UP Tourism Presents Travel Trails

Total Page:16

File Type:pdf, Size:1020Kb

UP Tourism Presents Travel Trails 1 UP Tourism Presents Travel Trails Promoting Tourism in Uttar Pradesh The UP Tourism Directorate, established in 1974, looks after preparation and execution of schemes to promote tourism. These include organising commercial activities, maintenance and promotion of the history and tradition of Uttar Pradesh. This helps in enhancing involvement of private sector to develop facilities in the state and promoting the art and craft of the state among other things. Among the most important heritage rich cities that UP Tourism promotes, is the city of Lucknow. The name Lucknow itself evokes emotions and reactions of wondrous nostalgia. Its culture blends aesthetics, elegant graciousness and impeccable mannerisms and has been renowned for its poetry, music and other distinctive art forms. Amongst these is Chikankari, one of the most appreciated art of delicate "Hand Embroidery", which is not only famous in India but also praised in every corner of the world. Chikankari Industry Introduction: Chikankari was invented in Lucknow during the Mughal period and began as white-on-white embroidery. Pre-partition; the main buyers were from the Muslim community, concentrated to Dhaka, parts of Pakistan, Hyderabad and Lucknow. In the 1990s, this industry shifted from being oligopolistic to a monopolistic one, with many new entrepreneurs entering the market. Today, Chikan embroidery in Lucknow is the biggest artisan cluster of India employing about 2.5 lakh artisans. They come from fields such as cutting and stitching. Washer men are also an important part of this cluster which makes the total number of artisans associated with the industry to be 5 lakhs. A detailed exhibit showing the typical Chikan embroidery cluster is given at the end of the case. It is an international market for its world known Chikankari work. The History & Evolution: An integral part of Indian culture since 655 AD, Chikankari was strongly rekindled by Moghul queen Noor Jehan. Later, it not only enjoyed patronization of the Moguls, but also attained perfection as the exquisite needlework and hand work underwent further honing and refinement. Admired all over the world today, the art has trickled into every section of India, especially in the fashion industry; thanks to the contribution of different forms of medium like films and fashion shows. Financial Status of Industry Current Status: Today, the annual turnover of this industry is ₹ 600 crore. About 15% of the total fabric production of the country is from Uttar Pradesh and around 30% of the total artisans in India are employed in Chikankari industry. Also, this industry generates a revenue of about US$1.2 2 UP Tourism Presents Travel Trails billion in the state annually. In 2013-14, U.P.’s GDP contributed to 8.46% of the national GDP (U.P.’s GDP–886,410; India’s–10,472,807). Chikankari contributes 8.12% to U.P.’s GDP (Annual revenue: $1.2b). Exports: Direct export of Chikan apparels is estimated to be around ₹ 60 crore. Indirect export would be at least ₹ 200 crore annually, thus making the potential for export very large. Performance of Industry and problems faced: Despite the global recognition of the industry, it’s Lucknow that has still sustained an unrivalled supremacy in producing the finest Chikan in India. The Chikan work is used in a variety of areas these days – from ladies suits and garments to table covers and cushion clothes. The process followed for manufacturing these different products may not be the same. An exhibit at the end of the case shows the difference in the processes followed by the industry for two different products (i.e. between suits and sarees). In spite of the long alliance between Bollywood and Chikankari, there was a recurring problem that the industry faced. The craftsmen based in Lucknow reluctant to alter the craft according to the needs of the fashion industry or general customer specially youngsters. They feared that this will dilute the originality of the art form which they held dearly. However, there has been a change in the attitude of these conservationist craftsmen lately. Due to the exposure and also the increasing demand for the craft because of commercial successes like Kabhi Khushi Kabhi Gham, Hum Saath Saath Hain, Mughal-e-Azam, these craftsmen have found a more adaptive and accommodative attitude which has helped the industry. The change in attitude and a sense of professionalism among the younger generation of Chikankari workers have made them an indispensable property in the Bombay fashion mart as well as the colourful world of Bollywood. There are many other problems that the industry faces today. The workers employed in the industry are predominantly women. But because of lack of regulation, most of these workers are exploited because they are denied minimum fair wages. Due to lack of awareness and also due to the lack of representation in any government body, these workers have to settle for the meagre emoluments their employers deem fit. Some big players with large outlets dominate the market. They have considerable freedom in both, deciding the wages to be paid to the workers, as well as, deciding the price to be charged from the customers which allows them to garner significant profit margins. Looking at the craft, as with any other industry, the Chikan industry is also facing a tough competition from China, because of machine-made imitations. These imitations have dominated the international market due to low pricing. Adding to that, the fabric has not been able to attract the youth due to poor branding. Hence, due to these problems coupled with other factors such as significantly huge time taken to produce the end product and poor understanding amongst the workmen of market demand, the industry is not performing up to its full potential. 3 UP Tourism Presents Travel Trails Initiatives Underway Government Intervention: Textile clusters (Trade Facilitation Centre) - Giving a shot in the arm to indigenously produced textile, the finance ministry announced last year its decision to set up seven textile mega-clusters in the country. Three of the seven will be set up in Uttar Pradesh, at Varanasi, Bareilly and Lucknow. A budget of Rs. 500 crore has been set aside for setting up the mega clusters. The decision, widely welcomed by domain experts is set to boost the local handicraft comprising the Benarasi silk, Lakhnavi Chikankari and zardozi and Bareilly's indigenous kite string. Women Entrepreneurship Promotion Scheme 2014-15 - Uttar Pradesh government has started this scheme to empower women and ensure their participation in the process of industrialisation. Under the scheme, unemployed women are eligible for easy seed capital to start their own micro or small enterprise. The loan, provided by nationalised banks, financial institutions or the State Financial Corporation, is for the purchase of plant and machinery. The beneficiaries are entitled to a loan of Rs 50,000 per year at five per cent interest, subject to a ceiling of Rs 250,000 in five years. Some other recent initiatives by the government include: - MANAS (Maulana Azad National Academy for Skills), an initiative for promoting skill development by imparting training to the minority population - USTTAD (Upgrading the Skills and Training in Traditional Arts / Crafts for Development) at Varanasi which is one of the main hubs of Arts and Crafts associated with the minorities - ‘Nai Manzil’ which was launched by the Ministry of minority affairs in August this year which intends to target school drop-outs, Madarsa-qualified students, etc. for enhancement of their education with skill training - Chief Minister Akhilesh Yadav, on behalf of the government of Uttar Pradesh has announced the annual Kaifi Azmi Award for excellence in the arts, which carries a cash prize of Rs 5 lakhs. This will help deserving artistes pursue their dreams. Other Stakeholders: NGOs: The mission of this Self Employed Women's Association (SEWA-Lucknow), which was established with 31 women in 1984, is providing its member artisans' direct, appropriate and timely wages. The USP, of course has been the rejuvenation of Chikankari itself. It has succeeded remarkably in restoring the dignity of the craft. Currently, "Chikankari" products are much sought after by global connoisseurs involving renowned designers, boutiques and fashion houses, and SEWA has done a remarkable job in making Chikankari products available for them which has helped the workers reach out to a new market. SEWA’s prime objective has always been making the craftswoman excel in her vocation as well as in the quality of her life. 4 UP Tourism Presents Travel Trails Private Sector and E-Commerce: More and more young entrepreneurs are realizing the value of Chikankari and the huge opportunity that exists in by marketing Chikankari work through new channels. Apparel e-commerce sites are increasingly introducing Chikankari works in their range of offerings and are realizing huge profits from them. Some recent examples have been Shopatplaces, Myntra, Fabindia etc. Adirag, founded by a young entrepreneur Aditi Garg, is helping the artisans match the palate of the modern buyer, “By partnering with artisans across the country, we are not only preserving the rich and diverse culture of India, but also offering contemporary-chic and sophisticated fashion products.” Case Key Aspects of the case: 1. Why, despite huge domestic and international demand for the product, the Chikankari market has been unable to capitalise and grow outside UP? 2. What can UP Tourism do to leverage this craft to attract more tourists while at the same time improving the industry practices to improve the present condition of workmen employed here? Deliverables from Participants: Create a detailed marketing strategy for UP Tourism to promote tourism by leveraging the Chikan Industry i. Objective - Create awareness among domestic and international tourists about industry using advertising campaigns.
Recommended publications
  • A Report on 'Domestic Tourism Expenditure'
    A Report on ‘Domestic Tourism Expenditure’ In Uttar Pradesh Based on Pooled Data (Central and State Sample) of 72nd Round NSS Schedule 21.1 (July 2014 to June 2015) ECONOMICS AND STATISTICS DIVISION PLANNING DEPARTMENT GOVERNMENT OF UTTAR PRADESH LUCKNOW Website: http://updes.up.nic.in Email: [email protected] PREFACE The Seventy second round of NSSO (July 2014 to June 2015) was devoted exclusively for collection of data on 'Domestic Tourism Expenditure'. Uttar Pradesh State is a partner in NSS surveys since 9th round (1955), generally on equal matching basis of samples. The present report on "A Report on ‘Domestic Tourism Expenditure’ In Uttar Pradesh" is based on the result of pooled data of central and state sample of Uttar Pradesh. National Statistical Commission constituted a professional committee under the Chairmanship of Prof. R.Radhakrishna, to identify the preconditions for pooling of Central and State Sample NSS data, to suggest appropriate methodology for pooling the data and to bridge the data gaps and in turn strengthen the database for decentralized planning and governance. The necessity for pooling the Central and State sample data arose due to the growing need for improving the precision of estimates of policy parameters such as the labour force participation, level of living and well being, incidence of poverty, State Domestic Product (SDP), District Domestic Product(DDP) etc., and for strengthening the database at district level required for decentralized governance. Accordingly the NSC professional committee has recommended certain poolability tests and the methodologies for pooling of Central and State sample data of NSS. In the workshop which was held on 19th and 20thSeptember 2018 at Kolkata, it was demonstrated about the poolability tests and pooling the two sets of data and estimating the parameters based on two methods- (1) Matching ratio method and (2) Inverse Weight of the Variance of estimates method.
    [Show full text]
  • Hospitality Servicesimpacting Uttar Pradesh's Tourism Industry
    European Journal of Molecular & Clinical Medicine ISSN 2515-8260 Volume 07, Issue 07, 2020 Hospitality Servicesimpacting Uttar Pradesh's Tourism Industry Mr. Gaurav Singh Asst. Professor (School of Hotel Management and Tourism) Lovely Professional University, Punjab, India ABSTRACT: Tourism has been crucial to social progress as well as an important tool throughout human history to extend socio-economic and cultural interaction. This encourages international connections, markets expanding, broad-based jobs and income production, as a source and effect of economic growth. The tourist sector is a major contributor to many nations 'gross national products. This is among the world's fastest-growing sectors. Today, a commonly known trend is the promotion of vacation attractions and the travel infrastructure. Investment in tourist infrastructure boosts economic development, catalyses income and job generation, which in turn contributes to more development in tourism demand, which induces a corresponding investment cycle within a virtuous ring.Expenditure on tourism produces numerous impacts in the value chain, with robust outreach. In addition to the need for a range of goods and services, tourism also provides opportunities for the relevant industries.The Tourism Growth Policy itself can be an instrument for positive economic and social change.Tourism supports social harmony and connection with the group. It encourages the restoration and conservation by adding importance to history, heritage, climate, atmosphere and ecology.In this paper various consideration points of touring have been mentioned. The analyses find few dimensions of service efficiency in Uttar Pradesh's Tourism Industry. Keywords Hospitality, Tourism, Business, Facility, Service, Uttar Pradesh 1. INTRODUCTION India has a huge bouquet of attractions for tourists to boast about.
    [Show full text]
  • GI Journal No. 75 1 November 26, 2015
    GI Journal No. 75 1 November 26, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.75 NOVEMBER 26, 2015 / AGRAHAYANA 05, SAKA 1936 GI Journal No. 75 2 November 26, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Bagh Prints of Madhya Pradesh (Logo )- GI Application No.505 7 Sankheda Furniture (Logo) - GI Application No.507 19 Kutch Embroidery (Logo) - GI Application No.509 26 Karnataka Bronzeware (Logo) - GI Application No.510 35 Ganjifa Cards of Mysore (Logo) - GI Application No.511 43 Navalgund Durries (Logo) - GI Application No.512 49 Thanjavur Art Plate (Logo) - GI Application No.513 57 Swamimalai Bronze Icons (Logo) - GI Application No.514 66 Temple Jewellery of Nagercoil (Logo) - GI Application No.515 75 5 GI Authorised User Applications Patan Patola – GI Application No. 232 80 6 General Information 81 7 Registration Process 83 GI Journal No. 75 3 November 26, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 75 of the Geographical Indications Journal dated 26th November 2015 / Agrahayana 05th, Saka 1936 has been made available to the public from 26th November 2015. GI Journal No. 75 4 November 26, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No.
    [Show full text]
  • Contemporay Trends in Chikankari
    © 2020 IJRAR February 2020, Volume 7, Issue 1 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138) CONTEMPORAY TRENDS IN CHIKANKARI 1Reena S. Pandey , 2 Dr. Subhash Pawar 1Research Scholar , 2Adjunct Professor 1Faculty of Art & Design, 1Vishwakarma University , Pune, India Abstract : “Chikankari – Beauty on White “ as its main centre of focus, where its existence over the time is being studied with the different evolution it has shown in its products. Chikankari is a distinctive integral part of Lucknow culture. In India it is believed that Chikan embroidery may have existed from times immemorial. It is said that Noor Jahan brought this craft to India and later it was whole- heartedly adopted by the Nawabs of Lucknow. Thus it became a part of the culture of Lucknow. The embroidery work on clothes was a common feature. In ancient and medieval periods embroidery may have been more popular among the elites but in the present age it is common even among the masses. Because of which nowadays the market is flooded with coarsely executed work and thoughtless design diversifications which has eroded the sensibility of the craft. IndexTerms - Elegant, fine, extravagant, global presence, coarsely designs, elite class. I. INTRODUCTION “Fashion is architecture. It is a matter of proportions”, said Coco Chanel, (Sieve Wright, 2007) Chikankari is a traditional embroidery style from Lucknow, India. It’s an art, which results in the transformation of the plainest cotton and organdie into flowing yards of magic. Chikankari is subtle embroidery, white on white, in which minute and delicate stitches stand out as textural contrasts, shadows and traceries.
    [Show full text]
  • Chikan – a Way of Life by Ruth Chakravarty
    N° de projet :ALA/95/23 - 2003/77077 Chikan – A Way of Life By Ruth Chakravarty Chikankari is an ancient form of white floral embroidery, intricately worked with needle and raw thread. Its delicacy is mesmeric. For centuries, this fine white tracery on transparent white fabric has delighted the heart of king and commoner alike. It is centered mainly in the northern heartland of India, namely Lucknow, the capital of a large state, called Uttar Pradesh. It is a complex and elegant craft that has come down to us, evolving, over the years into an aesthetic form of great beauty. That it has survived the loss of royal patronage, suffered deeply at the hands of commercialization, lost its way sometimes in mediocrity and yet stayed alive, is a tribute to the skill and will of the craftspersons who have handed down this technique from one generation to another. There exist several kinds of white embroidery in Europe and across the world, each unique and distinct. Students of this craft like to believe that all forms of embroidery, in some way influence, imitate or complement each other. That may be true to some extent, but right at the onset, let me say that Chikankari is a genre quite unique from other embroideries. Chikankari is at once, simple and elegant, subtle and ornate. This heavy embroidery intricately worked on fine white muslin created a magical effect uniquely its own. The light embroidered fabric was most appropriate for the heat and dust of the North Indian summers. From the time of its inception, Chikan garments spelt class and craft.
    [Show full text]
  • Textile Designs - 1
    Textile Designs - 1 1. Crewel Work, Kashmir Textile Designs - 1 2. Embroidered Dorukha Shawl, Kashmir Textile Designs - 1 3. Kinnaur Shawl, Himachal Pradesh Textile Designs - 1 4. Embroidered Chamba Rumal, Himachal Pradesh Textile Designs - 1 5. Bagh Phulkari, Punjab Textile Designs - 1 6. Banarasi Zari Saree, Uttar Pradesh Textile Designs - 1 7. Chikan Embroidery, Kurta, Uttar Pradesh Textile Designs - 1 8. Block Printing, Rajasthan Textile Designs - 1 9. Bandhani Printing, Rajasthan Textile Designs - 1 10. Applique Work, Gujarat Textile Designs - 1 11. Mirror Embroidery, Gujarat Textile Designs - 1 12. Paithani Silk Saree, Maharashtra Textile Designs - 1 Hkkjr us gLrf'kYi dh Js"B ijaijk dks èkjksgj osQ :i esa izkIr fd;k gSA lqUnjrk ls India has inherited a great tradition of handicrafts which has its iw.kZ o lkekftd mi;ksx dh oLrqvksa dh jpuk gsrq ekuo dh ewy vko';drk esa bl beginnings in Man's basic need for creating objects of beauty and social utility. Even simple household articles such as pots, mats and furniture ijaijk dk izkjaHk fufgr gSA ;gka rd fd] crZu] pVkbZ;ka vkSj est] oqQlhZ tSlh lkèkkj.k have been decorated with stylised motifs inspired by nature. ?kjsyw oLrqvksa dks Hkh izo`Qfr izsfjr 'kSyhxr vfHkizk;ksa ls vyao`Qr fd;k tkrk gSA Apart from other handicrafts, India is also famous for the excellence it vU; gLrf'kYiksa osQ vfrfjDr Hkkjr] oL=kksa dh le`f¼ lEcaèkh Js"Brk osQ fy, Hkh has achieved in the rich variety of textiles. Excavations show that, as far izfl¼ gSA [kqnkbZ ls irk pyrk gS fd dkiQh igys] r`rh; 'krkCnh bZlk iwoZ esa lwrh back as in the third millennium B.C, cotton fibre was woven into cloth and rUrq dks oL=k :i esa cquk tkrk Fkk rFkk Nis gq, oL=kksa osQ uewus Hkh izkIr gq, gSaA samples of printed fabrics have also been found.
    [Show full text]
  • Fostering Sustainable Tourism In
    TITLE Smart Cities: Fostering Sustainable Tourism in U.P. YEAR October, 2017 AUTHOR Strategic Government Advisory (SGA), YES BANK No part of this publication may be reproduced in any form by photo, photoprint, microfilm or any other COPYRIGHT means without the written permission of YES BANK LTD. This report is the publication of YES BANK Limited (“YES BANK”) so YES BANK has editorial control over the content, including opinions, advice, statements, services, offers etc. that is represented in this report. However, YES BANK will not be liable for any loss or damage caused by the reader’s reliance on information obtained through this report. This report may contain third party contents and third- party resources. YES BANK takes no responsibility for third party content, advertisements or third party applications that are printed on or through this report, nor does it take any responsibility for the goods or services provided by its advertisers or for any error, omission, deletion, defect, theft or destruction or unauthorized access to, or alteration of, any user communication. Further, YES BANK does not assume any responsibility or liability for any loss or damage, including personal injury or death, resulting from use of this report or from any content for communications or materials available on this report. The contents are provided for your reference only. The reader/ buyer understands that except for the information, products and services clearly identified as being supplied by YES BANK, YES BANK does not operate, control or endorse any other information, products, or services appearing in the report in any way. All other information, products and services offered through the report are offered by third parties, which are not affiliated in any manner to YES BANK.
    [Show full text]
  • Development of Iconic Tourism Sites in India
    Braj Development Plan for Braj Region of Uttar Pradesh - Inception Report (May 2019) INCEPTION REPORT May 2019 PREPARATION OF BRAJ DEVELOPMENT PLAN FOR BRAJ REGION UTTAR PRADESH Prepared for: Uttar Pradesh Braj Tirth Vikas Parishad, Uttar Pradesh Prepared By: Design Associates Inc. EcoUrbs Consultants PVT. LTD Design Associates Inc.| Ecourbs Consultants| Page | 1 Braj Development Plan for Braj Region of Uttar Pradesh - Inception Report (May 2019) DISCLAIMER This document has been prepared by Design Associates Inc. and Ecourbs Consultants for the internal consumption and use of Uttar Pradesh Braj Teerth Vikas Parishad and related government bodies and for discussion with internal and external audiences. This document has been prepared based on public domain sources, secondary & primary research, stakeholder interactions and internal database of the Consultants. It is, however, to be noted that this report has been prepared by Consultants in best faith, with assumptions and estimates considered to be appropriate and reasonable but cannot be guaranteed. There might be inadvertent omissions/errors/aberrations owing to situations and conditions out of the control of the Consultants. Further, the report has been prepared on a best-effort basis, based on inputs considered appropriate as of the mentioned date of the report. Consultants do not take any responsibility for the correctness of the data, analysis & recommendations made in the report. Neither this document nor any of its contents can be used for any purpose other than stated above, without the prior written consent from Uttar Pradesh Braj Teerth Vikas Parishadand the Consultants. Design Associates Inc.| Ecourbs Consultants| Page | 2 Braj Development Plan for Braj Region of Uttar Pradesh - Inception Report (May 2019) TABLE OF CONTENTS DISCLAIMER .........................................................................................................................................
    [Show full text]
  • TENT HANGING, Cotton Painted, Printed and Dyed, Mughal. Late 17Th Or Early 18Th Century
    TENT HANGING, cotton painted, printed and dyed, Mughal. late 17th or early 18th century. V+A Part of a floorspread, resist- and mordant-dyed cotton, Mughal, late17th-early 18th century. V+A Mughal flowering plant motifs appear in other arts as well... here marble carvings on walls of Taj Mahal, Agra Cotton floorspread embroidered with silk thread. Mughal, early 18th century. V+A Handpainted, printed + dyed palampores, 18th ce, V+A HANDPAINTING + PRINTING ON TEXTILES TYPICALLY DONE IN TWO WAYS: WOODEN BLOCK (below) OR KALAM (above) Block carver in Sanganeer, Rajasthan Blockprinting workshops in Sanganer, Rajasthan RIGHT: The ties at the side have been made into a decorative feature in themselves, with carefully designed floral motifs made to fit the lappets. Man's robe (jama) made of printed, painted and dyed cotton, possibly made in Burhanpur, 18th century LEFT: This robe is said to have belonged to Tipu Sultan of Mysore (d.1799), although there is only anecdotal evidence for this. The late Mughal style of the robe and its decoration do tally with an 18th-century date. 1658 Mughal painting of nobleman wearing Muslin Jama This man's robe is of the type called a jama, which crosses over the chest and fastens at the side. This example is exceptional in the amount of cloth used for its gathered skirt: it has a circumference at the hem of 65 metres of cloth, and the skirt is made up of 277 triangular panels. It was given to the India Museum (which was amalgamated into the South Kensington Museum, later the V&A) by the Maharaja of Bharatpur in Rajasthan in 1855.
    [Show full text]
  • Issues of the Lucknow Chikan Handicraft Industry
    International Journal of Multidisciplinary Research in Social Science ISSN: 2455-7943 Issues of The Lucknow Chikan Handicraft Industry Yusairah Ahmad* & Dr. Mohammed Anees** ABSTRACT Chikan craft is a traditional handwork of the Lucknow region. The work is renowned all over the world for its fineness, delicacy and elegance. The chikan craft industry is an unorganized industry and faces a lot of problems. This paper details all the problems faced by the chikan craft industry of Lucknow. Secondary data from various available sources have been used to study the problems. The study reveals that artisans are most suffered people who do the actual handwork by straining their eyes. These people are paid less and they are also developing health issues overtime. These artisans are ignored for the basic facilities such as hygienic place of work and living, social security, literacy and very low standards of living. The findings also reveal that the chikan craft entrepreneurs face problems such as the increasing presence of Chinese chikan products, technological obsolescence, fragmented processes, dwindling exports and no marketing measures undertaken to increase the awareness of the industry. The paper suggests that many of these issues can be solved by the mutual support of the government, private organizations and the Lucknow Chikan Handicraft Association. This would not only solve the problems under study but also increase the exports resulting in more revenues to the entrepreneurs and government. Moreover increased exports will give better
    [Show full text]
  • Ishika Export, Delhi
    Our organization has excelled in tailoring a range of Beautifully Designed and Stitched Designer Sarees and Designer Lehengas for the Occasion called life. - Profile - “Ishika Export” is a Delhi based company that brings about a different flavour for Indian fashion lovers who are more interested into buying Indian designer clothing, ethnic wear, Asian clothing, latest fashionable designs and patterns in terms of Traditional Designer Indian Outfits, Casual Indo Western Clothes, Bridal Jaipur Jewellery, Indian Wedding Lenghas, Embroidered Sarees, Bridal Lehengas, designer Bombay sarees, Salwar Kameez Suits, Rajasthani Ghagra Cholis, Cotton Chikan Suits, Ethnic Silk Sarees, Silk Saree Designs, Bollywood Indian Fashion Sarees, Bollywood Indian Fashion Lehangas, Party Wear Indian Kids Clothes in Delhi, UK, Canda, Australia, Dubai, lucknow, Kolkata & Surat. Our ranges are the perfect blend of style and grace that will prove the worth of every wearer’s persona and totally runs with this new era. We make use of latest designing tools in our complete range of ladies wear so that latest trend with excellent look that is integrated in our range of ladies wears. These wear ranges are extremely renowned for supreme quality fabric, range of attractive colours & sizes and latest trend. We export our complete range of ladies wear to our valuable clients across Australia, East/ North Europe, East / South East Asia and Central/ North America. Designer Sarees: Purchase online our latest collection of 2012 new and fancy Designer Sarees for party wear, designer sarees. Designer Sarees Designer Sarees Designer Sarees Designer Sarees Designer Lehenga: Miraculous and astonishing collection of Designer Lehengas for wedding, festival celebrations etc will definitely make you look more attractive and stylish than anybody else.
    [Show full text]
  • FATALIST LUXURIES of Inequality, Wasting and Anti-Work Ethic in India
    Forthcoming (accepted): Cultural Politics (Duke University Press), special issue, ’The Spirit of Luxury’, please do not circulate FATALIST LUXURIES Of Inequality, Wasting and Anti-Work Ethic in India Tereza Kuldova Abstract Grounded in long-term ethnographic research among producers of contemporary luxurious embroideries and fashions in Lucknow, a North Indian city famous for its golden age as a powerful cultural center of opulence and excess, the article shows how anthropological knowledge can enrich current critical discussions of luxury and inequality. Since the 90s, anthropology has seen a boom in consumption and material culture studies coterminous with the rise of identity politics and its celebration of diversity. Hence, also in theory, linking consumption to identity has stolen the limelight. In the process, questions of production, inequality and reproduction of social structures have been overshadowed. Critical reappraisal of luxury in theory can paradoxically show us a way out of this identity trap since luxury, unlike other consumer goods, demands that we think inequality. Luxury also forces us to think beyond luxury brands, goods and commodified experiences, pushing us towards more fundamental questions of a good life, morality and social order. The presented ethnographic case, which reveals how structural violence can go hand in hand with paradoxical luxuries facilitated by fatalist attitudes, points to how such anthropology of luxury might look like. In a village near Lucknow women embroider luxury pieces for fashion ramps and celebrities while being fed meritocratic dreams of individual progress and success by fashion designers and NGOs trying to convince them to work harder in the name of empowerment.
    [Show full text]