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A Collection of Ekphrastic Poems
Utah State University DigitalCommons@USU Undergraduate Honors Capstone Projects Honors Program 5-2010 Manuscripts, Illuminated: A Collection of Ekphrastic Poems Jacqueline Vienna Goates Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honors Part of the Creative Writing Commons Recommended Citation Goates, Jacqueline Vienna, "Manuscripts, Illuminated: A Collection of Ekphrastic Poems" (2010). Undergraduate Honors Capstone Projects. 50. https://digitalcommons.usu.edu/honors/50 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@USU. It has been accepted for inclusion in Undergraduate Honors Capstone Projects by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Manuscripts, Illuminated: A Collection of Ekphrastic Poems by Jacquelyn Vienna Goates Thesis submitted in partial fulfillment of the requirements for the degree of HONORS IN UNIVERSITY STUDIES WITH DEPARTMENTAL HONORS in English in the Department of Creative Writing Approved: Thesis/Project Advisor Departmental Honors Advisor Dr. Anne Shifrer Dr. Joyce Kinkead Director of Honors Program Dr. Christie Fox UTAH STATE UNIVERSITY Logan, UT Spring 2010 Abstract This thesis is a unique integration of creative writing and research of a specific literary tradition. As a student of art history and literature, and a creative writer, I am interested in fusing my interests by writing about art and studying the relationships between text and image. I have written a collection of ekphrastic poems, poems which are based on works of art. After reading extensively in this genre of poetry and researching its origins and evolution throughout literary history, I have come to a greater appreciation for those who write ekphrasis and what it can accomplish in the craft of writing. -
Don Quixote and Legacy of a Caricaturist/Artistic Discourse
Don Quixote and the Legacy of a Caricaturist I Artistic Discourse Rupendra Guha Majumdar University of Delhi In Miguel de Cervantes' last book, The Tria/s Of Persiles and Sigismunda, a Byzantine romance published posthumously a year after his death in 1616 but declared as being dedicated to the Count of Lemos in the second part of Don Quixote, a basic aesthetie principIe conjoining literature and art was underscored: "Fiction, poetry and painting, in their fundamental conceptions, are in such accord, are so close to each other, that to write a tale is to create pietoríal work, and to paint a pieture is likewise to create poetic work." 1 In focusing on a primal harmony within man's complex potential of literary and artistic expression in tandem, Cervantes was projecting a philosophy that relied less on esoteric, classical ideas of excellence and truth, and more on down-to-earth, unpredictable, starkly naturalistic and incongruous elements of life. "But fiction does not", he said, "maintain an even pace, painting does not confine itself to sublime subjects, nor does poetry devote itself to none but epie themes; for the baseness of lífe has its part in fiction, grass and weeds come into pietures, and poetry sometimes concems itself with humble things.,,2 1 Quoted in Hans Rosenkranz, El Greco and Cervantes (London: Peter Davies, 1932), p.179 2 Ibid.pp.179-180 Run'endra Guha It is, perhaps, not difficult to read in these lines Cervantes' intuitive vindication of the essence of Don Quixote and of it's potential to generate a plural discourse of literature and art in the years to come, at multiple levels of authenticity. -
Empirically Identify and Analyze Trained and Untrained Observers
DOCUMENT RESUME ED 052 219 24 TE 499 825 AUTHOR Hardiman, George W. TITLE Identification and Evaluation of Trained and Untrained Observers' Affective Responses to Art Ob'ects. Final Report. INSTITUTION Illinois Univ., Urbana. Dept. of Art. SPONS AGENCY Office of Education (DREW), Washington, D.C. Bureau of Research. BUREAU NO BR-9-0051 PUB DATE Mar 71 GRANT OEG-5-9-230051-0027 NOTE 113p. EDRS PRICE EDRS Price MF-$0.65 HC-$6.58 DESCRIPTORS *Affective Behavior, *Art Expression, *Color Presentation, *Data Analysis, Factor Analysis, *Measurement Instruments, Rating Scales ABSTRACT The objectives of this study were twofold: (1) to empirically identify and analyze trained and untrained observers affective responses to a representative collection of paintings for the purpose et constructing art differential instruments, and (2) to use these instruments to objectively identify and evaluate the major affective factors and components associated with selected paintings by trained and untrained observers. The first objective was accomplished by having 120 trained and 120 untrained observers elicit a universe of 12,450 adjective qualifiers to a collection of 209 color slides of paintings. Data analyses yielded subsets of adjective qualifiers most characteristic of trained and untrained observers' affective decoding of the 209 slides. These subsets served as a basis for constructing separate art differential instruments for trained and untrained observers' use in subsequent analyses. The second objective was achieved by having 48 trained and 48 untrained observers rate 24 color slides of paintings on 50 scale art differential instruments. Trained and untrained observers' art differential ratings of the 24 paintings were factor analyzed in order to identify the major affective factors associated with the paintings. -
Editorial by Nicolás Smirnoff
WWW.PRENSARIO.TV WWW.PRENSARIO.TV //// EDITORIAL BY NICOLÁS SMIRNOFF CEE: ups & downs at the new digital era Central & Eastern Europe is going forward through the new digital era with its own tips. The region has suffered a deep crisis from 2008 to 2017- 2018, with many economies Prensario just standing up. This has International meant rare investment pow- er and long-term plans, but at the same time the change ©2018 EDITORIAL PRENSARIO SRL PAYMENTS TO THE ORDER OF moves fast and comparing to EDITORIAL PRENSARIO SRL other territories, CEE shows OR BY CREDIT CARD. REGISTRO NACIONAL DE DERECHO strong digital poles and de- DE AUTOR Nº 10878 velopment appeals. Argentina: In favor, most of the biggest broadcast- OTT platforms? It is what main broadcasters Las Casas 3535 ers are group of channels that include many of the world are doing, to compete better in CP: 1238 the new converged market and to generate Buenos Aires, Argentina countries, so it is easier to set up cross region- Tel: (+54-11) 4924-7908 al plans and to generate high-scale moves. proper synergies. If content business moves Fax: (+54-11) 4925-2507 On the opposite, there are many different to franchise management, it is important to USA: languages and audiences, so it is difficult to be flexible enough to any formula. 12307 SW 133 Court - Suite #1432 spread solutions that work to every context. This Natpe Budapest? It promises to be bet- Miami, Florida 33186-USA Phone: (305) 890-1813 Russia is a big Internet pole and now it is ter than last ones, with the region going up Email: [email protected] also a big production hub for international and the need of pushing more and more col- Website: www.prensario.tv companies setting up studios or coproduc- laborations. -
He Dreams of Giants
From the makers of Lost In La Mancha comes A Tale of Obsession… He Dreams of Giants A film by Keith Fulton and Lou Pepe RUNNING TIME: 84 minutes United Kingdom, 2019, DCP, 5.1 Dolby Digital Surround, Aspect Ratio16:9 PRESS CONTACT: Cinetic Media Ryan Werner and Charlie Olsky 1 SYNOPSIS “Why does anyone create? It’s hard. Life is hard. Art is hard. Doing anything worthwhile is hard.” – Terry Gilliam From the team behind Lost in La Mancha and The Hamster Factor, HE DREAMS OF GIANTS is the culmination of a trilogy of documentaries that have followed film director Terry Gilliam over a twenty-five-year period. Charting Gilliam’s final, beleaguered quest to adapt Don Quixote, this documentary is a potent study of creative obsession. For over thirty years, Terry Gilliam has dreamed of creating a screen adaptation of Cervantes’ masterpiece. When he first attempted the production in 2000, Gilliam already had the reputation of being a bit of a Quixote himself: a filmmaker whose stories of visionary dreamers raging against gigantic forces mirrored his own artistic battles with the Hollywood machine. The collapse of that infamous and ill-fated production – as documented in Lost in La Mancha – only further cemented Gilliam’s reputation as an idealist chasing an impossible dream. HE DREAMS OF GIANTS picks up Gilliam’s story seventeen years later as he finally mounts the production once again and struggles to finish it. Facing him are a host of new obstacles: budget constraints, a history of compromise and heightened expectations, all compounded by self-doubt, the toll of aging, and the nagging existential question: What is left for an artist when he completes the quest that has defined a large part of his career? 2 Combining immersive verité footage of Gilliam’s production with intimate interviews and archival footage from the director’s entire career, HE DREAMS OF GIANTS is a revealing character study of a late-career artist, and a meditation on the value of creativity in the face of mortality. -
HBO and Mercado Libre Seal Strategic Alliance to Provide Benefits in Content
HBO and Mercado Libre seal strategic alliance to provide benefits in content The benefit will allow Mercado Libre and Mercado Pago users to subscribe to HBO GO with discounts and without needing a credit or debit card. HBO GO will offer millions of Mercado Libre and Mercado Pago users’ access to its complete catalog of productions, featuring thousands of premium titles. Miami, July 20, 2020 - Mercado Libre and HBO Latin America announced today a strategic and innovative alliance that, for the first time, will provide premium content benefits to millions of Mercado Libre users in Mexico, Argentina and Brazil. Users of the e-commerce platform in these territories will have two great benefits with this new offer: the ability to subscribe to the HBO GO streaming platform with special discounts, as well as the possibility to do so without a credit or debit card. As a result of this agreement, Mercado Libre users in Mexico, Argentina and Brazil will be able to access thousands of exclusive HBO titles including the most recent releases, such as drama series PERRY MASON and the acclaimed VERONICA MARS, as well as the most awarded productions of HBO, including GAME OF THRONES, WESTWORLD, CHERNOBYL, SUCCESSION, BIG LITTLE LIES and iconic series like THE SOPRANOS and SEX AND THE CITY, plus successful local original productions from Latin America like JOINT VENTURE, THE BRONZE GARDEN, SR. AVILA, THE BUSINESS, EPITAFIOS and CAPADOCIA. Users will also count on the latest HBO releases including new Hollywood blockbusters and upcoming content such as the new drama series LOVECRAFT COUNTRY, premiering in August. -
The Pennsylvania State University the Graduate School College Of
The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Masterpiece: Don Quixote, 1955 by Pablo Picasso
Masterpiece: Don Quixote, 1955 By Pablo Picasso Keywords: line, shape, pen & ink Grade: 5th Month: May Activity: The Mighty Pen (and Ink) Meet the Artist: Picasso was born in Spain in 1881. His father was an artist who taught at a local university and he encouraged Pablo at an early age to pursue his artistic talents. At the age of 11, Pablo and was sent to art. Picasso’s artworks changed significantly through his career and he created hundreds of paintings and sculptures. He married and had 4 children. When they were younger, he was a fantastically fun dad. He would draw on tablecloths, did magic tricks and would prepare birthday dinner celebrations made up entirely of chocolate. He became most well known for his Cubist paintings. Cubism emphasized line, shape and color. It was a modern art style that is not realistic in nature, but based geometric shapes. It started out with neutral colors, but eventually became a very colorful style. Picasso was very outspoken, opinionated and eccentric. He never threw anything out, hated the telephone, and refused to dust his studio. He loved keeping an odd assortment of pets, including goats, reptiles, a monkey and always some Afghan Hounds. He loved any publicity and made sure he was always reading something about himself. He was a prolific painter, and even in his 90th year, he painted 200 paintings. He was still working on the day he died, at 92, of heart failure. Don Quixote is a 1955 sketch by Pablo Picasso of the Spanish literary hero and his sidekick, Sancho Panza. -
State of Ambiguity: Civic Life and Culture in Cuba's First Republic
STATE OF AMBIGUITY STATE OF AMBIGUITY CiviC Life and CuLture in Cuba’s first repubLiC STEVEN PALMER, JOSÉ ANTONIO PIQUERAS, and AMPARO SÁNCHEZ COBOS, editors Duke university press 2014 © 2014 Duke University Press All rights reserved Printed in the United States of America on acid-f ree paper ♾ Designed by Heather Hensley Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data State of ambiguity : civic life and culture in Cuba’s first republic / Steven Palmer, José Antonio Piqueras, and Amparo Sánchez Cobos, editors. pages cm Includes bibliographical references and index. isbn 978-0-8223-5630-1 (cloth : alk. paper) isbn 978-0-8223-5638-7 (pbk. : alk. paper) 1. Cuba—History—19th century. 2. Cuba—History—20th century. 3. Cuba—Politics and government—19th century. 4. Cuba—Politics and government—20th century. 5. Cuba— Civilization—19th century. 6. Cuba—Civilization—20th century. i. Palmer, Steven Paul. ii. Piqueras Arenas, José A. (José Antonio). iii. Sánchez Cobos, Amparo. f1784.s73 2014 972.91′05—dc23 2013048700 CONTENTS Introduction: Revisiting Cuba’s First Republic | 1 Steven Palmer, José Antonio Piqueras, and Amparo Sánchez Cobos 1. A Sunken Ship, a Bronze Eagle, and the Politics of Memory: The “Social Life” of the USS Maine in Cuba (1898–1961) | 22 Marial Iglesias Utset 2. Shifting Sands of Cuban Science, 1875–1933 | 54 Steven Palmer 3. Race, Labor, and Citizenship in Cuba: A View from the Sugar District of Cienfuegos, 1886–1909 | 82 Rebecca J. Scott 4. Slaughterhouses and Milk Consumption in the “Sick Republic”: Socio- Environmental Change and Sanitary Technology in Havana, 1890–1925 | 121 Reinaldo Funes Monzote 5. -
Julio Lobo (1898 — 1983)
D — JULIO LOBO — 1898 – 1983 JULIO LOBO (1898 — 1983) as a powerful Cuban sugar trader and financier. He was the W richest man in pre-revolutionary Cuba and the last of the island’s haute bourgeoisie. Julio Lobo remains emblematic of a certain way of life that came to an abrupt end when Fidel Castro marched into Havana. Known in his day as the King of Sugar, Lobo was, from the late 1930s to 1960, the most powerful force in the world sugar market, controlling vast swathes of the island’s sugar interests. At the start of the Cuban Revolution in 1959, Lobo’s fortune was estimated at close to $200 million. His assets included 14 sugar mills, over 300,000 acres of land, a bank, an insurance company, and offices in Havana, New York, London, Madrid, and Manila. Born in 1898, the year of Cuba’s independence, Lobo’s extraordinary life mirrors the many rises and final fall of the troubled Cuban republic. The details of Lobo’s life are fit for Hollywood. He twice cornered the international sugar market and had the largest collection of Napoleonica outside of France, including the emperor’s back teeth and death mask. Today, the collection is housed in Havana at the Museo Napoleonico. He once faced a firing squad only to be pardoned at the last moment and later survived a gangland shooting. He courted movie stars from Bette Davis to Joan Fontaine and, when Esther Williams came to visit, he filled the swimming pool at his sprawling estate with perfume. Such are the legends of which revolutions are made, and later justified. -
Ever Faithful
Ever Faithful Ever Faithful Race, Loyalty, and the Ends of Empire in Spanish Cuba David Sartorius Duke University Press • Durham and London • 2013 © 2013 Duke University Press. All rights reserved Printed in the United States of America on acid-free paper ∞ Tyeset in Minion Pro by Westchester Publishing Services. Library of Congress Cataloging- in- Publication Data Sartorius, David A. Ever faithful : race, loyalty, and the ends of empire in Spanish Cuba / David Sartorius. pages cm Includes bibliographical references and index. ISBN 978- 0- 8223- 5579- 3 (cloth : alk. paper) ISBN 978- 0- 8223- 5593- 9 (pbk. : alk. paper) 1. Blacks— Race identity— Cuba—History—19th century. 2. Cuba— Race relations— History—19th century. 3. Spain— Colonies—America— Administration—History—19th century. I. Title. F1789.N3S27 2013 305.80097291—dc23 2013025534 contents Preface • vii A c k n o w l e d g m e n t s • xv Introduction A Faithful Account of Colonial Racial Politics • 1 one Belonging to an Empire • 21 Race and Rights two Suspicious Affi nities • 52 Loyal Subjectivity and the Paternalist Public three Th e Will to Freedom • 94 Spanish Allegiances in the Ten Years’ War four Publicizing Loyalty • 128 Race and the Post- Zanjón Public Sphere five “Long Live Spain! Death to Autonomy!” • 158 Liberalism and Slave Emancipation six Th e Price of Integrity • 187 Limited Loyalties in Revolution Conclusion Subject Citizens and the Tragedy of Loyalty • 217 Notes • 227 Bibliography • 271 Index • 305 preface To visit the Palace of the Captain General on Havana’s Plaza de Armas today is to witness the most prominent stone- and mortar monument to the endur- ing history of Spanish colonial rule in Cuba.