Read Book Xxxholic Omnibus 1 Ebook, Epub

Total Page:16

File Type:pdf, Size:1020Kb

Read Book Xxxholic Omnibus 1 Ebook, Epub XXXHOLIC OMNIBUS 1 PDF, EPUB, EBOOK Clamp | 560 pages | 20 Mar 2014 | Kodansha America, Inc | 9781612625911 | English | New York, United States Xxxholic Omnibus 1 PDF Book I love this show. Highly recommended. First time through several years ago , I was very annoyed that a powerful older female character got, as things went along and trying not to be spoilerish, edged out by the young male. Grimm: The Killing Time. To be fair, the chapters are mostly episodic in nature. Share: Share on Facebook. Mark Russell. It works well because it balances out the overall tone, you never get exhausted by the magic and neither do you become squeamish to the heavier emotional side, which makes for a very enjoyable narrative. Sign in. What an interesting read! It does make tracking between xxxHolic and Tsubasa more complicated though. We are experiencing technical difficulties. Reincarnated as a Sword Vol. Details if other :. Kimihiro Watanuki is haunted by visions of ghosts and spirits. Also, the anime was pretty good, too. This Omnibus from Kodansha Comics collections volumes Gorgeous in both visuals and storytelling, this manga has the kind of atmosphere that one cannot describe in a single word. Please try again later. View all 16 comments. His boss, the dimension witch Yuko, may hold the answers Kimihiro seeks. Escape the Present with These 24 Historical Romances. Their version of the ghost stories is a more simplified version taking place in Domeki's family shrine. Yuuko is the trickster-mentor type, she often encourages Watanuki to be better, but also to get along better with others. LitFlash The eBooks you want at the lowest prices. I have never read such impeccable storytelling. Dec 26, Shawna BacchusVines rated it really liked it Shelves: fantasy , mystery , owned , favorites , manga , paranormal , challenge. Sign in. Enlarge cover. Xxxholic Omnibus 1 Writer I think the thing that all CLAMP manga that I've read so far have in common is the unapologetically heavy use of magic and fantasy elements, but hidden beneath is a underlying focus on human relationships. I'm so glad I read this, and I can't wait to read more! Dishonored — The Return of Daud. Bloody Cross, Vol. Escape the Present with These 24 Historical Romances. Every time I thought about it, my heart started beating wildly. Jul 08, Iggi rated it liked it. I love all the Easter eggs through these volumes, plus all the folklore is amazing. I also love the relationship between Doumeki and Watanuki. I usually like any thing naked by Clamp, but have to say that this one is my favorite series so far. Pass it on! Devils and Realist Vol. Stay in Touch Sign up. Justin Richards. This series tends to be more sexually suggestive in its art than Tsubasa. Watanuki also must take special care not to get himself punished for assigning the wrong price for granting a wish. The customers who come to her shop generally have some sort of vice chronic deceit, addiction, pride, etc and each segment involves exploring the consequences of that vice and how to resist it. What Did You Eat Yesterday? Volume 2 is an image of Watanuki, with his head resting on top of his hands, turned to the side slightly, and smirking at someone out of sight. Just a moment while we sign you in to your Goodreads account. Clockwork Planet 3. Will she ever return? The value may change from what is shown on the store page now. I'm not versed in the broader CLAMP lore so the additional content in the manga didn't really grab me. The anime only adapts certain chapters of this manga. Kodansha Comics. Xxxholic Omnibus 1 Reviews I was really surprised to find the book when I went to the library! Although xxxHolic acquired a lot more emotional depth in the second pass when I began to grasp who was who and what was what after two or three trips through Tsubasa to get it all straight. Titan Comics. Post was not sent - check your email addresses! The Adventures of Augusta Wind, Vol. Kimihiro Watanuki is haunted by visions of ghosts and spirits. Grimm: The Killing Time. They were well received at the convention, with 6, fans in attendance at their panel. You are commenting using your Twitter account. I'm never going to read this again, but I am so grateful that I can still find works that affect me as deeply as, say, Narnia did as a child. You know the saying: There's no time like the present Jul 26, B. I'm looking forward to read past the Anime story-line, even when I have already spoiled myself a bit of the ending here and there. Jan 07, Alex of Yoe rated it really liked it Shelves: favorites , manga , fantasy , popsugar-challenge. I'm keen to get reading the next omnibus! Any work that inspires such a reaction is a five-star title, hands down. That being said xxxHolic not only brings easter eggs from their manga creations before, it also brings to life yokai and myths of the Japanese culture. Volume 2 has a wonderful stories highlighting the Japanese festival of O-ban and the tradition of telling scary stories in the summer to cool off in the hot weather. Monthly rankings. High school student sees ghosts, arrives at mysterious shop, is employed as intern by boozy witch proprietor who promises to stop his visions. Volume 2 brings the first cross over with their long running manga Tsubasa. Want to Read saving…. Among all of Clamps' series xxxHolic is my favorite just for the mixture of supernatural and Japanese traditions. Volume 3 is an image of Yuuko, this time she is wearing olive-green fancy robes, with ornate pearl necklace which has an orange and yellow star, and an elaborate hair-piece with a similar orange and yellow star on it. I find it fascinating from a cultural perspective, but I know many others would have trouble with it. Watanuki takes this opportunity to express his feelings to Himawari through his culinary creations but through a strange turn of events finds out that his chocolates can be more than just sweets. Mark Russell. In volume 1 we meet Watanuki born on April 1st and are treated to the not so shameless For those of you who are not familiar with the wonder group known as Clamp, these ladies have been creating unique and timeless manga character's for decades. I enjoy exploring other cultures and am not turned off by extreme mysticism, but I know that few Westerners feel the same. Get A Copy. Not available in the following region s. The way this setup is actually told in XXXholic is no less perfunctory than the summary I've given here - an expository dump of an opening so clumsy it put me off the rest of this manga for months. Paperback , pages. Watanuki has a wish that Yuko is more than happy to grant, but at a great cost to him. Other editions. I'm so glad I read this, and I can't wait to read more! Error rating book. You are commenting using your Google account. Xxxholic Omnibus 1 Read Online I looveee it. I'll be reading the second omnibus for sure. Sign in. Become a Member Start earning points for buying books! I appreciate the moral lessons that are given in this volume and the deep dive into Japanese culture and mystical practices and beliefs. For those of you who are not familiar with the wonder group known as Clamp, these ladies have been creating unique and timeless manga character's for decades. Buy this eBook for Others Buy as Gift. It does make tracking between xxxHolic and Tsubasa more complicated though. Sep 01, Anna rated it really liked it. Mar 22, Joseph Hare rated it it was amazing. Customers who bought this eBook also bought. Not epic, not heroic, not the goofball sci-fi or fantasy that makes up much manga, but a uniquely fantastic story and world that truly manages to feel mostly alien, but just familiar enough to give the reader something to grab onto. While many of CLAMP's other works have a universal tone to them, xxxHolic is so Eastern and culture- specific, I wonder if it would have been accepted as widely in Western markets without its connection to Tsubasa. Kimihiro Watanuki is haunted by visions of ghosts and spirits. The level of delicateness in the forshadowing. Enlarge cover. Kimihiro Watanuki is haunted by visions of ghosts and spirits. Thanks for telling us about the problem. In Volumes 1, 2, and 3 of xxxHOLiC, Kimihiro Watanuki is desperate to escape the spirits and ghosts that haunt him, so he turns to Yuko Ichihara, who is widely rumored to be the time-space witch. The story is enthralling, and the only downside is with reading Tsubasa Reservoir Chronicle I feel as if I'm missing some piece of the puzzle although I daresay the same could be said if I read TRC first. This eBook has a region limitation. They're just not paying attention to that. Also, the anime was pretty good, too. This whole series is colored now by the way the ending devastated the fuck out of me. The Adventures of Augusta Wind, Vol. May 23, Scott Lee rated it liked it. Soon Watanuki finds himself employed in Yuko's shop where he sees things and meets customers that are stranger than anything he could have ever imagined. I do love the usual nods to their other titles, that makes me want to read more of their manga.
Recommended publications
  • The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney Jennifer M
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney Jennifer M. Stockins University of Wollongong Recommended Citation Stockins, Jennifer M., The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney, Master of Arts - Research thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2009. http://ro.uow.edu.au/ theses/3164 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney A thesis submitted in partial fulfillment of the requirements for the award of the degree Master of Arts - Research (MA-Res) UNIVERSITY OF WOLLONGONG Jennifer M. Stockins, BCA (Hons) Faculty of Creative Arts, School of Art and Design 2009 ii Stockins Statement of Declaration I certify that this thesis has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Jennifer M. Stockins iii Stockins Abstract Manga (Japanese comic books), Anime (Japanese animation) and Superflat (the contemporary art by movement created Takashi Murakami) all share a common ancestry in the woodblock prints of the Edo period, which were once mass-produced as a form of entertainment.
    [Show full text]
  • Manga Series for Teens
    Kimi Ni Todoke = From Me to Dawn of the Arcana You By Rei Toma By Karuho Shiina YA GB TOMA YA GB SHIINA Princess Nakaba is forced to marry Manga Series Too shy to fit in, all Sawako selfish Prince Caesar of the enemy wants to do is make some country. With only her attendant friends. But when the most Loki at her side, Nakaba must find for Teens popular boy in class befriends a way to cope with her hostile her, she's making enemies, surroundings. too. Dragon Ball Z Fullmetal Alchemist Kamisama Kiss By Akira Toriyama By Hiromu Arakawa By Julietta Suzuki YA GB TORIYAMA YA GB ARAKAWA YA GB SUZUKI Martial artist Son Goku and his When dabbling in alchemy, Nanami is alone and homeless friends must face new enemies Edward Elric loses his arm after her dad skips town to who wish to obtain the power of the and leg, and his brother, evade his debts. So when a magical Dragon Balls and destroy Alphonse, loses his entire man she's just saved offers her the Earth. body. Now, they are searching his home, she takes it. for the fabled Philosopher’s Yowamushi Pedal Stone to restore what they’ve InuYasha By Wataru Watanabe lost. By Rumiko Takahashi YA GB WATANABE YA GB TAKAHASHI Sakamichi uses his regular bike to Yotsuba&! One day, Kagome is a normal make ninety-mile round trips, but By Kiyohiko Azuma Japanese high school student after a run-in with Imaizumi, a YA GB AZUMA whose grandfather is just a member of the school's road racing Yotsuba, a young girl of alien little obsessed with old myths.
    [Show full text]
  • The Cultural Dynamic of Doujinshi and Cosplay: Local Anime Fandom in Japan, USA and Europe
    . Volume 10, Issue 1 May 2013 The cultural dynamic of doujinshi and cosplay: Local anime fandom in Japan, USA and Europe Nicolle Lamerichs Maastricht University, Netherlands Abstract: Japanese popular culture unifies fans from different countries and backgrounds. Its rich participatory culture is beyond any other and flourishes around comics (manga), animation (anime), games and music. Japanese storytelling showcases elaborate story worlds whose characters are branded on many products. The sub genres of Japanese pop-culture and the lingua franca of their audiences shape Western fandom. In this article, I scrutinize the global dynamic of manga. I specifically focus on the creation of fan manga (‘doujinshi’) and dress- up (‘cosplay’) as two migratory fan practices. The form and content of fan works, and the organizational structure behind them, varies intensely per country. If manga is an international language and style, where is its international fan identity located? In this article, I explore this uncharted territory through ethnographic views of diverse Western and Japanese fan sites where these creative practices emerge. This ethnographic overview is thus concerned with the heterogeneous make-up and social protocols of anime fandom. Keywords: Anime fandom, doujinshi, cosplay, conventions, ethnography Introduction Japan’s global and exotic identity is historically rooted. In the nineteenth century, Euro- Americans performed their fascination for the island through ‘Orientalism’ in Western impressionist art, Zen gardens and architecture (Napier, 2007; Said, 1978). When World War II penetrated this culturally rich image, the fascination for Japan became more ambivalent, characterized by both fear and curiosity. By now, the country’s global identity, which lingers between East and West, inspires Western corporate businesses, art and media as it represents a mixture of spiritual traditions, strong labour and family morals, as well as an advanced technocapitalist model (Ivy, 1995; Wolferen, 1995).
    [Show full text]
  • Why Fair Use Should Extend to Fan-Based Activities
    WHEN HOLDING ON MEANS LETTING GO: WHY FAIR USE SHOULD EXTEND TO FAN-BASED ACTIVITIES Nathaniel T. Noda† INTRODUCTION In a celebrated children’s song, Malvina Reynolds observes that love is “just like a magic penny, / hold it tight and you won’t have any. / Lend it, spend it, and you’ll have so many / They’ll roll all over the floor.” 1 Just as love sometimes means letting go, the doctrine of fair use recognizes that the purposes of copyright are sometimes better served by allowing certain forms of infringing activity to occur. The four-factor test for fair use, codified at 17 U.S.C. § 107, affords courts sufficient latitude to fine tune the analysis in light of changing circumstances. The recent surge of interest in anime and manga, or Japanese animation and comics, 2 brings with it distinctive examples of what may be dubbed “fan-based activities,” which indicate how courts can adapt the fair use analysis to best balance the public’s access to creative works with the interests of copyright holders. The joint popularity of anime and manga is no coincidence: the origin and evolution of manga is entwined with the origin and evolution of anime, representing a symbiosis between the † Mr. Noda is a J.D. Candidate 2009, William S. Richardson School of Law, University of Hawai`i at Manoa. This paper arose within the context of the WSRSL Second-Year Seminar. The author would like to thank Professor Charles D. Booth for his invaluable advice and guidance. 1 Charles H. Smith & Nancy Schimmel, Magic Penny , by Malvina Reynolds, available at http://www.wku.edu/~smithch/MALVINA/mr101.htm.
    [Show full text]
  • Haruhi in Usa: a Case Study of a Japanese Anime in the United States
    HARUHI IN USA: A CASE STUDY OF A JAPANESE ANIME IN THE UNITED STATES A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Ryotaro Mihara August 2009 © 2009 Ryotaro Mihara ALL RIGHTS RESERVED ABSTRACT Although it has been more than a decade since Japanese anime became a popular topic of conversation when discussing Japan, both within the United States and in other countries as well, few studies have empirically investigated how, and by whom, anime has been treated and consumed outside of Japan. This research thus tries to provide one possible answer to the following set of questions: What is the empirical transnationality of anime? How and by whom is anime made transnational? How is anime transnationally localized/consumed? In order to answer the questions, I investigated the trans-pacific licensing, localizing, and consuming process of the anime The Melancholy of Haruhi Suzumiya (Haruhi) from Japan to the United States by conducting fieldwork in the United States’ agencies which localized Haruhi as well as U.S. anime and Haruhi fans. The central focus of this research is the ethnography of agencies surrounding Haruhi in the United States and Japan. I assume that these agencies form a community with a distinctive culture and principles of behaviors and practices in the handling of the Haruhi anime texts. The research findings to the above questions could be briefly summarized as follows. The worldview, characters, and settings of Haruhi (i.e. a fictious world of Haruhi which is embodied and described through its anime episodes and other related products) “reduces” and “diffuses” as it is transferred on the official business track from the producers in Japan to the localizers in the United States (i.e.
    [Show full text]
  • (Mahō Shōjo) Anime
    Make-Up!: The Mythic Narrative and Transformation as a Mechanism for Personal and Spiritual Growth in Magical Girl (Mahō Shōjo) Anime by N’Donna Rashi Russell B.A. (Hons.), University of Victoria, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Pacific and Asian Studies ©N’Donna Russell, 2017 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii SUPERVISORY COMMITTEE Make-Up!: The Mythic Narrative and Transformation as a Mechanism for Personal and Spiritual Growth in Magical Girl (Mahō Shōjo) Anime by N’Donna Rashi Russell B.A (Hons)., University of Victoria, 2015 Supervisory Committee Dr. M. Cody Poulton, Supervisor (Department of Pacific and Asian Studies) Dr. Michael Bodden, Committee Member (Department of Pacific and Asian Studies) iii ABSTRACT Supervisory Committee Dr. M. Cody Poulton (Department of Pacific and Asian Studies) Dr. Michael Bodden (Department of Pacific and Asian Studies) The mahō shōjo or “magical girl”, genre of Japanese animation and manga has maintained a steady, prolific presence for nearly fifty years. Magical Girl series for the most part feature a female protagonist who is between the ages of nine and fourteen - not a little girl but not yet a woman. She is either born with or bestowed upon the ability to transform into a magical alter-ego and must save the world from a clear and present enemy. The magical girl must to work to balance her “normal life” – domestic obligations, educational obligations, and interpersonal relationships – with her duty to protect the world.
    [Show full text]
  • FEMALE FANS and WEISS KREUZ INTERNET YAOI FANFICTION Tan
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS UNAUTHORIZED ROMANCES: FEMALE FANS AND WEISS KREUZ INTERNET YAOI FANFICTION Tan Bee Kee (B.A. (Hons.), NUS) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF JAPANESE STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2008 ACKNOWLEDGEMENTS I wish to thank my supervisor Dr. Thang Leng Leng for her unending patience, help and support over the years. Without her, this thesis would never have been finished, given the financial and other challenges I have faced. I also wish to thank Dr. Hendrik Meyer-Ohle for granting me the privilege of helping him with his Japanese business research project as a research assistant. I am grateful to my friends Amanda and Lisa who generously volunteered to read and give me feedback for this thesis. I would like to thank Hannah and Wai Cheng for being there for me in difficult times as well as my ballet teacher Ms. Chien. Kudos too, to Deverilin, Jo and Chyi Yih who helped me acquire the Weiss Kreuz anime and cds and of course the yaoi and Weiss Kreuz fans who have helped me out by answering my questions and for whom this thesis is written. Finally, I would like to dedicate this thesis to the memory of my grandparents who passed away during my work on this thesis. Some of the material in this thesis has been revised and published as an essay entitled “Rewriting Gender and Sexuality in English-Language Yaoi Fanfiction” in Boys’ Love Manga: Essays on the Sexual Ambiguity and Cross- Cultural Fandom of the Genre which was published by McFarland in 2010.
    [Show full text]
  • Graphic Novel Series
    August 2019 Title Bib # Publisher .Hack 17006296 .Hack//g.u.+ 1889995x 0/6 21707212 07-ghost 2342980x 11th cat 10683483 A devil and her love song 22127732 A.I. I love you 21707200 Adolf 10294211 Adventure time : original series 24307713 Adventures of Tintin : 3 in 1 11411879 Afterschool charisma 24182783 Age of bronz 17159775 Akira 20503891 Kodansha Comics Akira 15493519 Dark Horse Alice 19th 10680214 Alice in the country of clover 24154635 Tokyopop Alice in the country of hearts 20531321 Tokyopop amazing Spider-Man 16124364 amazing Spider-Man : world-wide 24571969 American vampire 24399267 Amulet 2019433x ancient magus' bride 24483916 Andel diary 16941949 Angel catbird 25080556 Anonymous noise 25308440 Arata 24110814 Ariol 23898604 Arisa 21280265 Assassination classroom 24335125 Astonishing X-Men 10698887 Astonishing X-Men 2576200x Astro boy 19459919 Attack on Titan 22986819 Attack on Titan before the fall 24295942 Attack on Titan Junior High 23218071 Attack on Titan no regrets 24015970 Avengers K. Avengers vs. Ultron 25100877 B.B. explosion 15777613 Babymouse 17387528 Bakuman 21677219 Banana fish 13362161 Viz Basara 18663680 Batgirl 23245669 Batman 22776230 Batman & Robin 22442881 DC comics Batman and Robin 22189166 DC comics Batman black & white 25061677 Batman Eternal 2456042x Batman, Detective Comics 22801169 Batman/Superman 2403583x Berserk 20304274 Black bird 21420233 Black butler 20531163 Black cat 1734685x Black clover 24869041 Black jack 19705013 Black lagoon 23887680 Black Panther 24920034 Bleach 26200065 3 in 1 edition Bleach 17337987 Blue exorcist 21906361 Bokurano = ours 22461048 Bone 19760176 Books of magic 26206602 Boruto 25057595 Boys over flowers =Hana yori dango 15315241 Bride's story 21664250 Btoom 24012014 Buso Renkin 16871662 Cardcaptor Sakura 22121985 1st ed., Omnibus ed.
    [Show full text]
  • Samedi / Saturday
    Samedi / Saturday 10:00 - 11:00 11:00 - 12:00 12:00 - 13:00 13:00 - 14:00 14:00 - 15:00 15:00 - 16:00 16:00 - 17:00 17:00 - 18:00 18:00 - 19:00 19:00 - 20:00 20:00 - 21:00 21:00 - 22:00 Salles visuelles / Video Rooms Video 1 Otogi Jushi Oh Edo Rocket Macross Frontier Lovely Complex Rental Magica Sisters of Wellber Minami-ke (F) Moyashimon (F) ICE (F) Baccano! (F) Dragonaut (F) Night Wizard (F) 524b Akazukin (F) (F) (F) (F) (F) (F) Ultimate Sushi Macross, spécial 25e anniversaire / Video 2 Shiawase Sou no Jeux télévisés japonais / Spice and Wolf This is Restaurants Pt 1 Fan Parodies** S.T.E.A.M. The Movie (E) Macross 25th Anniversary Special (J) (to Okojo-san (J) Japanese Game Shows (J)** (J) Otakudom (E) 524c (LA) 00:00)** Video 3 Neo Angelique Myself; Yourself Slayers Sexy Voice and Tantei Gakuen Q Dragonzakura One Missed Call Blue Comet SPT Maple Story (J) Doraemon: Nobita's Dinosaur (J) RAIFU (LA) 525b Abyss (J) (J) Revolution (J) Robo (LA) (LA) (LA) (LA) (J) Ecchi Fanservice (J) Video 4 H2O - Footprints in Jyuushin Enbu Yawaraka Hatenko Yugi (J) Persona (J) Nabari no Ou (J) Célébration du Shonen-ai (Yaoi) / Shounen-ai (Yaoi) Celebration (J)** (14+) the Sand (J) (J) Shangokush (J) 525a (to 00:00)** Video 5 School Rumble Kujibiki xxxHolic & Tsubasa Welcome to the Black Blood Divertissement familial / Family Friendly Anime (E)** Peach Girl (J) Fruits Basket (J) Gurren Lagann (J) 522bc (J) Unbalance (J) Chronicles Movies (E) NHK (J) Brothers (J) Salle de présentation / Main Events Room OP Ceremonies The 404s: Saturday J-Rock en direct
    [Show full text]
  • CLAMP in Context: a Critical Study of the Manga and Anime CLAMP in Context: a Critical Study of the Manga and Anime
    [Mobile book] CLAMP in Context: A Critical Study of the Manga and Anime CLAMP in Context: A Critical Study of the Manga and Anime hfODlC2YP CLAMP in Context: A Critical Study of the Manga and cGGnGGQ7W Anime 7YSPj72wT DI-61963 pX4KTZhqZ US/Data/Literature-Fiction SpnSiTsAL 4.5/5 From 289 Reviews PjEZV2867 Dani Cavallaro 5r6gUzDjB ebooks | Download PDF | *ePub | DOC | audiobook WzZcuYWzH Kqhg6ABX8 mZ8ROSL1b lQAMLlqnb 00bz78tqt E8IlWVoxA PqN4F2KC3 25 of 25 people found the following review helpful. Largely summative, and odd ypZeBPSsS choices abound...By AmaliaLet me first say this: I have read every work by CivyO5bY8 CLAMP, I own all of their art books, compilations, interviews, etc., so I am kDMJkUgFy familiar with all of the same material Cavallaro was pulling from. I was a fan of gF8pMpmM1 her work with Miyazaki (and even built off some of her scholarship to publish v6H8LFi8z my own work on Miyazaki) but this was a major disappointment.Cavarallo gwowGnBUl chooses to focus on certain themes throughout CLAMP's work, but instead of a A0Y83ZDZV thoughtful, in-depth look at how those themes develop through their work, we mhbYQONZx get instead a strange mish-mash of 'big series' to focus on; much space is MK5OUbDMr devoted to Tsubasa...and not just the manga. In fact, much space is devoted to a xCO3WUAge lot of material outside of CLAMP's manga, including Code Geass, which Eub71qFxA CLAMP designed the characters for and then largely had little to do with.The 8eGG84fPK themes Cavarllo chooses to explore are largely uninteresting in comparison
    [Show full text]
  • The Female Gaze in Contemporary Japanese Literature
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Female Gaze in Contemporary Japanese Literature Kathryn Hemmann University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Hemmann, Kathryn, "The Female Gaze in Contemporary Japanese Literature" (2013). Publicly Accessible Penn Dissertations. 762. https://repository.upenn.edu/edissertations/762 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/762 For more information, please contact [email protected]. The Female Gaze in Contemporary Japanese Literature Abstract The female gaze can be used by writers and readers to look at narratives from a perspective that sees women as subjects instead of objects. Applying a female gaze to discourses that have traditionally been male-dominated opens new avenues of interpretation that are empowering from a feminist perspective. In this dissertation, I use the murder mystery novels of the bestselling female author Kirino Natsuo and the graphic novels of a prolific four-woman artistic collective called CLAMP to demonstrate how writers are capable of applying a female gaze to the themes of their work and how readers can and have read their work from the perspectives allowed by a female gaze. Kirino Natsuo presents a female perspective on such issues as prostitution, marriage, and equal employment laws in her novels, which are often based on sensationalist news stories. Meanwhile, CLAMP challenges the discourses surrounding the production and consumption of fictional women, especially the young female characters, or shojo, that have become iconic in Japanese popular culture.
    [Show full text]
  • Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes
    Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Edited by Manuel Hernández-Pérez Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Japanese Media Cultures in Japan and Abroad Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Special Issue Editor Manuel Hern´andez-P´erez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Manuel Hernandez-P´ erez´ University of Hull UK Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) from 2018 to 2019 (available at: https://www.mdpi.com/journal/arts/special issues/japanese media consumption). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-008-4 (Pbk) ISBN 978-3-03921-009-1 (PDF) Cover image courtesy of Manuel Hernandez-P´ erez.´ c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.
    [Show full text]