Memorandum of Understanding
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												  Bbc Trust MeetingMINUTES OF THE BBC TRUST MEETING Held on Thursday 23 April 2009 in Conference Room A, Broadcasting House, Bristol Present: Michael Lyons Chairman Chitra Bharucha Vice-Chairman Diane Coyle Trust Member Anthony Fry Trust Member Alison Hastings Trust Member for England (Items 36 – 45) Patricia Hodgson Trust Member Rotha Johnston Trust Member for Northern Ireland Janet Lewis Jones Trust Member for Wales David Liddiment Trust Member Richard Tait Trust Member Jeremy Peat Trust Member for Scotland (except 42) Apologies: Mehmuda Mian Trust Member In attendance Nicholas Kroll Director, BBC Trust from the Trust Phil Harrold Head of Secretariat and Governance Unit: Kate Atkins Senior Adviser, Secretariat and Governance Items 53 – 62, 64 Christopher Woolard Deputy Director - 67 Mark Devane Head of Communications Jon Cowdock Chief Strategy and Policy Adviser Items 56, 61– 63 Gareth Barr Senior Strategy and Policy Adviser Item 58 Gareth Tuck Senior Adviser, Performance Item 61 Bronwen Roscoe Senior Strategy Adviser Item 62 Julia Ockenden Finance and Strategy Adviser For items: Items 60 – 64 Mark Thompson Director-General Items 60 – 64 Mark Byford Deputy Director-General Items 60 – 64 Caroline Thomson Chief Operating Officer Items 60 – 64 Zarin Patel Group Finance Director Items 60 – 64 Jessica Cecil Head of Director-General’s Office Item 62 Peter Salmon Director, BBC North Item 62 Alice Webb Joint Programme Director, BBC North Item 63 John Tate Director, Policy and Strategy 2 AGENDA 53 Minutes and Matters Arising 54 Committees and Audience Councils
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												  Part Two: Annual Report and Accounts 2008/09SHARING IDEAS/ CREATING VALUE/ Part Two: Annual Report and Accounts 2008/09 The BBC Executive’s review and assessment BBC EXECUTIVE’S REVIEW AND ASSESSMENT 2008/09/ 001 002 / / OVERVIEW BBC PURPOSES / FINANciaL perForMANce / THE YeaR EW AT A GLANCE / DIRECTOR-GENERAL ForeWorD / RVI DELiveriNG creative FutureS / PARTNERSHIPS / E OV 020 / PERFORMANce OBJectiveS / teLeviSioN / RADIO / FUTURE MEDIA & TecHNOLogY / JourNALISM / coMMerciaL / 084 / GOVERNANCE Executive boaRD / SUMMarY GoverNANce report / 094 / ResPONSIBILITY OperatioNS / 104 / FINANCIAL stAteMENts OvervieW / RISK ouTLOOK / HigHLigHTS / auDitoRS’ STATEMENT / SUMMarY FINANciaL StatEMENT / IFRS / coNtact US / otHer INForMatiON / OVERVIE W/ 003 / EW RVI E OV 004 / BBC PURPOSES/ 005 / FINANCIAL PERFORMANce/ 006 / THE YEAR AT A GLANCE/ 008 / DIRECTOR-GENERAL FORewoRD/ 012 / DELIVERING CREATIVE FUTURes/ 014 / PARTNERSHIPS/ OVERVIE W/ OvervieW/ purpoSES AND FINANciaL perForMANce/ BBC purpoSES/ THE BBC’S Six pubLic purpoSES – buiLT ON our priNcipLES to ‘INForM, EDucate AND ENtertaiN’ – UNDerpiN ALL THat WE DO, AND HELP US to FocuS ON OFFeriNG everYONE IN THE UK MEMorabLE AND DIStiNctive coNteNT AND ServiceS THat ENricH THeir LiveS. SoME HigHLigHTS FroM THIS Year INCLUDED: 004 CITIZENSHIP COMMUNITY The BBC has a worldwide reputation for its The UK is an incredibly diverse place, and we aim reportage and analysis of the world we live in. Our to reflect this diversity at national, regional and / UK-wide, international, national and local channels local levels. We offer services in English, Scottish EW and services cover a wide range of stories tailored Gaelic and Welsh, and programmes in over 30 RVI for a diverse range of users. This year we led the languages from Bengali to Urdu.
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												  Building Public Value: Renewing the BBC for a Digital WorldDP1153 BPV Frontcover.qxd 6/25/04 2:52 PM Page 1 Building public value Renewing the BBC for a digital world CONTENTS Chairman’s prologue 3 Overview and summary 5 PART I: The BBC’s purpose, role and vision 1 Why the BBC matters 25 2 Changing media in a changing society 48 3 Building public value in the future 60 4 Demonstrating public value 83 5 The breadth of BBC services 89 6 Renewing the BBC 98 7 Paying for BBC services 112 PART II: Governing the BBC 123 Conclusion 135 1 2 Chairman’s prologue The BBC does not have a monopoly on wisdom about its own future. This is a contribution to the debate over Charter renewal, not the last word. I look to a vigorous and informed public debate to produce the consensus about the future size, shape and mission of the BBC. This document is itself a consensus, arrived at after a vigorous debate inside the BBC, and represents the considered views of Governors and management. Part II – our proposals on governance – is, of course, entirely the responsibility of the Governors. At the heart of Building public value is a vision of a BBC that maintains the ideals of its founders, but a BBC renewed to deliver those ideals in a digital world. That world contains the potential for limitless individual consumer choice. But it also contains the possibility of broadcasting reduced to just another commodity, with profitability the sole measure of worth. A renewed BBC, placing the public interest before all else, will counterbalance that market-driven drift towards programme-making as a commodity.
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												  BBC Outreach Corporate Responsibility Report 2007/081 BBC Corporate Responsibility Report 2007/08 BBC Corporate Responsibility Report 2007/08 2 Welcome Welcome to the BBC Corporate Responsibility Report produced by BBC Outreach. BBC Outreach’s work is about making the BBC’s commitment to our stakeholders stronger and more inclusive. It’s about making us a better business in the way we work and the way we impact and interact with communities and all those to whom we broadcast. Our report will demonstrate how outreach, corporate responsibility and partnership work directly supports the BBC’s six Public Purposes and is vital if we are to achieve them. It will also cover what the BBC does to ensure that our operations, including our impact on the environment, are managed in a responsible manner. We hope you find the content of this report interesting and welcome your feedback. Alec McGivan Head of BBC Outreach BBC Outreach Room 4171, White City, 201 Wood Lane, London W12 7TS T: 020 8752 6761 E: [email protected] BBC Corporate Responsibility Report 2007/08 3 ContentsContents Introduction 04 Citizenship 08 Learning 14 Creativity 18 Community 24 Global 31 Communications 36 Environment 41 Charity 47 Our business 54 Verification 62 4 4 Introduction BBC Corporate Responsibility Report 2007/08 Why should you read this report? This report is written for the many stakeholders who have an interest in the BBC. The BBC exists to serve the public, and has a responsibility to account to licence fee payers everywhere for its actions. “ The BBC’s role and remit is set out in its Royal Charter, established by Being” responsible the Government on behalf of the Crown and debated in Parliament.
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												  You've Seen the Movie, Now Play The“YOU’VE SEEN THE MOVIE, NOW PLAY THE VIDEO GAME”: RECODING THE CINEMATIC IN DIGITAL MEDIA AND VIRTUAL CULTURE Stefan Hall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Committee: Ronald Shields, Advisor Margaret M. Yacobucci Graduate Faculty Representative Donald Callen Lisa Alexander © 2011 Stefan Hall All Rights Reserved iii ABSTRACT Ronald Shields, Advisor Although seen as an emergent area of study, the history of video games shows that the medium has had a longevity that speaks to its status as a major cultural force, not only within American society but also globally. Much of video game production has been influenced by cinema, and perhaps nowhere is this seen more directly than in the topic of games based on movies. Functioning as franchise expansion, spaces for play, and story development, film-to-game translations have been a significant component of video game titles since the early days of the medium. As the technological possibilities of hardware development continued in both the film and video game industries, issues of media convergence and divergence between film and video games have grown in importance. This dissertation looks at the ways that this connection was established and has changed by looking at the relationship between film and video games in terms of economics, aesthetics, and narrative. Beginning in the 1970s, or roughly at the time of the second generation of home gaming consoles, and continuing to the release of the most recent consoles in 2005, it traces major areas of intersection between films and video games by identifying key titles and companies to consider both how and why the prevalence of video games has happened and continues to grow in power.
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												  City Research OnlineView metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by City Research Online Rodgers, J. (2012). Two sides of the mountains and three sides to every story: Towards a study of the development of the BBC’s multimedia newsgathering. Journal of Applied Journalism & Media Studies, 1(2), pp. 157-171. doi: 10.1386/ajms.1.2.157_1 City Research Online Original citation: Rodgers, J. (2012). Two sides of the mountains and three sides to every story: Towards a study of the development of the BBC’s multimedia newsgathering. Journal of Applied Journalism & Media Studies, 1(2), pp. 157-171. doi: 10.1386/ajms.1.2.157_1 Permanent City Research Online URL: http://openaccess.city.ac.uk/4227/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected].
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												  7101 Move on up 8 Brochure Aw:Layout 1An unmissable all-day event for black and minority ethnic radio and news professionals to make new contacts within the radio industry and broadcast news. Apply for a one-to-one meeting with a choice of about 70 industry executives Thursday 12th May at the BBC, Broadcasting House, 2-22 Portland Place, London W1A 1AA If you have a disability and you require any information or access to this document in a different format, email [email protected] or telephone Sandra Vickers on 020 7346 0900. DEADLINE FOR Tina Daheley, former Move on Up participant, who now broadcasts daily APPLICATIONS: to 9-million listeners on Radio 1’s Chris Moyles Show and presents the Friday 4th March 60-Second News updates on BBC3 Made possible through the generous support of Who would you like to have a one-to-one with? Below is the line-up of key decision makers from across the radio and news industry who you can apply to have a one-to-one meeting with. You can select more than one – on the application form write the name and reference number (shown beside each name) of those you wish to see. The list may be amended. RADIO RADIO 3 BBC RADIO 7 BBC ENGLISH REGIONS 10. Roger Wright 20. Mary Kalemkerian 30. Elonka Soros BBC AUDIO Controller of BBC Radio 3 and Head of Programmes, BBC Radio 7 Editor, Diversity & MUSIC Director of the BBC Proms Plans and schedules programmes for Journalist, radio editor, specialist in DIRECTION Responsible for the editorial strategy, the comedy and drama network.
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												  THE LEGACY of the BBC MICRO: Effecting Change in the UK’S Cultures of Computing1 THE LEGACY OF THE BBC MICRO: effecting change in the UK’s cultures of computing THE Legacy OF THE BBC MICRO EFFECTING CHANGE IN THE UK’s cultureS OF comPUTING Tilly Blyth May 2012 2 THE LEGACY OF THE BBC MICRO: effecting change in the UK’s cultures of computing CONTENTS Preface 4 Research Approach 5 Acknowledgments 6 Executive Summary 7 1. Background 9 2. Creating the BBC Micro 10 3. Delivering the Computer Literacy Project 15 4. The Success of the BBC Micro 18 4.1 Who bought the BBC Micro? 20 4.2 Sales overseas 21 5. From Computer Literacy to Education in the 1980s 24 5.1 Before the Computer Literacy Project 24 5.2 Adult computer literacy 25 5.3 Micros in schools 29 6. The Legacy of the Computer Literacy Project 32 6.1 The legacy for individuals 32 6.2 The technological and industrial Legacy 50 6.3 The legacy at the BBC 54 7. Current Creative Computing Initiatives for Children 58 7.1 Advocacy for programming and lobbying for change 59 7.2 Technology and software initiatives 60 7.3 Events and courses for young people 63 8. A New Computer Literacy Project? Lessons and Recommendations 65 Appendix 69 Endnotes 76 About Nesta Nesta is the UK’s innovation foundation. We help people and organisations bring great ideas to life. We do this by providing investments and grants and mobilising research, networks and skills. We are an independent charity and our work is enabled by an endowment from the National Lottery. Nesta Operating Company is a registered charity in England and Wales with a company number 7706036 and charity number 1144091.
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												  The Documentary HandbookThe Documentary Handbook The Documentary Handbook takes a thematic approach to documentary, including chapters on the many myriad forms we watch today – from the cinematic releases of Michael Moore to low-budget internet efforts like Video Nation, from ‘shock docs’ to reality television. The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of the documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programmes and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes. The Documentary Handbook explains the documentary process, skills and job specifica- tions for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional ‘expert briefings’ it gives practical pointers about programme- making, from researching, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe. Peter Lee-Wright is a documentary filmmaker with 30 years’ experience working for the BBC and Channel 4. He is currently Senior Lecturer in Media and Communications at Goldsmiths, University of London. His most recent writing includes critical overviews of sports documentary and trade union documentary in Encyclopedia of the Documentary Film (2005) and analysis of the changes taking place in multimedia news, notably in New Media, Old News (edited by Natalie Fenton, 2009). Media Practice Edited by James Curran, Goldsmiths, University of London The Media Practice handbooks are comprehensive resource books for students of media and journalism, and for anyone planning a career as a media professional.
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												  Final AgendaHosted by DATE: 21 OCTOBER 2015 VENUE: NDRC, DIGITAL EXCHANGE CRANE STREET, DUBLIN 8, IRELAND FINAL AGENDA 12:00 Accreditation & Lunch 13:30 Welcome and Presentation of Online Steering Committee Mùirne Laffan, Managing-Director, RTÉ Digital 13:45 The EBU Media Department An overview of the EBU Media Department, including units and key projects. Jean Philip De Tender, Media Director, EBU 14:15 EUROVISION Media Online An overview of the projects, services and expert networks in Media Online. Mike Mullane, Head of Media Online, EBU 14:30 Projects Update This session looks at existing services and next steps for the Digital Storytelling Labs Network, the Social Media Trends Network and the Digital SkillsXchange. Madiana Asseraf, Senior Online Project Manager, EBU Kristin Granbo, Multimedia Journalist, NRK Nigel Wheatley, Multimedia Journalist, RTÉ 15:30 Coffee break 15:50 EBU-LSE Online Journalism Fellowship Kristin Granbo, Multimedia Journalist, NRK Mike Mullane, Head of Media Online, EBU 16:15 Next steps for Media Online Mike Mullane, Head of Media Online, EBU 16:30 EBU Big Data Initiative The EBU has launched a new strategic initiative around everything connected to data, including capture, storage, legal aspects, and what smart data offers for audiences and content production. Guillaume Klossa, Director of Public Affairs, EBU 16:45 Online Steering Committee Elections 18:30 Networking Event at Odessa, 13 Dame Court, Dublin 2 1/1 ONLINE MEDIA SUMMIT 22 OCTOBER 2015 NDRC, DUBLIN A daY FOR INSPiration AND SHARING IDEAS Hosted by #EBUonline 2 EUROVISION ONLINE MEDIA SUMMIT 2015 MORNING SESSIONS 08:30 REGISTRATION Digital Exchange Building, Crane St, Dublin 8, Ireland 09:00 WELCOME Múirne Laffan, Managing-Director, RTÉ Digital Jean Philip De Tender, Media Director, EBU 09:10 KEYnote: Two WAYS to BE Trusted as A PRODUCER OF News Jay Rosen is Professor of Journalism at New York University.
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												  BBC Radio Theatre in London's Broadcasting HouseBBC Radio Theatre in London’s Broadcasting House BBC Radio Theatre in Application London’s Broadcasting - Peter Knowles, Total Audio Solutions House “The Roland M-400 was chosen for its powerful features and high quality mic pres,” explains Peter Knowles of Total Installed Products Audio Solutions, who started his career at Broadcasting house some 25 years ago. “Digital consoles of this type are ever- flexible tool boxes that can recall complex M-400 setups in seconds. The Roland can V-Mixer console at FOH in the BBC’s Radio Theatre in S-4000 Digital Snake distribute its remote mic pres many times London’s Broadcasting House over.” With the M-400 halving the physical footprint Introduction of the previous analogue console used in the Theatre, and the Digital Snake 32x8 One of the final components in an extensive stage unit and 8x32 front-of-house unit technical refurbishment of the BBC’s largest fitting into a single 12U rack, the system radio studio, the M-400 V-Mixing System is suitably compact and portable for an has been installed in the broadcaster’s environment that has limited space. “If famous Radio Theatre in London’s necessary, we can strike the system Broadcasting House. really quickly,” says Events Manager Mark Diamond. “With some Radio OB As part of a larger building programme, vehicles using the same Snakes and M-400 the Radio Theatre has been refurbished consoles, we can turn up at very short and fitted out for a wide range of audience notice and provide broadcast splits fast.” shows, primarily but not exclusively output to radio, including light entertainment A contributor to Roland’s customer research productions, comedy, Christmas specials on feature upgrades, Diamond has recently and one-off events.
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												![The Future of Journalism [359Kb PDF]](https://docslib.b-cdn.net/cover/6806/the-future-of-journalism-359kb-pdf-9946806.webp)  The Future of Journalism [359Kb PDF]The Future of Journalism Papers from a conference organised by the BBC College of Journalism Editor: Charles Miller Conference producer: David Hayward CoJo Publications: 1 © BBC College of Journalism 2009 Contents Preface 5 1. The End of Fortress Journalism by Peter Horrocks 6 2. Introducing Multimedia to the Newsroom by Zoe Smith 18 3. Multimedia Reporting in the Field by Guy Pelham 25 4. Dealing with User-Generated Content: is it Worth it? by Paul Hambleton 32 5. Video Games: a New Medium for Journalism by Philip Trippenbach 39 6. The Audience and the News by Matthew Eltringham 50 7. Delivering Multiplatform Journalism to the Mainstream by Derren Lawford 56 8. Death of the Story by Kevin Marsh 70 Index 89 Preface This book is the result of a BBC College of Journalism conference held in London at the end of 2008. The Future of Journalism brought together journalists, editors, academics and commentators – from both inside the BBC and beyond – to debate current issues about journalism that arose in their daily work. Today, as technology changes the lives of both journalists and their customers, assumptions about what journalism is and how it is practiced are being re-examined. These papers, from speakers at the conference, may help others embrace the new opportunities without abandoning the best of the values and culture that have shaped journalism over many decades. I would like to thank the contributors, who kindly agreed to revisit their subjects and turn them into these chapters. Charles Miller Editor, BBC College of Journalism May 2009 5 1. The End of Fortress Journalism By Peter Horrocks Peter Horrocks was appointed Director of BBC World Service in February 2009.