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International Guitar Stars As Members of the Curatorship of the Herrmann Hauser Guitar Foundation
INTERNATIONAL GUITAR STARS AS MEMBERS OF THE CURATORSHIP OF THE HERRMANN HAUSER GUITAR FOUNDATION PERSONAL REACTIONS TO THE WEB-SITE WWW.HAUSERGUITARS.COM AND TO THE PROCLAMATION OF THE HERRMANN HAUSER GUITAR FOUNDATION SURVEY OF COUNTRIES OF THE VISITORS OF THE WEB-SITE WWW.HAUSERGUITARS.COM INTERNATIONAL GUITAR STARS AS MEMBERS OF THE CURATORSHIP OF THE HERRMANN HAUSER GUITAR FOUNDATION Pepe Romero Guitarist Pepe Romero, celebrated worldwide for his exciting interpretations and his flawless technique, is permanently asked for as a solo guitar player and as a guitarist with orchestra. His contributions to the area of classical guitar have inspired a couple of reputable composers to write music especially for him, including Joaquín Rodrigo, Federico Moreno Torroba, Rev. Francisco de Madina, Lorenzo Palomo and Celedonio Romero. Born on March 8, 1944 in Malaga, Spain, Pepe Romero is the second son of the "Royal Guitar Family", the Romeros. His father, legendary Celedonio Romero, was his only guitar teacher. His first professional performance was a concert he played together with his father. He was only seven years old then. On his current record, Songs My Father Taught Me, he plays his father´s favorite compositions. Shortly, several Boccherini Quintets for guitar and string quartet, recorded for UNICEF, will be released. A new transcription for guitar of the Música nocturna de Madrid will be amongst them. One of his last solo recordings is a brilliant performance of opera phantasies for guitar. A recording with „I Musici“ was finished in summer 1991, and in spring 1992 he recorded Concierto de Aranjuez and selected pieces of music of Joaquín Rodrigo to laser disc, together with Neville Marriner and the Academy-of-St.-Martin-in-the-Fields. -
Análisis De Los Casos Clínicos Presentados En La Serie Médica Televisiva Dr
TRABAJO ORIGINAL Análisis de los casos clínicos presentados en la serie médica televisiva Dr. House Analysis of the clinical cases presented in House M.D., the medical television drama. Germán Valenzuela-Rodríguez1 RESUMEN Objetivo. Analizar los casos clínicos presentados en las primeras siete temporadas de la serie médica televisiva Dr. House. Material y métodos. Estudio prospectivo, observacional, utilizando una ficha de recolección de datos. Resultados. Ciento cuarentaicinco casos clínicos fueron evaluados. La edad promedio de los pacientes fue de 28,48 años (DE: 13,56). Setentaisiete (53,10%) fueron de sexo masculino. Ciento treintainueve pacientes (95,86%) fueron casos de su hospital. Los casos clínicos estuvieron relacionados predominantemente con las subespecialidades médicas de infectología (31,72%), medicina interna (17,24%), toxicología (13,79%), oncología (9,65%) e inmunorreumatología (8,27%), entre las más frecuentes. Trece casos (8,96%) estuvieron referidos a enfermedades de muy baja frecuencia. Conclusiones. Los casos clínicos presentados estuvieron relacionados con medicina interna o sus subespecialidades, incluyendo algunas enfermedades de muy baja frecuencia. Para su diagnóstico y tratamiento, la serie presenta muchos dilemas éticos y errores de concepción de los sistemas de salud y sus componentes. Palabras clave. Televisión, series médicas, casos clínicos, drama, House M.D. ABSTRACT Conclusions. Clinical cases were related to internal medicine or their subspecialties, including some very low frequency Objective. To analyze the clinical cases presented in the first diseases. For diagnosis and treatment, this TV medical drama seven seasons of TV medical drama House M.D. showed ethical dilemmas and mistakes about the conception Design. Prospective and observational study, using a of health systems and their components. -
A Comparison of the Piano and Guitar Versions of Isaac Albéniz's Spanish Suite Op
A COMPARISON OF THE PIANO AND GUITAR VERSIONS OF ISAAC ALBÉNIZ'S SPANISH SUITE OP. 47 by YI-YIN CHIEN A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts November 2016 2 “A Comparison of the Piano and Guitar Versions of Isaac Albéniz’s Spanish Suite, Op. 47’’ a document prepared by Yi-Yin Chien in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This document has been approved and accepted by: Jack Boss, Chair of the Examining Committee Date: November 20th, 2016 Committee in Charge: Dr. Jack Boss, Chair Dr. Juan Eduardo Wolf Dr. Dean Kramer Accepted by: Director of Graduate Studies, School of Music and Dance © 2016 Yi-Yin Chien 3 CURRICULUM VITAE NAME OF AUTHOR: Yi-Yin Chien PLACE OF BIRTH: Taiwan DATE OF BIRTH: November 02, 1986 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon, School of Music and Dance Peabody Institute of the Johns Hopkins University Tainan National University of Arts DEGREES AWARDED: Doctor of Musical Arts, 2016, University of Oregon Master of Music, 2011, Peabody Institute of the Johns Hopkins University Bachelor of Music, 2009, Tainan National University of Arts AREAS OF SPECIAL INTEREST: Piano Pedagogy Music Theory PROFESSIONAL EXPERIENCE: College Piano Teaching, University of Oregon, School of Music and Dance, 09/2014 - 06/2015 Taught piano lessons for music major and non-major college students Graduate Teaching -
Markand Thakar, Music Director
Baltimore Chamber Orchestra PRESS PACKET markand thakar, music director 2015-2016 www.thebco.org HISTORY markand thakar, music director Baltimore Chamber Orchestra’s first performance, led by Maestra Anne Harrigan, was on January 29, 1984. She introduced the audience to a classical orchestra offering virtuoso performances that touch the heart. From its beginning, Baltimore Chamber Orchestra has grown to occupy an essential niche in the thriving arts scene of greater Baltimore. Our core repertoire is the overtures, concertos, and symphonies of Classical Era masters Haydn, Mozart Beethoven, Mendelssohn and Schubert, which we perform with the actual sized ensemble for which it was composed. BCO remains a group of exceptional musicians who are passionate about their performances. Indeed, the orchestra strives to meet the same standard established at its inception in 1984: to provide accessible, high-quality, classical music with an intimate touch. Markand Thakar joined BCO as music director in June 2004. Maestro Thakar made his debut with the New York Philharmonic in 1997 and has since appeared with that orchestra multiple times, along with numerous orchestras across North America. Former music director of the Duluth Superior Symphony Orchestra and principal conductor of Duluth Festival Opera, he is co- director of graduate conducting at the Peabody Conservatory and the author of two seminal works: Counterpoint: Fundamentals of Music Making (Yale University Press, 1990) and Looking for the “Harp” Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011). Since the 2009-10 season, Maestro Thakar’s annual intensive conducting programs bring dozens of conductors from around the world to work with him and the BCO musicians. -
Beethoven to Drake Featuring Daniel Bernard Roumain, Composer & Violinist
125 YEARS Beethoven to Drake Featuring Daniel Bernard Roumain, composer & violinist TEACHER RESOURCE GUIDE 87TH Annual Young People’s Concert William Boughton, Music Director Thank you for taking the NHSO’s musical journey: Beethoven to Drake Dear teachers, Many of us were so lucky to have such dedicated and passionate music teachers growing up that we decided to “take the plunge” ourselves and go into the field. In a time when we must prove how essential the arts are to a child’s growth, the NHSO is committed to supporting the dedication, passion, and excitement that you give to your students on a daily basis. We look forward to traveling down these roads this season with you and your students, and are excited to present the amazing Daniel Bernard Roumain. As a gifted composer and performer who crosses multiple musical genres, DBR inspires audience members with his unique take on Hip Hop, traditional Haitian music, and Classical music. This concert will take you and your students through the history of music - from the masters of several centuries ago up through today’s popular artists. This resource guide is meant to be a starting point for creation of your own lesson plans that you can tailor directly to the needs of your individual classrooms. The information included in each unit is organized in list form to quickly enable you to pick and choose facts and activities that will benefit your students. Each activity supports one or more of the Core Arts standards and each of the writing activities support at least one of the CCSS E/LA anchor standards for writing. -
Mark Small at Acoustic Guitar
Ageless Ardor Guitarist/composer/teacher Benjamin Verdery has taken the eclectic road BY MARK SMALL enjamin Verdery inhabits his own festivals throughout the U.S., Canada, (Wisconsin State University), Kim Perlak exclusive territory in the classical guitar Europe, the Caribbean, South America, and (Berklee College of Music), Michael Nicolella B world. Among the virtuosi of the Baby Asia. In addition to his prodigious work as a (Cornish College of the Arts), Matthew Rohde Boomer generation, it’s not hard to make a case solo recitalist, a partial list of his collabora- (Kithara Project), Scott Borg (Montgomery that Verdery has explored the most diverse tors includes guitar titan John Williams and College), and more. musical terrain. The repertoire on the 15 albums classical flutist Rie Schmidt (Verdery’s wife), The week before the COVID-19-mandated in his catalog ranges from works by masters such 12-string expert Leo Kottke, former Police social distancing, the ever upbeat and gregari- as Bach, Strauss, Mozart, and others, to the most guitarist Andy Summers, Celtic guitarist ous Verdery couldn’t mask his enthusiasm for adventurous composers of contemporary classi- William Coulter, new age composer/key- Scenes from Ellis Island, his latest album of cal landscape. He has also made five albums boardist Craig Peyton, mixed vocal artist original music, during a wide-ranging conversa- featuring his own works and his arrangements of Mark Martin, and hip-hop singer Billy Dean tion in his teaching studio at Yale’s Leigh Hall. songs by Prince, Jimi Hendrix, traditional folk Thomas. Classical guitarists such as Williams, tunes and hymns, musical settings for Buddhist David Russell, the Assad Brothers, and the RAIN, ELLIS ISLAND, AND ARISTOTLE texts, and more. -
August 1, 2019 MSRC-TAC Agenda
TECHNICAL ADVISORY COMMITTEE OF THE MOBILE SOURCE AIR POLLUTION REDUCTION REVIEW COMMITTEE AGENDA Thursday, August 1, 2019 at 1:30 p.m. LOCATION South Coast Air Quality Management District 21865 Copley Drive, Conf. Room CC8, Diamond Bar, CA 91765 Committee Members MSRC-TAC Chair Jamie Lai Dan York Alternate: Linda Johnson Representing Cities of Riverside County Representing Cities of Orange County MSRC-TAC Vice-Chair Vacant Representing Cities of Los Angeles County Anthony (AJ) Marquez Representing Orange County Board of Supervisors Steven Lee Representing Los Angeles County MTA MSRC-TAC Members Martha Masters Steve Hillman Alternate: Jenny Chan Representing City of Los Angeles Representing Riverside County Transportation Adriann Cardoso Commission Alternate: Cliff Thorne Andy Silva Representing Orange County Transportation Representing San Bernardino County Board of Authority Supervisors Rongsheng Luo Magdalena (Maggie) Martinez Representing Southern California Association of Alternate: Rick Teebay Governments Representing Los Angeles County Board of Jason Farin Supervisors Alternate: Alex Gann Vacant Representing Riverside County Board of Mechanical Expert Supervisors Sean O’Connor Nicholas Nairn-Birch Representing Cities of San Bernardino County Representing California Air Resources Board Tim Olson Kelly Lynn Alternate: Rhetta deMesa Alternate: Nicole Soto Air Pollution Control Expert Representing San Bernardino County Transportation Authority Martin Buford Representing Regional Rideshare Agency Vicki White Representing South Coast AQMD 8/1/19 MSRC-TAC Agenda Members of the public may address this body concerning any agenda item before or during consideration of that item (Gov’t. Code Section 548543.(a)). Please provide a Request to Address the Committee card to the Administrative Liaison if you wish to address the Committee on an agenda item. -
Notes from a Classical Guitarist Sharon Isbin, a Pioneer in Classical Guitar, Faced a Steep Career Climb, but She Refused to Accept the Possibility of Failure
Sharon Isbin: Notes From a Classical Guitarist Sharon Isbin, a pioneer in classical guitar, faced a steep career climb, but she refused to accept the possibility of failure By Alexandra Wolfe November 26, 2014 For most of her childhood, Grammy-winning guitarist guitar was not on the radar of most kids in the U.S.,” she Sharon Isbin imagined a different career for herself: She says. “Had we not gone to Italy, I would’ve become a wanted to be a rocket scientist. Her brain surgeon or a scientist, no question father, a chemical engineer, used to about it.” make her practice the guitar before she was allowed to work on the model She took to the guitar in part because of rockets that she would construct and its range. “The guitar can capture the send speeding skyward. cry of the human voice because we can create the sound in between notes, The bribery worked. By age 14, Ms. which you can’t do on the piano, but Isbin performed as a soloist before an you can if you’re a singer or a violinist,” audience of 10,000 in her hometown of she says. Minneapolis. “I walked out on the stage and thought, ‘This is even more exciting Her interest in the instrument continued than seeing my worms and after her family returned to the U.S. grasshoppers go up to space,’ ” she when she was 10. Back in Minneapolis, remembers. Ms. Isbin didn’t have an official teacher Sharon Isbin Allison Michael Orenstein after she was 16, but she says growing Now one of the world’s pre-eminent for The Wall Street Journal up in a scientifically oriented household classical guitarists, she’s performed at gave her the tools to continue to learn music on her own. -
Guitarist Sharon Isbin to Star with Santa Rosa Symphony
Guitarist Sharon Isbin to star with Santa Rosa Symphony By DIANE PETERSON THE PRESS DEMOCRAT Published: Thursday, January 20, 2011 at 3:00 a.m. WWW.SHARONISBIN.COM/ J. HENRY FAIR Sharon Isbin serves as the American ambassador of the classical guitar, performing everywhere from the concert hall to the White House. It's a job that no one else really wanted. That's because most Americans are exposed to the guitar through rock and folk music and then fall in love with classical guitar by accident. “That's changing now, but that certainly has been part of the history of classical guitar in this country,” Isbin said in a phone interview from her home in New York City. “Europe has a much longer tradition of classical guitar, going back to Spain and Italy and the U.K., so that the roots have had time to blossom and flourish.” For the Santa Rosa Symphony's fourth concert set this weekend, Isbin will whisk the audience off to the gardens of Spain during a performance of Joaquin Rodrigo's passionate “Concierto de Aranjuez.” “The Rodrigo is one of the most popular works of any works for orchestra,” she said. “The second movement is so powerfully moving and emotionally raw, with great nuances and musical inspiration. It's something that really touches people in unusual ways.” Led by guest conductor and Mexico native Enrique Arturo Diemecke, the south-of-the- border program also includes Astor Piazzolla's seductive “Tangazo, Variations on Buenos Aires” and the Fourth Symphony of composer Carlos Chavez, considered to be the founder of modern Mexican music. -
Biografía Pepe Romero 2017
Pepe Romero (Málaga, España, 1944) Al acercarnos a la vida y la obra de Pepe Romero nos encontramos ante una de las pocas leyendas vivientes de la guitarra y de la música clásica, de los pocos que hayan mantenido grandeza y progresión a lo largo de sus vidas. Pepe Romero es uno de esos escasos privilegiados. Ha sido distinguido y condecorado por reyes, jefes de estado e importantes entidades – los reconocimientos continúan sin cesar-, pero para Romero su mayor logro ha sido llegar a la gente común. Ha sabido comunicar la belleza y riqueza de la guitarra clásica a millones de personas en todo el mundo. Es, sin duda, embajador de la guitarra clásica y, por tanto, de la música clásica. Pero este talento no es un producto de la nada: Pepe es el segundo hijo de uno de los más grandes guitarristas que jamás han existido, Celedonio Romero, y es hermano de otros dos prodigios musicales: Celín y Ángel Romero. Nació en Málaga (España) en 1944. En aquel tiempo, después de la devastadora Guerra Civil (1936 – 1939) y con Europa en plena Segunda Guerra Mundial, España estaba sumida en una abismal estrechez económica. La supervivencia básica era el reto fundamental. A pesar de ello, Celedonio Romero y su inestimable esposa, Angelita, inculcaron en sus hijos un amor por la música que superaba la profunda miseria que les asediaba. Estas circunstancias, unidas a su animadversión al régimen franquista, indujeron al matrimonio Romero a emigrar con sus tres hijos, a comienzos de los años 50, a los Estados Unidos. Es en este pais donde se ha desarrollado prácticamente toda su carrera, lo que no es obstáculo para que Pepe se sienta profundamente español y malagueño. -
1998 Jan-Feb
Boston Classical Guitar Society Volume 5, Number 3 newsletterJanuary/February ‘98 Letter to Members Upcoming BCGS-Sponsored Events Greetings, Concerts I hope everyone’s holi- Sunday, March 8, 3:00 p.m. days were full of good Recital by winners of the 6th Annual Guitar Competition cheer, and each of you at the Brookline Music School. found at least one new guitar in your stocking. Sunday, April 5, 3:00 p.m. The Virtual Consort at the First Church, Unitarian It was most gratifying to Universalist, Jamaica Plain. note the level of musi- cianship exhibited at the Performance Parties New England Guitar Saturday, January 24, 2:00 p.m., 271 School St., Acton. Competition which was Saturday, Feb. 28, 2:00 p.m. 196 Broadway, Wakefield. held again at The Boston Conservatory in **BCGS is seeking space to meet for performance parties! November. The BCGS If you have room for a group of 6-12 individuals and are inter- congratulates Jeremy ested in hosting the occasional gathering, call Gloria Vachino Bass and Socrates at (781) 224-4203. Leptos, the high school and college first prize winners. We will And remember....performance parties are for everyone, from be presenting the two winners in concert soon and I hope many beginners on upward. Come play your favorite piece, perform a of you will be able to come to see these promising young duet with another guitarist, or come just to listen!** artists. See the Calendar for full details on the above events. Plans are already underway for the next BCGS Guitar Mini- Fest and many exciting ideas have been discussed. -
DUO AMARAL - Bio
DUO AMARAL - Bio Jorge Amaral and Mia Pomerantz-Amaral formed Duo Amaral in 2008 and were soon established in the international guitar scene, garnering high accolades from the media and from devoted audiences. During a tour in Italy, their recital was described in Il Messaggero Veneto as “masterful, with poetic virtuosity and intensity of expression”. Mike Telin of ClevelandClassical.com, described the duo as "superb, thoughtful musicians". Their debut album 'Súplica' was released in 2011, featuring the title work: a world-premier composition written by Mr. Amaral's father, Victor Manuel Amaral Ramirez. Céline Keating of Minor 7th Magazine described the CD as “...a sublime album of classical music for two guitars...”. Their Second album 'Textura' was released in 2013 and includes several of their own arrangements. Al Kunze of Soundboard Magazine describes: “Duo Amaral’s Textura is a superb disc, featuring beautiful music, exquisite playing, and exemplary recording. Mia Pomerantz- Amaral and Jorge Amaral play with extraordinary precision allied with delicacy, nuance, and virtuosity in equal measures.” (March 2014). And Bradford Werner of This is Classical Guitar continues: Textura “…deliver[s] some of the best ensemble work, musical expression, and repertoire. Another great album release!… One of the premier classical guitar duos of today!" Their latest album ‘Key West’ was released in March of 2017 and features an all Latin-American program including the world premier of ‘Key West Suite’, dedicated to the duo. Classical Guitar Magazine described the CD as “… a knockout - brimming with sensational, synchronous playing on a lively and challenging set of modern pieces… outstanding duo”.