Antonio Pompa-Baldi Pianist
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A Comparison of the Piano and Guitar Versions of Isaac Albéniz's Spanish Suite Op
A COMPARISON OF THE PIANO AND GUITAR VERSIONS OF ISAAC ALBÉNIZ'S SPANISH SUITE OP. 47 by YI-YIN CHIEN A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts November 2016 2 “A Comparison of the Piano and Guitar Versions of Isaac Albéniz’s Spanish Suite, Op. 47’’ a document prepared by Yi-Yin Chien in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This document has been approved and accepted by: Jack Boss, Chair of the Examining Committee Date: November 20th, 2016 Committee in Charge: Dr. Jack Boss, Chair Dr. Juan Eduardo Wolf Dr. Dean Kramer Accepted by: Director of Graduate Studies, School of Music and Dance © 2016 Yi-Yin Chien 3 CURRICULUM VITAE NAME OF AUTHOR: Yi-Yin Chien PLACE OF BIRTH: Taiwan DATE OF BIRTH: November 02, 1986 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon, School of Music and Dance Peabody Institute of the Johns Hopkins University Tainan National University of Arts DEGREES AWARDED: Doctor of Musical Arts, 2016, University of Oregon Master of Music, 2011, Peabody Institute of the Johns Hopkins University Bachelor of Music, 2009, Tainan National University of Arts AREAS OF SPECIAL INTEREST: Piano Pedagogy Music Theory PROFESSIONAL EXPERIENCE: College Piano Teaching, University of Oregon, School of Music and Dance, 09/2014 - 06/2015 Taught piano lessons for music major and non-major college students Graduate Teaching -
Markand Thakar, Music Director
Baltimore Chamber Orchestra PRESS PACKET markand thakar, music director 2015-2016 www.thebco.org HISTORY markand thakar, music director Baltimore Chamber Orchestra’s first performance, led by Maestra Anne Harrigan, was on January 29, 1984. She introduced the audience to a classical orchestra offering virtuoso performances that touch the heart. From its beginning, Baltimore Chamber Orchestra has grown to occupy an essential niche in the thriving arts scene of greater Baltimore. Our core repertoire is the overtures, concertos, and symphonies of Classical Era masters Haydn, Mozart Beethoven, Mendelssohn and Schubert, which we perform with the actual sized ensemble for which it was composed. BCO remains a group of exceptional musicians who are passionate about their performances. Indeed, the orchestra strives to meet the same standard established at its inception in 1984: to provide accessible, high-quality, classical music with an intimate touch. Markand Thakar joined BCO as music director in June 2004. Maestro Thakar made his debut with the New York Philharmonic in 1997 and has since appeared with that orchestra multiple times, along with numerous orchestras across North America. Former music director of the Duluth Superior Symphony Orchestra and principal conductor of Duluth Festival Opera, he is co- director of graduate conducting at the Peabody Conservatory and the author of two seminal works: Counterpoint: Fundamentals of Music Making (Yale University Press, 1990) and Looking for the “Harp” Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011). Since the 2009-10 season, Maestro Thakar’s annual intensive conducting programs bring dozens of conductors from around the world to work with him and the BCO musicians. -
Prague Proms Festival 2020
16. ročník 16th annual Prague Proms Festival 2020 Milí přátelé, Dear friends, i letos, ačkoli situace setkávání nenahrává, nabízíme despite the situation this year which hasn’t lent itself řadu festivalových koncertů. Prague Proms nebudou to gatherings, we’ve decided to offer a number of fes- tento rok záležitostí léta, jak bylo zvykem, ale roz- tival concerts in 2020. This year’s Prague Proms how- prostřeme je mezi červen a prosinec. Ano, poslední ever won’t be a summer only affair as we would typi- koncert letošního ročníku pro vás odehrajeme 21. pro- cally expect, but will instead be spread out between since, kdy připomeneme stoleté výročí narození Fe- June and December. The season will close on 21st derica Felliniho. Věřím, že i přes nástrahy, které před December to mark what would be Federico Fellini’s nás byly a vlastně stále jsou kladeny, najdete chuť a čas 100th birthday. I’m confident that despite the pitfalls se s námi setkat v Obecním domě, Kutné Hoře či u nás behind us and indeed still ahead of us, you will find v jazzovém klubu The Loop. the time and desire to join us in the Municipal House, Kutná Hora or The Loop Jazz Club. Jan Hasenöhrl Jan Hasenöhrl 3 Čestné představenstvo Honorary Board festivalu 2020 of the Festival 2020 Členové Members Jan Hasenöhrl JUDr. Petr Michal Lalo Schifrin Tim Fox ředitel ČNSO a MHF Prague Proms společník, CÍSAŘ, ČEŠKA, SMUTNÝ s. r. o., advokátní kancelář skladatel, pianista a dirigent prezident, Columbia Artists Executive Director of CNSO and Prague Proms Associate, CÍSAŘ, ČEŠKA, SMUTNÝ s. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
The Dölerud Johansson Quintet
Dölerud Johansson Quintet Magnus Dölerud and Dan Johansson formed their quintet in 2016, bringing together some of Sweden’s most accomplished musicians. The members – Dan, Magnus, Torbjörn Gulz, Palle Danielsson and Fredrik Rundqvist – had previously crossed paths in other constellations, but this collaboration has resulted in something truly extra special. The quintet’s collective experience spans a long list of Swedish and International associations, from Keith Jarrett’s legendary European Quartet via the Fredrik Norén Band, which has spawned the careers of so many Swedish musicians over its 32- year history to the Norbotten Big Band, one of the most important jazz institutions in Sweden today, with collaborators like: Tim Hagans, Maria Schnieder, Joe Lovano, Bob Brookmeyer and Kurt Rosenwinkel. The quintet brings music to the stage that reflects that history, combining jazz tradition with the members’ own compositions. During 2017 and 2018, the band toured jazz clubs and festivals in Sweden and Finland, to warm receptions from audiences and reviewers alike. In May 2018, they recorded their first album, Echoes & Sounds, to be released this autumn. Dan Johansson Dan Johansson plays trumpet and flugelhorn in the Norbotten Big Band and is a well-established musician who has – in a career that extends over 30 years -- played with both the Swedish and International jazz elite. He became a member of the Norbotten Big Band while still a student and has played with the band since 1986. There he’s had the privilege to perform with figures like Randy Brecker, Peter Erskine, Joey Calderazzo, Jeff “Tain” Watts and Bob Berg. On top of his work with the big band, he’s played in a wide variety of smaller groups that have included: Håkan Broström. -
Vahdah Olcott-Bickford Collection, 1800-2008
http://oac.cdlib.org/findaid/ark:/13030/c8zp4c79 No online items Guide to the Vahdah Olcott-Bickford Collection, 1800-2008 Special Collections & Archives Oviatt Library California State University, Northridge 18111 Nordhoff St. Northridge, CA, 91330 URL: http://library.csun.edu/SCA Email: [email protected] Phone: (818) 677-2832 Fax: (818) 677-2589 © Copyright 2012 Special Collections & Archives. All rights reserved. Guide to the Vahdah IGRA/VOB 1 Olcott-Bickford Collection, 1800-2008 Overview of the Collection Collection Title: Vahdah Olcott-Bickford Collection Dates: 1800-2008 Bulk Dates: 1923-1979 Identification: IGRA/VOB Creator: Olcott-Bickford, Vahdah, 1885-1980 Physical Description: 88.71 linear feet Language of Materials: English French German Spanish; Castilian Italian Portuguese Repository: International Guitar Research Archives (IGRA) Abstract: Vahdah Olcott-Bickford, née Ethel Lucretia Olcott, was an professional teacher of the Guitar, most well known for her influential Guitar Method, Op. 25, and the Advanced Course, Op. 116. She also wrote numerous articles about the guitar, and corresponded with other musicians and enthusiasts about the instrument throughout her long career. The Vahdah Olcott-Bickford Collection documents Olcott-Bickford’s professional life as a classical guitarist, an avid member of various organizations in the United States, her work with guitarists around the world, and her personal life. The collection includes scores, letters, photographs, newspaper clippings, receipts, articles, lecture notes, and guest books, and dates from 1874-1980. Biographical Information: Ethel Lucretia Olcott was born on October 17, 1885 in Norwalk, Ohio. She was three years old when she and her parents moved to Los Angeles, California. At the age of eight she started guitar lessons with George Lindsay, a well-known classic guitarist. -
Vince Mendoza
Vince Mendoza BLAUKLANG ACT 9465-2 German Release Date: September 26, 2008 In jazz, the colour blue sometimes conveys red threads. And it is no accident that this CD opens with music from a classic jazz album whose title puts its cards on the table: “of ”the most successful jazz album of all time. “”lets us literally dive into the blue sea of melancholy. When you combine blue and sounds, the blues emerges once again. The idea of Blauklang (ACT 9465-2) goes back to a painting by the famous German artist Ernst Wilhelm Nay (1902-1968), part of the ACT ART COLLECTION of Siggi Loch. In close cooperation with Bernd Hoffmann of the WDR (West German Radio) the idea of this project became reality. The name of the painting, “” “”already refers to the synaesthetic relationship between music and fine art. Grounded in the impact of colour, ’abstract works now have taken on board a real “”Vince Mendoza. Mixtures of tonal colours and coloured tones that overlay a variety of harmonic and melodic voices shape a large part of his compositions. Mendoza rules over this sovereign play of light and shadow, brightness and darkness. The album Sketches (ACT 9215-2), which he recorded with the WDR Big Band, already encapsulates an aspect of ’ work methods. Again and again he is stirred into assembling sketches into a musical arc of images. Compositions as suites – and he is as much enamoured by the details as he treasures large arcing structures. Once again Mendoza is able to find the balance between aspirations and expectations. -
DUO AMARAL - Bio
DUO AMARAL - Bio Jorge Amaral and Mia Pomerantz-Amaral formed Duo Amaral in 2008 and were soon established in the international guitar scene, garnering high accolades from the media and from devoted audiences. During a tour in Italy, their recital was described in Il Messaggero Veneto as “masterful, with poetic virtuosity and intensity of expression”. Mike Telin of ClevelandClassical.com, described the duo as "superb, thoughtful musicians". Their debut album 'Súplica' was released in 2011, featuring the title work: a world-premier composition written by Mr. Amaral's father, Victor Manuel Amaral Ramirez. Céline Keating of Minor 7th Magazine described the CD as “...a sublime album of classical music for two guitars...”. Their Second album 'Textura' was released in 2013 and includes several of their own arrangements. Al Kunze of Soundboard Magazine describes: “Duo Amaral’s Textura is a superb disc, featuring beautiful music, exquisite playing, and exemplary recording. Mia Pomerantz- Amaral and Jorge Amaral play with extraordinary precision allied with delicacy, nuance, and virtuosity in equal measures.” (March 2014). And Bradford Werner of This is Classical Guitar continues: Textura “…deliver[s] some of the best ensemble work, musical expression, and repertoire. Another great album release!… One of the premier classical guitar duos of today!" Their latest album ‘Key West’ was released in March of 2017 and features an all Latin-American program including the world premier of ‘Key West Suite’, dedicated to the duo. Classical Guitar Magazine described the CD as “… a knockout - brimming with sensational, synchronous playing on a lively and challenging set of modern pieces… outstanding duo”. -
University Musical Society
UNIVERSITY MUSICAL SOCIETY Chicago Symphony Winds Grover Schiltz, Oboe Daniel Gingrich, Horn Richard Kanter, Oboe Norman Schweikert, Horn Larry Combs, Clarinet Burl Lane, Bassoon John Bruce Yeh, Clarinet William Buchman, Bassoon Sunday Afternoon, April 4, 1993, at 4 p.m. Rackham Auditorium, Ann Arbor, Michigan PROGRAM Serenade No. 12 in C minor, K. 388 Mozart Allegro Andante Allegro Eine vergniigliche Musik ..... Alfred Uhl Overture, ziemlich lebhaft, frisch Lustiger Marsch, ruhig bewegt Dudelsack Trepak.sehrrasch INTERMISSION Serenade No. 11 in E-flat major, K. 375 Mozart Allegro maestoso Adagio Allegro The Chicago Symphony Winds are represented by Mariedi Anders Artists Management Inc., San Francisco. U-M freshman Brandon Blazo performed the pre-concert carillon recital. FORTIETH CONCERT OF THE 114TH SEASON THIRTIETH ANNUAL CHAMBER ARTS SERIES PROGRAM NOTES Serenade No. 12 in E-flat major, K. 375 Mozart Mozart wrote this Serenade in Vienna, in October 1781, for six instruments - pairs of clarinets, horns, and bassoons. A few months later he added parts for a pair of oboes and tightened up the form considerably. On November 3, 1781, he wrote to his father that the piece had so pleased the players (of the first version) that to celebrate his name day, "at eleven o'clock at night I was treated to a serenade of my own composition. The six men who played it are poor beggars, but they play very well together. They came to the center of my courtyard, and just as I was about to undress they surprised me most pleasantly with the E-flat chord. [Abridged]" These "social" works are not unlike his symphonies, except that they are usually looser in form and lighter in tone, and they may have extra slow movements or minuets or both. -
Raul Midón If You Really Want with the Metropole Orkest Conducted by Vince Mendoza
Raul Midón If You Really Want with The Metropole Orkest conducted by Vince Mendoza The New York Times has called Raul Midón “a one-man band who turns a guitar into an orchestra and his voice into a chorus.” Now, with his exciting new album – If You Really Want, to be released via Artistry Music/Mack Avenue on September 14 – Midón’s voice and guitar ride the waves of an actual orchestra: the acclaimed Metropole Orkest, the GRAMMY® Award-winning Dutch ensemble that has collaborated with artists from Al Jarreau and Elvis Costello to Laura Mvula and Snarky Puppy. Midón – who earned his first GRAMMY nomination for Bad Ass and Blind, his Artistry Music/Mack Avenue album of 2017 – worked hand in glove on If You Really Want with another renowned GRAMMY winner and frequent Metropole Orkest collaborator: conductor-composer-arranger Vince Mendoza. He created beautifully dynamic arrangements, inspired not only by the singer-guitarist’s melodies, harmonies and rhythms but by his lyrics, too. Alongside fresh versions of six favorites from past Midón albums, If You Really Want features four previously unrecorded songs: “If You Really Want,” “Ride On A Rainbow,” “Ocean Dreamer” and “All Love Is Blind.” This past spring, Midón performed in National Public Radio’s popular “Tiny Desk Concert” feature, with NPR prefacing the broadcast by saying: “Raul Midón lives in a world of sound – blind since birth, Midón’s interpretation of his surroundings is borderless. He sings with the passion of the best classic soul singers, and his instrumental chops stand alongside the most accomplished jazz musicians.” About creating If You Really Want, Midón says: “So many of the songs go to places on the new album that I’d never imagined before, like with ‘Sunshine (I Can Fly).’ I had recorded that song on both studio and live albums before, but the new arrangement feels so different, so exciting, so epic – the ultimate version of the song, I think. -
Program Notes by Jonathan Leshnoff and Dr
Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season June 6, 7, 8 and 9, 2019 MANFRED HONECK, CONDUCTOR MICHAEL RUSINEK, CLARINET NANCY GOERES, BASSOON CHRISTINA LANDSHAMER, SOPRANO JENNIFER JOHNSON CANO, MEZZO-SOPRANO WERNER GURA, TENOR SHENYANG, BASS MENDELSSOHN CHOIR OF PITTSBURGH MATTHEW MEHAFFEY, DIRECTOR JONATHAN LESHNOFF Double Concerto for Clarinet and Bassoon I. Slow II. Waltz III. Fast Mr. Rusinek Ms. Goeres WORLD PREMIERE COMMISSIONED BY THE PITTSBURGH SYMPHONY ORCHESTRA Intermission LUDWIG VAN BEETHOVEN Symphony No. 9 in D minor, Opus 125, “Choral” I. Allegro ma non troppo, un poco maestoso II. Molto vivace — Presto — Molto vivace III. Adagio molto e cantabile IV. Finale, with soloists and chorus: Presto — Allegro assai — Allegro assai vivace Ms. Landshamer Ms. Cano Mr. Gura Shenyang Mendelssohn Choir of Pittsburgh June 6-9, 2019, page 1 PROGRAM NOTES BY JONATHAN LESHNOFF AND DR. RICHARD E. RODDA JONATHAN LESHNOFF Double Concerto for Clarinet and Bassoon (2018) Jonathan Leshnoff was born in New Brunswick, New Jersey on September 8, 1973, and resides in Baltimore, Maryland. His works have been performed by more than 65 orchestras worldwide in hundreds of orchestral concerts. He has received commissions from Carnegie Hall, the Philadelphia Orchestra, and the symphony orchestras of Atlanta, Baltimore, Dallas, Kansas City, Nashville, and Pittsburgh. His Double Concerto for Clarinet and Bassoon was commissioned by the Pittsburgh Symphony and co-commissioned by the Greenwich Village Orchestra and International Wolfegg Concerts of Wolfegg, Germany. These performances mark the world premiere. The score calls for piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp, and strings.