN 20 – APR 12, 2016 OPENING EVENTS: JAN 19, 6 – 7 PM | panel discussion JAN 19, 7 – 9 PM | opening reception with a live performance by Ana Prvački JAN 20, 7:30 PM | Viennese Tschuschenkapelle in concert: Balkan Blues Goes West Austrian Cultural Forum New York 11 East 52nd Street, New York www.acfny.org/normalities [Image credit: Alban Muja My Name Their City (Saranda), 2012] ARTISTS ON VIEW: CÄCILIA BROWN, NEMANJA CVIJANOVIĆ, DUŠICA DRAŽIĆ, FLAKA HALITI, IBRO HASANOVIĆ, JELENA JUREŠA, JAKOB LENA KNEBL, IRENA LAGATOR PEJOVIĆ, ARMANDO LULAJ, ALBAN MUJA, DAMIR OČKO, ANA PRVAČKI, MARUŠA SAGADIN, SAŠO STANOJKOVIЌ, KERSTIN VON GABAIN Curated by MARKO LULIĆ and CHRISTINE MOSER New York, December 2015 – The Austrian Cultural Forum New York is pleased to present Normalities, a show starring artists from the Western Balkan region (Albania, Bosnia and Herzegovina, Kosovo, Macedonia, Montenegro, and Serbia), Croatia, as well as from Austria and the United States. Artists include Flaka Haliti, Armando Lulaj, Damir Očko, and Irena Lagator Pejović, whose works were featured at the 55th and 56th Venice Biennials in 2013 and 2015, respectively. For philosopher Slavoj Žižek the very name “Balkans” is almost synonymous with “otherness” and deliberately used to distinguish oneself from one’s very neighbor. In the past century, the region was a laboratory of extraordinary political circumstances, and still is by all means a place in constant transition. In recent times, Southeastern Europe has gone through a massive transformation in an economical as well as political sense. Migration has made Vienna the fastest growing European capital, the city with the third-largest Serbian population, and home to many emerging artists.
    [Show full text]
  • Videorama: Subversion, Absurdity, and Form in Austrian Video Art
    FOR IMMEDIATE RELEASE Media Contact Maria Simma Austrian Cultural Forum New York 11 East 52nd Street, NYC 10022 212 319 5300 ext. 203 917 520 0256 [email protected] Videorama: Subversion, Absurdity, and Form in Austrian Video Art From December 1, 2009 to January 23, 2010, the Austrian Cultural Forum NY is showing a selection of videos of Austrian origin from the 1990s to the present. The exhibition is on view at the ACFNY, 11 East 52nd Street, New York, NY 10022. Admission is free. Tomas Eller filmed Electricnight, a nocturnal dance of snow caterpillars, in a wintry alpine street | newyork | ny10022 |phone=(212) |5300 319 fax=(212) 8660644 |[email protected] | www.acfny.org landscape. In their seemingly choreographed sequences of movements, the machines take on a nd life of their own. The work conveys an undecided feeling that oscillates between orientation and disorientation, chance and concept, control and powerlessness. Do we control our inventions or does technology control its creator? Like no other medium, the motion picture and the art clip depend on apparatuses and on technological achievements. Video art has become a major artistic austrian cultural forum | 11 east 52 discipline due to the rapid technological development in the digital age. Nowadays, there is rarely a contemporary art exhibition that doesn’t include video works. Like many Austrian artists, Anna Jermolaewa, Stephan Lugbauer, and Leopold Kessler question, criticize, and challenge political, social, and cultural conditions of our time and subtly undermine norms. Working on a metaphorical level, Anna Jermolaewa’s cynically entitled socio- critical video The Way Up shows caged rats in a market in Mexico City.
    [Show full text]