THE GUIDE SPRING BREAK CAMPS 2O2O MARCH 16–27 | AGES 5–13 Cocastl.Org | 1 WELCOME
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8 Places to Run Away with the Circus
chicagoparent.com http://www.chicagoparent.com/magazines/going-places/2016-spring/circus 8 places to run away with the circus The Actors Gymnasium Run away with the circus without leaving Chicago! If your child prefers to hang upside down while swinging from the monkey bars or tries to jump off a kitchen cabinet to reach the kitchen fan, he belongs in the circus. He’ll be able to squeeze out every last ounce of that energy, and it’s the one place where jumping, swinging, swirling and balancing on one foot is encouraged. Here are some fabulous places where your child can juggle, balance and hang upside down. MSA & Circus Arts 1934 N. Campbell Ave., Chicago; (773) 687-8840 Ages: 3 and up What it offers: Learn skills such as juggling, clowning, rolling globe, sports acrobatics, trampoline, stilts, unicycle 1/4 and stage presentation. The founder of the circus arts program, Nourbol Meirmanov, is a graduate of the Moscow State Circus school, and has recruited trained circus performers and teachers to work here. Price starts: $210 for an eight-week class. The Actors Gymnasium 927 Noyes St., Evanston; (847) 328-2795 Ages: 3 through adult (their oldest student at the moment is 76) What it offers: Kids can try everything from gymnastics-based circus classes to the real thing: stilt walking, juggling, trapeze, Spanish web, lyra, contortion and silk knot. Classes are taught by teachers who graduated from theater, musical theater and circus schools. They also offer programs for kids with disabilities and special needs. Price starts: $165 for an 8-10 week class. -
Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
Petra Sprecher, Cirque Du Soleil Trapeze Artist World Taurus Stunt Awards Nominee for Best High Work and Best Overall Stunt by a Woman, Stuntwoman of the Year Nom
PETRA SPRECHER, CIRQUE DU SOLEIL TRAPEZE ARTIST WORLD TAURUS STUNT AWARDS NOMINEE FOR BEST HIGH WORK AND BEST OVERALL STUNT BY A WOMAN, STUNTWOMAN OF THE YEAR NOM SAG-AFTRA www.PetraSprecher.com Height: 5’8 Email: [email protected] Weight: 145 Mobile: 323-447-3090 Hair: Brown Google: 424-244-2909 Eyes: Brown PERSONAL STATEMENT: I’ve been in the entertainment industry since I’m six years old, touring with the Circus! Now, I am a Stuntwoman and I truly enjoy working for Film and Television; whether it’s to double an actor or to play A stunt role, the enthusiasm and gratitude remain the same! With every booking, I create and deliver an Effortless performance with attention to detail. I’m a professional. HIGHLIGHTS IN FILM: Ad Astra, Independence Day: Resurgence, Flight, The House, 50 Shades of Black, Eagle Eye, Hancock, Evan Almighty, Aeon Flux, Scary Movie, Pirates, Men in Black, The Time Machine, Minority Report HIGHLIGHTS IN TELEVISION: Lovecraft Country, Star Trek: Picard, Loki, Lethal Weapon, Little Big Shots, Scandal, The Criminal Minds, Feed The Beast, Castle, Extant, CSI: NY, Tyler Perry’s The Haves And The Havenots, Ugly Betty, Alias ACTORS DOUBLED: Mariah Carey, Rihanna, Vanessa Williams, Vivica A. Fox, Kimberly Elise, Paula Patton, Aisha Tyler, Rosario Dawson, Sophie Okonedo, Queen Latifah, Oprah Winfrey, Tamara Tunie, Meta Golding, Caroline Chikezie, Angela Robinson, April Parker-Jones, Christine Adams, Merrin Dungey, Gina Torres COORDINATORS WORKED FOR: Yan Dron, Buddy Sosthand, Rob Alonzo, Pete Bucossi, Simon Crane, Tom Elliott, -
Smithsonian Institution News
Smithsonian Institution News June 5, 2017 Media only: Angelica Aboulhosn (202) 633-0644; [email protected] Media website: http://newsdesk.si.edu Smithsonian Folklife Festival Spotlights Circus Arts To mark its 50th anniversary, the 2017 Smithsonian Folklife Festival will highlight the vibrant cultural and artistic expressions of the circus from diverse communities across the country. Featuring a Big Top circus tent on the National Mall, the “Circus Arts” program will take visitors behind the scenes to explore everything from traditions passed down through generations to many of the new expressions that reflect changing social and cultural mores that have always been a hallmark of circus life, work and artistry. The program will feature intimate workshops, full-scale performances and an interactive Circus School where visitors can meet and learn from master artists from across five major circus disciplines: acrobatics, aerials, clowning, equilibristics (e.g., tightrope walking) and object manipulation (e.g., juggling). Visitors to the Festival can also meet artists and coaches, costume designers, makeup artists, riggers and more. The Festival will be held Thursday, June 29, through Tuesday, July 4, and Thursday, July 6, through Sunday, July 9, on the National Mall between Seventh and 12th streets. Admission is free. Festival hours are from 11 a.m. to 5 p.m. each day, with evening dance parties at 5:30 p.m. and circus performances at 7 p.m. Daily matinee performances in the Big Top will include “Wonderland,” a vibrant and dramatic circus adaptation of “Alice in Wonderland” performed by Circus Juventas, a youth circus school in St. -
Linguistic Variation of the American Circus
Abstract http://www.soa.ilstu.edu/anthropology/theses/burns/index.htm Through the "Front Door" to the "Backyard": Linguistic Variation of the American Circus Lisa Burns Illinois State University Anthropology Department Dr. James Stanlaw, Advisor May 1, 2003 Abstract The language of circus can be interpreted through two perspectives: the Traditional American Circus and the New American Circus. There is considerable anthropological importance and research within the study of spectacle and circus. However, there is a limited amount of academic literature pertaining to the linguistics and semiotics of circus. Through participant observation and interviewing, of both circus and non-circus individuals, data will be acquired and analyzed. Further research will provide background information of both types of circuses. Results indicate that an individual's preference can be determined based on the linguistic and semiotic terms used when describing the circus. Introduction Throughout my life, I have always been intrigued by the circus. As a result, I joined the Gamma Phi Circus, here at Illinois State University, in order to obtain a better understanding of circus in our culture. A brief explanation of the title is useful in understanding my paper. I chose the title "Through the 'Front Door' to the 'Backyard'" because "front door" is circus lingo for the doors that a person goes through on entering the tent. The word "backyard" refers to the area in which behind the tent where all the people in the production of the circus park their trailers. This title encompasses the range of information that I have gathered from performers, to directors, to audience members. -
2019 CLASS DESCRIPTIONS SESSION A: August 5-11
2019 CLASS DESCRIPTIONS SESSION A: August 5-11 PERIOD 1: 10:00 - 10:55 AM Acting the Song - Denise Blase, 13+ In this class, songs will be approached from the position of an actor with the logic, intention, and emotion behind the music being analyzed and truthfully expressed. Bring a song you are working on or Denise will help you choose one. All styles welcome. Either accompany yourself or Denise will on the piano. Students will learn how to break down a song and connect to the piece through both the lyrics and the music. This is the perfect class for singers/actors who want to dig deep into bringing more expression and dynamic interpretation to their singing. Opportunity to work on solos, duets and/or small group numbers. Caz Horns - Jessica Jones, 12+ Come join the house horn section, available to perform with many different bands in camp, including the jazz, rock and gospel ensembles! We'll learn the music for each ensemble and will also rehearse with the rock band (and other ensembles as possible). Then we'll perform! Some experience on your instrument and basic reading ability necessary. Some riffing, some improv, some reading - we're the ones who make the music punch! Instruments: all woodwinds and brass welcome, strings considered. Caz Masks - Emiliana Simon-Thomas, 7+ Make your own magnificent Caz Mask. Like a time capsule, your plaster gauze Caz Mask will be an aesthetic testament to who you are and what’s on your mind these days - and as a bonus - it can be your head start for Halloween. -
The Prescott Clowns
The Prescott Clowns From Prescott Elementary School Oakland, California This energetic group of clowns is directed in an after school program by Aileen Moffitt, a second grade teacher, aka "Irma La Clown." These children receive training in circus skills from professionals, then dazzle everyone with their juggling, unicycle riding, and dancing. They give back to their community tenfold with workshops in classrooms and performances at many commu- nity events, nursing homes, and shelters -- besides a long list of school assemblies. "Wherever we perform -- from lavish banquet receptions to small neighborhood events -- it is our intention to dispel negative myths about the children of West Oakland. And we do!" These children sometimes labeled "at risk," become "at promise'' behind a red nose. On the cover: The 1998 Senior Prescott Clowns Photos by: Betty McAfee, except where indicated. Clown Makeup by: the Clowns themselves Clockwise from the top left: Jacori “Orangey Orange” Lee; Tashika ‘”Lifesaver” Boston; Brandon “YoYo” Swain; Angelina “Slinky” Johnson; Robert “CiMore” Gaines; Jerome “Feather” Martin; Alexis “Roller Coaster” Meredith; Eric “E.T.” Yanez; Dominique “Sunny” Simmons; Aracely “Rosey” Rodriques; Angelic “Cherry Nose” Brown; Jessica “Polar Bear” Bennett; Shamika “Genie” Bell; Olajuwon “Bogus” Bell. Photo by: Aileen Moffitt “All it takes is a warm heart and a red nose.” Aileen Moffitt started this school clown program after taking a clown class with Arina Iscaason 20 years ago at the Oakland Parks and Recreation Department. This will be the 15th season for the Prescott Clown Troupe. Last year in addition to the Senior Clowns, they incorporated a Junior Clown Troupe - third graders of 8 or 9 years old. -
Sarrasani Between the Fable and the Epic
SARRASANI BETWEEN THE FABLE AND THE EPIC by Gustavo Bernstein 1 2 To my father, inspirer and instigator behind these pages. 3 4 Homeland is wherever I pitch my tent. Trude Stosch-Sarrasani 5 6 INDEX INTRODUCTION Letter from Trude Stosch-Sarrasani PREFACE By Jorge H. Bernstein SENIOR An early orphanhood………………………………………………………………… Dreams of an artist……………………………………………………………… The court jester………………………………………………………………… Tradition and nostalgia………………………………………………………………… Sensationen! Sensationen!………………………………………………………………. The princess of Elbe (and her “Golden Palace”)…………………………………… A convoy of artists……………………………………………………………………… Europe in flames…………………………………………………………………………. From the Bolshevik Revolution to a gala dinner………………………………………. The conquest of the Americas (or a German in the tropics)…………………………..... The Queen of the Río de la Plata (or the whims of a diva)…………………………… Circus sinks on the high seas…………………………………………………… Arabian Nights (the mirage of technique)…………………………………………… Crash (the tentacles of Wall Street)……………………………………….........…… A typical Freudian cast…………………………………………………..……………… Judenzirkus (or early murmuring of the Third Reich)……………………………… Friday 13th (the Führer’s shadow)…………………………………………………... Stowaway on board (and the siren’s song)……………………………… A thread of light at sunset………………………………………………………… Elephants wear mourning, too………………………………………………………… JUNIOR The show must go on…………………………………………………………………… Junior’s first journey to the New World (including: the fundamental pact with the minister, the purging of the staff, the new agile and swift -
January 2020!! Oakland Magic Circle Newsletter Official Website: Bjornson Hall, 2258 Macarthur Blvd., Oakland, CA 94602
January 2020!! Oakland Magic Circle Newsletter Official Website: www.OaklandMagicCircle.com Bjornson Hall, 2258 MacArthur Blvd., Oakland, CA 94602 . $20 non-members Brad Henderson is perhaps best known for his analytical approach to creating magic and an explanation of this approach will be the foundation and framework of his lecture.Using tricks as needed for illustrative purposes, he will discuss JANUARY MEETING-Tuesday, January 7, valuable ways of approaching magic, share 2020 theories and strategies that are essential to the 6:00pm- Doors Open- Come early to share creation of magic that reaches the level of an art form. Brad’s goal will be to provide you with ideas, effects and news informally. Free back knowledge that should allow you as a magician to issues of Linking Ring magazine. progress, improve and ultimately realize your own Complimentary cookies, coffee and tea. creative visions. 7:00- Business meeting, and Good of the Order News and Announcements 7:30ish: Break "If you've ever encountered Brad Henderson in an on-line discussion, you'll know that he has very 8:00- BRAD HENDERSON LECTURE strong opinions, and is not afraid to express them Free for 2020 paid OMC Members emphatically. If you see him perform, you'll realize Oakland Magic Circle January 2020 Newsletter that he backs up everything he says: Brad walks background he brings to his powerful lecture. the walk, to the benefit of his audiences."- Max Maven Brad’s LIVE ACT on Penguin Magic has generated responses like these: "Brad Henderson has shown me, time and time again, how much he truly cares about magic. -
Tuesday and Wednesday, February 6 & 7, 2007
Tuesday and Wednesday, February 6 & 7, 2007 Fine Arts Center Concert Hall PRODUCTIONS ÉLOIZE, COLUMBIA ARTISTS MANAGEMENT LLC AND NEDERLANDER PRESENTATIONS, INC.. present Starring artists-acrobats-singers-dancers Jocelyn Bigras, Oksana Burliy, Jean-Philippe Cuerrier, Stéphane Gentilini, Catherine Girard, Krin Maren Haglund, Sandrine Merette, Nadine Louis, Bartlomiej Pankau, Jonas Woolverton, Jacek Wyskup Set Design Dolores Heredia Guillaume Lord Moving lights programming Costume Design Nicolas Descoteaux Mérédith Caron Make up Design Lighting Design Suzanne Trépanier Martin Labrecque Assistant Director Head Trainer Roch Jutras Krzysztof Soroczynski Assistant Director & Stage Manager Music Composer & arrangements on recorded Patrick Loubert soundtrack Creative Producer Maria Bonzanigo Julie Hamelin Music Composer & arrangements for live music General Manager Lucie Cauchon Jeffrey M. Markowitz Lyrics Executive Producers Daniele Finzi Pasca Jean-Jacques Cesbron Creator & Trainer for “Roue Cyr” act Julie Hamelin Daniel Cyr Cirque Éloize’s artistic direction Acting Preparation Jeannot Painchaud The duration of the performance is two hours including intermission. The use of any recording device, either video or audio, and the taking of photographs, either with or without flash, is strictly prohibited Sponsored by Bank of America, El Dialogo, WRNX 100.9 and Hampshire Hospitality Group SCENES Cirque Éloize Rain Prologue Tumbling Juggling Banquine & Russian Bar Strong Women Shoes Strong Men Duo Trapeze Juggling Bottles Roue Cyr Teeterboard INTERMISSION -
2009-2010 Circus Classes Pre-Requisites
THE GREAT ALL-AMERICAN YOUTH CIRCUS 2017-2018 Circus Class Pre-Requisites Guide Beginning Level Ground Acts Mini Acro (class max:16) Level I Group: 3-4 years of age Able to follow directions & is comfortable in a large group Potty trained Parent participation is highly encouraged in this class Level II Group: 4-5 years of age Encouraged to have 1 year previous Mini Acro experience Able to follow direction & is comfortable in a large group Able to perform forward roll with good form (w/o help) Able to support own body weight on hands with help Comfortable with having parents out of the room Level III Group:5-6 years of age (in transitional kindergarten or kindergarten) Must have 1 or 2 years of previous experience in Mini Acro or be invited by a trainer Able to follow direction & is comfortable in a large group Able to perform forward roll with good form (w/o help) Must have a good start on a backward roll, cartwheel and bridge Able to support own body weight on hands with help Able to follow direction & is courteous & respectful Comfortable with parents out of the room Circus Essentials (class max: 35) Classes include Beginning Levels of Balance Skills, Mini Trampoline, Tumbling, & Acro. Classes will focus on strength, endurance, and skill building. Essentials 1 = 1st – 5th grade participants Essentials 2 = 6th – 12th grade participants Participants should be comfortable in a large group of mixed ages as CE1 & CE2 will be one class Be able to demonstrate self-control and good behavior Must be able to move from one activity to the next with ease Parent participation is highly encourage Pyramid Acro Level I (class max: 30) Minimum age 7 Previous Essentials acro or tumbling preferred Able to follow direction Strength Requirements Able to do 15 v-ups Able to do 10 push-ups Able to hold a 20 sec. -
Circus Schools Discovery Questionnaire This Is for Quotation Purposes Only—This Is Not a Binder A
ANY PERSON WHO KNOWINGLY AND WITH INTENT TO DEFRAUD ANY INSURANCE COMPANY OR OTHER PERSON, FILES AN APPLICATION FOR INSURANCE CONTAINING ANY FALSE INFORMATION, OR CONCEALS FOR THE PURPOSE OF MISLEADING, INFORMATION CONCERNING ANY FACT MATERIAL THERETO, COMMITS A FRAUDULENT INSURANCE ACT, WHICH IS A CRIME. CIRCUS SCHOOLS DISCOVERY QUESTIONNAIRE THIS IS FOR QUOTATION PURPOSES ONLY—THIS IS NOT A BINDER A. General Information PROPOSED EFFECTIVE DATE: 1. Applicant (as it would appear on the coverage contract): 2. Doing Business As: 3. Mailing Address: City: State: Zip: 4. Contact Person: Years Experience: Contact Person is: □ Owner □ Manager □ Promoter □ Management □ Other: 5. Phone: Fax Number: 6. Web Address: E-Mail Address: 7. Is this a new business? □ Yes □ No If no, how many years have you been in business? 8. Applicant is: □ Individual □ Corporation □ Partnership □ Joint Venture □ Other: 9. Length of season: 10. Who was your last or is your current insurance carrier? 11. What is or was your annual premium? 12. Describe your claims and loss history: 13. Amount of Liability Required: □ 50,000 per accident / 100,000 annual □ 100,000 per accident / 200,000 annual aggregate aggregate □ 100,000 per accident / 300,000 annual □ 200,000 per accident / 300,000 annual aggregate aggregate □ 200,000 per accident / 500,000 annual □ 300,000 per accident / 500,000 annual aggregate aggregate □ 300,000 per accident / 300,000 annual □ 500,000 per accident / 500,000 annual aggregate aggregate □ 300,000 per accident / 1,000,000 annual □ 500,000 per accident / 1,000,000 annual aggregate aggregate 14. Self-Insured Retention desired: □ $1,000 □ $2,500 □ $5,000 □ Other: $ B.