DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1985

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer, 1985 J Next summer . .walk to Tanglewood . .from your own country estate condominium, just down the road on a quiet preserve of unspoiled woodlands and rolling meadows. This is White Pines at Stockbridge, part of the Countess de Heredias estate. On these 95 acres, we have already completed more than a third of our 68 luxurious units. .some created within existing French Provincial buildings, others in totally new, but architecturally harmonious, duplexes. As a homeowner, you will enjoy White Pines exclusive recreational facilities, including a four-season swimming pool, Har-Tru tennis courts, a private lakefront beach, acres of undeveloped land for quiet strolling and cross-country skiing. We invite you to visit our furnished model, open seven days a week. Developers: Herbert & Edith Ross Architect: David Rothstein Construction: Allegrone Construction Co. Financing: Berkshire Bank & Essex Bank White Model Interiors: Barbara Lazarus For an appointment, please call (413) 637-1140. Or contact our exclusive sales agent, Reinholt Pines Realty—Main Street, Lenox (413) 637-1251 or country estate Main Street, Stockbridge (413) 298-3664. For more information, write P.O. Box 529, condominiums Hawthorne Street, Stockbridge, MA 01262. at Stockbridge Featured in $l)e JfeUf jjjork StlttCS 9HH98L Seiji Ozawa, Music Director One Hundred and Fourth Season, 1984-85 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President J. P. Barger, Vice-President George H. Kidder, Vice-President Mrs. George L. Sargent, Vice-President William J. Poorvu, Treasurer Vernon R. Alden Mrs. Michael H. Davis E.James Morton David B. Arnold, Jr. Archie C. Epps David G. Mugar Mrs. John M. Bradley Mrs. John H. Fitzpatrick Thomas D. Perry, Jr. Mrs. Norman L. Cahners Mrs. John L. Grandin Irving W Rabb George H. A. Clowes, Jr. Harvey Chet Krentzman Mrs. George R. Rowland William M. Crozier, Jr. Roderick M. MacDougall Richard A. Smith Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. John T. Noonan Allen G. Barry Edward M. Kennedy Mrs. James H. Perkins Richard P. Chapman Edward G. Murray Paul C. Reardon Abram T. Collier Albert L. Nickerson Sidney Stoneman Mrs. Harris Fahnestock John L. Thorndike Administration of the Boston Symphony Orchestra, Inc. Thomas W. Morris, General Manager Daniel R. Gustin, Assistant Manager Anne H. Parsons, Orchestra Manager Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Theodore A. Vlahos, Director of Business Affairs Charles S. Fox, Director of Annual Giving Steven Ledbetter, Musicologist & Arlene Germain, Financial Analyst Program Annotator Charles Gilroy, Chief Accountant Marc Mandel, Publications Coordinator Vera Gold, Assistant Director of Promotion Richard Ortner, Administrator of Patricia Halligan, Personnel Administrator Tanglewood Music Center Nancy A. Kay, Director of Sales Robert A. Pihlcrantz, Properties Manager John M. Keenum, Director of Charles Rawson, Manager of Box Office Foundation Support Eric Sanders, Director of Corporate Development James F. Kiley, Operations Manager, Joyce M. Serwitz, Assistant Director Tanglewood of Development Nancy Knutsen, Production Manager Diane Greer Smart, Director of Volunteers Anita R. Kurland, Administrator of Nancy E. Tanen, Medial Special Projects Youth Activities Administrator Programs copyright ®1985 Boston Symphony Orchestra, Inc. Cover photo by Walter H. Scott j Music After 1kiglew®d... Join the BSO in Boston and New York! ..'": Join Music Director Seiji Ozawa and the Boston Symphony Orchestra in Symphony Hall for a 22-week season which spans the major masterpieces of the repertoire to some exciting new music. During the 1985-86 New York season at Carnegie Hall, Ozawa and the BSO will present three stunning concerts, including appearances by Itzhak Perlman and Maurizio Pollini. For music after Tangiewood, subscribe today. Free brochures with complete program information for the BSO's Boston and New York seasons are available at the Tangiewood Main Gate. Or contact the Subscription Office, Symphony Hall, Boston MA 02115, (617) 266-1492. rSmBeSK msml , Board of Overseers of the Boston Symphony Orchestra, Inc. Harvey Chet Krentzman, Chairman Avram J. Goldberg Mrs. August R. Meyer Vice-Chairman Vice-Chairman Ray Stata Mrs. Gordon F. Kingsley Vice-Chairman Secretary Mrs. Weston W. Adams Mrs. Ray A. Goldberg Mrs. Hiroshi Nishino Martin Allen Jordan L. Golding Vincent M. O'Reilly Bruce A. Beal Haskell R. Gordon Stephen Paine, Sr. Mrs. Richard Bennink Mrs. R. Douglass Hall III John A. Perkins Peter A. Brooke Francis W Hatch, Jr. Mrs. Curtis Prout William M. Bulger Mrs. Richard D. Hill Peter C. Read Mary Louise Cabot Susan M. Hilles Robert E. Remis James F. Cleary Glen H. Hiner Mrs. Peter van S. Rice John F. Cogan, Jr. Mrs. Marilyn Brachman Hoffman David Rockefeller, Jr. Julian Cohen Mrs. BelaT. Kalman John Ex Rodgers Mrs. Nat King Cole Mrs. S. Charles Kasdon Mrs. Jerome Rosenfeld Arthur P. Contas Richard L. Kaye Mrs. William C. Rousseau Mrs. A. Werk Cook John Kittredge Mrs. William H. Ryan Phyllis Curtin Mrs. Carl Koch Gene Shalit A.V. dArbeloff Mrs. E. Anthony Kutten Malcolm L. Sherman D.V. dArbeloff John P. LaWare Donald B. Sinclair Mrs. Michael H. Davis Mrs. James F. Lawrence Ralph Z. Sorenson Mrs. Otto Eckstein Laurence Lesser Mrs. Arthur I. Strang William S. Edgerly Mrs. Charles P. Lyman Mrs. Richard H. Thompson Mrs. Alexander Ellis Mrs. Harry L. Marks William F. Thompson John A. Fibiger C. Charles Marran Mark Tishler, Jr. Kenneth G. Fisher J. William Middendorf II Luise Vosgerchian Gerhard M. Freche Paul M. Montrone Mrs. An Wang Peter H.B. Frelinghuysen Hanae Mori Roger D. Wellington Mrs. Thomas J. Galligan Richard P. Morse John J. Wilson Mrs. Thomas Gardiner Mrs. Robert B. Newman Brunetta Wolfman Mrs. James G. Garivaltis Nicholas T. Zervas Overseers Emeriti Mrs. Frank G. Allen Paul Fromm Benjamin H. Lacy Hazen H. Ayer Mrs. Louis I. Kane Mrs. Stephen V.C. Morris David W Bernstein Leonard Kaplan David R. Pokross Officers of the Boston Symphony Association of Volunteers Mrs. Michael H. Davis President Mrs. Hart D. Leavitt Mrs. Carl Koch Executive Vice-President Treasurer Mrs. Barbara W Steiner Mrs. August R. Meyer Secretary Nominating Chairman Vice-Presidents Mrs. Gilman W Conant, Regions Mrs. Craig W. Fischer, Tanglewood Phyllis Dohanian, Fundraising Projects Mrs. Hiroshi Nishino, Youth Activities Mrs. R. Douglas Hall III, Mrs. Mark Selkowitz, Tanglewood Development Services Mark Tishler, Public Relations Chairmen of Regions Mrs. Roman W. DeSanctis Mrs. Charles Hubbard Mrs. Frank E. Remick Mrs. Russell J. Goodnow, Jr. Mrs. Herbert S. Judd, Jr. John H. Stookey Mrs. Baron M. Hartley Mrs. Robert B. Newman Mrs. Arthur I. Strang Km Drawing by Douglas McGregor People by Norman Rockwell Since 1773 A wonderful place to be in the Berkshires. Open every day for luncheons Main Street and dinners. And . just a few minutes down the road on in the center of Stockbridge. The Red Lion Inn has catered to travelers and visitors since 1773. From the informal Widow Bingham Tavern to the elegant antique filled dining room you'll enjoy fine food and hospitality in the traditional New England manner. Have cocktails downstairs at The Lion's Den. There is a wonderful menu from soups, salads and sandwiches to scrumptious desserts .... and you will have time to eat a light meal and still make the show. A great way to top off your evening is a visit to the Den to enjoy the nightly entertainment. Phone for reservations (413)298-5545 Fine Food and Lodging I m The Red Lm Inn STOCKBRIDGE, MASSACHUSETTS 01262 TANGLEWOOD family estate, with its buildings and 210 acres of lawns and meadows, as a gift to The Tanglewood Festival Koussevitzky and the orchestra. The In August 1934, a group of music- offer was gratefully accepted, and on loving summer residents of the 5 August 1937 the festival's largest crowd Berkshires organized a series of three so far assembled under a tent for the outdoor concerts at Interlaken, to be first Tanglewood concert, an all- given by members of the New York Beethoven program. Philharmonic under the direction of At the all-Wagner concert which Henry Hadley. The venture was so opened the 1937 festival's second successful that the promoters incorpo- weekend, rain and thunder twice inter- rated the Berkshire Symphonic Festival rupted the performance of the Rienzi and repeated the experiment during the Overture and necessitated the omission next summer. altogether of the Siegfried "Forest The Festival Committee then invited Murmurs," music too delicate to be Serge Koussevitzky and the Boston heard through the downpour. At the Symphony Orchestra to take part in the intermission, Miss Gertrude Robinson following year's concerts. The orchestra's Smith, one of the festival's founders, Trustees accepted, and on 13 August made a fundraising appeal for the build- 1936 the Boston Symphony gave its first ing of a permanent structure. The appeal concerts in the Berkshires (at Holm- was broadened by means of a printed wood" a former Vanderbilt estate, later circular handed out at the two remain- the Center at Foxhollow). The series ing concerts, and within a short time again consisted of three concerts and enough money had been raised to begin was given under a large tent, drawing a active planning for a "music pavilion." total of nearly 15,000 people. Eliel Saarinen, the eminent architect In the winter of 1936, Mrs. Gorham selected by Koussevitzky, proposed an Brooks and Miss Mary Aspinwall Tap- elaborate design that went far beyond pan offered Tanglewood, the Tappan the immediate needs of the festival and, A 1939 banner advertising that summer's Boston Symphony Tanglewood Festival Remembrance of Things Tanglew(®d... -.The Glass House TANGLEWOOD'S DISTINCTIVE GIFT SHOP MasterCard /VISA /American Express LOCATED AT THE MAIN GATE, TANGLEWOOD, LENOX, MA 01240 (413) 637-1600 Monday through Saturday: 10am to 4pm Friday and Saturday: 6pm to closing of the grounds Weeknight Theatre concerts: 7pm to closing of the grounds Sunday: 12 noon to closing of the grounds more important, went well beyond the Center, which had begun operations budget of $100,000.
Load more

Recommended publications
  • A Comparison of the Piano and Guitar Versions of Isaac Albéniz's Spanish Suite Op
    A COMPARISON OF THE PIANO AND GUITAR VERSIONS OF ISAAC ALBÉNIZ'S SPANISH SUITE OP. 47 by YI-YIN CHIEN A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts November 2016 2 “A Comparison of the Piano and Guitar Versions of Isaac Albéniz’s Spanish Suite, Op. 47’’ a document prepared by Yi-Yin Chien in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This document has been approved and accepted by: Jack Boss, Chair of the Examining Committee Date: November 20th, 2016 Committee in Charge: Dr. Jack Boss, Chair Dr. Juan Eduardo Wolf Dr. Dean Kramer Accepted by: Director of Graduate Studies, School of Music and Dance © 2016 Yi-Yin Chien 3 CURRICULUM VITAE NAME OF AUTHOR: Yi-Yin Chien PLACE OF BIRTH: Taiwan DATE OF BIRTH: November 02, 1986 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon, School of Music and Dance Peabody Institute of the Johns Hopkins University Tainan National University of Arts DEGREES AWARDED: Doctor of Musical Arts, 2016, University of Oregon Master of Music, 2011, Peabody Institute of the Johns Hopkins University Bachelor of Music, 2009, Tainan National University of Arts AREAS OF SPECIAL INTEREST: Piano Pedagogy Music Theory PROFESSIONAL EXPERIENCE: College Piano Teaching, University of Oregon, School of Music and Dance, 09/2014 - 06/2015 Taught piano lessons for music major and non-major college students Graduate Teaching
    [Show full text]
  • Markand Thakar, Music Director
    Baltimore Chamber Orchestra PRESS PACKET markand thakar, music director 2015-2016 www.thebco.org HISTORY markand thakar, music director Baltimore Chamber Orchestra’s first performance, led by Maestra Anne Harrigan, was on January 29, 1984. She introduced the audience to a classical orchestra offering virtuoso performances that touch the heart. From its beginning, Baltimore Chamber Orchestra has grown to occupy an essential niche in the thriving arts scene of greater Baltimore. Our core repertoire is the overtures, concertos, and symphonies of Classical Era masters Haydn, Mozart Beethoven, Mendelssohn and Schubert, which we perform with the actual sized ensemble for which it was composed. BCO remains a group of exceptional musicians who are passionate about their performances. Indeed, the orchestra strives to meet the same standard established at its inception in 1984: to provide accessible, high-quality, classical music with an intimate touch. Markand Thakar joined BCO as music director in June 2004. Maestro Thakar made his debut with the New York Philharmonic in 1997 and has since appeared with that orchestra multiple times, along with numerous orchestras across North America. Former music director of the Duluth Superior Symphony Orchestra and principal conductor of Duluth Festival Opera, he is co- director of graduate conducting at the Peabody Conservatory and the author of two seminal works: Counterpoint: Fundamentals of Music Making (Yale University Press, 1990) and Looking for the “Harp” Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011). Since the 2009-10 season, Maestro Thakar’s annual intensive conducting programs bring dozens of conductors from around the world to work with him and the BCO musicians.
    [Show full text]
  • DUO AMARAL - Bio
    DUO AMARAL - Bio Jorge Amaral and Mia Pomerantz-Amaral formed Duo Amaral in 2008 and were soon established in the international guitar scene, garnering high accolades from the media and from devoted audiences. During a tour in Italy, their recital was described in Il Messaggero Veneto as “masterful, with poetic virtuosity and intensity of expression”. Mike Telin of ClevelandClassical.com, described the duo as "superb, thoughtful musicians". Their debut album 'Súplica' was released in 2011, featuring the title work: a world-premier composition written by Mr. Amaral's father, Victor Manuel Amaral Ramirez. Céline Keating of Minor 7th Magazine described the CD as “...a sublime album of classical music for two guitars...”. Their Second album 'Textura' was released in 2013 and includes several of their own arrangements. Al Kunze of Soundboard Magazine describes: “Duo Amaral’s Textura is a superb disc, featuring beautiful music, exquisite playing, and exemplary recording. Mia Pomerantz- Amaral and Jorge Amaral play with extraordinary precision allied with delicacy, nuance, and virtuosity in equal measures.” (March 2014). And Bradford Werner of This is Classical Guitar continues: Textura “…deliver[s] some of the best ensemble work, musical expression, and repertoire. Another great album release!… One of the premier classical guitar duos of today!" Their latest album ‘Key West’ was released in March of 2017 and features an all Latin-American program including the world premier of ‘Key West Suite’, dedicated to the duo. Classical Guitar Magazine described the CD as “… a knockout - brimming with sensational, synchronous playing on a lively and challenging set of modern pieces… outstanding duo”.
    [Show full text]
  • Program Notes by Jonathan Leshnoff and Dr
    Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season June 6, 7, 8 and 9, 2019 MANFRED HONECK, CONDUCTOR MICHAEL RUSINEK, CLARINET NANCY GOERES, BASSOON CHRISTINA LANDSHAMER, SOPRANO JENNIFER JOHNSON CANO, MEZZO-SOPRANO WERNER GURA, TENOR SHENYANG, BASS MENDELSSOHN CHOIR OF PITTSBURGH MATTHEW MEHAFFEY, DIRECTOR JONATHAN LESHNOFF Double Concerto for Clarinet and Bassoon I. Slow II. Waltz III. Fast Mr. Rusinek Ms. Goeres WORLD PREMIERE COMMISSIONED BY THE PITTSBURGH SYMPHONY ORCHESTRA Intermission LUDWIG VAN BEETHOVEN Symphony No. 9 in D minor, Opus 125, “Choral” I. Allegro ma non troppo, un poco maestoso II. Molto vivace — Presto — Molto vivace III. Adagio molto e cantabile IV. Finale, with soloists and chorus: Presto — Allegro assai — Allegro assai vivace Ms. Landshamer Ms. Cano Mr. Gura Shenyang Mendelssohn Choir of Pittsburgh June 6-9, 2019, page 1 PROGRAM NOTES BY JONATHAN LESHNOFF AND DR. RICHARD E. RODDA JONATHAN LESHNOFF Double Concerto for Clarinet and Bassoon (2018) Jonathan Leshnoff was born in New Brunswick, New Jersey on September 8, 1973, and resides in Baltimore, Maryland. His works have been performed by more than 65 orchestras worldwide in hundreds of orchestral concerts. He has received commissions from Carnegie Hall, the Philadelphia Orchestra, and the symphony orchestras of Atlanta, Baltimore, Dallas, Kansas City, Nashville, and Pittsburgh. His Double Concerto for Clarinet and Bassoon was commissioned by the Pittsburgh Symphony and co-commissioned by the Greenwich Village Orchestra and International Wolfegg Concerts of Wolfegg, Germany. These performances mark the world premiere. The score calls for piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp, and strings.
    [Show full text]
  • Summer Issue 2020
    Minnesota Guitar Society Mission Statement Promote the guitar in all its stylistic and cultural diversity through sponsorship of public forums, concerts, and workshops. Serve as an educational and social link between the community G u i t a r i s t and amateur and professional guitarists of all ages. The Minnesota Guitar Society PO Box 14986 / Minneapolis MN 55414 Vol. 36 No. 2 / Summer Issue 2020 Great Concerts Just a Click Away! Special Benefit Concert Saturday, August 15, 2020 at 7:30 pm Streaming Live from Sundin Music Hall Featuring Jeffrey Van, Annett Richter, Robert Everest, and the Shank-Hagedorn Duo he Minnesota Guitar Society joins with people across our state and around the world who International Guitar Artists mourn the death of George Floyd at the hands of (brand new name, same great series) T police on May 25. We stand with those raising their voices against police brutality and systemic racism. or over 30 years, the Minnesota Guitar Socie- We thank the performers for donating their artistry and ty has presented an annual concert series. Sundin Music Hall on the campus of Hamline University Since the mid-1990s that series has had its for co-producing the event. Proceeds will be donated to home at Sundin Music Hall on the campus of the Lake Street Council in Minneapolis, to assist their ef- F Hamline University in St. Paul. One of the finest con- forts in rebuilding the neighborhood where George Floyd cert venues in the Twin Cities, this world-class facility lived and died. Thank you all for your support.
    [Show full text]
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Thu, Jul 08, 2021 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 09:38 Beethoven Coriolan Overture, Op. 62 Bavarian Radio 00958 CBS 42103 07464421032 Symphony/Davis Records 00:12:0847:02 Brahms Piano Concerto No. 1 in D Serkin/Cleveland 12936 Sony 48166 07464481662 minor, Op. 15 Orchestra/Szell 01:00:40 35:48 Dvorak Symphony No. 3 in E flat, Op. London 05880 London 430 046 028943004626 10 Symphony/Kertesz 01:37:2809:25 Tchaikovsky Andante cantabile from String NY 03805 Sony 62617 074646261729 Quartet No. 1 in D, Op. 11 Philharmonic/Bernstein Classical 01:47:53 10:36 Albinoni Adagio in G minor Gold/Royal 06043 Telarc 80562 089408056222 Philharmonic/Rosekran s 01:59:5912:49 Chopin Andante Spianato & Grand Benjamin Grosvenor 12081 Decca 478 5534 028947855343 Polonaise in E flat, Op. 22 02:13:4833:09 Schubert String Quartet in A minor, Takacs Quartet 06972 Hyperion 67585 034571175850 D.804 "Rosamunde" 02:47:5711:08 Corelli Concerto Grosso in C minor, Southwest German 04059 Seraphim 69143 724356914322 Op. 6 No. 3 Chmbr Orch/Wich 03:00:3505:06 Grainger The Merry King Dallas Wind 07716 Reference 117 3091111172 Symphony/Junkin Recordings 03:06:4119:58 Gliere 2nd mvt (Andante) from Buffalo 11853 Naxos 8.573161 747313316175 Symphony No. 3 in B minor, Philharmonic/Falletta Op. 42 "Il'ya Murometz" 03:27:3921:44 Haydn Symphony No. 007 in C, Academy 00304 Philips 411 441 028941144126 "Noon" SMF/Marriner 03:50:38 08:54 Weber Overture to Euryanthe New York 03650 Sony 47601 07464476012 Philharmonic/Bernstein 04:01:0211:22 Bach Flute Sonata in E, BWV 1035 Solum/Kipnis/Bogatin 00157 Arabesque 6589 2672406589 04:13:2423:09 Bomtempo Piano Concerto No.
    [Show full text]
  • Bulletin 2006/Music/Pages
    ale university July 20, 2006 2007 – Number 4 bulletin of y Series 102 School of Music 2006 bulletin of yale university July 20, 2006 School of Music Periodicals postage paid New Haven, Connecticut 06520-8227 ct bulletin of yale university bulletin of yale New Haven Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and affirmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, staff, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven ct 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual on PO Box 208230, New Haven ct 06520-8230 account of that individual’s sex, race, color, religion, age, disability, status as a special disabled Periodicals postage paid at New Haven, Connecticut veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation. Issued seventeen times a year: one time a year in May, November, and December; two times University policy is committed to affirmative action under law in employment of women, a year in June; three times a year in July and September; six times a year in August minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. Managing Editor: Linda Koch Lorimer Inquiries concerning these policies may be referred to Valerie O.
    [Show full text]
  • Cuarteto Casals with Manuel Barrueco
    MUSIC Cuarteto Casals with Manuel WASHINGTON, D.C. Barrueco Thu, October 24, 2013 8:00 pm Venue Library of Congress, 101 Independence Avenue Southeast, Washington, D.C., DC 20540 View map Phone: 202-707-5000 More information Buy tickets Credits Organized by The Library of Congress in collaboration with SPAIN arts & culture. Spanish string quartet Cuarteto Casals and Grammy- nominated guitarist Manuel Barrueco will perform at the Library of Congress. A quartet for the new millennium if I ever heard one —Strad Magazine Since winning First Prizes at the London and Brahms-Hamburg competitions, Cuarteto Casals has been a repeated guest at the world’s most prestigious concert halls including Wigmore Hall, Carnegie Hall, Musikverein Vienna, Philharmonie Cologne, Cité de la Musique Paris, Schubertiade in Schwarzenberg, Concertgebouw Amsterdam and the Philharmonie in Berlin, among many others throughout Europe, North America and Japan. The quartet has compiled a substantial discography with the Harmonia Mundi label, including to date 9 CD’s, with repertoire ranging from lesser known Spanish composers Arriaga and Toldrá to Viennese classics Mozart, Haydn and Brahms, through 20th Century greats Bartok, Kurtag and Ligeti. A sonic signature entirely its own, raved the New York Times, describing Cuarteto Casals’ distinctive range of expression. A prize from the prestigious Burletti-Buitoni Trust in London enabled the quartet to purchase a matching set of Classical period bows which it uses for works from Purcell through Schubert, refining its ability to distinguish between Embassy of Spain – Cultural Office | 2801 16th Street, NW, Washington, D.C. 20009 | Tel: (202) 728-2334 View this event online: https://www.spainculture.us/city/washington-dc/cuarteto-casals-with-manuel-barrueco/ Created on 10/02/2021 | Page 1 of 2 diverse musical styles.
    [Show full text]
  • Ana Vidović’S Astonishing Win Minutes, When I Stared Smiling to Myself Ana Vidović in the Albert Augustine Memorial in Disbelief
    Tarrega a Benicasim, in Spagna. Altri Ana Vidovic ha le sue origini nella cittadina primi premi includono il Concorso di Karlovac vicino a Zagabria, in Croazia, Replay 96 Eurovisione per Giovani Artisti, il ha iniziato a suonare la chitarra all’età di concorso Mauro Giuliani in Italia, 5 anni e a 7 aveva già tenuto il suo primo Printemps de la Guitare in Belgio e Young concerto pubblico. All’età di 11 anni si esibiva Concert Artists International Auditions a livello internazionale, e a 13 è diventata di New York. In Croazia la chitarrista la studentessa più giovane a frequentare la ha suonato con i Solisti di Zagabria e prestigiosa Accademia Musicale Nazionale la Zagreb Philharmonic Orchestra e di Zagabria, dove ha studiato con il professor con l’Orchestra Sinfonica della Radio e István Römer. La reputazione di Ana in Televisione Croata, oltre che essere stata Europa l’ha portatao a ricevere un invito a AN A descritta in tre documentari televisivi studiare con Manuel Barrueco al Peabody dall’eminente regista croato Petar Krelja. Conservatory dove si è laureata nel 2005. VIDOVIć © 2013 BGS Records Guitar 9 2013 BGS Records Recorded 10-12 June 1996 in the Parish Church of the Holy Trinity, Weston, Hertfordshire, UK. Producer and Engineer – John Taylor The Croatian Cover photography – David Cockroft Design – Andrew Giles Prodigy Executive Producers – Tom Kerstens & Philip Castang We would like to thank Mr. István Römer for his advice and help in the making of this recording. BGS Records, Music Base, Kings Place, 90 York Way, London, N1 9AG T: +44 (0) 870 240 6783 E: [email protected] W: www.bgsrecords.co.uk any years have passed since and I was spell-bound for at least five MAna Vidović’s astonishing win minutes, when I stared smiling to myself ANA VIDOVIć in the Albert Augustine Memorial in disbelief.
    [Show full text]
  • Laureate Series • Guitar Junhong Kuang
    Laureate Series • Guitar Junhong Kuang CASTELNUOVO-TEDESCO BARRIOS MANGORÉ J.S. BACH GRANADOS ALBÉNIZ LEGNANI MERTZ Junhong Kuang Guitar Recital Mario Castelnuovo-Tedesco (1895-1968): 1 Capriccio diabolico, Op. 85 (Omaggio a Paganini) 10:13 Agustín Barrios Mangoré (1885-1944): 2 Un sueño en la floresta 07:07 3 Chôro da Saudade 05:36 Johann Sebastian Bach (1685-1750): 4 Violin Partita No. 2 in D minor, BWV 1004 Ciaconna (arranged by Xu Bao) 13:22 Enrique Granados (1867-1916): 5 Danza española, Op. 37 No. 4 ‘Villanesca’ (arranged by Manuel Barrueco) 06:26 Isaac Albéniz (1860-1909): 6 Suite española No. 1, Op. 47 No. 3 ‘Sevilla’ (arranged by Pepe Romero) 04:41 Luigi Legnani (1790-1877): 36 Caprices, Op. 20 05:12 7 No. 7 in A major: Prestissimo 01:31 8 No. 2 in E minor: Allegro 00:46 9 No. 19 in B major: Allegretto grazioso 02:13 10 No. 29 in F sharp minor: Prestissimo 00:42 Johann Kaspar Mertz (1806-1856): 11 Trois morceaux, Op. 65 No. 1. Fantaisie hongroise 06:47 Luigi Legnani: 36 Caprices, Op. 20 04:31 12 No. 33 in D major: Pollacca 01:28 13 No. 21 in A major: Allegro giusto 00:59 14 No. 26 in C sharp minor: Allegro giusto 00:55 15 No. 36 in E major: Moderato 01:09 Junhong Kuang: Guitar Recital Mario Castelnuovo-Tedesco (1895-1968): Agustín Barrios Mangoré (1885-1944) Capriccio diabolico, ‘Omaggio a Paganini’, Un sueño en la floresta Op. 85 Chôro da Saudade Mario Castelnuovo-Tedesco was successful as Born in Paraguay, Barrios began to develop a love for a composer and performer in his native Italy until music and literature as a small child and would eventually anti-Semitic laws resulted in his music being banned.
    [Show full text]
  • Bookletdownload Pdf(536
    MUSIC21C.BUFFALO.EDU JUNE in BUFFALO JUNE 1-7/2015 th th 40 30Anniversary of Anniversary of David Felder as the founding of Artistic Director June in Buffalo of June in Buffalo JUNE in BUFFALO JUNE 1-7/2015 JUNE IN BUFFALO June 1 – June 7, 2015 David Felder, Artistic Director J.T. Rinker, Managing Director SENIOR FACULTY COMPOSERS: Martin Bresnick David Felder Brian Ferneyhough Bernard Rands Augusta Read Thomas Roger Reynolds Harvey Sollberger Steven Stucky Charles Wuorinen RESIDENT ENSEMBLES: Bu!alo Philharmonic Orchestra Ensemble Signal Meridian Arts Ensemble New York New Music Ensemble Slee Sinfonietta Talujon Percussion Ensemble SPECIAL GUESTS: Irvine Arditti Heather Buck Ethan Herschenfeld Brad Lubman 2 Performance Institute at June in Buffalo May 29-June 7 Eric Heubner, Director PERFORMANCE INSTITUTE FACULTY: Jonathan Golove, Eric Huebner, Tom KolorJean Kopperud, Jon Nelson, Yuki Numata Resnick This year the festival celebrates two landmark anniversaries: the 40th Anniversary of the festival originally founded by Morton Feldman in 1975 and the 30th Anniversary of David Felder as Artistic Director of June in Bu!alo. Presented by the Department of Music and The Robert and Carol Morris Center for 21st Century Music, June in Bu!alo is a festival and conference dedicated to composers of the present day. The festival will take place on the campus of the University at Bu!alo from June 1-7, 2015. The week will be filled with an intensive schedule of seminars, lectures, workshops, professional presentations, participant forums, and open rehearsals. Concerts in the afternoons and evenings are open to the general public and critics.
    [Show full text]
  • Winter Issue 2021
    Minnesota Guitar Society Mission Statement Promote the guitar in all its stylistic and cultural diversity through sponsorship of public forums, concerts, and workshops. Serve as an educational and social link between the community G u i t a r i s t and amateur and professional guitarists of all ages. The Minnesota Guitar Society PO Box 14986 / Minneapolis MN 55414 Vol. 36 No. 4 / Winter Issue 2020 Warm Up Your Winter, Join Us Online! Mimi Fox Acoustic Guitarathon Emanuele Buono Saturday Saturday Saturday December 5 January 23 February 20 Visit www.mnguitar.org to sign up for our email list and get all the news quickly and easily. There you can also reserve your virtual ticket for the upcoming concert each month. Our Season at a Glance IN THIS ISSUE, more about… Friday, September 25 Johan Smith Saturday, October 17 Patterson/Sutton Duo Mimi Fox on page 2 Saturday, November 14 Amadeus Guitar Duo Acoustic Guitarathon artists on page 3 Saturday, December 5 Mimi Fox Emanuele Buono on page 5 Saturday, January 23 Acoustic Guitarathon Society News and Notes on page 6 Saturday, February 20 Emanuele Buono Our Guitar Education Programs on page 7 Friday, March 26 Manuel Barrueco Saturday, April 24 Thu Le Saturday, June 5 Classical Guitarathon INTERNATIONAL GUITAR ARTISTS CONCERT SERIES Mimi Fox, Saturday, December 5 hey say that the third time is the charm, and tours of the Caribbean, Asia, and Europe, and jazz fes- while both of Mimi Fox’s previous two ap- tivals from Montreal to Monterey. She has headlined pearances on our concert series (in 2002 and at the legendary Blue Note and Village Gate in New T 2013) were charming indeed, we are especial- York City, The Kennedy Center in Washington D.C., ly delighted that she is sharing her artistry with us this and other world-class venues in Boston, Seattle, and season.
    [Show full text]