Age Recommendation for Stranger Things
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June 2021 Volume 20 Issue 1 Vision a Message from the Principal
June 2021 Volume 20 Issue 1 A Message from the Principal Mission Statement An organization where the faculty Hello Warhawk Families! and staff work to build meaningful Congratulations to Seminole High School’s Graduating relationships through relevant academic and extracurricular activities. A place Class of 2021! Your true embodiment of the “Warhawk Way,” where students grow intellectually and as you lived your lives with purpose, respect, and grit, was an lead successful, fulfilling lives through inspiration to all during a school year like none other. It was a rigorous training and modeling. joy to celebrate with our Seniors during their Senior Week ’21 with a BBQ Bash, spirited dress up days; school-wide scavenger hunt; movie night; our University & Military signing event - “Decision Day;” culminating in a special Senior Breakfast & Awards Ceremony held in our Warhawk Stadium! From Grad Nite at Busch Gardens; to Vision the Yearbook reveal; and Cap & Gown distribution; this exciting season will crescendo to All students are able to learn and the crowning event: Graduation 2021 at Tropicana Field, Thursday, June 3rd at 10:15 a.m. experience success leading to post- Much appreciation goes out to Senior Sponsor Mr. Scales and his student leaders for their hard secondary and career readiness. work. 2021 Graduates, we salute you and your families as you achieve this milestone in your lives! Our Yearbook has been named a National Sample once again, and is being featured in the 35th edition of Balfour’s Yearbook’s Yearbook. Thank you, Ms. -
Los Bridgerton, La Serie Más Vista De Toda La Historia De Netflix
Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown Los Bridgerton tendrá segunda temporada. Autor: Fotograma de la película Publicado: 28/01/2021 | 11:16 am Los Bridgerton, la serie más vista de toda la historia de Netflix La plataforma digital asegura que, según sus estadísticas, 82 millones de cuentas las visto a 28 días de su estreno, superando a otros fenómenos de popularidad del servicio «streaming» como The Witcher, Lupin, Gambito de Dama o incluso Stranger Things Publicado: Jueves 28 enero 2021 | 11:23:36 am. Publicado por: Juventud Rebelde Netflix aseguró este miércoles en un comunicado de prensa que Los Bridgerton, el último éxito televisivo de Shonda Rhimes, ha sido visto por 82 millones de cuenta en sus primeros 28 días tras su fantástico estreno en las Navidades, lo que la posiciona como la serie más vista en la historia del gigante digital. En el caso de los datos de audiencia de Netflix es recomendable andar con pies de plomo, ya que el método que usa la plataforma para definir un visionado resulta muy controvertido: basta con que un usuario vea un contenido concreto durante dos minutos para que se contabilice, advierte la agencia Efe, aunque reconoce que, por muy dudoso que sea la manera de Netflix a la hora de presentar sus éxitos, Los Bridgerton se ha situado por encima de otros fenómenos como del servicio de «streaming» como The Witcher, Lupin, Gambito de Dama o incluso Stranger Things. La semana pasada, Netflix confirmó que habrá una segunda temporada de Los Bridgerton por medio de la misteriosa narradora de la serie, Lady Whistledown. -
Tornado Times
MAR 2021 TORNADOmagazine Map to the End of Semester • Follow this map as the end of the year comes increasingly close. EXCLUSIVE Ryan Ebrahamian a Hoover High Story March 2021 Two Sides of the Same Coin 3 by Sebastian Guzman • Read about students' differing opinions on online school. Map to end of semester 5 by Nooneh Gyurjyan • Follow this map as the end of the year comes increasingly close. Editor's List of Most Anticipated Movies of 2021 6 by Sebastian Guzman • Link Crew, a new program at Hoover High School, was created to help freshmen navigate through their first year during a pandemic. 9 a Hoover High Story by Sebastian Guzman • Ryan Ebrahamian, a former Hoover student from the class of 2016 talks about his memories of high school, the importance of heritage, “My Big Fat Armenian Family,” and much more. 14 Grade Nite Canceled by Monet Nadimyan and Melia Movsesian • Magic Mountain announces the cancellation of their 2021 event, months after Disneyland did the same. Michael Jordan's History At Hoover 15 by Cher Pamintuan • Did you know that Michael Jordan and the 1984 USA Olympic basketball team secretly practiced at the Hoover gym? In the world...where are Latinos? 17 by Sebastian Guzman • In the world of politics, music, and film, Latinos are on the rise, proving that Latino voices are essential to our modern-day society. Editor's Note After the warm receival of our first issue, we are excited to release our second issue of the Tornado Magazine. During these past few months, we have been working remotely alongside Hoover’s journalism staff on curating a student-friendly publication. -
Stranger Things 2 *
WONDER VIEW Episode #209 "Chapter Nine: The Gate" by The Duffer Brothers Directed by The Duffer Brothers PRODUCTION DRAFT April 17, 2017 (WHITE) April 30, 2017 (BLUE) Copyright © 2017 Storybuilders, LLC. All rights reserved. No portion of this script may be performed, published, reproduced, sold, or distributed by any means or quoted or published in any medium, including on any website, without the prior written consent of Storybuilders, LLC. Disposal of this script copy does not alter any of the restrictions set forth above. Episode #209 04/30/17 WONDER VIEW "Chapter Nine: The Gate" REVISION HISTORY DATE COLOR PAGES PUBLISHED 04/17/17 PRODUCTION DRAFT FULL SCRIPT 04/30/17 (BLUE) CAST, SETS, 9, 10, 13, 14, 15, 15A, 28, 30, 37, 44, 45, 48, 49, 49A, 51, 52, 53, 54, 55, 55A, 63, 64, 67, 70/71 8FLiX.com SCREENPLAY DATABASE FOR EDUCATIONAL USE ONLY Episode #209 04/30/17 WONDER VIEW "Chapter Nine: The Gate" CAST LIST JOYCE BYERS POLICE CHIEF JIM HOPPER MIKE WHEELER NANCY WHEELER JONATHAN BYERS ELEVEN LUCAS SINCLAIR DUSTIN HENDERSON KAREN WHEELER WILL BYERS STEVE HARRINGTON MAX MAYFIELD BILLY HARGROVE (fka BILLY MAYFIELD) * DR. SAM OWENS TED WHEELER MURRAY BAUMAN * * MR. CLARKE CLAUDIA HENDERSON ERICA SINCLAIR MRS. HOLLAND MR. HOLLAND SUSAN HARGROVE (fka SUSAN MAYFIELD) * * * * CUTE GIRL STACEY TV NEWS ANCHOR MIDDLE SCHOOL BOY #1 * * 8FLiX.com SCREENPLAY DATABASE FOR EDUCATIONAL USE ONLY Episode #209 04/30/17 WONDER VIEW "Chapter Nine: The Gate" SET LIST INTERIORS EXTERIORS BYERS HOUSE BYERS HOUSE HALLWAY BACK YARD/SHED JONATHAN'S ROOM DRIVEWAY -
The Stranger’ in International Relations
Review of International Studies (2021), 47:1,19–38 doi:10.1017/S0260210520000376 RESEARCH ARTICLE . States of ambivalence: Recovering the concept of ‘the Stranger’ in International Relations Felix Berenskötter1 and Nicola Nymalm2* 1Department of Politics and International Studies, SOAS University of London, United Kingdom and 2Department of Military Studies, Swedish Defence University, Stockholm, Sweden *Corresponding author. Email: [email protected] (Received 23 July 2019; revised 20 August 2020; accepted 24 August 2020; first published online 6 November 2020) https://www.cambridge.org/core/terms Abstract This article revisits and revives the concept of ‘the Stranger’ in theorising international relations by dis- cussing how this figure appears and what role it plays in the politics of (collective) identity. It shows that this concept is central to poststructuralist logic discussing the political production of discourses of danger and to scholarship on ontological security but remains subdued in their analytical narratives. Making the concept of the Stranger explicit is important, we argue, because it directs attention to ambivalence as a source of anxiety and grasps the unsettling experiences that political strategies of conquest or conversion, including practices of securitisation, respond to. Against this backdrop, the article provides a nuanced reading of the Stanger as a form of otherness that captures ambiguity as a threat to modern conceptions of identity, and outlines three scenarios of how it may be encountered in interstate -
Why Humans Have Sex
Arch Sex Behav (2007) 36:477–507 DOI 10.1007/s10508-007-9175-2 ORIGINAL PAPER Why Humans Have Sex Cindy M. Meston Æ David M. Buss Received: 20 December 2005 / Revised: 18 July 2006 / Accepted: 24 September 2006 / Published online: 3 July 2007 Ó Springer Science+Business Media, LLC 2007 Abstract Historically, the reasons people have sex have Keywords Sexual motivation Á Sexual intercourse Á been assumed to be few in number and simple in nature–to Gender differences reproduce, to experience pleasure, or to relieve sexual tension. Several theoretical perspectives suggest that mo- tives for engaging in sexual intercourse may be larger in Introduction number and psychologically complex in nature. Study 1 used a nomination procedure that identified 237 expressed Why people have sex is an extremely important, but reasons for having sex, ranging from the mundane (e.g., ‘‘I surprisingly little studied topic. One reason for its relative wanted to experience physical pleasure’’) to the spiritual neglect is that scientists might simply assume that the (e.g., ‘‘I wanted to get closer to God’’), from altruistic (e.g., answers are obvious: to experience sexual pleasure, to ‘‘I wanted the person to feel good about himself/herself’’) relieve sexual tension, or to reproduce. Previous research to vengeful (e.g., ‘‘I wanted to get back at my partner for already tells us that the answers cannot be as few or having cheated on me’’). Study 2 asked participants psychologically simple. Leigh (1989), for example, docu- (N = 1,549) to evaluate the degree to which each of the 237 mented seven reasons for sex: pure pleasure, to express reasons had led them to have sexual intercourse. -
Teen-Targeted Broadcast TV Can Be Vulgar… but Stranger Things Are
Teen-Targeted Broadcast TV Can Be Vulgar… But Stranger Things Are Happening On Netflix EXECUTIVE SUMMARY The entertainment industry has, for decades, The Parents Television Council renews its call for cautioned parents who want to protect their children wholesale reform to the entertainment industry- from explicit content to rely on the various age- controlled ratings systems and their oversight. based content ratings systems. The movie industry, There should be one uniform age-based content the television industry, the videogame industry rating system for all entertainment media; the and the music industry have, individually, crafted system must be accurate, consistent, transparent medium-specific rating systems as a resource to and accountable to those for whom it is intended to help parents. serve: parents; and oversight of that system should be vested primarily in experts outside of those who In recent years, the Parents Television Council has produce and/or distribute the programming – and produced research documenting a marked increase who might directly or indirectly profit from exposing in profanity airing on primetime broadcast television. children to explicit, adult-themed content. All of the television programming analyzed by the PTC for those research reports was rated as appropriate for children aged 14, or even younger. Today, with much of the nation ostensibly on lockdown as a result of the COVID-19 pandemic, children are at home instead of at school; and as a result, they have far greater access to entertainment media. While all forms of media consumption are up, the volume of entertainment programming being consumed through over-the-top streaming platforms has spiked dramatically. -
DAVID KLOTZ Music Editor TELEVISION CREDITS
DAVID KLOTZ Music Editor David Klotz has devoted his career to the music side of the film and tv industry, primarily as a music editor, but also as a composer, songwriter and music supervisor. He has won six Emmy awards for his work on Stranger Things, Game of Thrones, and American Horror Story. He got his start music supervising Christopher Nolan’s critically acclaimed film, Memento. Soon after, he moved into music editing, working on the shows Buffy The Vampire Slayer, Angel, Firefly, and Blade, the TV Series, to name a few. In 2005, he formed Galaxy Beat Media, his music editorial and production company, working on TV shows including Entourage, Prison Break, Glee, and the Marvel feature film, Iron Man. David co-wrote and performed the theme song to the 2001 Robert Rodriguez blockbuster, Spy Kids. He most recently produced and arranged a cover of the 1984 classic “Never Ending Story” for Stranger Things Season 3, available on the show’s soundtrack album. David’s band Dream System 8 has created music for dozens of TV shows including 9-1-1, American Horror Story, Scream Queens, and Pose. TELEVISION CREDITS Perry Mason (TV Series) I Am Not Okay with This (TV Series) Executive Producers: Robert Downey Jr., Susan Downey, Executive Producers: Josh S. Barry, Dan Cohen, Jonathan Ron Fitzgerald, Rolin Jones, Timothy Van Patten, Entwistle, Christy Hall, Dan Levine & Shawn Levy Matthew Rhys, Amanda Burrell & Joseph Horacek 21 Laps Entertainment/Netflix HBO American Horror Story (TV Series – Seasons 1- Ratched (TV Series) 10) Executive Producers: -
Stranger Love
Bard College Bard Digital Commons Senior Projects Spring 2015 Bard Undergraduate Senior Projects Spring 2015 Stranger Love Alexandra Christina Baro Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2015 Part of the Ancient Philosophy Commons, and the Classical Literature and Philology Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Recommended Citation Baro, Alexandra Christina, "Stranger Love" (2015). Senior Projects Spring 2015. 117. https://digitalcommons.bard.edu/senproj_s2015/117 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Stranger Love Senior Project submitted to The Division of Languages and Literature by Alexandra Baro Annandale-on-Hudson, New York May 2015 For Thomas Acknowledgments My parents, for everything. My grandfather, for first introducing me to our dear friend “Platon.” Jay Elliott, for taking on this wild project, and for making it seem like a good idea. Carolyn Dewald, for all the stories you told in Greek 101. Laura Bartram, for loving the beautiful beautifully, and for always catching my drift. Sorrel Dunn, for your wonder. -
Stranger Things Season One Episode One Study Booklet
STRANGER THINGS SEASON ONE EPISODE ONE STUDY BOOKLET __________________________________________________________________ Stranger Things Study Booklet © Jon Meier 1 STRANGER THINGS S1 E1 SUMMARY & KEY ALLUSIONS THE VANISHING OF WILL BYERS For more details, see http://strangerthings.wikia.com/wiki/The_Vanishing_of_Will_Byers http://strangerthings.wikia.com/wiki/Influences_%26_references See page 11 for a quiz on Episode 1 Opening echoes 1 A caption informs us that it's November 6th 1983, Hawkins Indiana. Hawkins National Spielberg's ET; Laboratory, a government Energy Laboratory. An alarm is ringing, lights flickering, A white-coated there are many lab worker is running down a corridor in panic. He gets in a lift, but animal noises and sound other references effects continue even more intensely. He is pulled upwards by a mysterious force. in this episode The boys gave been 2 Cut to Mike's house, via a shot of the sprinkler system at night. The four young protagonists, playing for 10 Will, Dustin, Mike and Lucas, are playing Dungeons and Dragons. They encounter the terrifying hours! Demogorgon when Mike's mum insists it's time for the others to go home. D&D features in ET 3 It's night time. Will and Dustin race each other home on their bikes. If the Will wins, Dustin promises him his X-men comic. Will's lights flicker and cut out, he is scared by a mysterious figure in the road, veers off the road and falls. 4 Accompanied by the same eerie animal noises, Will runs home, which is empty apart from a shed is another barking dog. -
Netflix Atmos Titles June 2020
4k Dolby Vision Atmos Series Altered Carbon (2 Seasons) 4k Dolby Vision Atmos Series Another Life (Season 1) 4k Dolby Vision Atmos Series Chef’s Table France 4k Dolby Vision Atmos Series Dark (3 Seasons) 4k Atmos Series New Daybreak (1 Season) 4k Dolby Vision Atmos Series Dracula (1 Season) 4k Dolby Vision Atmos Series Formula 1: Drive to Survive (2 Seasons) 4k Dolby Vision Atmos Series New Girl / HaJi (1 Season) 4k Dolby Vision Atmos Series Hollywood (1 Season) 4k Dolby Vision Atmos Series New Home Game (1 Season) 4k Dolby Vision Atmos Series New I Am Not Ok With This (1 Season) 4k Dolby Vision Atmos Series Lenox Hill (1 Season) 4k Dolby Vision Atmos Series New Locke & Key (1 Season) 4k Dolby Vision Atmos Series Lost In Space (2 Seasons) 4k Dolby Vision Atmos Series Love, Death & Robots (Vol. 1) 4k Dolby Vision Atmos Series Marvel’s Jessica Jones (Seasons 1-3) 4k Dolby Vision Atmos Series Marvel’s Punisher (Seasons 1-2) 4k Dolby Vision Atmos Series Messiah (1 Season) 4k Dolby Vision Atmos Series Night on Earth 4k Dolby Vision Atmos Series October Faction (1 Season) 4k Dolby Vision Atmos Series Our Planet (Limited Series) 4k Dolby Vision Atmos Series Self Made (Limited Series) 4k Atmos Series Soundtrack 4k Dolby Vision Atmos Series Space Force 4k Dolby Vision Atmos Series New Stranger Things (Seasons 1-3) 4k Dolby Vision Atmos Series Sweet Magnolias (1 Season) 4k Dolby Vision Atmos Series New The I-Land (Limited Series) 4k Dolby Vision Atmos Series The Witcher (Season 1) 4k Dolby Vision Atmos Series Unsolved Mysteries (1 Volume) 4k Dolby -
Not Stranger Or Friend: the Role of Self-Disclosure in Personal-Service Provider Relationships" (2020)
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Master's Theses (2009 -) Projects Not Stranger or Friend: The Role of Self-Disclosure in Personal- Service Provider Relationships Sarah Elizabeth Devereux Marquette University Follow this and additional works at: https://epublications.marquette.edu/theses_open Part of the Communication Commons Recommended Citation Devereux, Sarah Elizabeth, "Not Stranger or Friend: The Role of Self-Disclosure in Personal-Service Provider Relationships" (2020). Master's Theses (2009 -). 612. https://epublications.marquette.edu/theses_open/612 i Not stranger or friend: The role of self-disclosure in personal-service provider relationships Sarah E. Devereux Marquette University A Thesis submitted to the Faculty of the Graduate School, Marquette University, In partial fulfillment of the requirements for the degree of Master of Arts in Communication Milwaukee, Wisconsin August 2020 ii ABSTRACT NOT STRANGER OR FRIEND: THE ROLE OF SELF-DISCLOSURE IN PERSONAL SERVICE PROVIDER RELATIONSHIPS Sarah E. Devereux, B.A., M.A. Marquette University, 2020 The process of self-disclosure was examined through a type of relationship that has not been studied significantly in previous research, the personal-service provider and client relationship. Most research regarding self-disclosure has looked at either close, intimate relationships or that of strangers. Self-disclosure between people who are not members of the groups mentioned above requires further research to fully understand how often it occurs, why it happens, what type of information is shared and more. Eight semi-structured qualitative interviews with hairstylists who have been working for two years or more and have built relationships with clients were conducted to answer the questions surrounding the self-disclosure occurring in this type of relationship.